UPC · Release
All the Aces
Motörhead
Last verified:
016861913229 is the Universal Product Code (UPC barcode) for the release “All the Aces” by Motörhead, released 1992-01-01 on Roadrunner Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include GBBHN0100112, GBBHN0100113, GBBHN0100114.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Motörhead | Motörhead | T-010.175.412-4 | |
| 2 | Vibrator | Motörhead | T-010.467.100-2 | |
| 3 | Lost Johnny | Motörhead | T-010.175.057-5 | |
| 4 | Iron Horse / Born to Lose | Motörhead | T-900.237.949-9 | |
| 5 | White Line Fever | Motörhead | T-010.465.773-9 | |
| 6 | Keep Us on the Road | Motörhead | T-010.719.009-9 | |
| 7 | The Watcher | Motörhead | — | |
| 8 | The Train Kept-A-Rollin’ | Motörhead | T-070.140.418-3 | |
| 9 | City Kids | Motörhead | T-010.454.574-5 | |
| 10 | Beer Drinkers and Hell Raisers | Motörhead | T-070.884.369-9 | |
| 11 | On Parole | Motörhead | T-010.155.580-9 | |
| 12 | Instro | Motörhead | — | |
| 13 | I’m Your Witch Doctor | Motörhead | T-900.008.876-6 | |
| 2-1 | Overkill | Motörhead | T-010.470.553-4 | |
| 2-2 | Stay Clean | Motörhead | — | |
| 2-3 | (I Won’t) Pay Your Price | Motörhead | — | |
| 2-4 | I’ll Be Your Sister | Motörhead | — | |
| 2-5 | Capricorn | Motörhead | T-927.022.118-6 | |
| 2-6 | No Class | Motörhead | — | |
| 2-7 | Damage Case | Motörhead | T-010.477.068-4 | |
| 2-8 | Tear Ya Down | Motörhead | — | |
| 2-9 | Metropolis | Motörhead | T-927.022.118-6 | |
| 2-10 | Limb From Limb | Motörhead | — | |
| 2-11 | Too Late, Too Late | Motörhead | T-010.270.158-5 | |
| 2-12 | Tear Ya Down | Motörhead | — | |
| 2-13 | Louie, Louie | Motörhead | T-010.768.444-5 | |
| 3-1 | Dead Men Tell No Tales | Motörhead | — | |
| 3-2 | Lawman | Motörhead | — | |
| 3-3 | Sweet Revenge | Motörhead | — | |
| 3-4 | Sharpshooter | Motörhead | — | |
| 3-5 | Poison | Motörhead | — | |
| 3-6 | Stone Dead Forever | Motörhead | — | |
| 3-7 | All the Aces | Motörhead | — | |
| 3-8 | Step Down | Motörhead | — | |
| 3-9 | Talking Head | Motörhead | — | |
| 3-10 | Bomber | Motörhead | T-010.470.775-6 | |
| 3-11 | Over the Top | Motörhead | — | |
| 4-1 | Ace of Spades | Motörhead | T-010.473.805-7 | |
| 4-2 | Love Me Like a Reptile | Motörhead | — | |
| 4-3 | Shoot You in the Back | Motörhead | — | |
| 4-4 | Live to Win | Motörhead | — | |
| 4-5 | Fast and Loose | Motörhead | — | |
| 4-6 | (We Are) The Road Crew | Motörhead | — | |
| 4-7 | Fire, Fire | Motörhead | — | |
| 4-8 | Jailbait | Motörhead | T-010.478.296-8 | |
| 4-9 | Dance | Motörhead | — | |
| 4-10 | Bite the Bullet | Motörhead | — | |
| 4-11 | The Chase Is Better Than the Catch | Motörhead | T-010.478.706-5 | |
| 4-12 | The Hammer | Motörhead | — | |
| 4-13 | Dirty Love | Motörhead | — | |
| 5-1 | Ace of Spades | Motörhead | T-010.473.805-7 | |
| 5-2 | Stay Clean | Motörhead | — | |
| 5-3 | Metropolis | Motörhead | — | |
| 5-4 | The Hammer | Motörhead | — | |
| 5-5 | Iron Horse / Born to Lose | Motörhead | T-900.237.949-9 | |
| 5-6 | No Class | Motörhead | — | |
| 5-7 | Overkill | Motörhead | T-010.470.553-4 | |
| 5-8 | (We Are) The Road Crew | Motörhead | — | |
| 5-9 | Capricorn | Motörhead | — | |
| 5-10 | Bomber | Motörhead | T-010.470.775-6 | |
| 5-11 | Motörhead | Motörhead | T-010.175.412-4 | |
| 5-12 | Over the Top | Motörhead | — | |
| 5-13 | Leaving Here | Motörhead | T-070.251.741-6 | |
| 5-14 | Stone Dead Forever | Motörhead | — | |
| 5-15 | Dead Men Tell No Tales | Motörhead | — | |
| 5-16 | Too Late, Too Late | Motörhead | T-010.270.158-5 | |
| 6-1 | Turn You Round Again | Motörhead | — | |
| 6-2 | Under the Knife | Motörhead | — | |
| 6-3 | Under the Knife | Motörhead | — | |
| 6-4 | Stand by Your Man | Motörhead, Wendy O. Williams | T-071.017.323-1 | |
| 6-5 | Emergency | Motörhead, Denise Dufort | T-010.484.546-6 | |
| 6-6 | Lemmy Goes to the Pub | Motörhead | — | |
| 6-7 | Tales of Glory | Motörhead | — | |
| 6-8 | Heart of Stone | Motörhead | — | |
| 6-9 | Hoochie Coochie Man | Motörhead | T-060.569.990-8 | |
| 6-10 | (Don't Need) Religion | Motörhead | — | |
| 6-11 | Go to Hell (live) | — | ||
| 6-12 | One Track Mind (live) | — | ||
| 6-13 | Shoot You in the Back | Motörhead | — |
Additional database matches (18)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| (We Are) The Road Crew | Motörhead | — |
| Fire, Fire | Motörhead | — |
| Live to Win | Motörhead | T-071.309.558-9 |
| Under the Knife | Motörhead | — |
| Dirty Love | Motörhead | — |
| (Don't Need) Religion | Motörhead | — |
| Dead Men Tell No Tales | Motörhead | — |
| Stay Clean | Motörhead | — |
| Metropolis | Motörhead | — |
| The Hammer | Motörhead | — |
| No Class | Motörhead | — |
| (We Are) The Road Crew | Motörhead | — |
| Capricorn | Motörhead | — |
| Over the Top | Motörhead | — |
| C’mon Let’s Go | Girlschool | T-011.417.092-1 |
| (Don't Need) Religion | Motörhead | — |
| Turn You Round Again | Motörhead | — |
| Stone Dead Forever | Motörhead | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 016861913229?
016861913229 is a Universal Product Code (UPC) assigned to All the Aces by Motörhead. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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