The Band That Would Be King

UPC · Release

The Band That Would Be King

Half Japanese

017538010821
42 tracksReleased 1989-01-0150,000,000,000,000,000,000,000,000,000,000 Watts Records

Last verified:

017538010821 is the Universal Product Code (UPC barcode) for the release The Band That Would Be King by Half Japanese, released 1989-01-01 on 50,000,000,000,000,000,000,000,000,000,000 Watts Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC.

Format

0Number system
17538Manufacturer
01082Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (42)

Open Your Eyes / Close Your Eyes
Open Your Eyes / Close Your Eyes
Daytona Beach
Daytona Beach
Lucky Star
Lucky Star
Some Things Last a Long Time
Some Things Last a Long Time
My Most Embarrassing Moment
My Most Embarrassing Moment
Buried Treasure
Buried Treasure
Open Book
Open Book
Little Records
Little Records
Deadly Alien Spawn
Deadly Alien Spawn
Postcard From Far Away
Postcard From Far Away
Ventriloquizm Made Easy
Ventriloquizm Made Easy
Something in the Wind
Something in the Wind
Bingo's Not His Name-O
Bingo's Not His Name-O
Put Some Sugar on It
Put Some Sugar on It
What More Can I Do
What More Can I Do
Brand New Moon
Brand New Moon
Another World
Another World
Every Word Is True
Every Word Is True
I Live for Love
I Live for Love
Werewolf
Werewolf
Ride, Ride, Ride
Ride, Ride, Ride
Sugar Cane
Sugar Cane
I Wish I May
I Wish I May
Ashes on the Ground
Ashes on the Ground
Curse of the Doll People
Curse of the Doll People
Horseshoes
Horseshoes
Bluebirds
Bluebirds
Frankenstein Meets Billy the Kid
Frankenstein Meets Billy the Kid
My Bucket's Got a Hole in It
My Bucket's Got a Hole in It
Africans Built the Pyramids
Africans Built the Pyramids
Better Than Before
Better Than Before
Daytona
Daytona
Back Home
Back Home
Mule Skinner Blues
Mule Skinner Blues
Sugar Cane
Sugar Cane
Jump Up
Jump Up
Postcard From Far Away
Postcard From Far Away
Big Wheels
Big Wheels
Ordeal
Ordeal
Jump Down
Jump Down
Cowboys
Cowboys
Man Without a Head
Man Without a Head

What other identifiers does this connect to?

Creative Contributors (ISNI)

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People also ask

What is UPC 017538010821?
UPC 017538010821 is the Universal Product Code (barcode) for "The Band That Would Be King" by Half Japanese, released on 50,000,000,000,000,000,000,000,000,000,000 Watts Records.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 017538010821?
UPC 017538010821 contains 42 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 017538010821?

017538010821 is a Universal Product Code (UPC) assigned to The Band That Would Be King by Half Japanese. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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