UPC · Release
American Pop: An Audio History: From Minstrels to Mojo: On Record, 1893-1946
Various Artists
017685401725
215 tracksReleased 1998-01-01West Hill Audio Archives
Last verified:
017685401725 is the Universal Product Code (UPC barcode) for the release “American Pop: An Audio History: From Minstrels to Mojo: On Record, 1893-1946” by Various Artists, released 1998-01-01 on West Hill Audio Archives. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 215 tracks, each with its own ISRC. Tracks include DEU240800171, USSM11505811, GBHVK1100111.
Format
0Number system
17685Manufacturer
40172Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCAmerican Pop: An Audio History: From Minstrels to Mojo: On Record, 1893-1946
ISRC21 recordings
ISWC60 works
IPI50 songwriters
Track List (215)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mama’s Black Baby Boy | — | ||
| 2 | Poor Mourner | — | ||
| 3 | A Coon Band Contest | — | ||
| 4 | Cakewalk | — | ||
| 5 | Pasquinale | — | ||
| 6 | Bill Bailey | — | ||
| 7 | Nobody | — | ||
| 8 | Grand Old Rag | — | ||
| 9 | De Little Old Log Cabin in de Lane | — | ||
| 10 | The Bully | — | ||
| 11 | Has Anybody Here Seen Kelly? | — | ||
| 12 | You Made Me Love You | — | ||
| 13 | Hungarian Rag | — | ||
| 14 | Down Home Rag | — | ||
| 15 | Desecration Rag | — | ||
| 16 | Memphis Blues | — | ||
| 17 | That’s the Kind of Baby For Me | — | ||
| 18 | Tiger Rag | Original Dixieland Jazz Band | — | |
| 19 | After You’ve Gone | — | ||
| 20 | Memphis Blues | — | ||
| 21 | Royal Garden Blues | — | ||
| 22 | Sweet Man o’ Mine | — | ||
| 23 | Love Will Find a Way | — | ||
| 24 | Sounds of Africa | — | ||
| 25 | Keep Off the Grass | — | ||
| 2-1 | Society Blues | — | ||
| 2-2 | Ragtime Annie | — | ||
| 2-3 | It Ain’t Gonna Rain No Mo’ | — | ||
| 2-4 | Original Charleston Strut | — | ||
| 2-5 | The Old Hen Cackled & The Rooster’s Gonna Crow | — | ||
| 2-6 | New Orleans Joys | — | ||
| 2-7 | Kansas City Man Blues | — | ||
| 2-8 | Elephants Wobble | — | ||
| 2-9 | Working Man Blues | — | ||
| 2-10 | Lucky Rock Blues | — | ||
| 2-11 | Chicago Stomp | — | ||
| 2-12 | Johnny Dunn’s Cornet Blues | — | ||
| 2-13 | California Here I Come | — | ||
| 2-14 | Prisoner’s Song | — | ||
| 2-15 | Ezekiel Saw de Wheel | — | ||
| 2-16 | Suitcase Blues | — | ||
| 2-17 | When the Work’s All Done This Fall | — | ||
| 2-18 | Sugar Hill | — | ||
| 2-19 | Candy Girl | — | ||
| 2-20 | Long Lonesome Blues | — | ||
| 2-21 | It’s All Right Now | — | ||
| 2-22 | Sweet and Low Down | — | ||
| 2-23 | Stockyard Strut | — | ||
| 2-24 | The Cross-Eyed Butcher & the Cacklin’ Hen | — | ||
| 3-1 | Black Bottom Stomp | — | ||
| 3-2 | Flop Eared Mule | — | ||
| 3-3 | Country Blues | Dock Boggs | T-071.662.959-2 | |
| 3-4 | New Jelly Roll Blues | — | ||
| 3-5 | After You’ve Gone | — | ||
| 3-6 | Guitar Rag | — | ||
| 3-7 | I’m Coming Virginia | — | ||
| 3-8 | My Pretty Girl | — | ||
| 3-9 | Woke Up With the Blues in My Fingers | — | ||
| 3-10 | I’m Coming Virginia | — | ||
| 3-11 | The Old Hickory Cane | — | ||
| 3-12 | There Is a Fountain Filled With Blood | — | ||
| 3-13 | Blue Guitar Stomp | — | ||
| 3-14 | Silhouette | — | ||
| 3-15 | No More Goodbyes | — | ||
| 3-16 | O’ Molly Dear | — | ||
| 3-17 | Pick Poor Robin Clean | — | ||
| 3-18 | Honolulu Blues | — | ||
| 3-19 | Train Forty-Five | — | ||
| 3-20 | Mama ’Taint Long For Day | — | ||
| 3-21 | My Money Never Runs Out | — | ||
| 3-22 | Motherless Chile Blues | — | ||
| 3-23 | Washboard Blues | — | ||
| 3-24 | Dark Was the Night, Cold Was the Ground | Blind Willie Johnson | T-901.801.911-9 | |
| 4-1 | Dallas Rag | Dallas String Band | — | |
| 4-2 | Deep Elm | — | ||
| 4-3 | Cool Drink of Water Blues | Tommy Johnson | — | |
| 4-4 | Black Beauty | — | ||
| 4-5 | Somethin’ Doin’ | — | ||
| 4-6 | Antioch | — | ||
| 4-7 | Ham Beats All Meat | — | ||
| 4-8 | Melancholy Baby | — | ||
| 4-9 | Lovesick Blues | — | ||
| 4-10 | Fishing Blues | Henry Thomas | — | |
| 4-11 | Wild Cat | — | ||
| 4-12 | Indiana | — | ||
| 4-13 | Oysters and Wine at 2 A.M. | — | ||
| 4-14 | Lonesome Swallow | — | ||
| 4-15 | Rolling Log Blues | — | ||
| 4-16 | How Long | Frank Stokes | — | |
| 4-17 | The Miner’s Blues | — | ||
| 4-18 | Ice Water Blues | — | ||
| 4-19 | Acorn Stomp | — | ||
| 4-20 | Heavy Hearted Blues | — | ||
| 4-21 | Next Week Sometime | — | ||
| 4-22 | Tell Me Woman Blues | — | ||
| 4-23 | Just Too Soon | — | ||
| 4-24 | Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — | |
| 5-1 | Away Out on the Mountain | — | ||
| 5-2 | Baby Please Loan Me Your Heart | — | ||
| 5-3 | Jump Steady Blues | — | ||
| 5-4 | Get Away From My Window (Stay Away) | — | ||
| 5-5 | Madame Young | — | ||
| 5-6 | Till Times Get Better | — | ||
| 5-7 | He Rambled | Charlie Poole | — | |
| 5-8 | Feelin’ the Spirit | — | ||
| 5-9 | Blind Arthur’s Breakdown | — | ||
| 5-10 | K.C. Moan | Memphis Jug Band | — | |
| 5-11 | You Don’t Understand | — | ||
| 5-12 | Hell Broke Loose in Georgia | — | ||
| 5-13 | Squabblin’ | — | ||
| 5-14 | There’ll Be No Distinction There | — | ||
| 5-15 | You Got to Wet It | — | ||
| 5-16 | I Hate a Man Like You | — | ||
| 5-17 | Dry Spell Blues | — | ||
| 5-18 | Motherless Children | — | ||
| 5-19 | Don’t Think I’m Santa Claus | Lil McClintock | — | |
| 5-20 | Guitar Rag | — | ||
| 5-21 | Warm Wipe Stomp | — | ||
| 5-22 | Devil Got My Woman | Skip James | T-906.252.873-8 | |
| 5-23 | Draggin’ My Heart Around | Fats Waller | — | |
| 6-1 | So Sorry Dear | — | ||
| 6-2 | Get on Board Aunt Susan | — | ||
| 6-3 | Let Me Be Your Sidetrack | Jimmie Rodgers | T-070.095.404-6 | |
| 6-4 | Stardust | — | ||
| 6-5 | Last Kind Word Blues | — | ||
| 6-6 | Tiger Rag | — | ||
| 6-7 | Shanghai Rooster Yodel #2 | — | ||
| 6-8 | Washboard Blues | — | ||
| 6-9 | (When It’s) Darkness on the Delta | — | ||
| 6-10 | Moten Swing | — | ||
| 6-11 | Home on the Range | — | ||
| 6-12 | Dance of the Octopus | — | ||
| 6-13 | I’ve Got the Big River Blues | — | ||
| 6-14 | Montana Plains | — | ||
| 6-15 | Bay Rum Blues | — | ||
| 6-16 | My Swiss Moonlight Lullaby | — | ||
| 6-17 | Someday Sweetheart | — | ||
| 6-18 | Railroad Blues | — | ||
| 6-19 | Down South Camp Meeting | — | ||
| 6-20 | Bring Up Breakdown | — | ||
| 6-21 | Dinah | — | ||
| 6-22 | Some of These Days | — | ||
| 6-23 | Fiddlers Dream | — | ||
| 7-1 | When the Sun Goes Down | — | ||
| 7-2 | What’s the Reason | — | ||
| 7-3 | Sola | — | ||
| 7-4 | Swanee River | — | ||
| 7-5 | It Never Dawned on Me | — | ||
| 7-6 | Tillie’s Downtown Now | — | ||
| 7-7 | Honeysuckle Rose | — | ||
| 7-8 | I’m in the Mood for Love | — | ||
| 7-9 | River Blues | — | ||
| 7-10 | I Want You by My Side | — | ||
| 7-11 | I’m Here to Get My Baby Out of Jail | — | ||
| 7-12 | Dinah | — | ||
| 7-13 | I Can’t Give You Anything But Love | — | ||
| 7-14 | Liza | — | ||
| 7-15 | If I Had Possession Over Judgement Day | Robert Johnson | — | |
| 7-16 | The Church in the Wildwood | — | ||
| 7-17 | Cross Street Swing | — | ||
| 7-18 | Good Morning Little School Girl | Sonny Boy Williamson, Big Joe Williams | T-901.130.029-1 | |
| 7-19 | Topsy | — | ||
| 7-20 | Dust | — | ||
| 7-21 | Diminuendo in Blue | — | ||
| 7-22 | Cowboy Night Herd Song | — | ||
| 7-23 | The Road to Ruin | — | ||
| 7-24 | Body and Soul | Larry Adler, orchestre “swing” | T-070.012.014-4 | |
| 7-25 | Little Joe | — | ||
| 8-1 | Let That Liar Alone | — | ||
| 8-2 | You’re Okay | — | ||
| 8-3 | Deep Purple | — | ||
| 8-4 | P.L.K. Special | — | ||
| 8-5 | If Dreams Come True | — | ||
| 8-6 | Stairway to the Stars | — | ||
| 8-7 | Walk Around | — | ||
| 8-8 | I’m Always Dreaming of You | — | ||
| 8-9 | Muleskinner Blues | — | ||
| 8-10 | I AIN'T GOT NO HOME | Woody Guthrie | — | |
| 8-11 | After Hours | — | ||
| 8-12 | Oh Yes? Take Another Guess | — | ||
| 8-13 | Sugar | — | ||
| 8-14 | Seldom the Sun | — | ||
| 8-15 | Mule Skinner Blues | Bill Monroe | T-070.110.443-9 | |
| 8-16 | Piney Brown’s Blues | — | ||
| 8-17 | Trail of the Great Divide | — | ||
| 8-18 | Walking the Floor Over You | Ernest Tubb | T-070.919.038-4 | |
| 8-19 | Swing to Bop | — | ||
| 8-20 | Hello Babe | — | ||
| 8-21 | I Got the Blues | Big Maceo | — | |
| 8-22 | You Got to Get Out of Here | — | ||
| 8-23 | She’s Funny That Way | — | ||
| 8-24 | Mean Old Frisco Blues | — | ||
| 8-25 | Buster’s Last Stand | — | ||
| 9-1 | Rock Daniel | — | ||
| 9-2 | Indiana | — | ||
| 9-3 | I Got a Break Baby | — | ||
| 9-4 | Red River Dam Blues | — | ||
| 9-5 | Rainbow Mist | — | ||
| 9-6 | Gulf Coast Blues | — | ||
| 9-7 | Share Croppin’ Blues | — | ||
| 9-8 | Don’t Let That Man Get You Down | — | ||
| 9-9 | The Honeydripper | — | ||
| 9-10 | Indiana | — | ||
| 9-11 | The Man I Love | — | ||
| 9-12 | In a Mezz | — | ||
| 9-13 | Buzz Me | — | ||
| 9-14 | I Don’t Know Enough About You | — | ||
| 9-15 | Shaw ’Nuff | — | ||
| 9-16 | Don’t Let the Sun Catch You Cryin’ | — | ||
| 9-17 | I’ll Get Along Somehow | — | ||
| 9-18 | Boogie Woogie Baby | — | ||
| 9-19 | This Subdues My Passion | — | ||
| 9-20 | Filipino Baby | — | ||
| 9-21 | I Wish I Was a Single Girl Again | — | ||
| 9-22 | What Is This Thing Called Love | — |
Mama’s Black Baby Boy
—
Poor Mourner
—
A Coon Band Contest
—
Cakewalk
—
Pasquinale
—
Bill Bailey
—
Nobody
—
Grand Old Rag
—
De Little Old Log Cabin in de Lane
—
The Bully
—
Has Anybody Here Seen Kelly?
—
You Made Me Love You
—
Hungarian Rag
—
Down Home Rag
—
Desecration Rag
—
Memphis Blues
—
That’s the Kind of Baby For Me
—
Tiger Rag
Original Dixieland Jazz Band
—
After You’ve Gone
—
Memphis Blues
—
Royal Garden Blues
—
Sweet Man o’ Mine
—
Love Will Find a Way
—
Sounds of Africa
—
Keep Off the Grass
—
Society Blues
—
Ragtime Annie
—
It Ain’t Gonna Rain No Mo’
—
Original Charleston Strut
—
The Old Hen Cackled & The Rooster’s Gonna Crow
—
New Orleans Joys
—
Kansas City Man Blues
—
Elephants Wobble
—
Working Man Blues
—
Lucky Rock Blues
—
Chicago Stomp
—
Johnny Dunn’s Cornet Blues
—
California Here I Come
—
Prisoner’s Song
—
Ezekiel Saw de Wheel
—
Suitcase Blues
—
When the Work’s All Done This Fall
—
Sugar Hill
—
Candy Girl
—
Long Lonesome Blues
—
It’s All Right Now
—
Sweet and Low Down
—
Stockyard Strut
—
The Cross-Eyed Butcher & the Cacklin’ Hen
—
Black Bottom Stomp
—
Flop Eared Mule
—
New Jelly Roll Blues
—
After You’ve Gone
—
Guitar Rag
—
I’m Coming Virginia
—
My Pretty Girl
—
Woke Up With the Blues in My Fingers
—
I’m Coming Virginia
—
The Old Hickory Cane
—
There Is a Fountain Filled With Blood
—
Blue Guitar Stomp
—
Silhouette
—
No More Goodbyes
—
O’ Molly Dear
—
Pick Poor Robin Clean
—
Honolulu Blues
—
Train Forty-Five
—
Mama ’Taint Long For Day
—
My Money Never Runs Out
—
Motherless Chile Blues
—
Washboard Blues
—
Dallas Rag
Dallas String Band
—
Deep Elm
—
Cool Drink of Water Blues
Tommy Johnson
—
Black Beauty
—
Somethin’ Doin’
—
Antioch
—
Ham Beats All Meat
—
Melancholy Baby
—
Lovesick Blues
—
Fishing Blues
Henry Thomas
—
Wild Cat
—
Indiana
—
Oysters and Wine at 2 A.M.
—
Lonesome Swallow
—
Rolling Log Blues
—
How Long
Frank Stokes
—
The Miner’s Blues
—
Ice Water Blues
—
Acorn Stomp
—
Heavy Hearted Blues
—
Next Week Sometime
—
Tell Me Woman Blues
—
Just Too Soon
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Away Out on the Mountain
—
Baby Please Loan Me Your Heart
—
Jump Steady Blues
—
Get Away From My Window (Stay Away)
—
Madame Young
—
Till Times Get Better
—
He Rambled
Charlie Poole
—
Feelin’ the Spirit
—
Blind Arthur’s Breakdown
—
K.C. Moan
Memphis Jug Band
—
You Don’t Understand
—
Hell Broke Loose in Georgia
—
Squabblin’
—
There’ll Be No Distinction There
—
You Got to Wet It
—
I Hate a Man Like You
—
Dry Spell Blues
—
Motherless Children
—
Don’t Think I’m Santa Claus
Lil McClintock
—
Guitar Rag
—
Warm Wipe Stomp
—
Draggin’ My Heart Around
Fats Waller
—
So Sorry Dear
—
Get on Board Aunt Susan
—
Stardust
—
Last Kind Word Blues
—
Tiger Rag
—
Shanghai Rooster Yodel #2
—
Washboard Blues
—
(When It’s) Darkness on the Delta
—
Moten Swing
—
Home on the Range
—
Dance of the Octopus
—
I’ve Got the Big River Blues
—
Montana Plains
—
Bay Rum Blues
—
My Swiss Moonlight Lullaby
—
Someday Sweetheart
—
Railroad Blues
—
Down South Camp Meeting
—
Bring Up Breakdown
—
Dinah
—
Some of These Days
—
Fiddlers Dream
—
When the Sun Goes Down
—
What’s the Reason
—
Sola
—
Swanee River
—
It Never Dawned on Me
—
Tillie’s Downtown Now
—
Honeysuckle Rose
—
I’m in the Mood for Love
—
River Blues
—
I Want You by My Side
—
I’m Here to Get My Baby Out of Jail
—
Dinah
—
I Can’t Give You Anything But Love
—
Liza
—
If I Had Possession Over Judgement Day
Robert Johnson
—
The Church in the Wildwood
—
Cross Street Swing
—
Topsy
—
Dust
—
Diminuendo in Blue
—
Cowboy Night Herd Song
—
The Road to Ruin
—
Little Joe
—
Let That Liar Alone
—
You’re Okay
—
Deep Purple
—
P.L.K. Special
—
If Dreams Come True
—
Stairway to the Stars
—
Walk Around
—
I’m Always Dreaming of You
—
Muleskinner Blues
—
I AIN'T GOT NO HOME
Woody Guthrie
—
After Hours
—
Oh Yes? Take Another Guess
—
Sugar
—
Seldom the Sun
—
Piney Brown’s Blues
—
Trail of the Great Divide
—
Swing to Bop
—
Hello Babe
—
I Got the Blues
Big Maceo
—
You Got to Get Out of Here
—
She’s Funny That Way
—
Mean Old Frisco Blues
—
Buster’s Last Stand
—
Rock Daniel
—
Indiana
—
I Got a Break Baby
—
Red River Dam Blues
—
Rainbow Mist
—
Gulf Coast Blues
—
Share Croppin’ Blues
—
Don’t Let That Man Get You Down
—
The Honeydripper
—
Indiana
—
The Man I Love
—
In a Mezz
—
Buzz Me
—
I Don’t Know Enough About You
—
Shaw ’Nuff
—
Don’t Let the Sun Catch You Cryin’
—
I’ll Get Along Somehow
—
Boogie Woogie Baby
—
This Subdues My Passion
—
Filipino Baby
—
I Wish I Was a Single Girl Again
—
What Is This Thing Called Love
—
Additional database matches (13)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Cool Drink of Water Blues | Tommy Johnson | — |
| Mule Skinner Blues | Bill Monroe and the Bluegrass Boys | T-030.157.231-5 |
| I Ain't Got No Home | Woody Guthrie | — |
| I Ain't Got No Home | Woody Guthrie | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Fishing Blues | Henry Thomas | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| If I Had Possession Over Judgement Day | Robert Johnson | T-072.368.242-5 |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| If I Had Possession Over Judgement Day | Robert Johnson | T-072.368.242-5 |
| If I Had Possession Over Judgement Day | Robert Johnson | T-072.368.242-5 |
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Cool Drink of Water Blues
Tommy Johnson
—
Bill Monroe and the Bluegrass Boys
I Ain't Got No Home
Woody Guthrie
—
I Ain't Got No Home
Woody Guthrie
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Fishing Blues
Henry Thomas
—
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Robert Johnson
Tight Like This
Louis Armstrong and His Savoy Ballroom Five
—
Robert Johnson
Robert Johnson
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.436.342-9T-011.191.232-3T-030.157.231-5T-031.563.049-9T-070.012.014-4T-070.110.443-9T-070.919.038-4T-070.011.441-5T-070.012.014-4T-070.074.170-3
+50 more
T-070.090.398-5T-070.110.443-9T-070.135.152-1T-070.137.509-8T-070.137.725-4T-070.152.294-2T-070.158.415-7T-070.240.543-3T-070.261.074-9T-070.275.550-7T-070.902.524-0T-070.902.704-2T-070.903.884-5T-070.905.811-6T-070.919.038-4T-071.059.730-0T-071.059.798-0T-071.070.451-0T-313.297.528-7T-700.159.410-3T-800.126.371-5T-800.197.325-8T-800.263.634-3T-800.267.181-1T-800.268.641-2T-900.008.578-9T-900.008.746-7T-900.240.804-0T-900.306.434-4T-900.363.111-6T-900.754.873-4T-900.755.157-7T-901.130.029-1T-901.801.911-9T-901.130.029-1T-901.801.911-9T-902.688.204-2T-903.720.759-3T-903.893.098-2T-903.948.951-5T-906.252.873-8T-906.252.873-8T-910.978.268-5T-910.978.331-5T-910.978.386-0T-914.727.001-7T-914.727.165-6T-070.095.404-6T-071.662.959-2T-072.368.242-5
Songwriters/Publishers (IPI)
00001334546000013485300000163482500002259424000024581230000342064300004336228000052617200000712192500007358199
+40 more
00007840200000091719940000921181400010318443000117301390001189189400012336919000130401580001361571300013812614000141426310001428180900015415809000154163160001541670800015421523000154267040001545301500016789653000176371880001874647000020918504000209186020002158579600022567988000227463000002350532300024908879000249125990002558886100026291397000284993510002881496600028857353000289730580003059180000030650324000310632370003114762000031198894
Creative Contributors (ISNI)
00000000014595860000000002935206000000000682197800000000232800850000000024971224000000002563123X0000000026753415000000002738996900000000281960930000000029712272
+40 more
0000000030002606000000003212762100000000351979830000000036911202000000003981830200000000427728190000000043543540000000004723397X0000000055130575000000005513713600000000551371520000000055138745000000005514423X00000000551813480000000055186608000000005537237100000000592337150000000059300252000000005936553100000000594072010000000059450242000000005946082X00000000595114390000000059574544000000005962031X0000000063015294000000006303654600000000630381620000000063087597000000006308857300000000630925050000000063092564000000006310116800000000663634460000000066405554000000006654399X0000000067273469000000007103631900000000732907080000000073546881
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What is UPC 017685401725?
017685401725 is a Universal Product Code (UPC) assigned to American Pop: An Audio History: From Minstrels to Mojo: On Record, 1893-1946 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 215 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm