UPC · Release
Various Artists
Last verified:
The UPC for “Masters of the Opera 1642-1926” by Various Artists is 018111583329. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: LaserLight Digital. This release contains 100 tracks, each with its own ISRC. Tracks include US2TL0934505, USA371011516.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ascanio in Alba: Overture | — | ||
| 2 | Xerxes: Act 1. Recitative "Frondi tenere" - Larghetto "Ombra mai fù" | — | ||
| 3 | Cleofide: Duet "Se mai più sarò geloso" (Cleofide, Poro) | — | ||
| 4 | Orpheus and Euridice: Dance of the Blessed Spirits | — | ||
| 5 | Julius Caesar: Act 1. Aria "Va tacito e nascosto" (Caesar) | — | ||
| 6 | Paride ed Elena: Act 1. Chorus - Aria "Non sdegnare, o bella Venere" (Paris) | — | ||
| 7 | Rinaldo: Act 3. Aria "Or la tromba in suon festante" (Rinaldo) | — | ||
| 8 | L'Incoronazione di Poppea: "Solitudine amata" (Seneca, Mercurio) | — | ||
| 9 | Mitridate, Ré di Ponto: Act 1. Aria "Venga pur, minacci e frema" (Farnace) | — | ||
| 10 | Dardanus: Act 4. Aria "Voici les tristes lieux que le monstre ravage" (Anténor) | — | ||
| 2-1 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto | — | ||
| 2-2 | Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) | — | ||
| 2-3 | Cosi fan tutte K. 588: Atto I. Aria: “Un’ aura amorosa” (Ferrando) | Josef Protschka, Münchner Rundfunkorchester, Kurt Eichhorn | — | |
| 2-4 | Der Schauspieldirektor, K. 486: Ouverture | — | ||
| 2-5 | La Finta Giardiniera, Act 2: O geh nicht fort und höre mich | — | ||
| 2-6 | Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin) | — | ||
| 2-7 | Lucio Silla, K. 135: Ouverture. Allegro molto | — | ||
| 2-8 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) | — | ||
| 2-9 | La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito) | — | ||
| 2-10 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | — | ||
| 3-1 | The Barber of Seville: Overture | — | ||
| 3-2 | Fidelio: "O welche Lust" (Prisoners' Chorus) | — | ||
| 3-3 | La Donna del Lago: Aria "Tanti affetti" (Elena) | — | ||
| 3-4 | The Italian Girl in Algiers: Overture | — | ||
| 3-5 | Moses in Egypt: "Dal tuo stellato soglio" | — | ||
| 3-6 | Abu Hassan: Overture | — | ||
| 3-7 | Medea: Act I, Finale. Recitative "Son vane" - Duet "Nemici senza cor" (Medea, Jason) | — | ||
| 3-8 | The Silken Ladder: Overture | — | ||
| 3-9 | Tancredi: Act II. "Dove son io? Ah! che scordar" | — | ||
| 3-10 | The Thieving Magpie: Overture | — | ||
| 4-1 | Fra Diavolo: Overture | — | ||
| 4-2 | Euryanthe: Unter Blüh'nden Mandelbäumen | — | ||
| 4-3 | Guillaume Tell: Soldiers' Dance | — | ||
| 4-4 | Der Freischütz: Was gleicht wohl auf Erden "Huntsmen's Chorus" | — | ||
| 4-5 | Semiramide: Overture | — | ||
| 4-6 | Norma: Non parti? Finora è al campo | — | ||
| 4-7 | Oberon: Overture | — | ||
| 4-8 | Preciosa: Im Wald, im Wald "Gypsy Chorus" | — | ||
| 4-9 | Rosamunde, D 644: Overture | Budapest Philharmonic Orchestra, Janos Kovacs | — | |
| 4-10 | I Capuleti e i Montecchi: Overture | — | ||
| 5-1 | Ruslan and Ludmila: Overture | — | ||
| 5-2 | Nabucco: "Va, pensiero, sull'ali dorate" (Prisoners' Chorus) | — | ||
| 5-3 | Zar und Zimmerman: "Greifet an und rührt die Hände" - Clog Dance | — | ||
| 5-4 | Das Nachtlager von Granada: "Schon die Abendglocken Glangen" | — | ||
| 5-5 | Lucia di Lammermoor: Act 2. Sextet "Chi mi frena" | — | ||
| 5-6 | L'elisir d'amore: Aria "Una furtiva lagrima" (Nemorino) | — | ||
| 5-7 | Don Pasquale: Act 3. "Che interminabile andirivieni!" (Servants' Chorus) | — | ||
| 5-8 | Linda di Chamounix: Act 1. Recitative and Cavatina "Ah! tardai troppo... O luce di quest' anima" (Linda) | — | ||
| 5-9 | A Life for the Tsar: Polonaise | — | ||
| 5-10 | Rienzi: Overture | — | ||
| 6-1 | Tannhäuser: "Freudig begrüßen wir die edle Halle" | — | ||
| 6-2 | The Merry Wives of Windsor: "O süßer Mond" | — | ||
| 6-3 | Ernani: "E viva" | — | ||
| 6-4 | I Masnadieri: Overture | — | ||
| 6-5 | Macbeth: Act 4. Aria "Perfidi! All'anglo contra me v'unite!" (Macbeth) - Chorus "Patria oppressa" | — | ||
| 6-6 | I Lombardi: "Jerusalem! Jerusalem!" (Crusaders' Chorus) | — | ||
| 6-7 | The Damnation of Faust: Sylphs' Dance | — | ||
| 6-8 | Martha: "Mädchen brav und treu" (Peasants' Chorus) | — | ||
| 6-9 | Lohengrin: Act 3. Prelude - Chorus "Treulich geführt ziehet dahin" | — | ||
| 6-10 | The Flying Dutchman: Overture | — | ||
| 7-1 | The Force of Destiny: Overture | — | ||
| 7-2 | La Traviata: Act 1. "Libiamo ne' lieti calici" (Brindisi) | — | ||
| 7-3 | Rigoletto: Aria "Caro nome" (Gilda) | — | ||
| 7-4 | Il Trovatore: "Vedi! le fosche notturne" (Gypsies' Chorus) | — | ||
| 7-5 | The Sicilian Vespers: Overture | — | ||
| 7-6 | Simon Boccanegra: Act 1, Finale. "Plebe! Patrizi! Populo" (Doge's Address) - Sextet "Piango su voi" | — | ||
| 7-7 | Un Ballo in Maschera: Act 2. Prelude | — | ||
| 7-8 | The Pearl Fishers: Duet "Au fond du temple saint" (Nadir, Zurga) | — | ||
| 7-9 | Faust: "Le veau d'or" | — | ||
| 7-10 | Tristan und Isolde: Prelude and Liebestod | — | ||
| 8-1 | The Bartered Bride: Overture | — | ||
| 8-2 | Don Carlos, Act 4: Sire! soggetta è a voi | — | ||
| 8-3 | Aida, Act 2: Gloria all'Egitto | — | ||
| 8-4 | Carmen: Intermezzo / Votre toast | — | ||
| 8-5 | Boris Godunov: Boris's Scene | — | ||
| 8-6 | Die Meistersinger, Act 3: Wach auf, es nahet gen den Tag | — | ||
| 8-7 | The Rhinegold: Entrance of the Gods at Valhalla | — | ||
| 8-8 | The Valkyrie: Ride of the Valkyries | — | ||
| 8-9 | Siegfried: Hoho! Hohei! Schmiede, mein Hammer | — | ||
| 8-10 | Twilight of the Gods: Siegfried's Death and Funeral March | — | ||
| 9-1 | Eugene Onegin, Op. 24: Polonaise | — | ||
| 9-2 | Cavalleria Rusticana: Regina Cœli... Inneggiamo, il Signor non è morto | — | ||
| 9-3 | Les Contes d’Hoffmann : Belle nuit, ô nuit d’amour | — | ||
| 9-4 | Pagliacci: I zampognari! | — | ||
| 9-5 | La Gioconda: Dance of the Hours | — | ||
| 9-6 | Parsifal: Geleiten wir im bergenden Schrein | — | ||
| 9-7 | Otello: Mia madre aveva una povera ancella … Ave Maria | — | ||
| 9-8 | Queen of Spades, Op. 68: Ball Scene | — | ||
| 9-9 | Khovanshchina: Dance of the Persian Slaves | — | ||
| 9-10 | Prince Igor: Polovtsian Dances | — | ||
| 10-1 | Tosca, Act 1: Tre sbirri, una carozza / Te Deum | — | ||
| 10-2 | Thaïs: Meditation | — | ||
| 10-3 | Manon Lescaut: Donna non vidi mai | — | ||
| 10-4 | Suor Angelica: Intermezzo | — | ||
| 10-5 | Madama Butterfly, Act 1: Viene la sera | — | ||
| 10-6 | Werther, Act 3: Qui m'aurait dit / Des crix joyeux | — | ||
| 10-7 | Tsar Saltan: Flight of the Bumble Bee / Hail, Tsarevich | — | ||
| 10-8 | La Wally, Act 1: Ebben, ne andro lontana | — | ||
| 10-9 | La Bohème, Act 1: Che gelida manina / Si, mi chiamano Mimi | — | ||
| 10-10 | Turandot: Nessun dorma | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
018111583329 is a Universal Product Code (UPC) assigned to Masters of the Opera 1642-1926 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Masters of the Opera 1642-1926” by Various Artists is 018111583329. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: LaserLight Digital. This release contains 100 tracks, each with its own ISRC. Tracks include US2TL0934505, USA371011516.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ascanio in Alba: Overture | — | ||
| 2 | Xerxes: Act 1. Recitative "Frondi tenere" - Larghetto "Ombra mai fù" | — | ||
| 3 | Cleofide: Duet "Se mai più sarò geloso" (Cleofide, Poro) | — | ||
| 4 | Orpheus and Euridice: Dance of the Blessed Spirits | — | ||
| 5 | Julius Caesar: Act 1. Aria "Va tacito e nascosto" (Caesar) | — | ||
| 6 | Paride ed Elena: Act 1. Chorus - Aria "Non sdegnare, o bella Venere" (Paris) | — | ||
| 7 | Rinaldo: Act 3. Aria "Or la tromba in suon festante" (Rinaldo) | — | ||
| 8 | L'Incoronazione di Poppea: "Solitudine amata" (Seneca, Mercurio) | — | ||
| 9 | Mitridate, Ré di Ponto: Act 1. Aria "Venga pur, minacci e frema" (Farnace) | — | ||
| 10 | Dardanus: Act 4. Aria "Voici les tristes lieux que le monstre ravage" (Anténor) | — | ||
| 2-1 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto | — | ||
| 2-2 | Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) | — | ||
| 2-3 | Cosi fan tutte K. 588: Atto I. Aria: “Un’ aura amorosa” (Ferrando) | Josef Protschka, Münchner Rundfunkorchester, Kurt Eichhorn | — | |
| 2-4 | Der Schauspieldirektor, K. 486: Ouverture | — | ||
| 2-5 | La Finta Giardiniera, Act 2: O geh nicht fort und höre mich | — | ||
| 2-6 | Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin) | — | ||
| 2-7 | Lucio Silla, K. 135: Ouverture. Allegro molto | — | ||
| 2-8 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) | — | ||
| 2-9 | La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito) | — | ||
| 2-10 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | — | ||
| 3-1 | The Barber of Seville: Overture | — | ||
| 3-2 | Fidelio: "O welche Lust" (Prisoners' Chorus) | — | ||
| 3-3 | La Donna del Lago: Aria "Tanti affetti" (Elena) | — | ||
| 3-4 | The Italian Girl in Algiers: Overture | — | ||
| 3-5 | Moses in Egypt: "Dal tuo stellato soglio" | — | ||
| 3-6 | Abu Hassan: Overture | — | ||
| 3-7 | Medea: Act I, Finale. Recitative "Son vane" - Duet "Nemici senza cor" (Medea, Jason) | — | ||
| 3-8 | The Silken Ladder: Overture | — | ||
| 3-9 | Tancredi: Act II. "Dove son io? Ah! che scordar" | — | ||
| 3-10 | The Thieving Magpie: Overture | — | ||
| 4-1 | Fra Diavolo: Overture | — | ||
| 4-2 | Euryanthe: Unter Blüh'nden Mandelbäumen | — | ||
| 4-3 | Guillaume Tell: Soldiers' Dance | — | ||
| 4-4 | Der Freischütz: Was gleicht wohl auf Erden "Huntsmen's Chorus" | — | ||
| 4-5 | Semiramide: Overture | — | ||
| 4-6 | Norma: Non parti? Finora è al campo | — | ||
| 4-7 | Oberon: Overture | — | ||
| 4-8 | Preciosa: Im Wald, im Wald "Gypsy Chorus" | — | ||
| 4-9 | Rosamunde, D 644: Overture | Budapest Philharmonic Orchestra, Janos Kovacs | — | |
| 4-10 | I Capuleti e i Montecchi: Overture | — | ||
| 5-1 | Ruslan and Ludmila: Overture | — | ||
| 5-2 | Nabucco: "Va, pensiero, sull'ali dorate" (Prisoners' Chorus) | — | ||
| 5-3 | Zar und Zimmerman: "Greifet an und rührt die Hände" - Clog Dance | — | ||
| 5-4 | Das Nachtlager von Granada: "Schon die Abendglocken Glangen" | — | ||
| 5-5 | Lucia di Lammermoor: Act 2. Sextet "Chi mi frena" | — | ||
| 5-6 | L'elisir d'amore: Aria "Una furtiva lagrima" (Nemorino) | — | ||
| 5-7 | Don Pasquale: Act 3. "Che interminabile andirivieni!" (Servants' Chorus) | — | ||
| 5-8 | Linda di Chamounix: Act 1. Recitative and Cavatina "Ah! tardai troppo... O luce di quest' anima" (Linda) | — | ||
| 5-9 | A Life for the Tsar: Polonaise | — | ||
| 5-10 | Rienzi: Overture | — | ||
| 6-1 | Tannhäuser: "Freudig begrüßen wir die edle Halle" | — | ||
| 6-2 | The Merry Wives of Windsor: "O süßer Mond" | — | ||
| 6-3 | Ernani: "E viva" | — | ||
| 6-4 | I Masnadieri: Overture | — | ||
| 6-5 | Macbeth: Act 4. Aria "Perfidi! All'anglo contra me v'unite!" (Macbeth) - Chorus "Patria oppressa" | — | ||
| 6-6 | I Lombardi: "Jerusalem! Jerusalem!" (Crusaders' Chorus) | — | ||
| 6-7 | The Damnation of Faust: Sylphs' Dance | — | ||
| 6-8 | Martha: "Mädchen brav und treu" (Peasants' Chorus) | — | ||
| 6-9 | Lohengrin: Act 3. Prelude - Chorus "Treulich geführt ziehet dahin" | — | ||
| 6-10 | The Flying Dutchman: Overture | — | ||
| 7-1 | The Force of Destiny: Overture | — | ||
| 7-2 | La Traviata: Act 1. "Libiamo ne' lieti calici" (Brindisi) | — | ||
| 7-3 | Rigoletto: Aria "Caro nome" (Gilda) | — | ||
| 7-4 | Il Trovatore: "Vedi! le fosche notturne" (Gypsies' Chorus) | — | ||
| 7-5 | The Sicilian Vespers: Overture | — | ||
| 7-6 | Simon Boccanegra: Act 1, Finale. "Plebe! Patrizi! Populo" (Doge's Address) - Sextet "Piango su voi" | — | ||
| 7-7 | Un Ballo in Maschera: Act 2. Prelude | — | ||
| 7-8 | The Pearl Fishers: Duet "Au fond du temple saint" (Nadir, Zurga) | — | ||
| 7-9 | Faust: "Le veau d'or" | — | ||
| 7-10 | Tristan und Isolde: Prelude and Liebestod | — | ||
| 8-1 | The Bartered Bride: Overture | — | ||
| 8-2 | Don Carlos, Act 4: Sire! soggetta è a voi | — | ||
| 8-3 | Aida, Act 2: Gloria all'Egitto | — | ||
| 8-4 | Carmen: Intermezzo / Votre toast | — | ||
| 8-5 | Boris Godunov: Boris's Scene | — | ||
| 8-6 | Die Meistersinger, Act 3: Wach auf, es nahet gen den Tag | — | ||
| 8-7 | The Rhinegold: Entrance of the Gods at Valhalla | — | ||
| 8-8 | The Valkyrie: Ride of the Valkyries | — | ||
| 8-9 | Siegfried: Hoho! Hohei! Schmiede, mein Hammer | — | ||
| 8-10 | Twilight of the Gods: Siegfried's Death and Funeral March | — | ||
| 9-1 | Eugene Onegin, Op. 24: Polonaise | — | ||
| 9-2 | Cavalleria Rusticana: Regina Cœli... Inneggiamo, il Signor non è morto | — | ||
| 9-3 | Les Contes d’Hoffmann : Belle nuit, ô nuit d’amour | — | ||
| 9-4 | Pagliacci: I zampognari! | — | ||
| 9-5 | La Gioconda: Dance of the Hours | — | ||
| 9-6 | Parsifal: Geleiten wir im bergenden Schrein | — | ||
| 9-7 | Otello: Mia madre aveva una povera ancella … Ave Maria | — | ||
| 9-8 | Queen of Spades, Op. 68: Ball Scene | — | ||
| 9-9 | Khovanshchina: Dance of the Persian Slaves | — | ||
| 9-10 | Prince Igor: Polovtsian Dances | — | ||
| 10-1 | Tosca, Act 1: Tre sbirri, una carozza / Te Deum | — | ||
| 10-2 | Thaïs: Meditation | — | ||
| 10-3 | Manon Lescaut: Donna non vidi mai | — | ||
| 10-4 | Suor Angelica: Intermezzo | — | ||
| 10-5 | Madama Butterfly, Act 1: Viene la sera | — | ||
| 10-6 | Werther, Act 3: Qui m'aurait dit / Des crix joyeux | — | ||
| 10-7 | Tsar Saltan: Flight of the Bumble Bee / Hail, Tsarevich | — | ||
| 10-8 | La Wally, Act 1: Ebben, ne andro lontana | — | ||
| 10-9 | La Bohème, Act 1: Che gelida manina / Si, mi chiamano Mimi | — | ||
| 10-10 | Turandot: Nessun dorma | — |
