UPC · Release
Joaquín Rodrigo, Francisco Tárrega, Fernando Sor, Isaac Albéniz, Manuel María Ponce, Heitor Villa‐Lobos, Antonio Lauro, Jorge Cardoso, Astor Piazzolla, Gaspar Sanz, Agustín Barrios Mangoré, Ariel Ramírez, Antonio Ruiz‐Pipó, Josquin Malatz, Santiago de Murcia, Dionisio Aguado y Garcia
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The UPC for “The Spanish Guitar” by Joaquín Rodrigo, Francisco Tárrega, Fernando Sor, Isaac Albéniz, Manuel María Ponce, Heitor Villa‐Lobos, Antonio Lauro, Jorge Cardoso, Astor Piazzolla, Gaspar Sanz, Agustín Barrios Mangoré, Ariel Ramírez, Antonio Ruiz‐Pipó, Josquin Malatz, Santiago de Murcia, Dionisio Aguado y Garcia is 018111592925. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: LaserLight Digital. This release contains 79 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 2 | Concierto de Aranjuez: II. Adagio | — | ||
| 3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 4 | Invocation y Danza | — | ||
| 5 | Capricho árabe | — | ||
| 6 | Recuerdos de la Alhambra | — | ||
| 7 | Estudio brillante | — | ||
| 8 | Lagrima | — | ||
| 9 | Adelita (Mazurka) | — | ||
| 10 | Etude in E minor | — | ||
| 11 | Larghetto | — | ||
| 12 | Tango | — | ||
| 13 | Danza mora | — | ||
| 14 | Maria (Gavote) | — | ||
| 2-1 | Theme & Variations from "The Magic Flute", op. 9: I. Introduction | — | ||
| 2-2 | Theme & Variations from "The Magic Flute", op. 9: II. Theme | — | ||
| 2-3 | Theme & Variations from "The Magic Flute", op. 9: III. Variation I | — | ||
| 2-4 | Theme & Variations from "The Magic Flute", op. 9: IV. Variation II | — | ||
| 2-5 | Theme & Variations from "The Magic Flute", op. 9: V. Variation III | — | ||
| 2-6 | Theme & Variations from "The Magic Flute", op. 9: VI. Variation IV | — | ||
| 2-7 | Theme & Variations from "The Magic Flute", op. 9: VII. Variation V and Coda | — | ||
| 2-8 | L'Encouragement in E major, op. 34: I. Cantabile | — | ||
| 2-9 | L'Encouragement in E major, op. 34: II. Theme and Variation. Andantino | — | ||
| 2-10 | L'Encouragement in E major, op. 34: III. Valse | — | ||
| 2-11 | Las Folias d'Espana, op. 15a | — | ||
| 2-12 | Minuets, op. 11: No. 1 in G major. Andante | — | ||
| 2-13 | Minuets, op. 11: No. 2 in C major | — | ||
| 2-14 | Minuets, op. 11: No. 5 in D major. Andante maestoso | — | ||
| 2-15 | Minuets, op. 11: No. 7 in A minor. Andante | — | ||
| 2-16 | Minuets, op. 11: No.8 in A major. Andante con moto | — | ||
| 2-17 | Waltz, op. 2 no. 2 | — | ||
| 2-18 | Galope, op. 32 no. 6 | — | ||
| 2-19 | Waltz, op. 32 no. 2 | — | ||
| 2-20 | Sonata in C major, op. 22: I. Allegro | — | ||
| 2-21 | Sonata in C major, op. 22: II. Adagio | — | ||
| 2-22 | Sonata in C major, op. 22: III. Menuetto | — | ||
| 2-23 | Sonata in C major, op. 22: IV. Rondo. Allegretto | — | ||
| 3-1 | Suite Espagnole no. 1, op. 47: No. 1. Granada (Serenata) | — | ||
| 3-2 | Suite Espagnole no. 1, op. 47: No. 3. Sevilla (Sevillanas) | — | ||
| 3-3 | Suite Espagnole no. 1, op. 47: No. 4. Cadiz (Cancion) | — | ||
| 3-4 | Suite Espagnole no. 1, op. 47: No. 5. Asturias (Leyenda) | — | ||
| 3-5 | Suite Espagnole no. 1, op. 47: No. 7. Cuba (Caprichio) | — | ||
| 3-6 | Mallorca, op. 202 (Barcarola) | — | ||
| 3-7 | Piecas caracteristicas, op. 92: No. 12. Torre Bermeja (Serenata) | — | ||
| 3-8 | Espana, op. 165: No. 1. Preludio | — | ||
| 3-9 | Recuerdos de Viaje, op. 71: No. 6. Rumores de la Caleta (Malagenea) | — | ||
| 3-10 | Estrellita | — | ||
| 3-11 | Sonatina Meridional: I. Campo / II. Copla / III. Fiesta | — | ||
| 4-1 | Brasilian Dance | — | ||
| 4-2 | Prelude no. 1 in E minor. Andantino expressivo | — | ||
| 4-3 | Prelude no. 2 in E major. Arpeggins. Allegro | — | ||
| 4-4 | Prelude no. 3 in A minor. Arpeggins. Allegro moderato | — | ||
| 4-5 | Prelude no. 4 in E minor. Lento | — | ||
| 4-6 | Prelude no. 5 in D major. Andantino | — | ||
| 4-7 | Suite populaire brásilienne: No. 1. Mazurca-Chóro | — | ||
| 4-8 | Etude no. 1 in E minor. Allegro non troppo | — | ||
| 4-9 | Etude no. 7 in E major. Trés animé, piú mosso | — | ||
| 4-10 | Etude no. 11 in E minor. Lent - Animé | — | ||
| 4-11 | Valses Venezolanos: No. 2 "El Marabino" | — | ||
| 4-12 | Valses Venezolanos: No. 3 | — | ||
| 4-13 | Carorá (Vals Venezolano) | — | ||
| 4-14 | Piezas sudamericanas: Milonga | — | ||
| 4-15 | Verano Porteno (Tango) | — | ||
| 5-1 | Danze Paraguaya | — | ||
| 5-2 | Una Limosna por el Amor de Dios | — | ||
| 5-3 | Choro da Saudade | — | ||
| 5-4 | The Cathedral: Preludio - Andante religioso - Allegro solemne | — | ||
| 5-5 | Waltz, op. 8 no. 4 | — | ||
| 5-6 | Air de Samba | — | ||
| 5-7 | Tango | — | ||
| 5-8 | Cueca | — | ||
| 5-9 | Alfonsina y el Mar | — | ||
| 5-10 | Canzione et danza: I. Canzione | — | ||
| 5-11 | Canzione et danza: II. Danza | — | ||
| 5-12 | Spanish Serenade | — | ||
| 5-13 | Preludio | — | ||
| 5-14 | Pavanas | — | ||
| 5-15 | Dos Estudios | — | ||
| 5-16 | 8 Petites pièces, op. 3: No. 1. Valse | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
018111592925 is a Universal Product Code (UPC) assigned to The Spanish Guitar by Joaquín Rodrigo, Francisco Tárrega, Fernando Sor, Isaac Albéniz, Manuel María Ponce, Heitor Villa‐Lobos, Antonio Lauro, Jorge Cardoso, Astor Piazzolla, Gaspar Sanz, Agustín Barrios Mangoré, Ariel Ramírez, Antonio Ruiz‐Pipó, Josquin Malatz, Santiago de Murcia, Gaspar Sanz, Dionisio Aguado y Garcia. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Spanish Guitar” by Joaquín Rodrigo, Francisco Tárrega, Fernando Sor, Isaac Albéniz, Manuel María Ponce, Heitor Villa‐Lobos, Antonio Lauro, Jorge Cardoso, Astor Piazzolla, Gaspar Sanz, Agustín Barrios Mangoré, Ariel Ramírez, Antonio Ruiz‐Pipó, Josquin Malatz, Santiago de Murcia, Dionisio Aguado y Garcia is 018111592925. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: LaserLight Digital. This release contains 79 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 2 | Concierto de Aranjuez: II. Adagio | — | ||
| 3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 4 | Invocation y Danza | — | ||
| 5 | Capricho árabe | — | ||
| 6 | Recuerdos de la Alhambra | — | ||
| 7 | Estudio brillante | — | ||
| 8 | Lagrima | — | ||
| 9 | Adelita (Mazurka) | — | ||
| 10 | Etude in E minor | — | ||
| 11 | Larghetto | — | ||
| 12 | Tango | — | ||
| 13 | Danza mora | — | ||
| 14 | Maria (Gavote) | — | ||
| 2-1 | Theme & Variations from "The Magic Flute", op. 9: I. Introduction | — | ||
| 2-2 | Theme & Variations from "The Magic Flute", op. 9: II. Theme | — | ||
| 2-3 | Theme & Variations from "The Magic Flute", op. 9: III. Variation I | — | ||
| 2-4 | Theme & Variations from "The Magic Flute", op. 9: IV. Variation II | — | ||
| 2-5 | Theme & Variations from "The Magic Flute", op. 9: V. Variation III | — | ||
| 2-6 | Theme & Variations from "The Magic Flute", op. 9: VI. Variation IV | — | ||
| 2-7 | Theme & Variations from "The Magic Flute", op. 9: VII. Variation V and Coda | — | ||
| 2-8 | L'Encouragement in E major, op. 34: I. Cantabile | — | ||
| 2-9 | L'Encouragement in E major, op. 34: II. Theme and Variation. Andantino | — | ||
| 2-10 | L'Encouragement in E major, op. 34: III. Valse | — | ||
| 2-11 | Las Folias d'Espana, op. 15a | — | ||
| 2-12 | Minuets, op. 11: No. 1 in G major. Andante | — | ||
| 2-13 | Minuets, op. 11: No. 2 in C major | — | ||
| 2-14 | Minuets, op. 11: No. 5 in D major. Andante maestoso | — | ||
| 2-15 | Minuets, op. 11: No. 7 in A minor. Andante | — | ||
| 2-16 | Minuets, op. 11: No.8 in A major. Andante con moto | — | ||
| 2-17 | Waltz, op. 2 no. 2 | — | ||
| 2-18 | Galope, op. 32 no. 6 | — | ||
| 2-19 | Waltz, op. 32 no. 2 | — | ||
| 2-20 | Sonata in C major, op. 22: I. Allegro | — | ||
| 2-21 | Sonata in C major, op. 22: II. Adagio | — | ||
| 2-22 | Sonata in C major, op. 22: III. Menuetto | — | ||
| 2-23 | Sonata in C major, op. 22: IV. Rondo. Allegretto | — | ||
| 3-1 | Suite Espagnole no. 1, op. 47: No. 1. Granada (Serenata) | — | ||
| 3-2 | Suite Espagnole no. 1, op. 47: No. 3. Sevilla (Sevillanas) | — | ||
| 3-3 | Suite Espagnole no. 1, op. 47: No. 4. Cadiz (Cancion) | — | ||
| 3-4 | Suite Espagnole no. 1, op. 47: No. 5. Asturias (Leyenda) | — | ||
| 3-5 | Suite Espagnole no. 1, op. 47: No. 7. Cuba (Caprichio) | — | ||
| 3-6 | Mallorca, op. 202 (Barcarola) | — | ||
| 3-7 | Piecas caracteristicas, op. 92: No. 12. Torre Bermeja (Serenata) | — | ||
| 3-8 | Espana, op. 165: No. 1. Preludio | — | ||
| 3-9 | Recuerdos de Viaje, op. 71: No. 6. Rumores de la Caleta (Malagenea) | — | ||
| 3-10 | Estrellita | — | ||
| 3-11 | Sonatina Meridional: I. Campo / II. Copla / III. Fiesta | — | ||
| 4-1 | Brasilian Dance | — | ||
| 4-2 | Prelude no. 1 in E minor. Andantino expressivo | — | ||
| 4-3 | Prelude no. 2 in E major. Arpeggins. Allegro | — | ||
| 4-4 | Prelude no. 3 in A minor. Arpeggins. Allegro moderato | — | ||
| 4-5 | Prelude no. 4 in E minor. Lento | — | ||
| 4-6 | Prelude no. 5 in D major. Andantino | — | ||
| 4-7 | Suite populaire brásilienne: No. 1. Mazurca-Chóro | — | ||
| 4-8 | Etude no. 1 in E minor. Allegro non troppo | — | ||
| 4-9 | Etude no. 7 in E major. Trés animé, piú mosso | — | ||
| 4-10 | Etude no. 11 in E minor. Lent - Animé | — | ||
| 4-11 | Valses Venezolanos: No. 2 "El Marabino" | — | ||
| 4-12 | Valses Venezolanos: No. 3 | — | ||
| 4-13 | Carorá (Vals Venezolano) | — | ||
| 4-14 | Piezas sudamericanas: Milonga | — | ||
| 4-15 | Verano Porteno (Tango) | — | ||
| 5-1 | Danze Paraguaya | — | ||
| 5-2 | Una Limosna por el Amor de Dios | — | ||
| 5-3 | Choro da Saudade | — | ||
| 5-4 | The Cathedral: Preludio - Andante religioso - Allegro solemne | — | ||
| 5-5 | Waltz, op. 8 no. 4 | — | ||
| 5-6 | Air de Samba | — | ||
| 5-7 | Tango | — | ||
| 5-8 | Cueca | — | ||
| 5-9 | Alfonsina y el Mar | — | ||
| 5-10 | Canzione et danza: I. Canzione | — | ||
| 5-11 | Canzione et danza: II. Danza | — | ||
| 5-12 | Spanish Serenade | — | ||
| 5-13 | Preludio | — | ||
| 5-14 | Pavanas | — | ||
| 5-15 | Dos Estudios | — | ||
| 5-16 | 8 Petites pièces, op. 3: No. 1. Valse | — |
