UPC · Release
Various Artists
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The UPC for “Rhapsody in Blue: The Ultimate Piano Collection” by Various Artists is 018111804028. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-12-09. This release contains 215 tracks, each with its own ISRC. Tracks include US2TL0932814, US5541101288, US5541101346.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano, Strings and Continuo No. 1 in D minor, BWV 1052: I. Allegro | — | ||
| 2 | Concerto for Piano, Strings and Continuo No. 1 in D minor, BWV 1052: II. Adagio | — | ||
| 3 | Concerto for Piano, Strings and Continuo No. 1 in D minor, BWV 1052: III. Allegro moderato | — | ||
| 4 | Concerto for Piano, Strings and Continuo No. 4 in A major, BWV 1055: I. Allegro moderato | — | ||
| 5 | Concerto for Piano, Strings and Continuo No. 4 in A major, BWV 1055: II. Larghetto | — | ||
| 6 | Concerto for Piano, Strings and Continuo No. 4 in A major, BWV 1055: III. Allegro ma non troppo | — | ||
| 7 | Concerto for Piano, Strings and Continuo No. 5 in F minor, BWV 1056: I. Allegro moderato | — | ||
| 8 | Concerto for Piano, Strings and Continuo No. 5 in F minor, BWV 1056: II. Largo | — | ||
| 9 | Concerto for Piano, Strings and Continuo No. 5 in F minor, BWV 1056: III. Presto | — | ||
| 10 | Concerto for 2 Pianos, Strings and Continuo in C major, BWV 1061: I. Allegro moderato | — | ||
| 11 | Concerto for 2 Pianos, Strings and Continuo in C major, BWV 1061: II. Adagio - Largo | — | ||
| 12 | Concerto for 2 Pianos, Strings and Continuo in C major, BWV 1061: III. Allegro | — | ||
| 2-1 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: I. Allegro | — | ||
| 2-2 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 2-3 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai | — | ||
| 2-4 | Concerto no. 17 in G major for Piano, K. 453 “Second Ployer”: I. Allegro | — | ||
| 2-5 | Concerto no. 17 in G major for Piano, K. 453 “Second Ployer”: II. Andante | — | ||
| 2-6 | Concerto no. 17 in G major for Piano, K. 453 “Second Ployer”: III. Allegretto & Finale. Presto | — | ||
| 3-1 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | — | ||
| 3-2 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | — | ||
| 3-3 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | — | ||
| 3-4 | Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro | — | ||
| 3-5 | Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio | — | ||
| 3-6 | Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai | — | ||
| 3-7 | Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato | — | ||
| 3-8 | Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile | — | ||
| 3-9 | Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto | — | ||
| 3-10 | 12 Variations on "Ah, vous dirai-je maman" in C major K. 265 | — | ||
| 4-1 | Concerto in C major for Piano and Orchestra: I. Allegro | — | ||
| 4-2 | Concerto in C major for Piano and Orchestra: II. Larghetto | — | ||
| 4-3 | Concerto in C major for Piano and Orchestra: III. Rondo - Allegro | — | ||
| 4-4 | Concerto for Piano and Orchestra No. 4 in G major: I. Allegro moderato | — | ||
| 4-5 | Concerto for Piano and Orchestra No. 4 in G major: II. Adagio cantabile | — | ||
| 4-6 | Concerto for Piano and Orchestra No. 4 in G major: III. Rondo - Presto | — | ||
| 4-7 | Concerto in C major for Piano and Orchestra: I. Allegro con spirito | — | ||
| 4-8 | Concerto in C major for Piano and Orchestra: II. Adagio cantabile | — | ||
| 4-9 | Concerto in C major for Piano and Orchestra: III. Presto | — | ||
| 5-1 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73: I. Allegro | — | ||
| 5-2 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73: II. Adagio un poco mosso | — | ||
| 5-3 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73: III. Rondo. Allegro | — | ||
| 5-4 | Coriolan Overture, Op. 62 | — | ||
| 5-5 | "Leonore" Overture No. 2, Op. 72 | — | ||
| 6-1 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 6-2 | Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": II. Adagio cantabile | István Székely | — | |
| 6-3 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 6-4 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 6-5 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 6-6 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 6-7 | Piano Sonata No. 23 in F minor, Op. 57 "Áppassionata": I. Allegro assai | — | ||
| 6-8 | Piano Sonata No. 23 in F minor, Op. 57 "Áppassionata": II. Andante con moto | — | ||
| 6-9 | Piano Sonata No. 23 in F minor, Op. 57 "Áppassionata": III. Allegro ma non troppo - Presto | — | ||
| 6-10 | Rondo a Capriccio, Op. 129 "Die wut über den verlorenen groschen" | — | ||
| 7-1 | Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 7-2 | Piano Concerto no. 1, op. 11: II. Romanze (Larghetto) | Sandor Falvai, Budapest Philharmonic Orchestra, András Kórodi | T-308.381.369-4 | |
| 7-3 | Piano Concerto No. 1 in E minor, Op. 11: III. Rondo - Vivace | — | ||
| 7-4 | Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 7-5 | Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 7-6 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace | — | ||
| 8-1 | Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - Doppio movimento | — | ||
| 8-2 | Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 8-3 | Piano Sonata No. 2 in B-flat minor, Op. 35: III. Marche funebre, lento | — | ||
| 8-4 | Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale, presto | — | ||
| 8-5 | Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 8-6 | Piano Sonata No. 3 in B minor, Op. 58: II. Molto vivace | — | ||
| 8-7 | Piano Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 8-8 | Piano Sonata No. 3 in B minor, Op. 58: IV. Presto ma non tanto | — | ||
| 8-9 | Mazurkas, Op. 59 in A minor | — | ||
| 8-10 | Mazurkas, Op. 59 in A-flat major | — | ||
| 8-11 | Mazurkas, Op. 59 in F-sharp major | — | ||
| 9-1 | Nocturne № 3 in B major, Op. 9 № 3 | — | ||
| 9-2 | Etude № 5 in G flat major Op. 10 № 5 "Black Keys" | — | ||
| 9-3 | Etude № 22 in B minor Op. 25 № 10 | — | ||
| 9-4 | Scherzo № 1 in B minor Op. 20 | — | ||
| 9-5 | Scherzo № 2 in B flat minor Op. 31 | — | ||
| 9-6 | Waltz № 1 in E-flat major, Op. 18 "Grande Valse Brillante" | — | ||
| 9-7 | Mazurka № 14 in G minor Op. 24 № 1 | — | ||
| 9-8 | Mazurka № 15 in C major Op. 24 № 2 | — | ||
| 9-9 | Mazurka № 16 in A flat major Op. 24 № 3 | — | ||
| 9-10 | Mazurka № 17 in B-flat minor, Op. 24 № 4 | — | ||
| 9-11 | Mazurka № 18 in C minor Op. 30 № 1 | — | ||
| 9-12 | Mazurka № 19 in B minor Op. 30 № 2 | — | ||
| 9-13 | Mazurka № 20 in D flat major Op. 30 № 3 | — | ||
| 9-14 | Mazurka № 21 in C sharp minor Op. 30 № 4 | — | ||
| 10-1 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 10-2 | Piano Concerto in A minor, Op. 54: II. Intermezzo: Andantino grazioso | — | ||
| 10-3 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 10-4 | Introduction and Allegro appassionato, Op. 92 | — | ||
| 10-5 | Concerto Allegro with Introduction, Op.134 | — | ||
| 11-1 | Rustle of Spring | — | ||
| 11-2 | Novelette in F major, Op. 21 No. 1 | — | ||
| 11-3 | Songs Without Words in E major, Op. 19b No. 1 | — | ||
| 11-4 | Songs Without Words in F-sharp minor, Op. 30 No. 6 | — | ||
| 11-5 | Songs Without Words: duetto in A-flat major, Op. 38 No. 6 | — | ||
| 11-6 | Songs Without Words in G major, Op. 62 No. 1 | — | ||
| 11-7 | Songs Without Words: Spring Song in A major, Op. 62 No. 6 | — | ||
| 11-8 | Intermezzo in A major, Op. 76 No. 6 | — | ||
| 11-9 | Intermezzo in A minor, Op. 76 No. 7 | — | ||
| 11-10 | Intermezzo in A major, Op. 118 No. 2 | — | ||
| 11-11 | Intermezzo in E-flat minor, Op. 118 No. 6 | — | ||
| 11-12 | Lyric Pieces, Op. 12 No. 1: Arietta | — | ||
| 11-13 | Lyric Pieces, Op. 12 No. 5: Folkevise | — | ||
| 11-14 | Lyric Pieces, Op. 43 No. 1: Butterfly | — | ||
| 11-15 | Lyric Pieces, Op. 43 No. 6: To Spring | — | ||
| 11-16 | Lyric Pieces, Op. 54 No. 4: Notturno | — | ||
| 11-17 | Lyric Pieces, Op. 65 No. 6: Bryllupsdag pa troldhaugen | — | ||
| 11-18 | Les saisons, Op. 37b No. 6: Juin 'Barcarolle' | — | ||
| 11-19 | Chant sans paroles, Op. 2 No. 3 | — | ||
| 11-20 | Melody in F major, Op. 3 No. 1 | — | ||
| 11-21 | Humoresque in G-flat major, Op. 101 No. 7 | — | ||
| 12-1 | Impromptu in B flat major, D 935 no. 3: Theme. Andante | — | ||
| 12-2 | Impromptu in B flat major, D 935 no. 3: Variation 1 | — | ||
| 12-3 | Impromptu in B flat major, D 935 no. 3: Variation 2 | — | ||
| 12-4 | Impromptu in B flat major, D 935 no. 3: Variation 3 | — | ||
| 12-5 | Impromptu in B flat major, D 935 no. 3: Variation 4 | — | ||
| 12-6 | Impromptu in B flat major, D 935 no. 3: Variation 5 | — | ||
| 12-7 | Impromptu in B flat major, D 935 no. 3: Più lento | — | ||
| 12-8 | 6 Moments Musicaux, D 780: No. 1 in C major | — | ||
| 12-9 | 6 Moments Musicaux, D 780: No. 2 in A flat major | — | ||
| 12-10 | 6 Moments Musicaux, D 780: No. 6 in A flat major | — | ||
| 12-11 | 4 Impromptus, D 899: No. 1 in C minor | — | ||
| 12-12 | 4 Impromptus, D 899: No. 2 in E flat major | — | ||
| 12-13 | 4 Impromptus, D 899: No. 3 in G flat major | — | ||
| 12-14 | 4 Impromptus, D 899: No. 4 in A flat major | — | ||
| 13-1 | Sonata in A major, D. 959: I. Allegro | — | ||
| 13-2 | Sonata in A major, D. 959: II. Andantino | Michael Endres | — | |
| 13-3 | Sonata in A major, D. 959: III .Scherzo. Allegro vivace | — | ||
| 13-4 | Sonata in A major, D. 959: IV. Rondo. Allegretto | — | ||
| 13-5 | Sonata in B-flat major, D. 960: I. Molto moderato | — | ||
| 13-6 | Sonata in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 13-7 | Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace | — | ||
| 13-8 | Sonata in B-flat major, D. 960: IV. Allegro, ma non troppo | — | ||
| 14-1 | Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 14-2 | Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: II. Andantino semplice | — | ||
| 14-3 | Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco – Allegro vivo | — | ||
| 14-4 | Concerto for Piano and Orchestra in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 14-5 | Concerto for Piano and Orchestra in A minor, Op. 16: II. Adagio | — | ||
| 14-6 | Concerto for Piano and Orchestra in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 15-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 15-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 15-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante – Più adagio | — | ||
| 15-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso – Un poco più presto | — | ||
| 16-1 | Piano Concerto no. 2: I. Adagio sostenuto assai | — | ||
| 16-2 | Piano Concerto no. 2: II. Allegro agitato assai | — | ||
| 16-3 | Piano Concerto no. 2: III. Allegro moderato | — | ||
| 16-4 | Piano Concerto no. 2: IV. Allegro deciso | — | ||
| 16-5 | Piano Concerto no. 2: V. Marziale, in poco meno allegro | — | ||
| 16-6 | Piano Concerto no. 2: VI. Allegro animato | — | ||
| 16-7 | Fantasy on Hungarian Folk-Tunes | — | ||
| 16-8 | Polonaise Brillante (after Weber) | — | ||
| 16-9 | Fantasy on Weber's “Freischütz” | — | ||
| 17-1 | Pictures at an Exhibition: Promenade. Allegro guisto, nel modo russico; senza allegrezza, ma poco sostenuto | — | ||
| 17-2 | Pictures at an Exhibition: Gnomus. Sempre vivo | — | ||
| 17-3 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza | — | ||
| 17-4 | Pictures at an Exhibition: Il Vecchio Castello (The Old Castle). Andantino molto cantabile e con dolore | — | ||
| 17-5 | Pictures at an Exhibition: Promenade. Moderato non tanto, pesamente | — | ||
| 17-6 | Pictures at an Exhibition: Tuileries. Allegretto non troppo, capriccioso | — | ||
| 17-7 | Pictures at an Exhibition: Bydlo. Sempre moderato, pesante | — | ||
| 17-8 | Pictures at an Exhibition: Promenade. Tranquillo | — | ||
| 17-9 | Pictures at an Exhibition: Ballet of the Chickens in their Shells. Scherzino. Vivo, leggiero | — | ||
| 17-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle; Andante. Grave energico | — | ||
| 17-11 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico, poco scherzando | — | ||
| 17-12 | Pictures at an Exhibition: Limoges. Le marche (The Market Place). Allegretoo vivo, sempre scherzando | — | ||
| 17-13 | Pictures at an Exhibition: Catacombae. Sepulcrum romanum. Largo | — | ||
| 17-14 | Pictures at an Exhibition: Cum mortuis in Lingua mortra. Andante non troppo, con lamento | — | ||
| 17-15 | Pictures at an Exhibition: The Hut On Fowls' Legs - Baba-Yaga. Allegro con brio, feroce | — | ||
| 17-16 | Pictures at an Exhibition: The Great Gate of Kiev - Allego alla breve. Maestoso. Con grandezza | — | ||
| 17-17 | Three Intermezzos Op. 117: Intermezzo in E flat major - Andante moderato - Piu Adagio - Un poco piu Andante | — | ||
| 17-18 | Three Intermezzos Op. 117: Intermezzo in B flat minor - Andante non troppo e con molto espressione - Piu Adagio | — | ||
| 17-19 | Three Intermezzos Op. 117: Intermezzo in C sharp minor - Andante con moto - Piu moto ed espressivo - Tempo I | — | ||
| 17-20 | Piano Pieces Op. 118: Intermezzo in A minor (Allegro non assai) | — | ||
| 17-21 | Piano Pieces Op. 118: Intermezzo in A major (Andante teneramente) | — | ||
| 17-22 | Piano Pieces Op. 118: Ballad in G minor (Allegro energico) | — | ||
| 17-23 | Piano Pieces Op. 118: Intermezzo in F minor (Andante - Allegretto grazioso - Tempo I) | — | ||
| 17-24 | Piano Pieces Op. 118: Romance in F major (Andante - Allegretto grazioso - Tempo I) | — | ||
| 17-25 | Piano Pieces Op. 118: Intermezzo in E flat minor (Andante, largo e mesto) | — | ||
| 18-1 | Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 18-2 | Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: II. Adagio sostenuto | — | ||
| 18-3 | Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: III, Allegro scherzando | — | ||
| 18-4 | Concerto for Piano and Orchestra No. 4 in G minor, Op. 40: I. Allegro vivace | — | ||
| 18-5 | Concerto for Piano and Orchestra No. 4 in G minor, Op. 40: II. Largo | — | ||
| 18-6 | Concerto for Piano and Orchestra No. 4 in G minor, Op. 40: III. Allegro vivace | — | ||
| 19-1 | Prelude, Op. 3, No. 2 | — | ||
| 19-2 | Melodie, Op. 3, No. 3 | — | ||
| 19-3 | Polichinelle, Op. 3, No. 4 | — | ||
| 19-4 | Moment musical, Op. 16, No. 3 | — | ||
| 19-5 | Moment musical, Op. 16, No. 5 | — | ||
| 19-6 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-7 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-8 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-9 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-10 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-11 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-12 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-13 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-14 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-15 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-16 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-17 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-18 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-19 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-20 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-21 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-22 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-23 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-24 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-25 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-26 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-27 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-28 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-29 | Prelude, Op. 23, No. 5 | — | ||
| 20-1 | Rhapsody in Blue | — | ||
| 20-2 | Concerto for Piano and Orchestra in F major: I. Allegro | — | ||
| 20-3 | Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | — | ||
| 20-4 | Concerto for Piano and Orchestra in F major: III. Allegro agitato | — | ||
| 20-5 | An American in Paris | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
018111804028 is a Universal Product Code (UPC) assigned to Rhapsody in Blue: The Ultimate Piano Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 215 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
Creative Contributors (ISNI)
The UPC for “Rhapsody in Blue: The Ultimate Piano Collection” by Various Artists is 018111804028. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-12-09. This release contains 215 tracks, each with its own ISRC. Tracks include US2TL0932814, US5541101288, US5541101346.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano, Strings and Continuo No. 1 in D minor, BWV 1052: I. Allegro | — | ||
| 2 | Concerto for Piano, Strings and Continuo No. 1 in D minor, BWV 1052: II. Adagio | — | ||
| 3 | Concerto for Piano, Strings and Continuo No. 1 in D minor, BWV 1052: III. Allegro moderato | — | ||
| 4 | Concerto for Piano, Strings and Continuo No. 4 in A major, BWV 1055: I. Allegro moderato | — | ||
| 5 | Concerto for Piano, Strings and Continuo No. 4 in A major, BWV 1055: II. Larghetto | — | ||
| 6 | Concerto for Piano, Strings and Continuo No. 4 in A major, BWV 1055: III. Allegro ma non troppo | — | ||
| 7 | Concerto for Piano, Strings and Continuo No. 5 in F minor, BWV 1056: I. Allegro moderato | — | ||
| 8 | Concerto for Piano, Strings and Continuo No. 5 in F minor, BWV 1056: II. Largo | — | ||
| 9 | Concerto for Piano, Strings and Continuo No. 5 in F minor, BWV 1056: III. Presto | — | ||
| 10 | Concerto for 2 Pianos, Strings and Continuo in C major, BWV 1061: I. Allegro moderato | — | ||
| 11 | Concerto for 2 Pianos, Strings and Continuo in C major, BWV 1061: II. Adagio - Largo | — | ||
| 12 | Concerto for 2 Pianos, Strings and Continuo in C major, BWV 1061: III. Allegro | — | ||
| 2-1 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: I. Allegro | — | ||
| 2-2 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 2-3 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai | — | ||
| 2-4 | Concerto no. 17 in G major for Piano, K. 453 “Second Ployer”: I. Allegro | — | ||
| 2-5 | Concerto no. 17 in G major for Piano, K. 453 “Second Ployer”: II. Andante | — | ||
| 2-6 | Concerto no. 17 in G major for Piano, K. 453 “Second Ployer”: III. Allegretto & Finale. Presto | — | ||
| 3-1 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | — | ||
| 3-2 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | — | ||
| 3-3 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | — | ||
| 3-4 | Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro | — | ||
| 3-5 | Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio | — | ||
| 3-6 | Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai | — | ||
| 3-7 | Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato | — | ||
| 3-8 | Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile | — | ||
| 3-9 | Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto | — | ||
| 3-10 | 12 Variations on "Ah, vous dirai-je maman" in C major K. 265 | — | ||
| 4-1 | Concerto in C major for Piano and Orchestra: I. Allegro | — | ||
| 4-2 | Concerto in C major for Piano and Orchestra: II. Larghetto | — | ||
| 4-3 | Concerto in C major for Piano and Orchestra: III. Rondo - Allegro | — | ||
| 4-4 | Concerto for Piano and Orchestra No. 4 in G major: I. Allegro moderato | — | ||
| 4-5 | Concerto for Piano and Orchestra No. 4 in G major: II. Adagio cantabile | — | ||
| 4-6 | Concerto for Piano and Orchestra No. 4 in G major: III. Rondo - Presto | — | ||
| 4-7 | Concerto in C major for Piano and Orchestra: I. Allegro con spirito | — | ||
| 4-8 | Concerto in C major for Piano and Orchestra: II. Adagio cantabile | — | ||
| 4-9 | Concerto in C major for Piano and Orchestra: III. Presto | — | ||
| 5-1 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73: I. Allegro | — | ||
| 5-2 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73: II. Adagio un poco mosso | — | ||
| 5-3 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73: III. Rondo. Allegro | — | ||
| 5-4 | Coriolan Overture, Op. 62 | — | ||
| 5-5 | "Leonore" Overture No. 2, Op. 72 | — | ||
| 6-1 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 6-2 | Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": II. Adagio cantabile | István Székely | — | |
| 6-3 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 6-4 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 6-5 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 6-6 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 6-7 | Piano Sonata No. 23 in F minor, Op. 57 "Áppassionata": I. Allegro assai | — | ||
| 6-8 | Piano Sonata No. 23 in F minor, Op. 57 "Áppassionata": II. Andante con moto | — | ||
| 6-9 | Piano Sonata No. 23 in F minor, Op. 57 "Áppassionata": III. Allegro ma non troppo - Presto | — | ||
| 6-10 | Rondo a Capriccio, Op. 129 "Die wut über den verlorenen groschen" | — | ||
| 7-1 | Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 7-2 | Piano Concerto no. 1, op. 11: II. Romanze (Larghetto) | Sandor Falvai, Budapest Philharmonic Orchestra, András Kórodi | T-308.381.369-4 | |
| 7-3 | Piano Concerto No. 1 in E minor, Op. 11: III. Rondo - Vivace | — | ||
| 7-4 | Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 7-5 | Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 7-6 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace | — | ||
| 8-1 | Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - Doppio movimento | — | ||
| 8-2 | Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 8-3 | Piano Sonata No. 2 in B-flat minor, Op. 35: III. Marche funebre, lento | — | ||
| 8-4 | Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale, presto | — | ||
| 8-5 | Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 8-6 | Piano Sonata No. 3 in B minor, Op. 58: II. Molto vivace | — | ||
| 8-7 | Piano Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 8-8 | Piano Sonata No. 3 in B minor, Op. 58: IV. Presto ma non tanto | — | ||
| 8-9 | Mazurkas, Op. 59 in A minor | — | ||
| 8-10 | Mazurkas, Op. 59 in A-flat major | — | ||
| 8-11 | Mazurkas, Op. 59 in F-sharp major | — | ||
| 9-1 | Nocturne № 3 in B major, Op. 9 № 3 | — | ||
| 9-2 | Etude № 5 in G flat major Op. 10 № 5 "Black Keys" | — | ||
| 9-3 | Etude № 22 in B minor Op. 25 № 10 | — | ||
| 9-4 | Scherzo № 1 in B minor Op. 20 | — | ||
| 9-5 | Scherzo № 2 in B flat minor Op. 31 | — | ||
| 9-6 | Waltz № 1 in E-flat major, Op. 18 "Grande Valse Brillante" | — | ||
| 9-7 | Mazurka № 14 in G minor Op. 24 № 1 | — | ||
| 9-8 | Mazurka № 15 in C major Op. 24 № 2 | — | ||
| 9-9 | Mazurka № 16 in A flat major Op. 24 № 3 | — | ||
| 9-10 | Mazurka № 17 in B-flat minor, Op. 24 № 4 | — | ||
| 9-11 | Mazurka № 18 in C minor Op. 30 № 1 | — | ||
| 9-12 | Mazurka № 19 in B minor Op. 30 № 2 | — | ||
| 9-13 | Mazurka № 20 in D flat major Op. 30 № 3 | — | ||
| 9-14 | Mazurka № 21 in C sharp minor Op. 30 № 4 | — | ||
| 10-1 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 10-2 | Piano Concerto in A minor, Op. 54: II. Intermezzo: Andantino grazioso | — | ||
| 10-3 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 10-4 | Introduction and Allegro appassionato, Op. 92 | — | ||
| 10-5 | Concerto Allegro with Introduction, Op.134 | — | ||
| 11-1 | Rustle of Spring | — | ||
| 11-2 | Novelette in F major, Op. 21 No. 1 | — | ||
| 11-3 | Songs Without Words in E major, Op. 19b No. 1 | — | ||
| 11-4 | Songs Without Words in F-sharp minor, Op. 30 No. 6 | — | ||
| 11-5 | Songs Without Words: duetto in A-flat major, Op. 38 No. 6 | — | ||
| 11-6 | Songs Without Words in G major, Op. 62 No. 1 | — | ||
| 11-7 | Songs Without Words: Spring Song in A major, Op. 62 No. 6 | — | ||
| 11-8 | Intermezzo in A major, Op. 76 No. 6 | — | ||
| 11-9 | Intermezzo in A minor, Op. 76 No. 7 | — | ||
| 11-10 | Intermezzo in A major, Op. 118 No. 2 | — | ||
| 11-11 | Intermezzo in E-flat minor, Op. 118 No. 6 | — | ||
| 11-12 | Lyric Pieces, Op. 12 No. 1: Arietta | — | ||
| 11-13 | Lyric Pieces, Op. 12 No. 5: Folkevise | — | ||
| 11-14 | Lyric Pieces, Op. 43 No. 1: Butterfly | — | ||
| 11-15 | Lyric Pieces, Op. 43 No. 6: To Spring | — | ||
| 11-16 | Lyric Pieces, Op. 54 No. 4: Notturno | — | ||
| 11-17 | Lyric Pieces, Op. 65 No. 6: Bryllupsdag pa troldhaugen | — | ||
| 11-18 | Les saisons, Op. 37b No. 6: Juin 'Barcarolle' | — | ||
| 11-19 | Chant sans paroles, Op. 2 No. 3 | — | ||
| 11-20 | Melody in F major, Op. 3 No. 1 | — | ||
| 11-21 | Humoresque in G-flat major, Op. 101 No. 7 | — | ||
| 12-1 | Impromptu in B flat major, D 935 no. 3: Theme. Andante | — | ||
| 12-2 | Impromptu in B flat major, D 935 no. 3: Variation 1 | — | ||
| 12-3 | Impromptu in B flat major, D 935 no. 3: Variation 2 | — | ||
| 12-4 | Impromptu in B flat major, D 935 no. 3: Variation 3 | — | ||
| 12-5 | Impromptu in B flat major, D 935 no. 3: Variation 4 | — | ||
| 12-6 | Impromptu in B flat major, D 935 no. 3: Variation 5 | — | ||
| 12-7 | Impromptu in B flat major, D 935 no. 3: Più lento | — | ||
| 12-8 | 6 Moments Musicaux, D 780: No. 1 in C major | — | ||
| 12-9 | 6 Moments Musicaux, D 780: No. 2 in A flat major | — | ||
| 12-10 | 6 Moments Musicaux, D 780: No. 6 in A flat major | — | ||
| 12-11 | 4 Impromptus, D 899: No. 1 in C minor | — | ||
| 12-12 | 4 Impromptus, D 899: No. 2 in E flat major | — | ||
| 12-13 | 4 Impromptus, D 899: No. 3 in G flat major | — | ||
| 12-14 | 4 Impromptus, D 899: No. 4 in A flat major | — | ||
| 13-1 | Sonata in A major, D. 959: I. Allegro | — | ||
| 13-2 | Sonata in A major, D. 959: II. Andantino | Michael Endres | — | |
| 13-3 | Sonata in A major, D. 959: III .Scherzo. Allegro vivace | — | ||
| 13-4 | Sonata in A major, D. 959: IV. Rondo. Allegretto | — | ||
| 13-5 | Sonata in B-flat major, D. 960: I. Molto moderato | — | ||
| 13-6 | Sonata in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 13-7 | Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace | — | ||
| 13-8 | Sonata in B-flat major, D. 960: IV. Allegro, ma non troppo | — | ||
| 14-1 | Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 14-2 | Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: II. Andantino semplice | — | ||
| 14-3 | Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco – Allegro vivo | — | ||
| 14-4 | Concerto for Piano and Orchestra in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 14-5 | Concerto for Piano and Orchestra in A minor, Op. 16: II. Adagio | — | ||
| 14-6 | Concerto for Piano and Orchestra in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 15-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 15-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 15-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante – Più adagio | — | ||
| 15-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso – Un poco più presto | — | ||
| 16-1 | Piano Concerto no. 2: I. Adagio sostenuto assai | — | ||
| 16-2 | Piano Concerto no. 2: II. Allegro agitato assai | — | ||
| 16-3 | Piano Concerto no. 2: III. Allegro moderato | — | ||
| 16-4 | Piano Concerto no. 2: IV. Allegro deciso | — | ||
| 16-5 | Piano Concerto no. 2: V. Marziale, in poco meno allegro | — | ||
| 16-6 | Piano Concerto no. 2: VI. Allegro animato | — | ||
| 16-7 | Fantasy on Hungarian Folk-Tunes | — | ||
| 16-8 | Polonaise Brillante (after Weber) | — | ||
| 16-9 | Fantasy on Weber's “Freischütz” | — | ||
| 17-1 | Pictures at an Exhibition: Promenade. Allegro guisto, nel modo russico; senza allegrezza, ma poco sostenuto | — | ||
| 17-2 | Pictures at an Exhibition: Gnomus. Sempre vivo | — | ||
| 17-3 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza | — | ||
| 17-4 | Pictures at an Exhibition: Il Vecchio Castello (The Old Castle). Andantino molto cantabile e con dolore | — | ||
| 17-5 | Pictures at an Exhibition: Promenade. Moderato non tanto, pesamente | — | ||
| 17-6 | Pictures at an Exhibition: Tuileries. Allegretto non troppo, capriccioso | — | ||
| 17-7 | Pictures at an Exhibition: Bydlo. Sempre moderato, pesante | — | ||
| 17-8 | Pictures at an Exhibition: Promenade. Tranquillo | — | ||
| 17-9 | Pictures at an Exhibition: Ballet of the Chickens in their Shells. Scherzino. Vivo, leggiero | — | ||
| 17-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle; Andante. Grave energico | — | ||
| 17-11 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico, poco scherzando | — | ||
| 17-12 | Pictures at an Exhibition: Limoges. Le marche (The Market Place). Allegretoo vivo, sempre scherzando | — | ||
| 17-13 | Pictures at an Exhibition: Catacombae. Sepulcrum romanum. Largo | — | ||
| 17-14 | Pictures at an Exhibition: Cum mortuis in Lingua mortra. Andante non troppo, con lamento | — | ||
| 17-15 | Pictures at an Exhibition: The Hut On Fowls' Legs - Baba-Yaga. Allegro con brio, feroce | — | ||
| 17-16 | Pictures at an Exhibition: The Great Gate of Kiev - Allego alla breve. Maestoso. Con grandezza | — | ||
| 17-17 | Three Intermezzos Op. 117: Intermezzo in E flat major - Andante moderato - Piu Adagio - Un poco piu Andante | — | ||
| 17-18 | Three Intermezzos Op. 117: Intermezzo in B flat minor - Andante non troppo e con molto espressione - Piu Adagio | — | ||
| 17-19 | Three Intermezzos Op. 117: Intermezzo in C sharp minor - Andante con moto - Piu moto ed espressivo - Tempo I | — | ||
| 17-20 | Piano Pieces Op. 118: Intermezzo in A minor (Allegro non assai) | — | ||
| 17-21 | Piano Pieces Op. 118: Intermezzo in A major (Andante teneramente) | — | ||
| 17-22 | Piano Pieces Op. 118: Ballad in G minor (Allegro energico) | — | ||
| 17-23 | Piano Pieces Op. 118: Intermezzo in F minor (Andante - Allegretto grazioso - Tempo I) | — | ||
| 17-24 | Piano Pieces Op. 118: Romance in F major (Andante - Allegretto grazioso - Tempo I) | — | ||
| 17-25 | Piano Pieces Op. 118: Intermezzo in E flat minor (Andante, largo e mesto) | — | ||
| 18-1 | Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 18-2 | Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: II. Adagio sostenuto | — | ||
| 18-3 | Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: III, Allegro scherzando | — | ||
| 18-4 | Concerto for Piano and Orchestra No. 4 in G minor, Op. 40: I. Allegro vivace | — | ||
| 18-5 | Concerto for Piano and Orchestra No. 4 in G minor, Op. 40: II. Largo | — | ||
| 18-6 | Concerto for Piano and Orchestra No. 4 in G minor, Op. 40: III. Allegro vivace | — | ||
| 19-1 | Prelude, Op. 3, No. 2 | — | ||
| 19-2 | Melodie, Op. 3, No. 3 | — | ||
| 19-3 | Polichinelle, Op. 3, No. 4 | — | ||
| 19-4 | Moment musical, Op. 16, No. 3 | — | ||
| 19-5 | Moment musical, Op. 16, No. 5 | — | ||
| 19-6 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-7 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-8 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-9 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-10 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-11 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-12 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-13 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-14 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-15 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-16 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-17 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-18 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-19 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-20 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-21 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-22 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-23 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-24 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-25 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-26 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-27 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-28 | Variations on a theme by Corelli, Op. 42 | — | ||
| 19-29 | Prelude, Op. 23, No. 5 | — | ||
| 20-1 | Rhapsody in Blue | — | ||
| 20-2 | Concerto for Piano and Orchestra in F major: I. Allegro | — | ||
| 20-3 | Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | — | ||
| 20-4 | Concerto for Piano and Orchestra in F major: III. Allegro agitato | — | ||
| 20-5 | An American in Paris | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
