UPC · Release
Riccardo Muti
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The UPC for “The Complete Warner Symphonic Recordings” by Riccardo Muti is 0190295008345. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 735 tracks, each with its own ISRC. Tracks include GBAYC8000237, GBAYC8000238, GBAYC8000239.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Requiem in D minor (1836) - I. Introitus et Kyrie | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 2 | Requiem in D minor (1836) - II. Graduale | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 3 | Requiem in D minor (1836) - III. Dies irae | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 4 | Requiem in D minor (1836) - IV. Offertorium | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 5 | Requiem in D minor (1836) - V. Sanctus | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 6 | Requiem in D minor (1836) - VI. Pie Jesu | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 7 | Requiem in D minor (1836) - VII. Agnus Dei | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-1 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: I. Allegro tranquillo | New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-2 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: II. Adagio cantabile ma non tanto | New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-3 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: III. Scherzo. Allegro scherzando giocoso | New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-4 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: IV. Finale. Andante lugubre | New Philharmonia Orchestra, Riccardo Muti | — | |
| 3-1 | Symphony no. 3 in A minor “Scottish”, op. 56: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 3-2 | Symphony no. 3 in A minor “Scottish”, op. 56: II. Scherzo (Vivace non troppo) | — | ||
| 3-3 | Symphony no. 3 in A minor “Scottish”, op. 56: III. Adagio | — | ||
| 3-4 | Symphony no. 3 in A minor “Scottish”, op. 56: IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 3-5 | Meeresstille und glückliche Fahrt (Calm sea and prosperous voyage), Overture, op. 27 | — | ||
| 4-1 | Nabucco: Overture | — | ||
| 4-2 | Giovanna d'Arco: Overture | — | ||
| 4-3 | La battaglia di Legnano: Overture | — | ||
| 4-4 | Luisa Miller: Overture | — | ||
| 4-5 | I vespri siciliani: Overture | — | ||
| 4-6 | La forza del destino: Overture | — | ||
| 5-1 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 5-2 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 5-3 | Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio | — | ||
| 5-4 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 5-5 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 5-6 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 5-7 | Symphony no. 29 in A major, K. 201: III. Menuetto e Trio | — | ||
| 5-8 | Symphony no. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 6-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 6-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 6-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo (Molto vivace) | — | ||
| 6-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 7-1 | Symphony no. 4 in A major “Italian”, op. 90: I. Allegro vivace - Più animato | — | ||
| 7-2 | Symphony no. 4 in A major “Italian”, op. 90: II. Andante con moto | — | ||
| 7-3 | Symphony no. 4 in A major “Italian”, op. 90: III. Con moto moderato | — | ||
| 7-4 | Symphony no. 4 in A major “Italian”, op. 90: IV. Saltarello (Presto) | — | ||
| 7-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 7-6 | Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam) | — | ||
| 7-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio | — | ||
| 7-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 8-1 | Magnificat, RV 611: I. Magnificat | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 8-2 | Magnificat in G minor, RV 611: II. Et exultavit | — | ||
| 8-3 | Magnificat in G minor, RV 611: III. Quia respexit | — | ||
| 8-4 | Magnificat in G minor, RV 611: IV. Quia fecit | — | ||
| 8-5 | Magnificat in G minor, RV 611: V. Et misericordia | — | ||
| 8-6 | Magnificat in G minor, RV 611: VI. Fecit potentiam | — | ||
| 8-7 | Magnificat in G minor, RV 611: VII. Deposuit potentes | — | ||
| 8-8 | Magnificat in G minor, RV 611: VIII. Esurientes | — | ||
| 8-9 | Magnificat in G minor, RV 611: IX. Suscepit Israël | — | ||
| 8-10 | Magnificat in G minor, RV 611: X. Sicut locutus | — | ||
| 8-11 | Magnificat in G minor, RV 611: XI. Gloria | — | ||
| 8-12 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | — | ||
| 8-13 | Gloria in D major, RV 589: II. Et in terra pax hominibus | — | ||
| 8-14 | Gloria in D major, RV 589: III. Laudamus te | — | ||
| 8-15 | Gloria in D major, RV 589: IV. Gratias agimus tibi | — | ||
| 8-16 | Gloria in D major, RV 589: V. Propter magnam gloriam | — | ||
| 8-17 | Gloria in D major, RV 589: VI. Domine Deus | — | ||
| 8-18 | Gloria in D major, RV 589: VII. Domine Fili unigenite | — | ||
| 8-19 | Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei | — | ||
| 8-20 | Gloria in D major, RV 589: IX. Qui tollis peccata mundi | — | ||
| 8-21 | Gloria in D major, RV 589: X. Qui sedes ad dexteram | — | ||
| 8-22 | Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus | — | ||
| 8-23 | Gloria in D major, RV 589: XII. Cum Sancto Spiritu | — | ||
| 9-1 | Romeo and Juliet, Fantasy Overture, TH 42 | — | ||
| 9-2 | Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto – Allegro vivo | Philharmonia Orchestra, Riccardo Muti | — | |
| 9-3 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale | Philharmonia Orchestra, Riccardo Muti | — | |
| 9-4 | Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 9-5 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale. Moderato assai – Allegro vivo | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-1 | Symphony no. 3 in D, op. 29 “Polish”: I. Moderato assai (Tempo di marcia funebre) - Allegro brillante | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-2 | Symphony no. 3 in D, op. 29 “Polish”: II. Alla tedesca (Allegro moderato e semplice) | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-3 | Symphony no. 3 in D, op. 29 “Polish”: III. Andante elegiaco | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-4 | Symphony no. 3 in D, op. 29 “Polish”: IV. Scherzo (Allegro vivo) | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-5 | Symphony no. 3 in D, op. 29 “Polish”: V. Allegro con fuoco - Tempo di polacca | Philharmonia Orchestra, Riccardo Muti | T-910.405.802-8 | |
| 11-1 | Ivan the Terrible, Film Music, op. 116: Prologue | — | ||
| 11-2 | Ivan the Terrible, Film Music, op. 116: No. 1 Overture and chorus (Moderato - Allegro) | — | ||
| 11-3 | Ivan the Terrible, Film Music, op. 116: No. 2 March of Young Ivan (Moderato) | — | ||
| 11-4 | Ivan the Terrible, Film Music, op. 116: No. 3 Ocean - Sea (Andante) | — | ||
| 11-5 | Ivan the Terrible, Film Music, op. 116: No. 4 I will be Tsar! (Moderato) | — | ||
| 11-6 | Ivan the Terrible, Film Music, op. 116: No. 5 God is wondrous! (Allegro) | — | ||
| 11-7 | Ivan the Terrible, Film Music, op. 116: No. 6 Long Life! (Allegro moderato) | — | ||
| 11-8 | Ivan the Terrible, Film Music, op. 116: No. 7 Ocean - Sea (Andante) | — | ||
| 11-9 | Ivan the Terrible, Film Music, op. 116: No. 8 Long Life! (Allegro moderato) | — | ||
| 11-10 | Ivan the Terrible, Film Music, op. 116: No. 9 The Holy Fool (Allegro tempestoso) | — | ||
| 11-11 | Ivan the Terrible, Film Music, op. 116: No. 10 The Swan (Allegro fastoso) | — | ||
| 11-12 | Ivan the Terrible, Film Music, op. 116: No. 11 Celebration Song (Andante) | — | ||
| 11-13 | Ivan the Terrible, Film Music, op. 116: No. 12 The Swan (Allegro fastoso) | — | ||
| 11-14 | Ivan the Terrible, Film Music, op. 116: No. 13 On the Bones of the Enemy (Andante mosso) | — | ||
| 11-15 | Ivan the Terrible, Film Music, op. 116: No. 14 The Tartars (Allegro moderato) | — | ||
| 11-16 | Ivan the Terrible, Film Music, op. 116: No. 15 The Gunners (Moderato energico) | — | ||
| 11-17 | Ivan the Terrible, Film Music, op. 116: No. 16 The Storming of Kazan (Moderato pesante - Andante - Allegro) | — | ||
| 11-18 | Ivan the Terrible, Film Music, op. 116: No. 17 Ivan's Appeal to the Boyars (Adagio - Andante sostenuto) | — | ||
| 12-1 | Ivan the Terrible, Film Music, op. 116: No. 18 Yefrosinia and Anastasia (Moderato) | — | ||
| 12-2 | Ivan the Terrible, Film Music, op. 116: No. 19 Song about the Beaver (Andante assai) | — | ||
| 12-3 | Ivan the Terrible, Film Music, op. 116: No. 20 Ivan at Anastasia's Bier (Andante) | — | ||
| 12-4 | Ivan the Terrible, Film Music, op. 116: No. 21 Chorus of the Oprichniki (Andante risoluto) | — | ||
| 12-5 | Ivan the Terrible, Film Music, op. 116: No. 22 The Oprichniki Oath of Loyalty (Moderato energico) | — | ||
| 12-6 | Ivan the Terrible, Film Music, op. 116: No. 23 Feodor Basmanov's Song (Allegro moderato) | — | ||
| 12-7 | Ivan the Terrible, Film Music, op. 116: No. 24 Dance of the Oprichniki (Allegro ben ritmato) | — | ||
| 12-8 | Ivan the Terrible, Film Music, op. 116: No. 25 Finale (Moderato - Moderato fastoso) | — | ||
| 12-9 | Sinfonietta in A major, op. 5/48: I. Allegro giocoso | — | ||
| 12-10 | Sinfonietta in A major, op. 5/48: II. Andante | — | ||
| 12-11 | Sinfonietta in A major, op. 5/48: III. Intermezzo (Vivace) | — | ||
| 12-12 | Sinfonietta in A major, op. 5/48: IV. Scherzo (Allegro risoluto) | — | ||
| 12-13 | Sinfonietta in A major, op. 5/48: V. Allegro giocoso | — | ||
| 13-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con bro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 13-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 13-3 | Piano Concerto no. 3 in C minor, op. 37: III. Allegro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 13-4 | Andante favori in F major, WoO 57 | — | ||
| 14-1 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 14-2 | Symphony no. 2 in C major, op. 61: II. Scherzo (Allegro vivace) - Trio I - Trio II | — | ||
| 14-3 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 14-4 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 14-5 | Hermann und Dorothea, Overture in B minor, op. 136 | — | ||
| 15-1 | Tableaux d'une exposition, M.A24: Promenade / Gnomus / Promenade | — | ||
| 15-2 | Tableaux d'une exposition, M.A24: Il vecchio castello (The Old Castle) / Promenade | — | ||
| 15-3 | Tableaux d'une exposition, M.A24: Tuileries | — | ||
| 15-4 | Tableaux d'une exposition, M.A24: Bydlo / Promenade | — | ||
| 15-5 | Tableaux d'une exposition, M.A24: Ballet des poussins dans leurs coques (Ballet of the Unhatched Chicks) | — | ||
| 15-6 | Tableaux d'une exposition, M.A24: Samuel Goldenberg & Schmuyle | — | ||
| 15-7 | Tableaux d'une exposition, M.A24: Limoges: le marché (The Market) | — | ||
| 15-8 | Tableaux d'une exposition, M.A24: Catacombae: Sepulcrum romanum | — | ||
| 15-9 | Tableaux d'une exposition, M.A24: Cum mortuis in lingua mortua | — | ||
| 15-10 | Tableaux d'une exposition, M.A24: La Cabane sur des pattes de poules (Baba Yaga) (The Hut on Chicken's Legs) | — | ||
| 15-11 | Tableaux d'une exposition, M.A24: La Grande Porte de Kiev (The Great Gate of Kiev) | — | ||
| 15-12 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): I. Les Jardins enchantés du roi Katcheï (Kashchei's enchanted gardens) | — | ||
| 15-13 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): II. L'Oiseau de feu et sa danse (Dance of the Firebird) | — | ||
| 15-14 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): V. Khovorod: ronde des princesses (The princesses' Round Dance) | — | ||
| 15-15 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): VI. Danse infernale du roi Katcheï et de tous ses sujets (Infernal dance of all of Kashchei's subjects) | — | ||
| 15-16 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): VII. Berceuse (Lullaby) | — | ||
| 15-17 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): VIII. Finale - Allégresse générale (General thanksgiving) | — | ||
| 16-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 16-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 16-3 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 16-4 | Symphony no. 7 in A major, op. 92: IV. Allegro | — | ||
| 17-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | Philharmonia Orchestra, Riccardo Muti | — | |
| 17-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | Philharmonia Orchestra, Riccardo Muti | — | |
| 17-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Philharmonia Orchestra, Riccardo Muti | — | |
| 17-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 18-1 | La scala di seta: Overture | — | ||
| 18-2 | Il barbiere di Siviglia: Overture | — | ||
| 18-3 | Semiramide: Overture | — | ||
| 18-4 | Il viaggio a Reims: Overture | — | ||
| 18-5 | L'assedio di Corinto: Overture | — | ||
| 18-6 | Guillaume Tell: Overture | — | ||
| 19-1 | Overture to Schiller's “Die Braut von Messina” in C minor, op. 100 | — | ||
| 19-2 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft | — | ||
| 19-3 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo (Sehr mäßig) | — | ||
| 19-4 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell | — | ||
| 19-5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich | — | ||
| 19-6 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft | — | ||
| 20-1 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 1 Winter | — | ||
| 20-2 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 2 Spring | — | ||
| 20-3 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 3 Summer | — | ||
| 20-4 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 4 Autumn | Philharmonia Orchestra, Riccardo Muti | — | |
| 20-5 | Macbeth: Act III. Ballo | — | ||
| 20-6 | Macbeth: Act III. Ondine e silfidi dall'ali candide (Streghe) | — | ||
| 20-7 | Aida: Act II. Danza di schiavi mori | — | ||
| 20-8 | Aida: Act II. Marcia trionfale | — | ||
| 20-9 | Aida: Act II. Ballabile | — | ||
| 21-1 | Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante poco maestoso - Allegro molto vivace | — | ||
| 21-2 | Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto | — | ||
| 21-3 | Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo (Molto vivace) - Trio I - Trio II | — | ||
| 21-4 | Symphony no. 1 in B-flat major “Spring”, op. 38: IV. Allegro animato e grazioso | — | ||
| 21-5 | Symphony no. 5 in D major “Reformation”, op. 107: I. Andante - Allegro con fuoco | — | ||
| 21-6 | Symphony no. 5 in D major “Reformation”, op. 107: II. Allegro vivace | — | ||
| 21-7 | Symphony no. 5 in D major “Reformation”, op. 107: III. Andante | — | ||
| 21-8 | Symphony no. 5 in D major “Reformation”, op. 107: IV. Chorale: “Ein feste Burg ist under Gott” (Andante con moto - Allegro vivace) | — | ||
| 22-1 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. I. Introduction | — | ||
| 22-2 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. II. Les Augures pritaniers - Danse des adolescentes | — | ||
| 22-3 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. III. Jeu du rapt | — | ||
| 22-4 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. IV. Rondes printanières | — | ||
| 22-5 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. V. Jeu des cités rivales | — | ||
| 22-6 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. VI. Cortège du Sage | — | ||
| 22-7 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. VII. Adoration de la Terre (Le Sage) / VII. Danse de la Terre | — | ||
| 22-8 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. I. Introduction | — | ||
| 22-9 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. II. Cercles mystérieux des adolescentes | — | ||
| 22-10 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. III. Glorification de l'Élue | — | ||
| 22-11 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. IV. Évocation des Ancêtres | — | ||
| 22-12 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. V. Action rituelle des Ancêtres | — | ||
| 22-13 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. VI. Danse sacrale (L'Élue) | — | ||
| 23-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) | — | ||
| 23-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Scene am Bach (Andante molto mosso) | — | ||
| 23-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute (Allegro) | — | ||
| 23-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter. Sturm (Allegro) | — | ||
| 23-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | — | ||
| 24-1 | Symphony no. 4 in F minor: I. Andante sostenuto - Moderato con anima | Philharmonia Orchestra, Riccardo Muti | T-902.876.200-7 | |
| 24-2 | Symphony no. 4 in F minor: II. Andantino in modo di canzona | Philharmonia Orchestra, Riccardo Muti | — | |
| 24-3 | Symphony no. 4 in F minor: III. Scherzo (Pizzicato ostinato) | Philharmonia Orchestra, Riccardo Muti | — | |
| 24-4 | Symphony no. 4 in F minor: IV. Finale (Allegro con fuoco) | Philharmonia Orchestra, Riccardo Muti | — | |
| 25-1 | Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam (Chorus) | — | ||
| 25-2 | Messa da Requiem: I. Requiem e Kyrie. Kyrie eleison (Tenor, Bass, Soprano, Mezzo-soprano) | — | ||
| 25-3 | Messa da Requiem: II. Sequenza. Dies irae (Chorus) | — | ||
| 25-4 | Messa da Requiem: II. Sequenza. Tuba mirum (Chorus) | — | ||
| 25-5 | Messa da Requiem: II. Sequenza. Mors stupebit (Bass) | — | ||
| 25-6 | Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus) | — | ||
| 25-7 | Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor) | — | ||
| 25-8 | Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass) | — | ||
| 25-9 | Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano) | — | ||
| 25-10 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | — | ||
| 25-11 | Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus) | — | ||
| 25-12 | Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus) | — | ||
| 25-13 | Messa da Requiem: III. Offertorio. Domine Jesu Christe - Hostias (Tenor, Mezzo-soprano, Soprano, Bass) | — | ||
| 26-1 | Messa da Requiem: IV. Sanctus (Chorus) | — | ||
| 26-2 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | — | ||
| 26-3 | Messa da Requiem: VI. Communio. Lux aeterna (Mezzo-soprano, Tenor, Bass) | — | ||
| 26-4 | Messa da Requiem: VII. Libera me (Soprano, Chorus) | — | ||
| 27-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | T-800.639.771-4 | |
| 27-2 | Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. Fortune plango vulnera | — | ||
| 27-3 | Carmina Burana, Cantiones profanae: I. Primo Vere. Veris leta facies | — | ||
| 27-4 | Carmina Burana, Cantiones profanae: I. Primo Vere. Omnia Sol temperat | — | ||
| 27-5 | Carmina Burana, Cantiones profanae: I. Primo Vere. Ecce gratum | — | ||
| 27-6 | Carmina Burana, Cantiones profanae: Uf dem anger. Tanz | — | ||
| 27-7 | Carmina Burana, Cantiones profanae: Uf dem anger. Floret silva | — | ||
| 27-8 | Carmina Burana, Cantiones profanae: Uf dem anger. Chramer, gip die varwe mir | — | ||
| 27-9 | Carmina Burana, Cantiones profanae: Uf dem anger. Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | — | ||
| 27-10 | Carmina Burana, Cantiones profanae: Uf dem anger. Were diu werlt alle min | — | ||
| 27-11 | Carmina Burana, Cantiones profanae: II. In Taberna. Estuans interius | — | ||
| 27-12 | Carmina Burana, Cantiones profanae: II. In Taberna. Olim lacus colueram | — | ||
| 27-13 | Carmina Burana, Cantiones profanae: II. In Taberna. Ego sum abbas | — | ||
| 27-14 | Carmina Burana, Cantiones profanae: II. In Taberna. In taberna quando sumus | — | ||
| 27-15 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Amor volat undique | — | ||
| 27-16 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Dies, nox et omnia | — | ||
| 27-17 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Stetit puella | — | ||
| 27-18 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Circa mea pectora | — | ||
| 27-19 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Si puer cum puellula | — | ||
| 27-20 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Veni, veni, venias | — | ||
| 27-21 | Carmina Burana, Cantiones profanae: III. Cour d'amours. In trutina | — | ||
| 27-22 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Tempus est iocundum | — | ||
| 27-23 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Dulcissime | — | ||
| 27-24 | Carmina Burana, Cantiones profanae: Blanziflor et Helena. Ave formosissima | — | ||
| 27-25 | Carmina Burana: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | T-800.639.771-4 | |
| 28-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 28-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 28-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 28-4 | Symphony no. 24 in B-flat major, K. 182: I. Allegro spiritoso | — | ||
| 28-5 | Symphony no. 24 in B-flat major, K. 182: II. Andantino | — | ||
| 28-6 | Symphony no. 24 in B-flat major, K. 182: III. Allegro | — | ||
| 29-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 29-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 29-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 30-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | Philharmonia Orchestra, Riccardo Muti | — | |
| 30-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | Philharmonia Orchestra, Riccardo Muti | — | |
| 30-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 30-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante | Philharmonia Orchestra, Riccardo Muti | — | |
| 31-1 | España, Rhapsody for Orchestra | — | ||
| 31-2 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 31-3 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 31-4 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 31-5 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 31-6 | El sombrero de tres picos, Ballet suite no. 1: I. Mediodia (Allegretto - Calmo e pesante - Più mosso) | — | ||
| 31-7 | El sombrero de tres picos, Ballet suite no. 1: II. Danza de la Molinera (Fandango) | — | ||
| 31-8 | El sombrero de tres picos, Ballet suite no. 1: IIIa. El corregidor (Moderato) | — | ||
| 31-9 | El sombrero de tres picos, Ballet suite no. 1: IIIb. La molinera (Poco più mosso) | — | ||
| 31-10 | El sombrero de tres picos, Ballet suite no. 1: IV. Las uvas (Vivo) | — | ||
| 31-11 | El sombrero de tres picos, Ballet suite no. 2: I. Los vecinos. Seguidillas (Allegro ma non troppo) | — | ||
| 31-12 | El sombrero de tres picos, Ballet suite no. 2: II. Danza del molinero. Farruca (Poco vivo - Pesante) | — | ||
| 31-13 | El sombrero de tres picos, Ballet suite no. 2: III. Danza final. Jota (Poco mosso - Allegro ritmico molto moderato e pesante) | — | ||
| 32-1 | Requiem à la mémoire de Louis XVI in C minor: Introitus & Kyrie | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-2 | Requiem à la mémoire de Louis XVI in C minor: Graduale | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-3 | Requiem à la mémoire de Louis XVI in C minor: Dies irae | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-4 | Requiem à la mémoire de Louis XVI in C minor: Offertorium | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-5 | Requiem à la mémoire de Louis XVI in C minor: Sanctus | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-6 | Requiem à la mémoire de Louis XVI in C minor: Pie Jesu | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-7 | Requiem à la mémoire de Louis XVI in C minor: Agnus Dei | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 33-1 | Ouverture solennelle 1812, op. 49 | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-2 | Serenade for Strings in C major, op. 48: I. Pezzo in forma di sonatina (Andante non troppo - Allegro moderato) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-3 | Serenade for Strings in C major, op. 48: II. Valse (Moderato: Tempo di valse) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-4 | Serenade for Strings in C major, op. 48: III. Elégie (Larghetto elegiaco) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-5 | Serenade for Strings in C major, op. 48: IV. Finale: Tema russo (Andante - Allegro con spirito) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 34-1 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 1 Folk Dance | — | ||
| 34-2 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 2 Scene | — | ||
| 34-3 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 3 Madrigal | — | ||
| 34-4 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 4 Minuet | — | ||
| 34-5 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 5 Masks | — | ||
| 34-6 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 6 Romeo and Juliet | — | ||
| 34-7 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 7 Tybalt's Death | — | ||
| 34-8 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 1 The Montagues and Capulets | — | ||
| 34-9 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 2 The Young Juliet | — | ||
| 34-10 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 3 Friar Laurence | — | ||
| 34-11 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 5 Romeo and Juliet Before Parting | — | ||
| 34-12 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 7 Romeo at Julet's Grave | — | ||
| 35-1 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. I. Fête populaire de la Semaine Grasse (The Shrovetide Fair) | — | ||
| 35-2 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. II. Le tour de passe-passe (The Magic Trick) | — | ||
| 35-3 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. III. Danse russe (Russian dance) | — | ||
| 35-4 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 2. IV. Chez Pétrouchka (Petrushka's room) | — | ||
| 35-5 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. V. Chez le Maure (The Blackamoor's room) | — | ||
| 35-6 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. VI. Danse de la ballerine (Dance of the Ballerina) | — | ||
| 35-7 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. VII. Valse: La ballerine et le Maure (Waltz: The Ballerina and the Moor) | — | ||
| 35-8 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. VIII. Fête populaire de la Semaine Grasse (vers le soir) (The Shrovetide Fair towards evening) | — | ||
| 35-9 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. IX. Danse des nounous (The Wet-Nurses' Dance) | — | ||
| 35-10 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. X. Le Paysan et l'ours (The Peasant and the Bear) | — | ||
| 35-11 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XI. Le Marchand fêtard et deux Tziganes (The Reveling Merchant and two Gypsy Women) | — | ||
| 35-12 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XII. Danse de cochers et des palefreniers (Dance of the Coachmen and the Grooms) | — | ||
| 35-13 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XIII. Les Déguisés (The Mummers) | — | ||
| 35-14 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XIV. Mort de Pétrouchka (Petrushka's death) | — | ||
| 36-1 | Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante | Philharmonia Orchestra, Riccardo Muti | — | |
| 36-2 | Manfred Symphony, op. 58: II. Vivace con spirito | Philharmonia Orchestra, Riccardo Muti | — | |
| 36-3 | Manfred Symphony, op. 58: III. Andante con moto | Philharmonia Orchestra, Riccardo Muti | — | |
| 36-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | Philharmonia Orchestra, Riccardo Muti | — | |
| 37-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 37-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 37-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 37-4 | Le Chasseur maudit, Symphonic Poem, FWV 44 | — | ||
| 38-1 | Stabat Mater: I. Stabat mater dolorosa | — | ||
| 38-2 | Stabat Mater: II. Cujus animam gementem | — | ||
| 38-3 | Stabat Mater: III. Quis est homo | — | ||
| 38-4 | Stabat Mater: IV. Pro peccatis suae gentis | — | ||
| 38-5 | Stabat Mater: V. Eja, mater, fons amoris | — | ||
| 38-6 | Stabat Mater: VI. Sancta mater, istud agas | — | ||
| 38-7 | Stabat Mater: VII. Fac, ut portem Christi mortem | — | ||
| 38-8 | Stabat Mater: VIII. Inflammatus et accensus | — | ||
| 38-9 | Stabat Mater: IX. Quando corpus morietur | — | ||
| 38-10 | Stabat Mater: X. Amen. In sempiternal saecula | — | ||
| 39-1 | Violin Concerto no. 2 in D major, K. 211: I. Allegro moderato | — | ||
| 39-2 | Violin Concerto no. 2 in D major, K. 211: II. Andante | — | ||
| 39-3 | Violin Concerto no. 2 in D major, K. 211: III. Rondeau (Allegro) | — | ||
| 39-4 | Concerto for Violin no. 4 in D major, K. 218: I. Allegro | Anne-Sophie Mutter, Philharmonia Orchestra, Riccardo Muti | — | |
| 39-5 | Concerto for Violin no. 4 in D major, K. 218: II. Andante cantabile | Anne-Sophie Mutter, Philharmonia Orchestra, Riccardo Muti | — | |
| 39-6 | Concerto for Violin no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | Anne-Sophie Mutter, Philharmonia Orchestra, Riccardo Muti | — | |
| 40-1 | Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 40-2 | Scheherazade: II. The Story of the Kalender Prince | Norman Carol, The Philadelphia Orchestra, Riccardo Muti | — | |
| 40-3 | Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: III. The Young Prince and the Young Princess | — | ||
| 40-4 | Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: IV. The Festival of Bagdad - The Sea - The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior | — | ||
| 41-1 | Bolero, Ballet, M. 81 | — | ||
| 41-2 | Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: I. Lever du jour | — | ||
| 41-3 | Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: II. Pantomime | — | ||
| 41-4 | Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: III. Danse générale | — | ||
| 41-5 | Alborada del gracioso, M. 43b (from Miroirs no. 4) | — | ||
| 42-1 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 42-2 | Violin Concerto no. 1 in D minor, op. posth.: II. Langsam | — | ||
| 42-3 | Violin Concerto no. 1 in D minor, op. posth.: III. Lebhaft, doch nicht schnell | — | ||
| 42-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | T-312.542.566-9 | |
| 42-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 42-6 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 43-1 | A Faust Symphony, S. 108: I. Faust (Lento assai - Allegro impetuoso - Allegro agitato ed appassionato assai) | — | ||
| 43-2 | A Faust Symphony, S. 108: II. Gretchen (Andante soave) | — | ||
| 43-3 | A Faust Symphony, S. 108: III. Mephistopheles (Allegro vivace ironico - Andante mistico [Apotheosis]) | — | ||
| 44-1 | Les Préludes, Symphonic Poem, S. 97 | — | ||
| 44-2 | Quattro pezzi sacri (Four Sacred Pieces): I. Ave Maria | — | ||
| 44-3 | Quattro pezzi sacri (Four Sacred Pieces): II. Stabat mater | — | ||
| 44-4 | Quattro pezzi sacri (Four Sacred Pieces): III. Laudi alla Vergine Maria | — | ||
| 44-5 | Quattro pezzi sacri (Four Sacred Pieces): IV. Te Deum | — | ||
| 45-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 45-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 45-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 46-1 | Symphony no. 1 in D major: I. Langsam. Shleppend - Immer sehr gemächlich | — | ||
| 46-2 | Symphony no. 1 in D major: II. (Scherzo) Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich | — | ||
| 46-3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise - Wieder etwas bewegter, wie im Anfang | — | ||
| 46-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt - Langsam - Wieder wie zu Anfang. Stürmisch bewegt - Sehr langsam - Tempo I | — | ||
| 47-1 | Swan Lake - Ballet Suite, op. 20: Scene | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-2 | Swan Lake - Ballet Suite, op. 20: Act 1: Waltz | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-3 | Swan Lake - Ballet Suite, op. 20: Act 2: Pas de quatre: Dance of the Little Swans | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-4 | Swan Lake - Ballet Suite, op. 20: Act 2: Introduction, Scene and Dance No. 2 of the Queen of the Swans | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-5 | Swan Lake - Ballet Suite, op. 20: Act 3: Hungarian Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-6 | Swan Lake - Ballet Suite, op. 20: Act 3: Spanish Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-7 | Swan Lake - Ballet Suite, op. 20: Act 3: Neapolitan Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-8 | Swan Lake - Ballet Suite, op. 20: Act 3: Mazurka | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-9 | The Sleeping Beauty - Ballet Suite, op. 66: Introduction: The Lilac Fairy | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-10 | The Sleeping Beauty - Ballet Suite, op. 66: Pas d'action (Adagio) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-11 | The Sleeping Beauty - Ballet Suite, op. 66: Pas de caractère: Puss-in-Boots & the White Cat | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-12 | The Sleeping Beauty - Ballet Suite, op. 66: Panorama | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-13 | The Sleeping Beauty - Ballet Suite, op. 66: Waltz | The Philadelphia Orchestra, Riccardo Muti | T-905.014.886-2 | |
| 48-1 | Water Music, Suite 1 in F: Overture - Maestoso - Allegro | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-2 | Water Music, Suite 1 in F: I. Overture - Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-3 | Water Music, Suite 1 in F: II. Allegro- Andante - Allegro | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-4 | Water Music Suite no. 1 in F major, HWV 348: III. (Menuet) | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-5 | Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | — | |
| 48-6 | Water Music Suite No. 1 in F major, HWV 348: V. Menuet | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-7 | Water Music, Suite 1 in F: VI. Bouree | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-8 | Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-9 | Water Music Suite No. 1 in F major, HWV 348: VIII. Allegro molto | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-10 | Water Music, Suite no. 2 in D major, HWV 349: I. Allegro | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-11 | Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe | Berliner Philharmoniker, Riccardo Muti | T-306.036.936-6 | |
| 48-12 | Water Music Suite no. 2 in D major, HWV 349: XI. Menuet | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-13 | Water Music Suite No. 2 in D major, HWV 349: XII. Lentement | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-14 | Water Music, Suite no. 2 in D major, HWV 349: V. Bourrée | Berliner Philharmoniker, Riccardo Muti | T-001.322.754-7 | |
| 48-15 | Water Music Suite no. 3 in G major, HWV 350: XIV. (Menuet) | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-16 | Water Music, Suite no. 3 in G major, HWV 350: II. Rigaudon I | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-17 | Water Music, Suite 3 in G: III. Minuet - Andante | Berliner Philharmoniker, Riccardo Muti | T-306.036.936-6 | |
| 48-18 | Water Music Suite no. 3 in G major, HWV 350: XV. Rigaudon | Berliner Philharmoniker, Riccardo Muti | T-306.036.936-6 | |
| 49-1 | Mass in A for Charles X (1825) - I. Kyrie | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-2 | Mass in A for Charles X (1825) - II. Gloria | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-3 | Mass in A for Charles X (1825) - III. Credo | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-4 | Mass in A for Charles X (1825) - IV. Offertoire | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-5 | Mass in A for Charles X (1825) - V. Sanctus | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-6 | Mass in A for Charles X (1825) - VI. O salutaris hostia | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-7 | Mass in A for Charles X (1825) - VII. Agnus Dei | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-8 | Marche religieuse | Philharmonia Orchestra, Riccardo Muti | — | |
| 50-1 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) | — | ||
| 50-2 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 50-3 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 50-4 | Trumpet Concerto in D major, TWV 51:D 7: I. Adagio - Allegro | — | ||
| 50-5 | Trumpet Concerto in D major, TWV 51:D 7: II. Grave | — | ||
| 50-6 | Trumpet Concerto in D major, TWV 51:D 7: III. Allegro | — | ||
| 50-7 | Trumpet Concerto in D major, G. 28: I. Allegro | — | ||
| 50-8 | Trumpet Concerto in D major, G. 28: II. Adagio - Presto - Allegro | — | ||
| 50-9 | Trumpet Concerto in D major, G. 28: III. Allegro | — | ||
| 50-10 | Trumpet Concerto in E-flat major, Hob. VIIe/1: I. Allegro | — | ||
| 50-11 | Trumpet Concerto in E-flat major, Hob. VIIe/1: II. Andante | — | ||
| 50-12 | Trumpet Concerto: III. Allegro | Maurice André, Gordon Hunt, Christopher Warren-Green, Philharmonia Orchestra, Riccardo Muti | — | |
| 51-1 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): I. Bewegt, nicht zu schnell | — | ||
| 51-2 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): II. Andante quasi allegretto | — | ||
| 51-3 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): III. Scherzo (Bewegt) & Trio (Nicht zu schnell. Keinesfalls Schleppend) | — | ||
| 51-4 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 52-1 | Symphonie fantastique, op. 14: I. Rêveries - Passions | — | ||
| 52-2 | Symphonie fantastique, op. 14: II. Un bal (Valse) | — | ||
| 52-3 | Symphonie fantastique, op. 14: III. Scènes aux champs | — | ||
| 52-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | — | ||
| 52-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 53-1 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: I. I pini di Villa Borghese (Allegretto vivace, Vivace) | — | ||
| 53-2 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: II. Pini presso una catacomba (Lento) | — | ||
| 53-3 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: III. Pini del Gianicolo (Lento) | — | ||
| 53-4 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: IV. I pini della Via Appia (Tempo di marcia) | — | ||
| 53-5 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: I. La fontana di Valle Giulia all'alba (Andante mosso) | — | ||
| 53-6 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: II. La fontana del Tritone al mattino (Vivo, Un poco meno allegretto, Più vivo gaiamente) | — | ||
| 53-7 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: III. La fontana di Trevi al meriggio (Allegro moderato, Allegro vivace, Più vivace, Largamente, Calmo) | — | ||
| 53-8 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: IV. La fontana di Villa Medici al tramonto (Andante, Meno mosso, Andante come prima) | — | ||
| 53-9 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: I. Circenses | — | ||
| 53-10 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: II. Il Giubileo | — | ||
| 53-11 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: III. L'Ottobrata | — | ||
| 53-12 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: IV. La Befana | — | ||
| 54-1 | Symphony no. 1, E major, op. 26: I. Lento | — | ||
| 54-2 | Symphony no. 1, E major, op. 26: II. Allegro dramatico | — | ||
| 54-3 | Symphony no. 1, E major, op. 26: III. Lento | — | ||
| 54-4 | Symphony no. 1, E major, op. 26: IV. Vivace | — | ||
| 54-5 | Symphony no. 1, E major, op. 26: V. Allegro | — | ||
| 54-6 | Symphony no. 1, E major, op. 26: VI. Andante | — | ||
| 55-1 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 55-2 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 55-3 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto (Allegretto) | — | ||
| 55-4 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Finale (Molto allegro) | — | ||
| 55-5 | Divertimento in D major, K. 136: I. Allegro | — | ||
| 55-6 | Divertimento in D major, K. 136: II. Andante | — | ||
| 55-7 | Divertimento in D major, K. 136: III. Presto | — | ||
| 56-1 | Symphonie No. 5: Allegro con brio | [unknown] | T-905.312.587-4 | |
| 56-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 56-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo (Allegro) - | — | ||
| 56-4 | Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) | — | ||
| 56-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 56-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 56-7 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | — | ||
| 56-8 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 57-1 | Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio | — | ||
| 57-2 | Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre (Adagio assai) | — | ||
| 57-3 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo (Allegro vivace) & Trio | — | ||
| 57-4 | Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale (Allegro molto - Poco andante - Presto) | — | ||
| 57-5 | Fidelio, op. 72b: Overture | — | ||
| 57-6 | The Consecration of the House, op. 124: Overture | — | ||
| 58-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 58-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 58-3 | Symphony no. 2 in D major, op. 36: III. Scherzo (Allegro) & Trio | — | ||
| 58-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 58-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 58-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 58-7 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro) | — | ||
| 58-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 59-1 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. I. Introduction: combats, tumulte, intervention du Prince | — | ||
| 59-2 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. II. Prologue: « D'anciennes haines endormies » (Small chorus, Mezzo-soprano) | — | ||
| 59-3 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. III. Strophes: « Premiers transports que nul n'oublie » (Mezzo-soprano) | — | ||
| 59-4 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. IV. Récitatif et scherzetto: « Bientôt de Roméo… Mab la messagère » (Tenor, Small chorus) - « Bientôt la mort est souveraine » (Small chorus) | — | ||
| 59-5 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie II. V. Roméo seul, tristesse, bruits de concert et de bal | — | ||
| 59-6 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie II. VI. Grande fête chez Capulet | — | ||
| 59-7 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. VII. Nuit sereine, le jardin de Capulet silencieux et désert. Les jeunes Capulets sortent de la fête, passent en chantant des réminiscences de la musique du bal: « Ohé ! Capulets, bonsoir, bonsoir » (Double chorus) | — | ||
| 59-8 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. VIII. Scène d'amour | — | ||
| 59-9 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. IX. Scherzo: La reine Mob, ou la fée des songes | — | ||
| 60-1 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. X. Convoi funèbre de Juliette: « Jetez des fleurs » (Chorus) | — | ||
| 60-2 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XI. Roméo au tombeau des Capulets | — | ||
| 60-3 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XII. Invocation | — | ||
| 60-4 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XIII. Réveil de Juliette | — | ||
| 60-5 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XIV. Joie délirante | — | ||
| 60-6 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XV. Dernières angoisses et mort des deux amants | — | ||
| 60-7 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVI. La foule accourt au cimetière. Rixe des Capulets et des Montagus - « Quoi ! Roméo de retour » - Récitatif et air du Frère Laurence: « Je vais dévoiler le mystère » (Chorus, Frère Laurence) | — | ||
| 60-8 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVII. Air du Frère Laurence: « Pauvres enfants que je pleure » (Frère Laurence, Chorus) | — | ||
| 60-9 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVIII. Serment de réconciliation: « Jurez donc par l'auguste symbole » (Frère Laurence, Chorus) | — | ||
| 61-1 | Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Riccardo Muti | — | |
| 61-2 | Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto | Wiener Philharmoniker, Riccardo Muti | — | |
| 61-3 | Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo (Allegro vivace) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 61-4 | Symphony no. 9 in C major, D. 944 "The Great": IV. Finale (Allegro vivace) | Wiener Philharmoniker, Riccardo Muti | — | |
| 62-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 62-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 62-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 63-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 63-2 | Symphony No. 7 in A major, Op. 92: II. Allegretto | The Philadelphia Orchestra, Riccardo Muti | T-314.638.300-4 | |
| 63-3 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 63-4 | Symphony no. 7 in A major, op. 92: IV. Allegro | — | ||
| 63-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 63-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 63-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 63-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 64-1 | Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace | Wiener Philharmoniker, Riccardo Muti | T-312.542.531-8 | |
| 64-2 | Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-3 | Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto (Allegro vivace) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-4 | Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro | Wiener Philharmoniker, Riccardo Muti | T-003.055.867-8 | |
| 64-5 | Symphony no. 6 in C major, D. 589: I. Adagio - Allegro | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-6 | Symphony no. 6 in C major, D. 589: II. Andante | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-7 | Symphony no. 6 in C major, D. 589: III. Scherzo (Presto) & Trio (Più lento) | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-8 | Symphony no. 6 in C major, D. 589: IV. Allegro moderato | Wiener Philharmoniker, Riccardo Muti | — | |
| 65-1 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" | Patrizia Pace, Schwedischer Rundfunkchor, Radiokören, Berliner Philharmoniker, Riccardo Muti | T-070.055.214-2 | |
| 65-2 | Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-3 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Berliner Philharmoniker, Riccardo Muti | T-924.404.440-4 | |
| 65-4 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-5 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-6 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Berliner Philharmoniker, Riccardo Muti | T-010.065.879-4 | |
| 65-9 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | Berliner Philharmoniker, Riccardo Muti | T-919.097.742-5 | |
| 65-10 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-11 | Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-12 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | Berliner Philharmoniker, Riccardo Muti | T-106.642.813-3 | |
| 65-13 | Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-14 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | Berliner Philharmoniker, Riccardo Muti | T-908.911.081-6 | |
| 65-15 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 66-1 | Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam - Kyrie eleison (Chorus, Tenor, Bass, Soprano, Mezzo-soprano) | — | ||
| 66-2 | Messa da Requiem: II. Sequenza. Dies irae (Chorus) | — | ||
| 66-3 | Messa da Requiem: II. Sequenza. Tuba minum (Chorus) | — | ||
| 66-4 | Messa da Requiem: II. Sequenza. Mors stupebit (Bass) | — | ||
| 66-5 | Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus) | — | ||
| 66-6 | Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor) | — | ||
| 66-7 | Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass) | — | ||
| 66-8 | Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano) | — | ||
| 66-9 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-900.148.959-4 | |
| 66-10 | Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus) | — | ||
| 66-11 | Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus) | — | ||
| 67-1 | Messa da Requiem: III. Offertorio. Domine Jesu Christe (Tenor, Mezzo-soprano, Soprano, Bass) | — | ||
| 67-2 | Messa da Requiem: III. Offertorio. Hostias (Tenor, Mezzo-soprano, Soprano, Bass) | — | ||
| 67-3 | Messa da Requiem: IV. Sanctus (Chorus) | — | ||
| 67-4 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | — | ||
| 67-5 | Messa da Requiem: VI. Communio. Lux aeternam (Mezzo-soprano, Tenor, Bass) | — | ||
| 67-6 | Messa da Requiem: VII. Libera me. Libera me - Dies irae (Soprano, Chorus) | — | ||
| 67-7 | Messa da Requiem: VII. Libera me. Requiem aeternam (Soprano, Chorus) | — | ||
| 67-8 | Messa da Requiem: VII. Libera me. Libera me (Soprano, Chorus) | — | ||
| 68-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) (Awakening of cheerful feelings upon arrival in the country) | — | ||
| 68-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Scene am Bach (Andante molto mosso) (Scene by the brook) | — | ||
| 68-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute (Allegro) (Merry gathering of country folk) | — | ||
| 68-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter. Sturm (Allegro) (Thunderstorm) | — | ||
| 68-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) (Shepherd's Song. Happy and thankful feelings after the storm) | — | ||
| 68-6 | “Leonore” no. 3, Overture op. 72b | — | ||
| 69-1 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): I. Maestoso | — | ||
| 69-2 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): II. Adagio (Sehr feierlich) | — | ||
| 69-3 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): III. Scherzo (Nicht schnell) & Trio (Langsam) | — | ||
| 69-4 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 70-1 | Missa solemnis in G for Louis XVIII (1819) - I. Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-2 | Missa solemnis in G for Louis XVIII (1819) - II. Gloria | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-3 | Missa solemnis in G for Louis XVIII (1819) - III. Credo | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-4 | Missa solemnis in G for Louis XVIII (1819) - IV. Sanctus & O salutaris | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-5 | Missa solemnis in G for Louis XVIII (1819) - V. Agnus Dei | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 71-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo - Un poco maestoso | — | ||
| 71-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace - Presto | — | ||
| 71-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato | — | ||
| 71-4 | Symphony no. 9 in D minor, op. 125: IV. Presto - “O Freunde, nicht diese Töne!” (Ode to Joy) | — | ||
| 72-1 | Symphony no. 3 in C minor “Le divin Poème”, op. 43: I. Introduction: Lento: Divin grandiose - Luttes: Allegro: Mystérieux, tragique - Sombre, haletant, précipité | — | ||
| 72-2 | Symphony no. 3 in C minor “Le divin Poème”, op. 43: II. Voluptés: Lento: Sublime - Vivo: Divin essai | — | ||
| 72-3 | Symphony no. 3 in C minor “Le divin Poème”, op. 43: III. Jeu divin: Allegro: avec une joie éclatante | — | ||
| 72-4 | Romeo and Juliet, Fantasy Overture, TH 42 | — | ||
| 73-1 | Violin Concerto in A minor, op. 53: I. Allegro ma non troppo | — | ||
| 73-2 | Violin Concerto in A minor, op. 53: II. Adagio ma non troppo | — | ||
| 73-3 | Violin Concerto in A minor, op. 53: III. Finale (Allegro giocoso) | — | ||
| 73-4 | Romance in F minor, op. 11 | Kyung-Wha Chung, The Philadelphia Orchestra, Riccardo Muti | — | |
| 74-1 | Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | Wiener Philharmoniker, Riccardo Muti | T-909.879.307-8 | |
| 74-2 | Symphony no. 3 in D major, D. 200: II. Allegretto | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-3 | Symphony no. 3 in D major, D. 200: III. Menuetto (Vivace) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-4 | Symphony no. 3 in D major, D. 200: IV. Presto vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-5 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-6 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-7 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto (Allegro molto) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-8 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 75-1 | Symphony no. 2 in C minor, op. 29: I. Andante | — | ||
| 75-2 | Symphony no. 2 in C minor, op. 29: II. Allegro | — | ||
| 75-3 | Symphony no. 2 in C minor, op. 29: III. Andante | — | ||
| 75-4 | Symphony no. 2 in C minor, op. 29: IV. Tempestuoso | — | ||
| 75-5 | Symphony no. 2 in C minor, op. 29: V. Maestoso | — | ||
| 75-6 | Hamlet, Fantasy Overture, op. 67 | — | ||
| 76-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 76-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 76-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 76-4 | Rhapsody on a Theme of Paganini, op. 43: Introduction (Allegro vivace) - Variation I | — | ||
| 76-5 | Rhapsody on a Theme of Paganini, op. 43: Theme - Variation II | — | ||
| 76-6 | Rhapsody on a Theme of Paganini, op. 43: Variation III (L'istesso tempo) | — | ||
| 76-7 | Rhapsody on a Theme of Paganini, op. 43: Variation IV (Più vivo) | — | ||
| 76-8 | Rhapsody on a Theme of Paganini, op. 43: Variation V (Tempo precedente) | — | ||
| 76-9 | Rhapsody on a Theme of Paganini, op. 43: Variation VI (L'istesso tempo) | — | ||
| 76-10 | Rhapsody on a Theme of Paganini, op. 43: Variation VII (Meno mosso, a tempo moderato) | — | ||
| 76-11 | Rhapsody on a Theme of Paganini, op. 43: Variation VIII (Tempo I) | — | ||
| 76-12 | Rhapsody on a Theme of Paganini, op. 43: Variation IX (L'istesso tempo) | — | ||
| 76-13 | Rhapsody on a Theme of Paganini, op. 43: Variation X (Poco marcato) | — | ||
| 76-14 | Rhapsody on a Theme of Paganini, op. 43: Variation XI (Moderato) | — | ||
| 76-15 | Rhapsody on a Theme of Paganini, op. 43: Variation XII (Tempo di minuetto) | — | ||
| 76-16 | Rhapsody on a Theme of Paganini, op. 43: Variation XIII (Allegro) | — | ||
| 76-17 | Rhapsody on a Theme of Paganini, op. 43: Variation XIV (L'istesso tempo) | — | ||
| 76-18 | Rhapsody on a Theme of Paganini, op. 43: Variation XV (Più vivo, scherzando) | — | ||
| 76-19 | Rhapsody on a Theme of Paganini, op. 43: Variation XVI (Allegretto) | — | ||
| 76-20 | Rhapsody on a Theme of Paganini, op. 43: Variation XVII (Allegretto) | — | ||
| 76-21 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (Andante cantabile, a tempo vivace) | — | ||
| 76-22 | Rhapsody on a Theme of Paganini, op. 43: Variation XIX (A tempo vivace) | — | ||
| 76-23 | Rhapsody on a Theme of Paganini, op. 43: Variation XX (Un poco più vivo) | — | ||
| 76-24 | Rhapsody on a Theme of Paganini, op. 43: Variation XXI (Un poco più vivo) | — | ||
| 76-25 | Rhapsody on a Theme of Paganini, op. 43: Variation XXII (Un poco più vivo, alla breve) | — | ||
| 76-26 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIII (L'istesso tempo) | — | ||
| 76-27 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIV (A tempo un poco meno mosso) | — | ||
| 77-1 | Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo | — | ||
| 77-2 | Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia | — | ||
| 77-3 | Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace | — | ||
| 77-4 | Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale (Adagio lamentoso - Andante) | — | ||
| 77-5 | Le Poème de l'extase, op. 54 | — | ||
| 78-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 78-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 78-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato) | — | ||
| 78-4 | Symphony no. 4 in F minor, op. 36: IV. Finale (Allegro con fuoco) | — | ||
| 78-5 | Prométhée, le Poème du feu, op. 60 | — | ||
| 79-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Wiener Philharmoniker, Riccardo Muti | — | |
| 79-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Wiener Philharmoniker, Riccardo Muti | — | |
| 79-3 | Symphony no. 1 in D major, D. 82: I. Adagio - Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 79-4 | Symphony no. 1 in D major, D. 82: II. Andante | Wiener Philharmoniker, Riccardo Muti | T-106.677.158-0 | |
| 79-5 | Symphony no. 1 in D major, D. 82: III. Menuetto (Allegretto) & Trio | Wiener Philharmoniker, Riccardo Muti | T-312.542.381-2 | |
| 79-6 | Symphony no. 1 in D major, D. 82: IV. Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 80-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 80-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 80-3 | Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato) | — | ||
| 80-4 | Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 80-5 | Francesca da Rimini, op. 32 | The Philadelphia Orchestra, Riccardo Muti | T-010.194.429-9 | |
| 81-1 | Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo | — | ||
| 81-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 81-3 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 81-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 81-5 | Festive Overture, op. 96 | — | ||
| 82-1 | Symphony no. 2 in B-flat major, D. 125: I. Largo - Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-2 | Symphony no. 2 in B-flat major, D. 125: II. Andante - Variations I-V | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-3 | Symphony no. 2 in B-flat major, D. 125: III. Allegro vivace - Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-4 | Symphony no. 2 in B-flat major, D. 125: IV. Presto | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-5 | Rosamunde D. 644: Ouvertüre (Die Zauberharfe) | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-6 | Rosamunde D. 797: Incidental Music No. 2 - Ballet Music I - Allegro moderato | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-7 | Rosamunde D. 797: Incidental Music No. 2 - Ballet Music I - Andante un poco assai | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-8 | Rosamunde D. 797: Incidental Music No. 9 - Ballet Music II - Andantino | Wiener Philharmoniker, Riccardo Muti | — | |
| 83-1 | Poème d l'amour et de la mer, op. 19: I. La Fleur des eaux (Calme) | — | ||
| 83-2 | Poème d l'amour et de la mer, op. 19: II. Interlude (Lent et triste) | — | ||
| 83-3 | Poème d l'amour et de la mer, op. 19: III. La Mort de l'amour (Vif et joyeux - Sombre et solennel - Lent et triste) | — | ||
| 83-4 | Miroirs, M. 43 no. 3: Un barque sur l'océan | — | ||
| 83-5 | La Mer, Trois esquisses symphoniques, CD 111: I. De l'aube à midi sur la mer | — | ||
| 83-6 | La Mer, Trois esquisses symphoniques, CD 111: II. Jeux de vagues | — | ||
| 83-7 | La Mer, Trois esquisses symphoniques, CD 111: III. Dialogue du vent et de la mer | — | ||
| 84-1 | Violin Concerto in F major, RV 570 "La tempesta di mare": I. Allegro | Bruno Cavallo, Giulio Franzetti, Alberto Negroni, Valentino Zucchiati, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-106.656.481-4 | |
| 84-2 | Violin Concerto in F major, RV 570 "La tempesta di mare": II. Largo | Bruno Cavallo, Giulio Franzetti, Alberto Negroni, Valentino Zucchiati, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-3 | Violin Concerto in F major, RV 570 "La tempesta di mare": III. Presto | Bruno Cavallo, Giulio Franzetti, Alberto Negroni, Valentino Zucchiati, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-4 | Violin Concerto in G minor, RV 439 "La notte": I. Largo | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-801.397.798-6 | |
| 84-5 | Violin Concerto in G minor, RV 439 "La notte": II. Presto ("Fantasmi") | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-6 | Violin Concerto in G minor, RV 439 "La notte": III. Largo | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-801.397.798-6 | |
| 84-7 | Violin Concerto in G minor, RV 439 "La notte": IV. Presto | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-8 | Violin Concerto in G minor, RV 439 "La notte": V. Largo ("Il sonno") | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-9 | Violin Concerto in G minor, RV 439 "La notte": VI. Allegro | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-10 | Violin Concerto in E major, RV 269 "Le quattro stagioni", "La primavera": I. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-11 | Violin Concerto in E major, RV 269 "Le quattro stagioni", "La primavera": II. Largo e pianissimo sempre | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-12 | Violin Concerto in E major, RV 269 "Le quattro stagioni", "La primavera": III. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-700.095.171-5 | |
| 84-13 | Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": I. Allegro non molto | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-14 | Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": II. Adagio | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-15 | Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": III. Presto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-16 | Violin Concerto in F major, RV 293 "Le quattro stagioni", "L'autunno": I. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-17 | Violin Concerto in F major, RV 293 "Le quattro stagioni", "L'autunno": II. Adagio molto | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-18 | Violin Concerto in F major, RV 293 "Le quattro stagioni", "L'autunno": III. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-19 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": I. Allegro non molto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-20 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": II. Largo | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-900.143.433-9 | |
| 84-21 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": III. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 85-1 | Motoren-Walzer, op. 265 | — | ||
| 85-2 | 's gibt nur Kaiserstadt, 's gibt nur ein Wien, Polka, op. 291 | — | ||
| 85-3 | Carrière, Polka schnell, op. 200 | — | ||
| 85-4 | Frauenherz, Polka mazur, op. 166 | — | ||
| 85-5 | Hofballtänze, Walzer, op. 298 | — | ||
| 85-6 | Bluette, Polka française, op. 271 | — | ||
| 85-7 | Die Bajadere, Polka schnell, op. 351 | — | ||
| 86-1 | Leichte Kavallerie, Overture | — | ||
| 86-2 | Freuet euch des Lebens, Walzer, op. 340 | — | ||
| 86-3 | Patronesen, Polka française, op. 286 | — | ||
| 86-4 | Leichtfüßig, Polka schnell | — | ||
| 86-5 | Neue Pizzicato-Polka, op. 449 | — | ||
| 86-6 | Fata Morgana, Polka mazur, op. 330 | — | ||
| 86-7 | Russischer Marsch, op. 426 | — | ||
| 86-8 | Dynamiden, Walzer, op. 173 | — | ||
| 86-9 | Vorwärts!, Polka schnell, op. 127 | — | ||
| 86-10 | Eingesendet, Polka schnell, op. 240 | — | ||
| 86-11 | An der schönen blauen Donau, Walzer, op. 314 | — | ||
| 86-12 | Radetzky-Marsch, op. 228 | — | ||
| 87-1 | Lagunen-Walzer, Op. 411 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-2 | Hellenen-Polka (Polka schnell), Op. 203 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-3 | Albion-Polka, Op. 102 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-4 | Liebeslieder-Walzer, Op. 114 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-5 | Csárdás aus 'Ritter Pasman', Op. 441-1 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-6 | Mit Extrapost (Polka schnell), op. 259 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-1 | Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-2 | Gruß an Prag, op. 144 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-3 | Wein, Weib und Gesang (Walzer), Op. 333 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-4 | Persischer Marsch, Op. 289 | Wiener Philharmoniker, Riccardo Muti | T-009.005.638-4 | |
| 88-5 | Die Libelle (Polka Mazur), Op. 204 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-6 | Process-Polka (Polka schnell), Op. 294 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-7 | Künstler Gruß (Polka francaise), Op. 274 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-8 | Marien-Klänge, op. 214 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-9 | Éljen a Magyar! (Polka schnell), Op. 332 | Wiener Philharmoniker, Riccardo Muti | T-310.219.915-1 | |
| 88-10 | Vom Donaustrande (Polka schnell), Op. 356 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-11 | An der schönen blauen Donau (Walzer), Op. 314 | Wiener Philharmoniker, Riccardo Muti | T-902.100.912-1 | |
| 88-12 | Radetzky-Marsch, Op. 228 | Wiener Philharmoniker, Riccardo Muti | — | |
| 89-1 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Kyrie eleison. Larghetto | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-2 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Christe eleison. Andante | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-3 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Kyrie eleison. Allegro moderato | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-4 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Gloria in excelsis Deo. Allegro | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-5 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Gratias agimus. Larghetto | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-6 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Qui tollis. Andantino largo | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-7 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Quoniam. Allegro moderato - Grave | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-8 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Cum Sancto Spiritu. Allegro | Camilla Tilling, Sara Fulgoni, Kurt Streit, Tómas Tómasson, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-9 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Credo in unum Deum. Allegro | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-10 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et incarnatus est. Sostenuto assai | Andreas Schulist, Atsuko Suzuki, Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-11 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Crucifixus. Andantino | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-12 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et resurrexit. Allegro spirituoso | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-13 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et in Spiritum Sanctum. Larghetto | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-14 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Amen. Allegro | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-15 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - IV. Sanctus - Sanctus Dominus Deus. Maestoso | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-16 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - IV. Sanctus - Hosanna. Allegro vivace | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-17 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - V. Benedictus - Benedictus qui venit. Larghetto | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-18 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - V. Benedictus - Hosanna. Allegro vivace | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-19 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - VI. Agnus Dei - Agnus Dei. Andante moderato | Camilla Tilling, Sara Fulgoni, Kurt Streit, Tómas Tómasson, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-20 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - VI. Agnus Dei - Dona nobis pacem. Allegro | Camilla Tilling, Sara Fulgoni, Kurt Streit, Tómas Tómasson, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-1 | Missa solemnis in E (1814) - I. Kyrie | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-2 | Missa solemnis in E (1814) - II. Gloria | Ruth Ziesak, Marianna Pizzolato, Herbert Lippert, Ildar Abdrazakov, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-3 | Missa solemnis in E (1814) - III. Credo | Ruth Ziesak, Marianna Pizzolato, Herbert Lippert, Ildar Abdrazakov, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-4 | Missa solemnis in E (1814) - IV. Sanctus | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-5 | Missa solemnis in E (1814) - V. Communio. O salutaris hostia | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-6 | Missa solemnis in E (1814) - VI. Agnus Dei | Ruth Ziesak, Marianna Pizzolato, Herbert Lippert, Ildar Abdrazakov, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-7 | Antifona sul canto fermo 8. Tona | Bavarian Radio Chorus, Riccardo Muti | — | |
| 90-8 | Nemo gaudeat | Harald Feller, Max Hanft, Bavarian Radio Chorus, Riccardo Muti | — | |
| 91-1 | Muti's Debut and Appointment to the Philharmonia | — | ||
| 91-2 | Building a new future and Muti's rehearsal demands | — | ||
| 91-3 | Verdi Operas | — | ||
| 91-4 | Large scale events | — | ||
| 91-5 | Relationship between Riccardo Muti and the Philharmonia players | — | ||
| 91-6 | Fastidious demands for dynamic extremes | — | ||
| 91-7 | Conclusion - Muti's lasting legacy | — |
Identifier Graph
0190295008345 is a Universal Product Code (UPC) assigned to The Complete Warner Symphonic Recordings by Riccardo Muti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 735 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “The Complete Warner Symphonic Recordings” by Riccardo Muti is 0190295008345. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 735 tracks, each with its own ISRC. Tracks include GBAYC8000237, GBAYC8000238, GBAYC8000239.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Requiem in D minor (1836) - I. Introitus et Kyrie | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 2 | Requiem in D minor (1836) - II. Graduale | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 3 | Requiem in D minor (1836) - III. Dies irae | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 4 | Requiem in D minor (1836) - IV. Offertorium | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 5 | Requiem in D minor (1836) - V. Sanctus | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 6 | Requiem in D minor (1836) - VI. Pie Jesu | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 7 | Requiem in D minor (1836) - VII. Agnus Dei | Ambrosian Singers, New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-1 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: I. Allegro tranquillo | New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-2 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: II. Adagio cantabile ma non tanto | New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-3 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: III. Scherzo. Allegro scherzando giocoso | New Philharmonia Orchestra, Riccardo Muti | — | |
| 2-4 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: IV. Finale. Andante lugubre | New Philharmonia Orchestra, Riccardo Muti | — | |
| 3-1 | Symphony no. 3 in A minor “Scottish”, op. 56: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 3-2 | Symphony no. 3 in A minor “Scottish”, op. 56: II. Scherzo (Vivace non troppo) | — | ||
| 3-3 | Symphony no. 3 in A minor “Scottish”, op. 56: III. Adagio | — | ||
| 3-4 | Symphony no. 3 in A minor “Scottish”, op. 56: IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 3-5 | Meeresstille und glückliche Fahrt (Calm sea and prosperous voyage), Overture, op. 27 | — | ||
| 4-1 | Nabucco: Overture | — | ||
| 4-2 | Giovanna d'Arco: Overture | — | ||
| 4-3 | La battaglia di Legnano: Overture | — | ||
| 4-4 | Luisa Miller: Overture | — | ||
| 4-5 | I vespri siciliani: Overture | — | ||
| 4-6 | La forza del destino: Overture | — | ||
| 5-1 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 5-2 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 5-3 | Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio | — | ||
| 5-4 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 5-5 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 5-6 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 5-7 | Symphony no. 29 in A major, K. 201: III. Menuetto e Trio | — | ||
| 5-8 | Symphony no. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 6-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 6-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 6-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo (Molto vivace) | — | ||
| 6-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 7-1 | Symphony no. 4 in A major “Italian”, op. 90: I. Allegro vivace - Più animato | — | ||
| 7-2 | Symphony no. 4 in A major “Italian”, op. 90: II. Andante con moto | — | ||
| 7-3 | Symphony no. 4 in A major “Italian”, op. 90: III. Con moto moderato | — | ||
| 7-4 | Symphony no. 4 in A major “Italian”, op. 90: IV. Saltarello (Presto) | — | ||
| 7-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 7-6 | Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam) | — | ||
| 7-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio | — | ||
| 7-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 8-1 | Magnificat, RV 611: I. Magnificat | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 8-2 | Magnificat in G minor, RV 611: II. Et exultavit | — | ||
| 8-3 | Magnificat in G minor, RV 611: III. Quia respexit | — | ||
| 8-4 | Magnificat in G minor, RV 611: IV. Quia fecit | — | ||
| 8-5 | Magnificat in G minor, RV 611: V. Et misericordia | — | ||
| 8-6 | Magnificat in G minor, RV 611: VI. Fecit potentiam | — | ||
| 8-7 | Magnificat in G minor, RV 611: VII. Deposuit potentes | — | ||
| 8-8 | Magnificat in G minor, RV 611: VIII. Esurientes | — | ||
| 8-9 | Magnificat in G minor, RV 611: IX. Suscepit Israël | — | ||
| 8-10 | Magnificat in G minor, RV 611: X. Sicut locutus | — | ||
| 8-11 | Magnificat in G minor, RV 611: XI. Gloria | — | ||
| 8-12 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | — | ||
| 8-13 | Gloria in D major, RV 589: II. Et in terra pax hominibus | — | ||
| 8-14 | Gloria in D major, RV 589: III. Laudamus te | — | ||
| 8-15 | Gloria in D major, RV 589: IV. Gratias agimus tibi | — | ||
| 8-16 | Gloria in D major, RV 589: V. Propter magnam gloriam | — | ||
| 8-17 | Gloria in D major, RV 589: VI. Domine Deus | — | ||
| 8-18 | Gloria in D major, RV 589: VII. Domine Fili unigenite | — | ||
| 8-19 | Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei | — | ||
| 8-20 | Gloria in D major, RV 589: IX. Qui tollis peccata mundi | — | ||
| 8-21 | Gloria in D major, RV 589: X. Qui sedes ad dexteram | — | ||
| 8-22 | Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus | — | ||
| 8-23 | Gloria in D major, RV 589: XII. Cum Sancto Spiritu | — | ||
| 9-1 | Romeo and Juliet, Fantasy Overture, TH 42 | — | ||
| 9-2 | Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto – Allegro vivo | Philharmonia Orchestra, Riccardo Muti | — | |
| 9-3 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale | Philharmonia Orchestra, Riccardo Muti | — | |
| 9-4 | Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 9-5 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale. Moderato assai – Allegro vivo | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-1 | Symphony no. 3 in D, op. 29 “Polish”: I. Moderato assai (Tempo di marcia funebre) - Allegro brillante | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-2 | Symphony no. 3 in D, op. 29 “Polish”: II. Alla tedesca (Allegro moderato e semplice) | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-3 | Symphony no. 3 in D, op. 29 “Polish”: III. Andante elegiaco | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-4 | Symphony no. 3 in D, op. 29 “Polish”: IV. Scherzo (Allegro vivo) | Philharmonia Orchestra, Riccardo Muti | — | |
| 10-5 | Symphony no. 3 in D, op. 29 “Polish”: V. Allegro con fuoco - Tempo di polacca | Philharmonia Orchestra, Riccardo Muti | T-910.405.802-8 | |
| 11-1 | Ivan the Terrible, Film Music, op. 116: Prologue | — | ||
| 11-2 | Ivan the Terrible, Film Music, op. 116: No. 1 Overture and chorus (Moderato - Allegro) | — | ||
| 11-3 | Ivan the Terrible, Film Music, op. 116: No. 2 March of Young Ivan (Moderato) | — | ||
| 11-4 | Ivan the Terrible, Film Music, op. 116: No. 3 Ocean - Sea (Andante) | — | ||
| 11-5 | Ivan the Terrible, Film Music, op. 116: No. 4 I will be Tsar! (Moderato) | — | ||
| 11-6 | Ivan the Terrible, Film Music, op. 116: No. 5 God is wondrous! (Allegro) | — | ||
| 11-7 | Ivan the Terrible, Film Music, op. 116: No. 6 Long Life! (Allegro moderato) | — | ||
| 11-8 | Ivan the Terrible, Film Music, op. 116: No. 7 Ocean - Sea (Andante) | — | ||
| 11-9 | Ivan the Terrible, Film Music, op. 116: No. 8 Long Life! (Allegro moderato) | — | ||
| 11-10 | Ivan the Terrible, Film Music, op. 116: No. 9 The Holy Fool (Allegro tempestoso) | — | ||
| 11-11 | Ivan the Terrible, Film Music, op. 116: No. 10 The Swan (Allegro fastoso) | — | ||
| 11-12 | Ivan the Terrible, Film Music, op. 116: No. 11 Celebration Song (Andante) | — | ||
| 11-13 | Ivan the Terrible, Film Music, op. 116: No. 12 The Swan (Allegro fastoso) | — | ||
| 11-14 | Ivan the Terrible, Film Music, op. 116: No. 13 On the Bones of the Enemy (Andante mosso) | — | ||
| 11-15 | Ivan the Terrible, Film Music, op. 116: No. 14 The Tartars (Allegro moderato) | — | ||
| 11-16 | Ivan the Terrible, Film Music, op. 116: No. 15 The Gunners (Moderato energico) | — | ||
| 11-17 | Ivan the Terrible, Film Music, op. 116: No. 16 The Storming of Kazan (Moderato pesante - Andante - Allegro) | — | ||
| 11-18 | Ivan the Terrible, Film Music, op. 116: No. 17 Ivan's Appeal to the Boyars (Adagio - Andante sostenuto) | — | ||
| 12-1 | Ivan the Terrible, Film Music, op. 116: No. 18 Yefrosinia and Anastasia (Moderato) | — | ||
| 12-2 | Ivan the Terrible, Film Music, op. 116: No. 19 Song about the Beaver (Andante assai) | — | ||
| 12-3 | Ivan the Terrible, Film Music, op. 116: No. 20 Ivan at Anastasia's Bier (Andante) | — | ||
| 12-4 | Ivan the Terrible, Film Music, op. 116: No. 21 Chorus of the Oprichniki (Andante risoluto) | — | ||
| 12-5 | Ivan the Terrible, Film Music, op. 116: No. 22 The Oprichniki Oath of Loyalty (Moderato energico) | — | ||
| 12-6 | Ivan the Terrible, Film Music, op. 116: No. 23 Feodor Basmanov's Song (Allegro moderato) | — | ||
| 12-7 | Ivan the Terrible, Film Music, op. 116: No. 24 Dance of the Oprichniki (Allegro ben ritmato) | — | ||
| 12-8 | Ivan the Terrible, Film Music, op. 116: No. 25 Finale (Moderato - Moderato fastoso) | — | ||
| 12-9 | Sinfonietta in A major, op. 5/48: I. Allegro giocoso | — | ||
| 12-10 | Sinfonietta in A major, op. 5/48: II. Andante | — | ||
| 12-11 | Sinfonietta in A major, op. 5/48: III. Intermezzo (Vivace) | — | ||
| 12-12 | Sinfonietta in A major, op. 5/48: IV. Scherzo (Allegro risoluto) | — | ||
| 12-13 | Sinfonietta in A major, op. 5/48: V. Allegro giocoso | — | ||
| 13-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con bro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 13-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 13-3 | Piano Concerto no. 3 in C minor, op. 37: III. Allegro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 13-4 | Andante favori in F major, WoO 57 | — | ||
| 14-1 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 14-2 | Symphony no. 2 in C major, op. 61: II. Scherzo (Allegro vivace) - Trio I - Trio II | — | ||
| 14-3 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 14-4 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 14-5 | Hermann und Dorothea, Overture in B minor, op. 136 | — | ||
| 15-1 | Tableaux d'une exposition, M.A24: Promenade / Gnomus / Promenade | — | ||
| 15-2 | Tableaux d'une exposition, M.A24: Il vecchio castello (The Old Castle) / Promenade | — | ||
| 15-3 | Tableaux d'une exposition, M.A24: Tuileries | — | ||
| 15-4 | Tableaux d'une exposition, M.A24: Bydlo / Promenade | — | ||
| 15-5 | Tableaux d'une exposition, M.A24: Ballet des poussins dans leurs coques (Ballet of the Unhatched Chicks) | — | ||
| 15-6 | Tableaux d'une exposition, M.A24: Samuel Goldenberg & Schmuyle | — | ||
| 15-7 | Tableaux d'une exposition, M.A24: Limoges: le marché (The Market) | — | ||
| 15-8 | Tableaux d'une exposition, M.A24: Catacombae: Sepulcrum romanum | — | ||
| 15-9 | Tableaux d'une exposition, M.A24: Cum mortuis in lingua mortua | — | ||
| 15-10 | Tableaux d'une exposition, M.A24: La Cabane sur des pattes de poules (Baba Yaga) (The Hut on Chicken's Legs) | — | ||
| 15-11 | Tableaux d'une exposition, M.A24: La Grande Porte de Kiev (The Great Gate of Kiev) | — | ||
| 15-12 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): I. Les Jardins enchantés du roi Katcheï (Kashchei's enchanted gardens) | — | ||
| 15-13 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): II. L'Oiseau de feu et sa danse (Dance of the Firebird) | — | ||
| 15-14 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): V. Khovorod: ronde des princesses (The princesses' Round Dance) | — | ||
| 15-15 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): VI. Danse infernale du roi Katcheï et de tous ses sujets (Infernal dance of all of Kashchei's subjects) | — | ||
| 15-16 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): VII. Berceuse (Lullaby) | — | ||
| 15-17 | L'Oiseau de feu (The Firebird), Ballet Suite (1919): VIII. Finale - Allégresse générale (General thanksgiving) | — | ||
| 16-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 16-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 16-3 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 16-4 | Symphony no. 7 in A major, op. 92: IV. Allegro | — | ||
| 17-1 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | Philharmonia Orchestra, Riccardo Muti | — | |
| 17-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | Philharmonia Orchestra, Riccardo Muti | — | |
| 17-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Philharmonia Orchestra, Riccardo Muti | — | |
| 17-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 18-1 | La scala di seta: Overture | — | ||
| 18-2 | Il barbiere di Siviglia: Overture | — | ||
| 18-3 | Semiramide: Overture | — | ||
| 18-4 | Il viaggio a Reims: Overture | — | ||
| 18-5 | L'assedio di Corinto: Overture | — | ||
| 18-6 | Guillaume Tell: Overture | — | ||
| 19-1 | Overture to Schiller's “Die Braut von Messina” in C minor, op. 100 | — | ||
| 19-2 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft | — | ||
| 19-3 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo (Sehr mäßig) | — | ||
| 19-4 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell | — | ||
| 19-5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich | — | ||
| 19-6 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft | — | ||
| 20-1 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 1 Winter | — | ||
| 20-2 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 2 Spring | — | ||
| 20-3 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 3 Summer | — | ||
| 20-4 | I vespri siciliani: Act III. The Four Seasons, ballet: No. 4 Autumn | Philharmonia Orchestra, Riccardo Muti | — | |
| 20-5 | Macbeth: Act III. Ballo | — | ||
| 20-6 | Macbeth: Act III. Ondine e silfidi dall'ali candide (Streghe) | — | ||
| 20-7 | Aida: Act II. Danza di schiavi mori | — | ||
| 20-8 | Aida: Act II. Marcia trionfale | — | ||
| 20-9 | Aida: Act II. Ballabile | — | ||
| 21-1 | Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante poco maestoso - Allegro molto vivace | — | ||
| 21-2 | Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto | — | ||
| 21-3 | Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo (Molto vivace) - Trio I - Trio II | — | ||
| 21-4 | Symphony no. 1 in B-flat major “Spring”, op. 38: IV. Allegro animato e grazioso | — | ||
| 21-5 | Symphony no. 5 in D major “Reformation”, op. 107: I. Andante - Allegro con fuoco | — | ||
| 21-6 | Symphony no. 5 in D major “Reformation”, op. 107: II. Allegro vivace | — | ||
| 21-7 | Symphony no. 5 in D major “Reformation”, op. 107: III. Andante | — | ||
| 21-8 | Symphony no. 5 in D major “Reformation”, op. 107: IV. Chorale: “Ein feste Burg ist under Gott” (Andante con moto - Allegro vivace) | — | ||
| 22-1 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. I. Introduction | — | ||
| 22-2 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. II. Les Augures pritaniers - Danse des adolescentes | — | ||
| 22-3 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. III. Jeu du rapt | — | ||
| 22-4 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. IV. Rondes printanières | — | ||
| 22-5 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. V. Jeu des cités rivales | — | ||
| 22-6 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. VI. Cortège du Sage | — | ||
| 22-7 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. VII. Adoration de la Terre (Le Sage) / VII. Danse de la Terre | — | ||
| 22-8 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. I. Introduction | — | ||
| 22-9 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. II. Cercles mystérieux des adolescentes | — | ||
| 22-10 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. III. Glorification de l'Élue | — | ||
| 22-11 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. IV. Évocation des Ancêtres | — | ||
| 22-12 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. V. Action rituelle des Ancêtres | — | ||
| 22-13 | Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. VI. Danse sacrale (L'Élue) | — | ||
| 23-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) | — | ||
| 23-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Scene am Bach (Andante molto mosso) | — | ||
| 23-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute (Allegro) | — | ||
| 23-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter. Sturm (Allegro) | — | ||
| 23-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | — | ||
| 24-1 | Symphony no. 4 in F minor: I. Andante sostenuto - Moderato con anima | Philharmonia Orchestra, Riccardo Muti | T-902.876.200-7 | |
| 24-2 | Symphony no. 4 in F minor: II. Andantino in modo di canzona | Philharmonia Orchestra, Riccardo Muti | — | |
| 24-3 | Symphony no. 4 in F minor: III. Scherzo (Pizzicato ostinato) | Philharmonia Orchestra, Riccardo Muti | — | |
| 24-4 | Symphony no. 4 in F minor: IV. Finale (Allegro con fuoco) | Philharmonia Orchestra, Riccardo Muti | — | |
| 25-1 | Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam (Chorus) | — | ||
| 25-2 | Messa da Requiem: I. Requiem e Kyrie. Kyrie eleison (Tenor, Bass, Soprano, Mezzo-soprano) | — | ||
| 25-3 | Messa da Requiem: II. Sequenza. Dies irae (Chorus) | — | ||
| 25-4 | Messa da Requiem: II. Sequenza. Tuba mirum (Chorus) | — | ||
| 25-5 | Messa da Requiem: II. Sequenza. Mors stupebit (Bass) | — | ||
| 25-6 | Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus) | — | ||
| 25-7 | Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor) | — | ||
| 25-8 | Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass) | — | ||
| 25-9 | Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano) | — | ||
| 25-10 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | — | ||
| 25-11 | Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus) | — | ||
| 25-12 | Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus) | — | ||
| 25-13 | Messa da Requiem: III. Offertorio. Domine Jesu Christe - Hostias (Tenor, Mezzo-soprano, Soprano, Bass) | — | ||
| 26-1 | Messa da Requiem: IV. Sanctus (Chorus) | — | ||
| 26-2 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | — | ||
| 26-3 | Messa da Requiem: VI. Communio. Lux aeterna (Mezzo-soprano, Tenor, Bass) | — | ||
| 26-4 | Messa da Requiem: VII. Libera me (Soprano, Chorus) | — | ||
| 27-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | T-800.639.771-4 | |
| 27-2 | Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. Fortune plango vulnera | — | ||
| 27-3 | Carmina Burana, Cantiones profanae: I. Primo Vere. Veris leta facies | — | ||
| 27-4 | Carmina Burana, Cantiones profanae: I. Primo Vere. Omnia Sol temperat | — | ||
| 27-5 | Carmina Burana, Cantiones profanae: I. Primo Vere. Ecce gratum | — | ||
| 27-6 | Carmina Burana, Cantiones profanae: Uf dem anger. Tanz | — | ||
| 27-7 | Carmina Burana, Cantiones profanae: Uf dem anger. Floret silva | — | ||
| 27-8 | Carmina Burana, Cantiones profanae: Uf dem anger. Chramer, gip die varwe mir | — | ||
| 27-9 | Carmina Burana, Cantiones profanae: Uf dem anger. Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | — | ||
| 27-10 | Carmina Burana, Cantiones profanae: Uf dem anger. Were diu werlt alle min | — | ||
| 27-11 | Carmina Burana, Cantiones profanae: II. In Taberna. Estuans interius | — | ||
| 27-12 | Carmina Burana, Cantiones profanae: II. In Taberna. Olim lacus colueram | — | ||
| 27-13 | Carmina Burana, Cantiones profanae: II. In Taberna. Ego sum abbas | — | ||
| 27-14 | Carmina Burana, Cantiones profanae: II. In Taberna. In taberna quando sumus | — | ||
| 27-15 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Amor volat undique | — | ||
| 27-16 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Dies, nox et omnia | — | ||
| 27-17 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Stetit puella | — | ||
| 27-18 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Circa mea pectora | — | ||
| 27-19 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Si puer cum puellula | — | ||
| 27-20 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Veni, veni, venias | — | ||
| 27-21 | Carmina Burana, Cantiones profanae: III. Cour d'amours. In trutina | — | ||
| 27-22 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Tempus est iocundum | — | ||
| 27-23 | Carmina Burana, Cantiones profanae: III. Cour d'amours. Dulcissime | — | ||
| 27-24 | Carmina Burana, Cantiones profanae: Blanziflor et Helena. Ave formosissima | — | ||
| 27-25 | Carmina Burana: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | T-800.639.771-4 | |
| 28-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 28-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 28-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | Sviatoslav Richter, Philharmonia Orchestra, Riccardo Muti | — | |
| 28-4 | Symphony no. 24 in B-flat major, K. 182: I. Allegro spiritoso | — | ||
| 28-5 | Symphony no. 24 in B-flat major, K. 182: II. Andantino | — | ||
| 28-6 | Symphony no. 24 in B-flat major, K. 182: III. Allegro | — | ||
| 29-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 29-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 29-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 30-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | Philharmonia Orchestra, Riccardo Muti | — | |
| 30-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | Philharmonia Orchestra, Riccardo Muti | — | |
| 30-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 30-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante | Philharmonia Orchestra, Riccardo Muti | — | |
| 31-1 | España, Rhapsody for Orchestra | — | ||
| 31-2 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 31-3 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 31-4 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 31-5 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 31-6 | El sombrero de tres picos, Ballet suite no. 1: I. Mediodia (Allegretto - Calmo e pesante - Più mosso) | — | ||
| 31-7 | El sombrero de tres picos, Ballet suite no. 1: II. Danza de la Molinera (Fandango) | — | ||
| 31-8 | El sombrero de tres picos, Ballet suite no. 1: IIIa. El corregidor (Moderato) | — | ||
| 31-9 | El sombrero de tres picos, Ballet suite no. 1: IIIb. La molinera (Poco più mosso) | — | ||
| 31-10 | El sombrero de tres picos, Ballet suite no. 1: IV. Las uvas (Vivo) | — | ||
| 31-11 | El sombrero de tres picos, Ballet suite no. 2: I. Los vecinos. Seguidillas (Allegro ma non troppo) | — | ||
| 31-12 | El sombrero de tres picos, Ballet suite no. 2: II. Danza del molinero. Farruca (Poco vivo - Pesante) | — | ||
| 31-13 | El sombrero de tres picos, Ballet suite no. 2: III. Danza final. Jota (Poco mosso - Allegro ritmico molto moderato e pesante) | — | ||
| 32-1 | Requiem à la mémoire de Louis XVI in C minor: Introitus & Kyrie | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-2 | Requiem à la mémoire de Louis XVI in C minor: Graduale | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-3 | Requiem à la mémoire de Louis XVI in C minor: Dies irae | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-4 | Requiem à la mémoire de Louis XVI in C minor: Offertorium | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-5 | Requiem à la mémoire de Louis XVI in C minor: Sanctus | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-6 | Requiem à la mémoire de Louis XVI in C minor: Pie Jesu | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 32-7 | Requiem à la mémoire de Louis XVI in C minor: Agnus Dei | Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 33-1 | Ouverture solennelle 1812, op. 49 | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-2 | Serenade for Strings in C major, op. 48: I. Pezzo in forma di sonatina (Andante non troppo - Allegro moderato) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-3 | Serenade for Strings in C major, op. 48: II. Valse (Moderato: Tempo di valse) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-4 | Serenade for Strings in C major, op. 48: III. Elégie (Larghetto elegiaco) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 33-5 | Serenade for Strings in C major, op. 48: IV. Finale: Tema russo (Andante - Allegro con spirito) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 34-1 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 1 Folk Dance | — | ||
| 34-2 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 2 Scene | — | ||
| 34-3 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 3 Madrigal | — | ||
| 34-4 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 4 Minuet | — | ||
| 34-5 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 5 Masks | — | ||
| 34-6 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 6 Romeo and Juliet | — | ||
| 34-7 | Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 7 Tybalt's Death | — | ||
| 34-8 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 1 The Montagues and Capulets | — | ||
| 34-9 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 2 The Young Juliet | — | ||
| 34-10 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 3 Friar Laurence | — | ||
| 34-11 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 5 Romeo and Juliet Before Parting | — | ||
| 34-12 | Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 7 Romeo at Julet's Grave | — | ||
| 35-1 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. I. Fête populaire de la Semaine Grasse (The Shrovetide Fair) | — | ||
| 35-2 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. II. Le tour de passe-passe (The Magic Trick) | — | ||
| 35-3 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. III. Danse russe (Russian dance) | — | ||
| 35-4 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 2. IV. Chez Pétrouchka (Petrushka's room) | — | ||
| 35-5 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. V. Chez le Maure (The Blackamoor's room) | — | ||
| 35-6 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. VI. Danse de la ballerine (Dance of the Ballerina) | — | ||
| 35-7 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. VII. Valse: La ballerine et le Maure (Waltz: The Ballerina and the Moor) | — | ||
| 35-8 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. VIII. Fête populaire de la Semaine Grasse (vers le soir) (The Shrovetide Fair towards evening) | — | ||
| 35-9 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. IX. Danse des nounous (The Wet-Nurses' Dance) | — | ||
| 35-10 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. X. Le Paysan et l'ours (The Peasant and the Bear) | — | ||
| 35-11 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XI. Le Marchand fêtard et deux Tziganes (The Reveling Merchant and two Gypsy Women) | — | ||
| 35-12 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XII. Danse de cochers et des palefreniers (Dance of the Coachmen and the Grooms) | — | ||
| 35-13 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XIII. Les Déguisés (The Mummers) | — | ||
| 35-14 | Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XIV. Mort de Pétrouchka (Petrushka's death) | — | ||
| 36-1 | Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante | Philharmonia Orchestra, Riccardo Muti | — | |
| 36-2 | Manfred Symphony, op. 58: II. Vivace con spirito | Philharmonia Orchestra, Riccardo Muti | — | |
| 36-3 | Manfred Symphony, op. 58: III. Andante con moto | Philharmonia Orchestra, Riccardo Muti | — | |
| 36-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | Philharmonia Orchestra, Riccardo Muti | — | |
| 37-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 37-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 37-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 37-4 | Le Chasseur maudit, Symphonic Poem, FWV 44 | — | ||
| 38-1 | Stabat Mater: I. Stabat mater dolorosa | — | ||
| 38-2 | Stabat Mater: II. Cujus animam gementem | — | ||
| 38-3 | Stabat Mater: III. Quis est homo | — | ||
| 38-4 | Stabat Mater: IV. Pro peccatis suae gentis | — | ||
| 38-5 | Stabat Mater: V. Eja, mater, fons amoris | — | ||
| 38-6 | Stabat Mater: VI. Sancta mater, istud agas | — | ||
| 38-7 | Stabat Mater: VII. Fac, ut portem Christi mortem | — | ||
| 38-8 | Stabat Mater: VIII. Inflammatus et accensus | — | ||
| 38-9 | Stabat Mater: IX. Quando corpus morietur | — | ||
| 38-10 | Stabat Mater: X. Amen. In sempiternal saecula | — | ||
| 39-1 | Violin Concerto no. 2 in D major, K. 211: I. Allegro moderato | — | ||
| 39-2 | Violin Concerto no. 2 in D major, K. 211: II. Andante | — | ||
| 39-3 | Violin Concerto no. 2 in D major, K. 211: III. Rondeau (Allegro) | — | ||
| 39-4 | Concerto for Violin no. 4 in D major, K. 218: I. Allegro | Anne-Sophie Mutter, Philharmonia Orchestra, Riccardo Muti | — | |
| 39-5 | Concerto for Violin no. 4 in D major, K. 218: II. Andante cantabile | Anne-Sophie Mutter, Philharmonia Orchestra, Riccardo Muti | — | |
| 39-6 | Concerto for Violin no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | Anne-Sophie Mutter, Philharmonia Orchestra, Riccardo Muti | — | |
| 40-1 | Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 40-2 | Scheherazade: II. The Story of the Kalender Prince | Norman Carol, The Philadelphia Orchestra, Riccardo Muti | — | |
| 40-3 | Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: III. The Young Prince and the Young Princess | — | ||
| 40-4 | Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: IV. The Festival of Bagdad - The Sea - The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior | — | ||
| 41-1 | Bolero, Ballet, M. 81 | — | ||
| 41-2 | Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: I. Lever du jour | — | ||
| 41-3 | Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: II. Pantomime | — | ||
| 41-4 | Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: III. Danse générale | — | ||
| 41-5 | Alborada del gracioso, M. 43b (from Miroirs no. 4) | — | ||
| 42-1 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 42-2 | Violin Concerto no. 1 in D minor, op. posth.: II. Langsam | — | ||
| 42-3 | Violin Concerto no. 1 in D minor, op. posth.: III. Lebhaft, doch nicht schnell | — | ||
| 42-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | T-312.542.566-9 | |
| 42-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 42-6 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 43-1 | A Faust Symphony, S. 108: I. Faust (Lento assai - Allegro impetuoso - Allegro agitato ed appassionato assai) | — | ||
| 43-2 | A Faust Symphony, S. 108: II. Gretchen (Andante soave) | — | ||
| 43-3 | A Faust Symphony, S. 108: III. Mephistopheles (Allegro vivace ironico - Andante mistico [Apotheosis]) | — | ||
| 44-1 | Les Préludes, Symphonic Poem, S. 97 | — | ||
| 44-2 | Quattro pezzi sacri (Four Sacred Pieces): I. Ave Maria | — | ||
| 44-3 | Quattro pezzi sacri (Four Sacred Pieces): II. Stabat mater | — | ||
| 44-4 | Quattro pezzi sacri (Four Sacred Pieces): III. Laudi alla Vergine Maria | — | ||
| 44-5 | Quattro pezzi sacri (Four Sacred Pieces): IV. Te Deum | — | ||
| 45-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 45-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 45-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 46-1 | Symphony no. 1 in D major: I. Langsam. Shleppend - Immer sehr gemächlich | — | ||
| 46-2 | Symphony no. 1 in D major: II. (Scherzo) Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich | — | ||
| 46-3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise - Wieder etwas bewegter, wie im Anfang | — | ||
| 46-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt - Langsam - Wieder wie zu Anfang. Stürmisch bewegt - Sehr langsam - Tempo I | — | ||
| 47-1 | Swan Lake - Ballet Suite, op. 20: Scene | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-2 | Swan Lake - Ballet Suite, op. 20: Act 1: Waltz | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-3 | Swan Lake - Ballet Suite, op. 20: Act 2: Pas de quatre: Dance of the Little Swans | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-4 | Swan Lake - Ballet Suite, op. 20: Act 2: Introduction, Scene and Dance No. 2 of the Queen of the Swans | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-5 | Swan Lake - Ballet Suite, op. 20: Act 3: Hungarian Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-6 | Swan Lake - Ballet Suite, op. 20: Act 3: Spanish Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-7 | Swan Lake - Ballet Suite, op. 20: Act 3: Neapolitan Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-8 | Swan Lake - Ballet Suite, op. 20: Act 3: Mazurka | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-9 | The Sleeping Beauty - Ballet Suite, op. 66: Introduction: The Lilac Fairy | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-10 | The Sleeping Beauty - Ballet Suite, op. 66: Pas d'action (Adagio) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-11 | The Sleeping Beauty - Ballet Suite, op. 66: Pas de caractère: Puss-in-Boots & the White Cat | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-12 | The Sleeping Beauty - Ballet Suite, op. 66: Panorama | The Philadelphia Orchestra, Riccardo Muti | — | |
| 47-13 | The Sleeping Beauty - Ballet Suite, op. 66: Waltz | The Philadelphia Orchestra, Riccardo Muti | T-905.014.886-2 | |
| 48-1 | Water Music, Suite 1 in F: Overture - Maestoso - Allegro | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-2 | Water Music, Suite 1 in F: I. Overture - Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-3 | Water Music, Suite 1 in F: II. Allegro- Andante - Allegro | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-4 | Water Music Suite no. 1 in F major, HWV 348: III. (Menuet) | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-5 | Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | — | |
| 48-6 | Water Music Suite No. 1 in F major, HWV 348: V. Menuet | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-7 | Water Music, Suite 1 in F: VI. Bouree | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-8 | Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-9 | Water Music Suite No. 1 in F major, HWV 348: VIII. Allegro molto | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-10 | Water Music, Suite no. 2 in D major, HWV 349: I. Allegro | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-11 | Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe | Berliner Philharmoniker, Riccardo Muti | T-306.036.936-6 | |
| 48-12 | Water Music Suite no. 2 in D major, HWV 349: XI. Menuet | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-13 | Water Music Suite No. 2 in D major, HWV 349: XII. Lentement | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-14 | Water Music, Suite no. 2 in D major, HWV 349: V. Bourrée | Berliner Philharmoniker, Riccardo Muti | T-001.322.754-7 | |
| 48-15 | Water Music Suite no. 3 in G major, HWV 350: XIV. (Menuet) | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-16 | Water Music, Suite no. 3 in G major, HWV 350: II. Rigaudon I | Berliner Philharmoniker, Riccardo Muti | — | |
| 48-17 | Water Music, Suite 3 in G: III. Minuet - Andante | Berliner Philharmoniker, Riccardo Muti | T-306.036.936-6 | |
| 48-18 | Water Music Suite no. 3 in G major, HWV 350: XV. Rigaudon | Berliner Philharmoniker, Riccardo Muti | T-306.036.936-6 | |
| 49-1 | Mass in A for Charles X (1825) - I. Kyrie | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-2 | Mass in A for Charles X (1825) - II. Gloria | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-3 | Mass in A for Charles X (1825) - III. Credo | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-4 | Mass in A for Charles X (1825) - IV. Offertoire | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-5 | Mass in A for Charles X (1825) - V. Sanctus | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-6 | Mass in A for Charles X (1825) - VI. O salutaris hostia | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-7 | Mass in A for Charles X (1825) - VII. Agnus Dei | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 49-8 | Marche religieuse | Philharmonia Orchestra, Riccardo Muti | — | |
| 50-1 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) | — | ||
| 50-2 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 50-3 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 50-4 | Trumpet Concerto in D major, TWV 51:D 7: I. Adagio - Allegro | — | ||
| 50-5 | Trumpet Concerto in D major, TWV 51:D 7: II. Grave | — | ||
| 50-6 | Trumpet Concerto in D major, TWV 51:D 7: III. Allegro | — | ||
| 50-7 | Trumpet Concerto in D major, G. 28: I. Allegro | — | ||
| 50-8 | Trumpet Concerto in D major, G. 28: II. Adagio - Presto - Allegro | — | ||
| 50-9 | Trumpet Concerto in D major, G. 28: III. Allegro | — | ||
| 50-10 | Trumpet Concerto in E-flat major, Hob. VIIe/1: I. Allegro | — | ||
| 50-11 | Trumpet Concerto in E-flat major, Hob. VIIe/1: II. Andante | — | ||
| 50-12 | Trumpet Concerto: III. Allegro | Maurice André, Gordon Hunt, Christopher Warren-Green, Philharmonia Orchestra, Riccardo Muti | — | |
| 51-1 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): I. Bewegt, nicht zu schnell | — | ||
| 51-2 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): II. Andante quasi allegretto | — | ||
| 51-3 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): III. Scherzo (Bewegt) & Trio (Nicht zu schnell. Keinesfalls Schleppend) | — | ||
| 51-4 | Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 52-1 | Symphonie fantastique, op. 14: I. Rêveries - Passions | — | ||
| 52-2 | Symphonie fantastique, op. 14: II. Un bal (Valse) | — | ||
| 52-3 | Symphonie fantastique, op. 14: III. Scènes aux champs | — | ||
| 52-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | — | ||
| 52-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 53-1 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: I. I pini di Villa Borghese (Allegretto vivace, Vivace) | — | ||
| 53-2 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: II. Pini presso una catacomba (Lento) | — | ||
| 53-3 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: III. Pini del Gianicolo (Lento) | — | ||
| 53-4 | Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: IV. I pini della Via Appia (Tempo di marcia) | — | ||
| 53-5 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: I. La fontana di Valle Giulia all'alba (Andante mosso) | — | ||
| 53-6 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: II. La fontana del Tritone al mattino (Vivo, Un poco meno allegretto, Più vivo gaiamente) | — | ||
| 53-7 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: III. La fontana di Trevi al meriggio (Allegro moderato, Allegro vivace, Più vivace, Largamente, Calmo) | — | ||
| 53-8 | Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: IV. La fontana di Villa Medici al tramonto (Andante, Meno mosso, Andante come prima) | — | ||
| 53-9 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: I. Circenses | — | ||
| 53-10 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: II. Il Giubileo | — | ||
| 53-11 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: III. L'Ottobrata | — | ||
| 53-12 | Feste Romane (Roman Festivals), Symphonic Poem, P 157: IV. La Befana | — | ||
| 54-1 | Symphony no. 1, E major, op. 26: I. Lento | — | ||
| 54-2 | Symphony no. 1, E major, op. 26: II. Allegro dramatico | — | ||
| 54-3 | Symphony no. 1, E major, op. 26: III. Lento | — | ||
| 54-4 | Symphony no. 1, E major, op. 26: IV. Vivace | — | ||
| 54-5 | Symphony no. 1, E major, op. 26: V. Allegro | — | ||
| 54-6 | Symphony no. 1, E major, op. 26: VI. Andante | — | ||
| 55-1 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 55-2 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 55-3 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto (Allegretto) | — | ||
| 55-4 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Finale (Molto allegro) | — | ||
| 55-5 | Divertimento in D major, K. 136: I. Allegro | — | ||
| 55-6 | Divertimento in D major, K. 136: II. Andante | — | ||
| 55-7 | Divertimento in D major, K. 136: III. Presto | — | ||
| 56-1 | Symphonie No. 5: Allegro con brio | [unknown] | T-905.312.587-4 | |
| 56-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 56-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo (Allegro) - | — | ||
| 56-4 | Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) | — | ||
| 56-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 56-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 56-7 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | — | ||
| 56-8 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 57-1 | Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio | — | ||
| 57-2 | Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre (Adagio assai) | — | ||
| 57-3 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo (Allegro vivace) & Trio | — | ||
| 57-4 | Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale (Allegro molto - Poco andante - Presto) | — | ||
| 57-5 | Fidelio, op. 72b: Overture | — | ||
| 57-6 | The Consecration of the House, op. 124: Overture | — | ||
| 58-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 58-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 58-3 | Symphony no. 2 in D major, op. 36: III. Scherzo (Allegro) & Trio | — | ||
| 58-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 58-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 58-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 58-7 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro) | — | ||
| 58-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 59-1 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. I. Introduction: combats, tumulte, intervention du Prince | — | ||
| 59-2 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. II. Prologue: « D'anciennes haines endormies » (Small chorus, Mezzo-soprano) | — | ||
| 59-3 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. III. Strophes: « Premiers transports que nul n'oublie » (Mezzo-soprano) | — | ||
| 59-4 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. IV. Récitatif et scherzetto: « Bientôt de Roméo… Mab la messagère » (Tenor, Small chorus) - « Bientôt la mort est souveraine » (Small chorus) | — | ||
| 59-5 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie II. V. Roméo seul, tristesse, bruits de concert et de bal | — | ||
| 59-6 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie II. VI. Grande fête chez Capulet | — | ||
| 59-7 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. VII. Nuit sereine, le jardin de Capulet silencieux et désert. Les jeunes Capulets sortent de la fête, passent en chantant des réminiscences de la musique du bal: « Ohé ! Capulets, bonsoir, bonsoir » (Double chorus) | — | ||
| 59-8 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. VIII. Scène d'amour | — | ||
| 59-9 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. IX. Scherzo: La reine Mob, ou la fée des songes | — | ||
| 60-1 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. X. Convoi funèbre de Juliette: « Jetez des fleurs » (Chorus) | — | ||
| 60-2 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XI. Roméo au tombeau des Capulets | — | ||
| 60-3 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XII. Invocation | — | ||
| 60-4 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XIII. Réveil de Juliette | — | ||
| 60-5 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XIV. Joie délirante | — | ||
| 60-6 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XV. Dernières angoisses et mort des deux amants | — | ||
| 60-7 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVI. La foule accourt au cimetière. Rixe des Capulets et des Montagus - « Quoi ! Roméo de retour » - Récitatif et air du Frère Laurence: « Je vais dévoiler le mystère » (Chorus, Frère Laurence) | — | ||
| 60-8 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVII. Air du Frère Laurence: « Pauvres enfants que je pleure » (Frère Laurence, Chorus) | — | ||
| 60-9 | Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVIII. Serment de réconciliation: « Jurez donc par l'auguste symbole » (Frère Laurence, Chorus) | — | ||
| 61-1 | Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Riccardo Muti | — | |
| 61-2 | Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto | Wiener Philharmoniker, Riccardo Muti | — | |
| 61-3 | Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo (Allegro vivace) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 61-4 | Symphony no. 9 in C major, D. 944 "The Great": IV. Finale (Allegro vivace) | Wiener Philharmoniker, Riccardo Muti | — | |
| 62-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 62-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio) | — | ||
| 62-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 63-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 63-2 | Symphony No. 7 in A major, Op. 92: II. Allegretto | The Philadelphia Orchestra, Riccardo Muti | T-314.638.300-4 | |
| 63-3 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 63-4 | Symphony no. 7 in A major, op. 92: IV. Allegro | — | ||
| 63-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 63-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 63-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 63-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 64-1 | Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace | Wiener Philharmoniker, Riccardo Muti | T-312.542.531-8 | |
| 64-2 | Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-3 | Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto (Allegro vivace) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-4 | Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro | Wiener Philharmoniker, Riccardo Muti | T-003.055.867-8 | |
| 64-5 | Symphony no. 6 in C major, D. 589: I. Adagio - Allegro | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-6 | Symphony no. 6 in C major, D. 589: II. Andante | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-7 | Symphony no. 6 in C major, D. 589: III. Scherzo (Presto) & Trio (Più lento) | Wiener Philharmoniker, Riccardo Muti | — | |
| 64-8 | Symphony no. 6 in C major, D. 589: IV. Allegro moderato | Wiener Philharmoniker, Riccardo Muti | — | |
| 65-1 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" | Patrizia Pace, Schwedischer Rundfunkchor, Radiokören, Berliner Philharmoniker, Riccardo Muti | T-070.055.214-2 | |
| 65-2 | Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-3 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Berliner Philharmoniker, Riccardo Muti | T-924.404.440-4 | |
| 65-4 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-5 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-6 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Berliner Philharmoniker, Riccardo Muti | T-010.065.879-4 | |
| 65-9 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | Berliner Philharmoniker, Riccardo Muti | T-919.097.742-5 | |
| 65-10 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-11 | Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-12 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | Berliner Philharmoniker, Riccardo Muti | T-106.642.813-3 | |
| 65-13 | Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" | Berliner Philharmoniker, Riccardo Muti | — | |
| 65-14 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | Berliner Philharmoniker, Riccardo Muti | T-908.911.081-6 | |
| 65-15 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 66-1 | Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam - Kyrie eleison (Chorus, Tenor, Bass, Soprano, Mezzo-soprano) | — | ||
| 66-2 | Messa da Requiem: II. Sequenza. Dies irae (Chorus) | — | ||
| 66-3 | Messa da Requiem: II. Sequenza. Tuba minum (Chorus) | — | ||
| 66-4 | Messa da Requiem: II. Sequenza. Mors stupebit (Bass) | — | ||
| 66-5 | Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus) | — | ||
| 66-6 | Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor) | — | ||
| 66-7 | Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass) | — | ||
| 66-8 | Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano) | — | ||
| 66-9 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-900.148.959-4 | |
| 66-10 | Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus) | — | ||
| 66-11 | Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus) | — | ||
| 67-1 | Messa da Requiem: III. Offertorio. Domine Jesu Christe (Tenor, Mezzo-soprano, Soprano, Bass) | — | ||
| 67-2 | Messa da Requiem: III. Offertorio. Hostias (Tenor, Mezzo-soprano, Soprano, Bass) | — | ||
| 67-3 | Messa da Requiem: IV. Sanctus (Chorus) | — | ||
| 67-4 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | — | ||
| 67-5 | Messa da Requiem: VI. Communio. Lux aeternam (Mezzo-soprano, Tenor, Bass) | — | ||
| 67-6 | Messa da Requiem: VII. Libera me. Libera me - Dies irae (Soprano, Chorus) | — | ||
| 67-7 | Messa da Requiem: VII. Libera me. Requiem aeternam (Soprano, Chorus) | — | ||
| 67-8 | Messa da Requiem: VII. Libera me. Libera me (Soprano, Chorus) | — | ||
| 68-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) (Awakening of cheerful feelings upon arrival in the country) | — | ||
| 68-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Scene am Bach (Andante molto mosso) (Scene by the brook) | — | ||
| 68-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute (Allegro) (Merry gathering of country folk) | — | ||
| 68-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter. Sturm (Allegro) (Thunderstorm) | — | ||
| 68-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) (Shepherd's Song. Happy and thankful feelings after the storm) | — | ||
| 68-6 | “Leonore” no. 3, Overture op. 72b | — | ||
| 69-1 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): I. Maestoso | — | ||
| 69-2 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): II. Adagio (Sehr feierlich) | — | ||
| 69-3 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): III. Scherzo (Nicht schnell) & Trio (Langsam) | — | ||
| 69-4 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 70-1 | Missa solemnis in G for Louis XVIII (1819) - I. Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-2 | Missa solemnis in G for Louis XVIII (1819) - II. Gloria | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-3 | Missa solemnis in G for Louis XVIII (1819) - III. Credo | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-4 | Missa solemnis in G for Louis XVIII (1819) - IV. Sanctus & O salutaris | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 70-5 | Missa solemnis in G for Louis XVIII (1819) - V. Agnus Dei | London Philharmonic Choir, London Philharmonic Orchestra, Riccardo Muti | — | |
| 71-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo - Un poco maestoso | — | ||
| 71-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace - Presto | — | ||
| 71-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato | — | ||
| 71-4 | Symphony no. 9 in D minor, op. 125: IV. Presto - “O Freunde, nicht diese Töne!” (Ode to Joy) | — | ||
| 72-1 | Symphony no. 3 in C minor “Le divin Poème”, op. 43: I. Introduction: Lento: Divin grandiose - Luttes: Allegro: Mystérieux, tragique - Sombre, haletant, précipité | — | ||
| 72-2 | Symphony no. 3 in C minor “Le divin Poème”, op. 43: II. Voluptés: Lento: Sublime - Vivo: Divin essai | — | ||
| 72-3 | Symphony no. 3 in C minor “Le divin Poème”, op. 43: III. Jeu divin: Allegro: avec une joie éclatante | — | ||
| 72-4 | Romeo and Juliet, Fantasy Overture, TH 42 | — | ||
| 73-1 | Violin Concerto in A minor, op. 53: I. Allegro ma non troppo | — | ||
| 73-2 | Violin Concerto in A minor, op. 53: II. Adagio ma non troppo | — | ||
| 73-3 | Violin Concerto in A minor, op. 53: III. Finale (Allegro giocoso) | — | ||
| 73-4 | Romance in F minor, op. 11 | Kyung-Wha Chung, The Philadelphia Orchestra, Riccardo Muti | — | |
| 74-1 | Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | Wiener Philharmoniker, Riccardo Muti | T-909.879.307-8 | |
| 74-2 | Symphony no. 3 in D major, D. 200: II. Allegretto | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-3 | Symphony no. 3 in D major, D. 200: III. Menuetto (Vivace) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-4 | Symphony no. 3 in D major, D. 200: IV. Presto vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-5 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-6 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-7 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto (Allegro molto) & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 74-8 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 75-1 | Symphony no. 2 in C minor, op. 29: I. Andante | — | ||
| 75-2 | Symphony no. 2 in C minor, op. 29: II. Allegro | — | ||
| 75-3 | Symphony no. 2 in C minor, op. 29: III. Andante | — | ||
| 75-4 | Symphony no. 2 in C minor, op. 29: IV. Tempestuoso | — | ||
| 75-5 | Symphony no. 2 in C minor, op. 29: V. Maestoso | — | ||
| 75-6 | Hamlet, Fantasy Overture, op. 67 | — | ||
| 76-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 76-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 76-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 76-4 | Rhapsody on a Theme of Paganini, op. 43: Introduction (Allegro vivace) - Variation I | — | ||
| 76-5 | Rhapsody on a Theme of Paganini, op. 43: Theme - Variation II | — | ||
| 76-6 | Rhapsody on a Theme of Paganini, op. 43: Variation III (L'istesso tempo) | — | ||
| 76-7 | Rhapsody on a Theme of Paganini, op. 43: Variation IV (Più vivo) | — | ||
| 76-8 | Rhapsody on a Theme of Paganini, op. 43: Variation V (Tempo precedente) | — | ||
| 76-9 | Rhapsody on a Theme of Paganini, op. 43: Variation VI (L'istesso tempo) | — | ||
| 76-10 | Rhapsody on a Theme of Paganini, op. 43: Variation VII (Meno mosso, a tempo moderato) | — | ||
| 76-11 | Rhapsody on a Theme of Paganini, op. 43: Variation VIII (Tempo I) | — | ||
| 76-12 | Rhapsody on a Theme of Paganini, op. 43: Variation IX (L'istesso tempo) | — | ||
| 76-13 | Rhapsody on a Theme of Paganini, op. 43: Variation X (Poco marcato) | — | ||
| 76-14 | Rhapsody on a Theme of Paganini, op. 43: Variation XI (Moderato) | — | ||
| 76-15 | Rhapsody on a Theme of Paganini, op. 43: Variation XII (Tempo di minuetto) | — | ||
| 76-16 | Rhapsody on a Theme of Paganini, op. 43: Variation XIII (Allegro) | — | ||
| 76-17 | Rhapsody on a Theme of Paganini, op. 43: Variation XIV (L'istesso tempo) | — | ||
| 76-18 | Rhapsody on a Theme of Paganini, op. 43: Variation XV (Più vivo, scherzando) | — | ||
| 76-19 | Rhapsody on a Theme of Paganini, op. 43: Variation XVI (Allegretto) | — | ||
| 76-20 | Rhapsody on a Theme of Paganini, op. 43: Variation XVII (Allegretto) | — | ||
| 76-21 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (Andante cantabile, a tempo vivace) | — | ||
| 76-22 | Rhapsody on a Theme of Paganini, op. 43: Variation XIX (A tempo vivace) | — | ||
| 76-23 | Rhapsody on a Theme of Paganini, op. 43: Variation XX (Un poco più vivo) | — | ||
| 76-24 | Rhapsody on a Theme of Paganini, op. 43: Variation XXI (Un poco più vivo) | — | ||
| 76-25 | Rhapsody on a Theme of Paganini, op. 43: Variation XXII (Un poco più vivo, alla breve) | — | ||
| 76-26 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIII (L'istesso tempo) | — | ||
| 76-27 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIV (A tempo un poco meno mosso) | — | ||
| 77-1 | Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo | — | ||
| 77-2 | Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia | — | ||
| 77-3 | Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace | — | ||
| 77-4 | Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale (Adagio lamentoso - Andante) | — | ||
| 77-5 | Le Poème de l'extase, op. 54 | — | ||
| 78-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 78-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 78-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato) | — | ||
| 78-4 | Symphony no. 4 in F minor, op. 36: IV. Finale (Allegro con fuoco) | — | ||
| 78-5 | Prométhée, le Poème du feu, op. 60 | — | ||
| 79-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Wiener Philharmoniker, Riccardo Muti | — | |
| 79-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Wiener Philharmoniker, Riccardo Muti | — | |
| 79-3 | Symphony no. 1 in D major, D. 82: I. Adagio - Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 79-4 | Symphony no. 1 in D major, D. 82: II. Andante | Wiener Philharmoniker, Riccardo Muti | T-106.677.158-0 | |
| 79-5 | Symphony no. 1 in D major, D. 82: III. Menuetto (Allegretto) & Trio | Wiener Philharmoniker, Riccardo Muti | T-312.542.381-2 | |
| 79-6 | Symphony no. 1 in D major, D. 82: IV. Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 80-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 80-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 80-3 | Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato) | — | ||
| 80-4 | Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 80-5 | Francesca da Rimini, op. 32 | The Philadelphia Orchestra, Riccardo Muti | T-010.194.429-9 | |
| 81-1 | Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo | — | ||
| 81-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 81-3 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 81-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 81-5 | Festive Overture, op. 96 | — | ||
| 82-1 | Symphony no. 2 in B-flat major, D. 125: I. Largo - Allegro vivace | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-2 | Symphony no. 2 in B-flat major, D. 125: II. Andante - Variations I-V | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-3 | Symphony no. 2 in B-flat major, D. 125: III. Allegro vivace - Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-4 | Symphony no. 2 in B-flat major, D. 125: IV. Presto | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-5 | Rosamunde D. 644: Ouvertüre (Die Zauberharfe) | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-6 | Rosamunde D. 797: Incidental Music No. 2 - Ballet Music I - Allegro moderato | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-7 | Rosamunde D. 797: Incidental Music No. 2 - Ballet Music I - Andante un poco assai | Wiener Philharmoniker, Riccardo Muti | — | |
| 82-8 | Rosamunde D. 797: Incidental Music No. 9 - Ballet Music II - Andantino | Wiener Philharmoniker, Riccardo Muti | — | |
| 83-1 | Poème d l'amour et de la mer, op. 19: I. La Fleur des eaux (Calme) | — | ||
| 83-2 | Poème d l'amour et de la mer, op. 19: II. Interlude (Lent et triste) | — | ||
| 83-3 | Poème d l'amour et de la mer, op. 19: III. La Mort de l'amour (Vif et joyeux - Sombre et solennel - Lent et triste) | — | ||
| 83-4 | Miroirs, M. 43 no. 3: Un barque sur l'océan | — | ||
| 83-5 | La Mer, Trois esquisses symphoniques, CD 111: I. De l'aube à midi sur la mer | — | ||
| 83-6 | La Mer, Trois esquisses symphoniques, CD 111: II. Jeux de vagues | — | ||
| 83-7 | La Mer, Trois esquisses symphoniques, CD 111: III. Dialogue du vent et de la mer | — | ||
| 84-1 | Violin Concerto in F major, RV 570 "La tempesta di mare": I. Allegro | Bruno Cavallo, Giulio Franzetti, Alberto Negroni, Valentino Zucchiati, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-106.656.481-4 | |
| 84-2 | Violin Concerto in F major, RV 570 "La tempesta di mare": II. Largo | Bruno Cavallo, Giulio Franzetti, Alberto Negroni, Valentino Zucchiati, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-3 | Violin Concerto in F major, RV 570 "La tempesta di mare": III. Presto | Bruno Cavallo, Giulio Franzetti, Alberto Negroni, Valentino Zucchiati, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-4 | Violin Concerto in G minor, RV 439 "La notte": I. Largo | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-801.397.798-6 | |
| 84-5 | Violin Concerto in G minor, RV 439 "La notte": II. Presto ("Fantasmi") | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-6 | Violin Concerto in G minor, RV 439 "La notte": III. Largo | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-801.397.798-6 | |
| 84-7 | Violin Concerto in G minor, RV 439 "La notte": IV. Presto | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-8 | Violin Concerto in G minor, RV 439 "La notte": V. Largo ("Il sonno") | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-9 | Violin Concerto in G minor, RV 439 "La notte": VI. Allegro | Bruno Cavallo, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-10 | Violin Concerto in E major, RV 269 "Le quattro stagioni", "La primavera": I. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-11 | Violin Concerto in E major, RV 269 "Le quattro stagioni", "La primavera": II. Largo e pianissimo sempre | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-12 | Violin Concerto in E major, RV 269 "Le quattro stagioni", "La primavera": III. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-700.095.171-5 | |
| 84-13 | Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": I. Allegro non molto | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-14 | Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": II. Adagio | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-15 | Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": III. Presto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-16 | Violin Concerto in F major, RV 293 "Le quattro stagioni", "L'autunno": I. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-17 | Violin Concerto in F major, RV 293 "Le quattro stagioni", "L'autunno": II. Adagio molto | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-18 | Violin Concerto in F major, RV 293 "Le quattro stagioni", "L'autunno": III. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-19 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": I. Allegro non molto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 84-20 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": II. Largo | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-900.143.433-9 | |
| 84-21 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": III. Allegro | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 85-1 | Motoren-Walzer, op. 265 | — | ||
| 85-2 | 's gibt nur Kaiserstadt, 's gibt nur ein Wien, Polka, op. 291 | — | ||
| 85-3 | Carrière, Polka schnell, op. 200 | — | ||
| 85-4 | Frauenherz, Polka mazur, op. 166 | — | ||
| 85-5 | Hofballtänze, Walzer, op. 298 | — | ||
| 85-6 | Bluette, Polka française, op. 271 | — | ||
| 85-7 | Die Bajadere, Polka schnell, op. 351 | — | ||
| 86-1 | Leichte Kavallerie, Overture | — | ||
| 86-2 | Freuet euch des Lebens, Walzer, op. 340 | — | ||
| 86-3 | Patronesen, Polka française, op. 286 | — | ||
| 86-4 | Leichtfüßig, Polka schnell | — | ||
| 86-5 | Neue Pizzicato-Polka, op. 449 | — | ||
| 86-6 | Fata Morgana, Polka mazur, op. 330 | — | ||
| 86-7 | Russischer Marsch, op. 426 | — | ||
| 86-8 | Dynamiden, Walzer, op. 173 | — | ||
| 86-9 | Vorwärts!, Polka schnell, op. 127 | — | ||
| 86-10 | Eingesendet, Polka schnell, op. 240 | — | ||
| 86-11 | An der schönen blauen Donau, Walzer, op. 314 | — | ||
| 86-12 | Radetzky-Marsch, op. 228 | — | ||
| 87-1 | Lagunen-Walzer, Op. 411 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-2 | Hellenen-Polka (Polka schnell), Op. 203 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-3 | Albion-Polka, Op. 102 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-4 | Liebeslieder-Walzer, Op. 114 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-5 | Csárdás aus 'Ritter Pasman', Op. 441-1 | Wiener Philharmoniker, Riccardo Muti | — | |
| 87-6 | Mit Extrapost (Polka schnell), op. 259 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-1 | Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-2 | Gruß an Prag, op. 144 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-3 | Wein, Weib und Gesang (Walzer), Op. 333 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-4 | Persischer Marsch, Op. 289 | Wiener Philharmoniker, Riccardo Muti | T-009.005.638-4 | |
| 88-5 | Die Libelle (Polka Mazur), Op. 204 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-6 | Process-Polka (Polka schnell), Op. 294 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-7 | Künstler Gruß (Polka francaise), Op. 274 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-8 | Marien-Klänge, op. 214 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-9 | Éljen a Magyar! (Polka schnell), Op. 332 | Wiener Philharmoniker, Riccardo Muti | T-310.219.915-1 | |
| 88-10 | Vom Donaustrande (Polka schnell), Op. 356 | Wiener Philharmoniker, Riccardo Muti | — | |
| 88-11 | An der schönen blauen Donau (Walzer), Op. 314 | Wiener Philharmoniker, Riccardo Muti | T-902.100.912-1 | |
| 88-12 | Radetzky-Marsch, Op. 228 | Wiener Philharmoniker, Riccardo Muti | — | |
| 89-1 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Kyrie eleison. Larghetto | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-2 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Christe eleison. Andante | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-3 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Kyrie eleison. Allegro moderato | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-4 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Gloria in excelsis Deo. Allegro | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-5 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Gratias agimus. Larghetto | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | — | |
| 89-6 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Qui tollis. Andantino largo | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-7 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Quoniam. Allegro moderato - Grave | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-8 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Cum Sancto Spiritu. Allegro | Camilla Tilling, Sara Fulgoni, Kurt Streit, Tómas Tómasson, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-9 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Credo in unum Deum. Allegro | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-10 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et incarnatus est. Sostenuto assai | Andreas Schulist, Atsuko Suzuki, Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-11 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Crucifixus. Andantino | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-12 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et resurrexit. Allegro spirituoso | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-13 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et in Spiritum Sanctum. Larghetto | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-14 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Amen. Allegro | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-15 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - IV. Sanctus - Sanctus Dominus Deus. Maestoso | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-16 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - IV. Sanctus - Hosanna. Allegro vivace | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-17 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - V. Benedictus - Benedictus qui venit. Larghetto | Camilla Tilling, Kurt Streit, Sara Fulgoni, Tómas Tómasson, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-18 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - V. Benedictus - Hosanna. Allegro vivace | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-19 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - VI. Agnus Dei - Agnus Dei. Andante moderato | Camilla Tilling, Sara Fulgoni, Kurt Streit, Tómas Tómasson, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 89-20 | Missa solemnis in D minor (for Prince Esterhazy, 1811) - VI. Agnus Dei - Dona nobis pacem. Allegro | Camilla Tilling, Sara Fulgoni, Kurt Streit, Tómas Tómasson, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-1 | Missa solemnis in E (1814) - I. Kyrie | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-2 | Missa solemnis in E (1814) - II. Gloria | Ruth Ziesak, Marianna Pizzolato, Herbert Lippert, Ildar Abdrazakov, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-3 | Missa solemnis in E (1814) - III. Credo | Ruth Ziesak, Marianna Pizzolato, Herbert Lippert, Ildar Abdrazakov, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-4 | Missa solemnis in E (1814) - IV. Sanctus | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-5 | Missa solemnis in E (1814) - V. Communio. O salutaris hostia | Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-6 | Missa solemnis in E (1814) - VI. Agnus Dei | Ruth Ziesak, Marianna Pizzolato, Herbert Lippert, Ildar Abdrazakov, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Riccardo Muti | — | |
| 90-7 | Antifona sul canto fermo 8. Tona | Bavarian Radio Chorus, Riccardo Muti | — | |
| 90-8 | Nemo gaudeat | Harald Feller, Max Hanft, Bavarian Radio Chorus, Riccardo Muti | — | |
| 91-1 | Muti's Debut and Appointment to the Philharmonia | — | ||
| 91-2 | Building a new future and Muti's rehearsal demands | — | ||
| 91-3 | Verdi Operas | — | ||
| 91-4 | Large scale events | — | ||
| 91-5 | Relationship between Riccardo Muti and the Philharmonia players | — | ||
| 91-6 | Fastidious demands for dynamic extremes | — | ||
| 91-7 | Conclusion - Muti's lasting legacy | — |
