UPC · Release
Gidon Kremer
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The UPC for “The Warner Collection: Complete Teldec, EMI Classics & Erato Recordings” by Gidon Kremer is 0190295116422. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 187 tracks, each with its own ISRC. Tracks include GBAYC9601036, GBAYC9601037, GBAYC9601038.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo (cadenza: Fritz Kreisler) | Gidon Kremer, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | Gidon Kremer, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace | Gidon Kremer, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-1 | Grand Duo Concertant, op. 48: I. Allegro con fuoco | Gidon Kremer, Andrei Gavrilov | — | |
| 2-2 | Grand Duo Concertant, op. 48: II. Andante con moto | Gidon Kremer, Andrei Gavrilov | — | |
| 2-3 | Grand Duo Concertant, op. 48: III. Rondo: Allegro | Gidon Kremer, Andrei Gavrilov | — | |
| 2-4 | Violin Sonata in E-flat major, op. 11: I. Frisch | Gidon Kremer, Andrei Gavrilov | — | |
| 2-5 | Violin Sonata in E-flat major, op. 11: II. Im Zeitmaß eines langsamen, feierlichen Tanzes | Gidon Kremer, Andrei Gavrilov | — | |
| 2-6 | Violin Sonata no. 2: Quasi una sonata | Gidon Kremer, Andrei Gavrilov | — | |
| 2-7 | Andante and Variations for Violin and Piano | Andrei Gavrilov, Gidon Kremer | — | |
| 3-1 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-2 | Violin Concerto no. 1 in D minor, op. posth.: II. Langsam | — | ||
| 3-3 | Violin Concerto no. 1 in D minor, op. posth.: III. Lebhaft, doch nicht schnell | — | ||
| 3-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | T-312.542.566-9 | |
| 3-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 4-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 4-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 4-4 | Romance in G major for Violin and Orchestra, op. 40 | — | ||
| 4-5 | Romance in F major for Violin and Orchestra, op. 50 | — | ||
| 5-1 | Concerto no. 2 for Violin and Chamber Orchestra | — | ||
| 5-2 | Stille Nacht | — | ||
| 5-3 | Gratulationsrondo | — | ||
| 5-4 | Concerto no. 3 for Violin and Chamber Orchestra: I. Moderato | — | ||
| 5-5 | Concerto no. 3 for Violin and Chamber Orchestra: II. Agitato | — | ||
| 5-6 | Concerto no. 3 for Violin and Chamber Orchestra: III. Andante | — | ||
| 6-1 | Smile (From “Modern Times”) | — | ||
| 6-2 | Improvviso “Un diavolo sentimentale” | — | ||
| 6-3 | Fantasy on the Music to the Film “Circus” | — | ||
| 6-4 | Tanti anni prima (From “Enrico IV”) | — | ||
| 6-5 | Nostalghia. In Memory of Andrei Tarkovskij | — | ||
| 6-6 | Sketches from “Sakat”: Absalom’s Death and Tango | — | ||
| 6-7 | Suite from The Gadfly, op. 97a: VIII. Romance | — | ||
| 6-8 | Le bœuf sur le toit, op. 58 | — | ||
| 6-9 | Rag‐Gidon‐Time | — | ||
| 6-10 | Improvviso in re minore (From “Amanti senza amore”) | — | ||
| 7-1 | Concerto for Three: I. Moderato | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-2 | Concerto for Three: II. | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-3 | Concerto for Three: III. Largo | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-4 | Concerto for Three: IV. | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-5 | String Trio: I. Moderato | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — | |
| 7-6 | String Trio: II. Adagio | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — | |
| 7-7 | Minuet | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — | |
| 8-1 | Violin Concerto no. 1: I. Allegro ma non troppo | — | ||
| 8-2 | Violin Concerto no. 1: II. Andante | — | ||
| 8-3 | Violin Concerto no. 1: III. Allegro scherzando | — | ||
| 8-4 | Violin Concerto "To The Memory Of An Angel": II Allegro - IV Adagio | — | ||
| 9-1 | Dedication : I Allegro moderato con moto | — | ||
| 9-2 | Dedication : II Moderato | — | ||
| 9-3 | Dedication : III Moderato con moto | — | ||
| 9-4 | Dedication : IV Andantino | — | ||
| 9-5 | Dedication : V Allegretto | — | ||
| 9-6 | Dedication : VI Andante | — | ||
| 9-7 | Dedication : VII Moderato | — | ||
| 9-8 | Post scriptum : I Largo - Allegro - Allegretto | — | ||
| 9-9 | Post scriptum : II Andantino | — | ||
| 9-10 | Post scriptum : III Allegro vivace | — | ||
| 10-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 11-1 | Elegie for Violin and String Orchestra | Deutsche Kammerphilharmonie Bremen, Gidon Kremer | T-312.542.566-9 | |
| 11-2 | Fratres for Violin, String Orchestra and Percussion | Deutsche Kammerphilharmonie Bremen, Gidon Kremer | — | |
| 11-3 | Partita for Violin Solo: I. Präludium | Gidon Kremer | — | |
| 11-4 | Partita for Violin Solo: II. Scherzo | Gidon Kremer | — | |
| 11-5 | Partita for Violin Solo: III. Grave | Gidon Kremer | — | |
| 11-6 | Partita for Violin Solo: IV. Toccata | Gidon Kremer | — | |
| 11-7 | Partita for Solo Violin, Op. 12: V. Epilog | Gidon Kremer | — | |
| 11-8 | Musica Dolorosa for String Orchestra | Deutsche Kammerphilharmonie Bremen, Gidon Kremer | — | |
| 11-9 | Nevertheless | Deutsche Kammerphilharmonie Bremen, Gidon Kremer, Вадим Васильевич Сахаров | — | |
| 11-10 | Two Grasshopper Dances for Violin Solo: I. Sad Dance | Gidon Kremer | — | |
| 11-11 | 2 Grasshopper Dances for Solo Violin: No. 2, Happy Dance | Gidon Kremer | — | |
| 11-12 | Conversio | Gidon Kremer, Вадим Васильевич Сахаров | T-921.543.533-9 | |
| 12-1 | Violin Concerto in D major, Op. 77: I. Allegro non troppo | — | ||
| 12-2 | Violin Concerto in D major, Op. 77: II. Adagio | — | ||
| 12-3 | Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 12-4 | Double Concerto in A minor, Op. 102: I. Allegro | — | ||
| 12-5 | Double Concerto in A minor, Op. 102: II. Andante | — | ||
| 12-6 | Double Concerto in A minor, Op. 102: III. Vivace non troppo | — | ||
| 13-1 | Impressions d’enfance, op. 28: No. 1, Ménétrier | — | ||
| 13-2 | Impressions d’enfance, op. 28: No. 2, Vieux mendiant | — | ||
| 13-3 | Impressions d’enfance, op. 28: No. 3, Ruisselet au fond du jardin | — | ||
| 13-4 | Impressions d’enfance, op. 28: No. 4, L’oiseau en cage et le coucou au mur | — | ||
| 13-5 | Impressions d’enfance, op. 28: No. 5, Chanson pour bercer | — | ||
| 13-6 | Impressions d’enfance, op. 28: No. 6, Grillon | — | ||
| 13-7 | Impressions d’enfance, op. 28: No. 7, Lune à travers les vitres | — | ||
| 13-8 | Impressions d’enfance, op. 28: No. 8, Vent dans la cheminée | — | ||
| 13-9 | Impressions d’enfance, op. 28: No. 9, Tempête au‐dehors, dans la nuit | — | ||
| 13-10 | Impressions d’enfance, op. 28: No. 10, Lever de soleil | — | ||
| 13-11 | Violin Sonata no. 2, WV 91: I. Allegro impetuoso | — | ||
| 13-12 | Violin Sonata no. 2, WV 91: II. Andante | — | ||
| 13-13 | Violin Sonata no. 2, WV 91: III. Burlesca. Allegretto | — | ||
| 13-14 | Violin Sonata no. 2, WV 91: IV. Finale. Allegro risoluto | — | ||
| 13-15 | Violin Sonata no. 2, Sz. 76: I. Molto moderato | — | ||
| 13-16 | Violin Sonata no. 2, Sz. 76: II. Allegretto | — | ||
| 13-17 | 2 Grasshopper Dances: no. 1, Sad Dance | — | ||
| 13-18 | 2 Grasshopper Dances: no. 2, Happy Dance | — | ||
| 14-2 | Violin Concerto no. 4: I. Andante | — | ||
| 14-3 | Violin Concerto no. 4: II. Vivo - Cadenza visuale | — | ||
| 14-4 | Violin Concerto no. 4: III. Adagio | — | ||
| 14-5 | Violin Concerto no. 4: IV. Lento - Cadenza visuale | — | ||
| 14-6 | A Symphonic Prose from The Blackamoor of Peter the Great: Introduzione | — | ||
| 14-7 | A Symphonic Prose from The Blackamoor of Peter the Great: Playing Dice | — | ||
| 14-8 | A Symphonic Prose from The Blackamoor of Peter the Great: Beginning of the Ballet | — | ||
| 14-9 | A Symphonic Prose from The Blackamoor of Peter the Great: First Ballet | — | ||
| 14-10 | A Symphonic Prose from The Blackamoor of Peter the Great: Second Ballet | — | ||
| 14-11 | A Symphonic Prose from The Blackamoor of Peter the Great: Third Ballet “Hymn to Eros” | — | ||
| 14-12 | A Symphonic Prose from The Blackamoor of Peter the Great: Fourth Ballet | — | ||
| 14-13 | A Symphonic Prose from The Blackamoor of Peter the Great: Toccatina | — | ||
| 14-14 | A Symphonic Prose from The Blackamoor of Peter the Great: Dances of the Skomorokhs | — | ||
| 14-15 | A Symphonic Prose from The Blackamoor of Peter the Great: Les adieux | — | ||
| 14-16 | A Symphonic Prose from The Blackamoor of Peter the Great: Coda | — | ||
| 14-17 | The Sleeping Beauty, op. 66: no. 15b, Aurora’s Variation | — | ||
| 14-18 | The Sleeping Beauty, op. 66: no. 18, Entr’acte | — | ||
| 14-19 | Funeral Games in Honor of Chronos for Flutes, Piano and Percussion | — | ||
| 15-1 | Cuadro 1: Alevare | — | ||
| 15-2 | Cuadro 2: Tema de María | — | ||
| 15-3 | Cuadro 3a: Balada para un organito loco | — | ||
| 15-4 | Cuadro 3b: Yo soy María | — | ||
| 15-5 | Cuadro 4: Milonga carrieguera por María la niña | — | ||
| 15-6 | Cuadro 5: Fuga y misterio | — | ||
| 15-7 | Cuadro 6: Poema valseado | — | ||
| 15-8 | Cuadro 7: Tocata rea | — | ||
| 15-9 | Cuadro 8: Miserere cayengue de los ladrones antiguos en las alcantarillas | — | ||
| 16-1 | Cuadro 9: Contramilonga a la funerala por la primera muerte de María | — | ||
| 16-2 | Cuadro 10: Tangata del alba | — | ||
| 16-3 | Cuadro 11: Carta a los árboles y las chimeneas | — | ||
| 16-4 | Cuadro 12: Aria de los analistas | — | ||
| 16-5 | Cuadro 13: Romanza del duende poeta y curda | — | ||
| 16-6 | Cuadro 14: Allegro tangabile | — | ||
| 16-7 | Cuadro 15: Milonga de la anunciación | — | ||
| 16-8 | Cuadro 16: Tangus Dei | — | ||
| 17-1 | Distant Light | — | ||
| 17-2 | Voices: I. Voices of Silence | — | ||
| 17-3 | Voices: II. Voices of Life | — | ||
| 17-4 | Voices: III. Voice of Conscience | — | ||
| 18-1 | Tango Ballet: I. Títulos | — | ||
| 18-2 | Tango Ballet: II. La calle | — | ||
| 18-3 | Tango Ballet: III. Encuentro - Olvido | — | ||
| 18-4 | Tango Ballet: IV. Cabaret | — | ||
| 18-5 | Tango Ballet: V. Soledad | — | ||
| 18-6 | Tango Ballet: VI. La calle | — | ||
| 18-7 | Concierto del ángel: I. Introducción al ángel | — | ||
| 18-8 | Concierto del ángel: II. Milonga del ángel | — | ||
| 18-9 | Concierto del ángel: III. La muerte del ángel | — | ||
| 18-10 | Concierto del ángel: IV. Resurrección del ángel | — | ||
| 18-11 | Tres piezas para orquesta de cámara: I. Preludio: Lento | — | ||
| 18-12 | Tres piezas para orquesta de cámara: II. Fuga: Allegro | — | ||
| 18-13 | Tres piezas para orquesta de cámara: III. Divertimento: Allegro molto | — | ||
| 19-1 | Young Apollo, op. 16: Moderato - Allegro molto | Nikolai Lugansky, Hallé Orchestra, Kent Nagano | — | |
| 19-2 | Double Concerto in B minor: I. Allegro ma non troppo | Gidon Kremer, Yuri Bashmet, Hallé Orchestra, Kent Nagano | — | |
| 19-3 | Double Concerto in B minor: II. Rhapsody. Poco lento | Gidon Kremer, Yuri Bashmet, Hallé Orchestra, Kent Nagano | — | |
| 19-4 | Double Concerto in B minor: III. Allegro scherzando - Allegro non troppo | Gidon Kremer, Yuri Bashmet, Hallé Orchestra, Kent Nagano | — | |
| 19-5 | Two Portraits: No. 1. "David Layton". Poco presto | Hallé Orchestra, Kent Nagano | — | |
| 19-6 | Two Portraits: No. 2. "E.B.B.". Poco lento | Hallé Orchestra, Kent Nagano | — | |
| 19-7 | Sinfonietta, op. 1: I. Poco presto ed agitato | Hallé Orchestra, Kent Nagano | — | |
| 19-8 | Sinfonietta, op. 1: II. Variations. Andante lento | Hallé Orchestra, Kent Nagano | — | |
| 19-9 | Sinfonietta, op. 1: III. Tarantella. Presto vivace | Hallé Orchestra, Kent Nagano | — | |
| 20-1 | Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam und energisch - Lebhaft | — | ||
| 20-2 | Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | — | ||
| 20-3 | Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach (Etwas lebhafter - Etwas bewegter - Tempo wie vorher) | — | ||
| 20-4 | Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt | — | ||
| 20-5 | Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona | — | ||
| 20-6 | Sonata for Solo Violin, Sz. 117: II. Fuga - Risoluto, non troppo vivo | — | ||
| 20-7 | Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio | — | ||
| 20-8 | Sonata for Solo Violin, Sz. 117: IV. Presto | — | ||
| 21-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 21-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 21-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 21-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 21-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 21-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 21-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 21-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 21-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 21-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 21-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 21-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 21-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 21-14 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: I. Allegro appassionato | — | ||
| 21-15 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: II. Adagio | — | ||
| 21-16 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: III. Allegro | — | ||
| 21-17 | Liebesleid | — | ||
| 21-18 | Schön Rosmarin | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0190295116422 is a Universal Product Code (UPC) assigned to The Warner Collection: Complete Teldec, EMI Classics & Erato Recordings by Gidon Kremer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 187 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Warner Collection: Complete Teldec, EMI Classics & Erato Recordings” by Gidon Kremer is 0190295116422. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 187 tracks, each with its own ISRC. Tracks include GBAYC9601036, GBAYC9601037, GBAYC9601038.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo (cadenza: Fritz Kreisler) | Gidon Kremer, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | Gidon Kremer, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace | Gidon Kremer, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-1 | Grand Duo Concertant, op. 48: I. Allegro con fuoco | Gidon Kremer, Andrei Gavrilov | — | |
| 2-2 | Grand Duo Concertant, op. 48: II. Andante con moto | Gidon Kremer, Andrei Gavrilov | — | |
| 2-3 | Grand Duo Concertant, op. 48: III. Rondo: Allegro | Gidon Kremer, Andrei Gavrilov | — | |
| 2-4 | Violin Sonata in E-flat major, op. 11: I. Frisch | Gidon Kremer, Andrei Gavrilov | — | |
| 2-5 | Violin Sonata in E-flat major, op. 11: II. Im Zeitmaß eines langsamen, feierlichen Tanzes | Gidon Kremer, Andrei Gavrilov | — | |
| 2-6 | Violin Sonata no. 2: Quasi una sonata | Gidon Kremer, Andrei Gavrilov | — | |
| 2-7 | Andante and Variations for Violin and Piano | Andrei Gavrilov, Gidon Kremer | — | |
| 3-1 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-2 | Violin Concerto no. 1 in D minor, op. posth.: II. Langsam | — | ||
| 3-3 | Violin Concerto no. 1 in D minor, op. posth.: III. Lebhaft, doch nicht schnell | — | ||
| 3-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | T-312.542.566-9 | |
| 3-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Gidon Kremer, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 4-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 4-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 4-4 | Romance in G major for Violin and Orchestra, op. 40 | — | ||
| 4-5 | Romance in F major for Violin and Orchestra, op. 50 | — | ||
| 5-1 | Concerto no. 2 for Violin and Chamber Orchestra | — | ||
| 5-2 | Stille Nacht | — | ||
| 5-3 | Gratulationsrondo | — | ||
| 5-4 | Concerto no. 3 for Violin and Chamber Orchestra: I. Moderato | — | ||
| 5-5 | Concerto no. 3 for Violin and Chamber Orchestra: II. Agitato | — | ||
| 5-6 | Concerto no. 3 for Violin and Chamber Orchestra: III. Andante | — | ||
| 6-1 | Smile (From “Modern Times”) | — | ||
| 6-2 | Improvviso “Un diavolo sentimentale” | — | ||
| 6-3 | Fantasy on the Music to the Film “Circus” | — | ||
| 6-4 | Tanti anni prima (From “Enrico IV”) | — | ||
| 6-5 | Nostalghia. In Memory of Andrei Tarkovskij | — | ||
| 6-6 | Sketches from “Sakat”: Absalom’s Death and Tango | — | ||
| 6-7 | Suite from The Gadfly, op. 97a: VIII. Romance | — | ||
| 6-8 | Le bœuf sur le toit, op. 58 | — | ||
| 6-9 | Rag‐Gidon‐Time | — | ||
| 6-10 | Improvviso in re minore (From “Amanti senza amore”) | — | ||
| 7-1 | Concerto for Three: I. Moderato | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-2 | Concerto for Three: II. | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-3 | Concerto for Three: III. Largo | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-4 | Concerto for Three: IV. | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich, Moscow Soloists | — | |
| 7-5 | String Trio: I. Moderato | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — | |
| 7-6 | String Trio: II. Adagio | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — | |
| 7-7 | Minuet | Yuri Bashmet, Gidon Kremer, Mstislav Rostropovich | — | |
| 8-1 | Violin Concerto no. 1: I. Allegro ma non troppo | — | ||
| 8-2 | Violin Concerto no. 1: II. Andante | — | ||
| 8-3 | Violin Concerto no. 1: III. Allegro scherzando | — | ||
| 8-4 | Violin Concerto "To The Memory Of An Angel": II Allegro - IV Adagio | — | ||
| 9-1 | Dedication : I Allegro moderato con moto | — | ||
| 9-2 | Dedication : II Moderato | — | ||
| 9-3 | Dedication : III Moderato con moto | — | ||
| 9-4 | Dedication : IV Andantino | — | ||
| 9-5 | Dedication : V Allegretto | — | ||
| 9-6 | Dedication : VI Andante | — | ||
| 9-7 | Dedication : VII Moderato | — | ||
| 9-8 | Post scriptum : I Largo - Allegro - Allegretto | — | ||
| 9-9 | Post scriptum : II Andantino | — | ||
| 9-10 | Post scriptum : III Allegro vivace | — | ||
| 10-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 11-1 | Elegie for Violin and String Orchestra | Deutsche Kammerphilharmonie Bremen, Gidon Kremer | T-312.542.566-9 | |
| 11-2 | Fratres for Violin, String Orchestra and Percussion | Deutsche Kammerphilharmonie Bremen, Gidon Kremer | — | |
| 11-3 | Partita for Violin Solo: I. Präludium | Gidon Kremer | — | |
| 11-4 | Partita for Violin Solo: II. Scherzo | Gidon Kremer | — | |
| 11-5 | Partita for Violin Solo: III. Grave | Gidon Kremer | — | |
| 11-6 | Partita for Violin Solo: IV. Toccata | Gidon Kremer | — | |
| 11-7 | Partita for Solo Violin, Op. 12: V. Epilog | Gidon Kremer | — | |
| 11-8 | Musica Dolorosa for String Orchestra | Deutsche Kammerphilharmonie Bremen, Gidon Kremer | — | |
| 11-9 | Nevertheless | Deutsche Kammerphilharmonie Bremen, Gidon Kremer, Вадим Васильевич Сахаров | — | |
| 11-10 | Two Grasshopper Dances for Violin Solo: I. Sad Dance | Gidon Kremer | — | |
| 11-11 | 2 Grasshopper Dances for Solo Violin: No. 2, Happy Dance | Gidon Kremer | — | |
| 11-12 | Conversio | Gidon Kremer, Вадим Васильевич Сахаров | T-921.543.533-9 | |
| 12-1 | Violin Concerto in D major, Op. 77: I. Allegro non troppo | — | ||
| 12-2 | Violin Concerto in D major, Op. 77: II. Adagio | — | ||
| 12-3 | Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 12-4 | Double Concerto in A minor, Op. 102: I. Allegro | — | ||
| 12-5 | Double Concerto in A minor, Op. 102: II. Andante | — | ||
| 12-6 | Double Concerto in A minor, Op. 102: III. Vivace non troppo | — | ||
| 13-1 | Impressions d’enfance, op. 28: No. 1, Ménétrier | — | ||
| 13-2 | Impressions d’enfance, op. 28: No. 2, Vieux mendiant | — | ||
| 13-3 | Impressions d’enfance, op. 28: No. 3, Ruisselet au fond du jardin | — | ||
| 13-4 | Impressions d’enfance, op. 28: No. 4, L’oiseau en cage et le coucou au mur | — | ||
| 13-5 | Impressions d’enfance, op. 28: No. 5, Chanson pour bercer | — | ||
| 13-6 | Impressions d’enfance, op. 28: No. 6, Grillon | — | ||
| 13-7 | Impressions d’enfance, op. 28: No. 7, Lune à travers les vitres | — | ||
| 13-8 | Impressions d’enfance, op. 28: No. 8, Vent dans la cheminée | — | ||
| 13-9 | Impressions d’enfance, op. 28: No. 9, Tempête au‐dehors, dans la nuit | — | ||
| 13-10 | Impressions d’enfance, op. 28: No. 10, Lever de soleil | — | ||
| 13-11 | Violin Sonata no. 2, WV 91: I. Allegro impetuoso | — | ||
| 13-12 | Violin Sonata no. 2, WV 91: II. Andante | — | ||
| 13-13 | Violin Sonata no. 2, WV 91: III. Burlesca. Allegretto | — | ||
| 13-14 | Violin Sonata no. 2, WV 91: IV. Finale. Allegro risoluto | — | ||
| 13-15 | Violin Sonata no. 2, Sz. 76: I. Molto moderato | — | ||
| 13-16 | Violin Sonata no. 2, Sz. 76: II. Allegretto | — | ||
| 13-17 | 2 Grasshopper Dances: no. 1, Sad Dance | — | ||
| 13-18 | 2 Grasshopper Dances: no. 2, Happy Dance | — | ||
| 14-2 | Violin Concerto no. 4: I. Andante | — | ||
| 14-3 | Violin Concerto no. 4: II. Vivo - Cadenza visuale | — | ||
| 14-4 | Violin Concerto no. 4: III. Adagio | — | ||
| 14-5 | Violin Concerto no. 4: IV. Lento - Cadenza visuale | — | ||
| 14-6 | A Symphonic Prose from The Blackamoor of Peter the Great: Introduzione | — | ||
| 14-7 | A Symphonic Prose from The Blackamoor of Peter the Great: Playing Dice | — | ||
| 14-8 | A Symphonic Prose from The Blackamoor of Peter the Great: Beginning of the Ballet | — | ||
| 14-9 | A Symphonic Prose from The Blackamoor of Peter the Great: First Ballet | — | ||
| 14-10 | A Symphonic Prose from The Blackamoor of Peter the Great: Second Ballet | — | ||
| 14-11 | A Symphonic Prose from The Blackamoor of Peter the Great: Third Ballet “Hymn to Eros” | — | ||
| 14-12 | A Symphonic Prose from The Blackamoor of Peter the Great: Fourth Ballet | — | ||
| 14-13 | A Symphonic Prose from The Blackamoor of Peter the Great: Toccatina | — | ||
| 14-14 | A Symphonic Prose from The Blackamoor of Peter the Great: Dances of the Skomorokhs | — | ||
| 14-15 | A Symphonic Prose from The Blackamoor of Peter the Great: Les adieux | — | ||
| 14-16 | A Symphonic Prose from The Blackamoor of Peter the Great: Coda | — | ||
| 14-17 | The Sleeping Beauty, op. 66: no. 15b, Aurora’s Variation | — | ||
| 14-18 | The Sleeping Beauty, op. 66: no. 18, Entr’acte | — | ||
| 14-19 | Funeral Games in Honor of Chronos for Flutes, Piano and Percussion | — | ||
| 15-1 | Cuadro 1: Alevare | — | ||
| 15-2 | Cuadro 2: Tema de María | — | ||
| 15-3 | Cuadro 3a: Balada para un organito loco | — | ||
| 15-4 | Cuadro 3b: Yo soy María | — | ||
| 15-5 | Cuadro 4: Milonga carrieguera por María la niña | — | ||
| 15-6 | Cuadro 5: Fuga y misterio | — | ||
| 15-7 | Cuadro 6: Poema valseado | — | ||
| 15-8 | Cuadro 7: Tocata rea | — | ||
| 15-9 | Cuadro 8: Miserere cayengue de los ladrones antiguos en las alcantarillas | — | ||
| 16-1 | Cuadro 9: Contramilonga a la funerala por la primera muerte de María | — | ||
| 16-2 | Cuadro 10: Tangata del alba | — | ||
| 16-3 | Cuadro 11: Carta a los árboles y las chimeneas | — | ||
| 16-4 | Cuadro 12: Aria de los analistas | — | ||
| 16-5 | Cuadro 13: Romanza del duende poeta y curda | — | ||
| 16-6 | Cuadro 14: Allegro tangabile | — | ||
| 16-7 | Cuadro 15: Milonga de la anunciación | — | ||
| 16-8 | Cuadro 16: Tangus Dei | — | ||
| 17-1 | Distant Light | — | ||
| 17-2 | Voices: I. Voices of Silence | — | ||
| 17-3 | Voices: II. Voices of Life | — | ||
| 17-4 | Voices: III. Voice of Conscience | — | ||
| 18-1 | Tango Ballet: I. Títulos | — | ||
| 18-2 | Tango Ballet: II. La calle | — | ||
| 18-3 | Tango Ballet: III. Encuentro - Olvido | — | ||
| 18-4 | Tango Ballet: IV. Cabaret | — | ||
| 18-5 | Tango Ballet: V. Soledad | — | ||
| 18-6 | Tango Ballet: VI. La calle | — | ||
| 18-7 | Concierto del ángel: I. Introducción al ángel | — | ||
| 18-8 | Concierto del ángel: II. Milonga del ángel | — | ||
| 18-9 | Concierto del ángel: III. La muerte del ángel | — | ||
| 18-10 | Concierto del ángel: IV. Resurrección del ángel | — | ||
| 18-11 | Tres piezas para orquesta de cámara: I. Preludio: Lento | — | ||
| 18-12 | Tres piezas para orquesta de cámara: II. Fuga: Allegro | — | ||
| 18-13 | Tres piezas para orquesta de cámara: III. Divertimento: Allegro molto | — | ||
| 19-1 | Young Apollo, op. 16: Moderato - Allegro molto | Nikolai Lugansky, Hallé Orchestra, Kent Nagano | — | |
| 19-2 | Double Concerto in B minor: I. Allegro ma non troppo | Gidon Kremer, Yuri Bashmet, Hallé Orchestra, Kent Nagano | — | |
| 19-3 | Double Concerto in B minor: II. Rhapsody. Poco lento | Gidon Kremer, Yuri Bashmet, Hallé Orchestra, Kent Nagano | — | |
| 19-4 | Double Concerto in B minor: III. Allegro scherzando - Allegro non troppo | Gidon Kremer, Yuri Bashmet, Hallé Orchestra, Kent Nagano | — | |
| 19-5 | Two Portraits: No. 1. "David Layton". Poco presto | Hallé Orchestra, Kent Nagano | — | |
| 19-6 | Two Portraits: No. 2. "E.B.B.". Poco lento | Hallé Orchestra, Kent Nagano | — | |
| 19-7 | Sinfonietta, op. 1: I. Poco presto ed agitato | Hallé Orchestra, Kent Nagano | — | |
| 19-8 | Sinfonietta, op. 1: II. Variations. Andante lento | Hallé Orchestra, Kent Nagano | — | |
| 19-9 | Sinfonietta, op. 1: III. Tarantella. Presto vivace | Hallé Orchestra, Kent Nagano | — | |
| 20-1 | Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam und energisch - Lebhaft | — | ||
| 20-2 | Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | — | ||
| 20-3 | Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach (Etwas lebhafter - Etwas bewegter - Tempo wie vorher) | — | ||
| 20-4 | Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt | — | ||
| 20-5 | Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona | — | ||
| 20-6 | Sonata for Solo Violin, Sz. 117: II. Fuga - Risoluto, non troppo vivo | — | ||
| 20-7 | Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio | — | ||
| 20-8 | Sonata for Solo Violin, Sz. 117: IV. Presto | — | ||
| 21-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 21-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 21-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 21-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 21-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 21-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 21-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 21-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 21-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 21-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 21-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 21-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 21-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 21-14 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: I. Allegro appassionato | — | ||
| 21-15 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: II. Adagio | — | ||
| 21-16 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: III. Allegro | — | ||
| 21-17 | Liebesleid | — | ||
| 21-18 | Schön Rosmarin | — |
