UPC · Release
Wilhelm Furtwängler
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The UPC for “The Complete Wilhelm Furtwängler on Record” by Wilhelm Furtwängler is 0190295232405. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 475 tracks, each with its own ISRC. Tracks include DEF052902020, DEF052902010, DEF053002031.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Der Freischütz, op. 77: Overture | — | ||
| 2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 3 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 5 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 6 | A Midsummer Night’s Dream Overture, op. 21 | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 7 | Orchestral Suite no. 3 in D major, BWV 1068: Air “On the G String” | Berliner Philharmoniker, Wilhelm Furtwängler | T-914.248.874-2 | |
| 8 | Rosamunde, D. 797: Entracte no. 3 | — | ||
| 9 | Rosamunde, D. 797: Ballet no. 2 | — | ||
| 2-1 | Lohengrin: Act I. Prelude | — | ||
| 2-2 | Tristan und Isolde: Act I. Prelude | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-3 | Tristan und Isolde: Liebestod (concert version) | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-4 | Rosamunde, D. 797: Overture | — | ||
| 2-5 | Till Eulenspiegels lustige Streiche, op. 28 | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-6 | Till Eulenspiegels (Rehearsal) | — | ||
| 3-1 | The Hebrides, op. 26 “Fingal's Cave” | — | ||
| 3-2 | The Hebrides (Rehearsal) | — | ||
| 3-3 | La Damnation de Faust, op. 24: Marche hongroise | — | ||
| 3-4 | Slavonic Dance in A-flat major, op. 46 no. 3 | — | ||
| 3-5 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. | — | ||
| 3-6 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 3-7 | La gazza ladra: Overture | — | ||
| 3-8 | Hungarian Dances: No. 1 in G minor | Berliner Philharmoniker, Wilhelm Furtwängler | T-329.391.159-4 | |
| 3-9 | Hungarian Dances: No. 10 in E major | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 3-10 | Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”) | — | ||
| 4-1 | Siegfrieds Trauermarsch | Wilhelm Furtwängler, Berlin Philharmonic Orchestra | T-800.530.027-7 | |
| 4-2 | Egmont, op. 84: Overture | — | ||
| 4-3 | Le nozze di Figaro, K. 492: Overture | — | ||
| 4-4 | Die Entführung aus dem Serail, K. 384: Overture | — | ||
| 4-5 | Il barbiere di Siviglia: Overture | — | ||
| 4-6 | Der Freischütz, op. 77: Overture | — | ||
| 4-7 | Der Freischütz, op. 77: Act III. Prelude | — | ||
| 4-8 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 4-9 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante | — | ||
| 4-10 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio | — | ||
| 4-11 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | — | ||
| 4-12 | Die Fledermaus: Overture | Berliner Philharmoniker, Wilhelm Furtwängler | T-306.482.271-1 | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | — | ||
| 5-5 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | — | ||
| 5-6 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | — | ||
| 5-7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | — | ||
| 5-8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End | — | ||
| 6-1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | — | ||
| 6-2 | Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries) | — | ||
| 6-3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde) | — | ||
| 6-4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries) | — | ||
| 6-5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | — | ||
| 6-6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | — | ||
| 6-7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde) | — | ||
| 6-8 | Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan) | — | ||
| 6-9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | — | ||
| 7-1 | Götterdämmerung: Prologue. Orchestra (after the Norns) | — | ||
| 7-2 | Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde) | — | ||
| 7-3 | Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde) | — | ||
| 7-4 | Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried) | — | ||
| 7-5 | Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute) | — | ||
| 7-6 | Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute) | — | ||
| 7-7 | Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute) | — | ||
| 7-8 | Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde) | — | ||
| 7-9 | Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde) | — | ||
| 7-10 | Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde) | — | ||
| 8-1 | Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus) | — | ||
| 8-2 | Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus) | — | ||
| 8-3 | Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus) | — | ||
| 8-4 | Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen) | — | ||
| 8-5 | Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus) | — | ||
| 8-6 | Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus) | — | ||
| 8-7 | Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried) | — | ||
| 8-8 | Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde) | — | ||
| 8-9 | Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen) | — | ||
| 8-10 | Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen) | — | ||
| 8-11 | Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen) | — | ||
| 8-12 | Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde) | — | ||
| 8-13 | Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde) | — | ||
| 8-14 | Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | — | ||
| 8-15 | Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde) | — | ||
| 8-16 | Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | — | ||
| 8-17 | Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde) | — | ||
| 8-18 | Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde) | — | ||
| 9-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-5 | Tristan und Isolde: Act I. Prelude | — | ||
| 9-6 | Tristan und Isolde: Act III. Isoldes Liebestod | — | ||
| 9-7 | Parsifal: Act I. Prelude | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-8 | Parsifal: Act III. Good Friday Music | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 10-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo | — | ||
| 10-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 10-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 10-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso - Andante | — | ||
| 11-1 | Symphonic Concerto in B minor: II. Adagio (Sehr langsam) | Edwin Fischer, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 11-2 | Cavatina for String Orchestra (after String Quartet no. 13 in B-flat major, op. 130) | — | ||
| 11-3 | Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 11-4 | Alceste: Overture | — | ||
| 12-1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | — | ||
| 12-2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | — | ||
| 12-3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | — | ||
| 12-4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | — | ||
| 12-5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | — | ||
| 12-6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | — | ||
| 12-7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | — | ||
| 12-8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | — | ||
| 12-9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | — | ||
| 12-10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | — | ||
| 12-11 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | — | ||
| 12-12 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | — | ||
| 12-13 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 12-14 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 12-15 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 13-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 13-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 13-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | — | ||
| 14-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 14-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 14-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | — | ||
| 14-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | — | ||
| 14-5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release) | — | ||
| 14-6 | Coriolan Overture, op. 62 | — | ||
| 15-1 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro | — | ||
| 15-2 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto | — | ||
| 15-3 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio | — | ||
| 15-4 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto | — | ||
| 15-5 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio | — | ||
| 15-6 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni | — | ||
| 15-7 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo) | — | ||
| 16-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 16-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 16-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 16-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio | — | ||
| 17-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 17-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 17-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai | — | ||
| 17-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 17-5 | Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take) | — | ||
| 17-6 | Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take) | — | ||
| 17-7 | Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take) | — | ||
| 17-8 | Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take) | — | ||
| 18-1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde) | — | ||
| 18-2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | — | ||
| 18-3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde) | — | ||
| 18-4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | — | ||
| 18-5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | — | ||
| 18-6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde) | — | ||
| 18-7 | The Hebrides, op. 26 “Fingal's Cave” | — | ||
| 18-8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 18-9 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 18-10 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | — | ||
| 18-11 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 19-1 | Siegfried Idyll | — | ||
| 19-2 | Tannhäuser: Overture | — | ||
| 19-3 | Götterdämmerung: Siegfried's Rhine Journey | — | ||
| 19-4 | Der fliegende Holländer: Overture | — | ||
| 20-1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | — | ||
| 20-2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | — | ||
| 20-3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | — | ||
| 20-4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | — | ||
| 20-5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | — | ||
| 20-6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | — | ||
| 20-7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | — | ||
| 20-8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | — | ||
| 20-9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | — | ||
| 20-10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | — | ||
| 20-11 | Die Walküre: Act III. Ride of the Walkyries | — | ||
| 20-12 | La Damnation de Faust, op. 24: Marche hongroise | — | ||
| 20-13 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 20-14 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze - Andante | — | ||
| 20-15 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto - Allegretto | — | ||
| 20-16 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo - Allegro | — | ||
| 20-17 | Hungarian Dances: No. 1 in G major | — | ||
| 20-18 | Hungarian Dances: No. 3 in F major | — | ||
| 20-19 | Hungarian Dances: No. 10 in E major | — | ||
| 20-20 | Die Meistersinger von Nürnberg: Act I. Prelude | — | ||
| 20-21 | Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices | — | ||
| 21-1 | Lohengrin: Act I. Prelude | — | ||
| 21-2 | Violin Concerto in D major, op. 77: I. Allegro non troppo | — | ||
| 21-3 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 21-4 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 22-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 22-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 22-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | — | ||
| 22-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 22-5 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 22-6 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 23-1 | Death and Transfiguration, op. 24 | — | ||
| 23-2 | Kaiser-Walzer, op. 437 | — | ||
| 23-3 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 23-4 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 23-5 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | — | ||
| 23-6 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 24-1 | Götterdämmerung: Act III. Siegfried's Funeral March | — | ||
| 24-2 | Die Meistersinger von Nürnberg: Act III. Prelude | — | ||
| 24-3 | Oberon, J. 306: Overture | — | ||
| 24-4 | Rosamunde: Entracte no. 3 | — | ||
| 24-5 | Rosamunde: Ballet music no. 2 | — | ||
| 24-6 | Serenade in C major, op. 48: II. Valse: Moderato | — | ||
| 24-7 | Serenade in C major, op. 48: IV. Finale: Tema russo | — | ||
| 24-8 | Pizzicato Polka (with glockenspiel) | — | ||
| 24-9 | Pizzicato Polka (without glockenspiel) | — | ||
| 24-10 | Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!” | — | ||
| 24-11 | Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache” | — | ||
| 25-1 | Rosamunde: Overture | — | ||
| 25-2 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 25-3 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 25-4 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, allegro | — | ||
| 25-5 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | — | ||
| 25-6 | Anacréon: Overture | — | ||
| 26-1 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Allegro | — | ||
| 26-2 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | — | ||
| 26-3 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet - Allegro - Trio - Menuet | — | ||
| 26-4 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale: Vivace | — | ||
| 26-5 | The Merry Wives of Windsor: Overture | — | ||
| 26-6 | Manfred, op. 115: Overture | — | ||
| 26-7 | Má Vlast: No. 2. Vltava “The Moldau” | — | ||
| 27-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 27-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 27-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 27-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 27-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 27-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 28-1 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | — | ||
| 28-2 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 28-3 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | — | ||
| 28-4 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 28-5 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | — | ||
| 28-6 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 28-7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | — | ||
| 28-8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | — | ||
| 28-9 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | — | ||
| 28-10 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | — | ||
| 28-11 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause | — | ||
| 29-1 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-3 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-4 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-5 | Symphonie No. 2 E-moll: I. Assai moderato - Allegro - Molto allegro | Berliner Philharmoniker, Wilhelm Furtwängler | T-306.395.786-4 | |
| 30-1 | Symphonie No. 2 E-moll: II. Andante semplice | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-2 | Symphonie No. 2 E-moll: III. Un poco moderato - Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-3 | Symphonie No. 2 E-moll: IV. Langsam - Moderato andante - Allegro molto - Moderato - Tempo des Anfangs - Moderato - Presto - Gehalten | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-4 | Symphony in G major, Hob. I:88: I. Adagio - Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-5 | Symphony in G major, Hob. I:88: II. Largo | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-6 | Symphony in G major, Hob. I:88: III. Menuetto | Berliner Philharmoniker, Wilhelm Furtwängler | T-902.876.200-7 | |
| 30-7 | Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito) | Berliner Philharmoniker, Wilhelm Furtwängler | T-318.676.528-2 | |
| 31-1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde) | — | ||
| 31-2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | — | ||
| 31-3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde) | — | ||
| 31-4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde) | — | ||
| 31-5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | — | ||
| 31-6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde) | — | ||
| 31-7 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 31-8 | Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 31-9 | Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend’ Messer | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 31-10 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 32-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 32-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 32-3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | — | ||
| 32-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 32-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | — | ||
| 32-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | — | ||
| 32-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 32-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 32-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 33-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 33-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 33-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | — | ||
| 33-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | — | ||
| 34-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 34-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 34-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | — | ||
| 34-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 34-5 | Tannhäuser: Overture | — | ||
| 35-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 35-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 35-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | — | ||
| 35-4 | Romance no. 1 in G major, op. 40 | — | ||
| 35-5 | Romance no. 2 in F major, op. 50 | — | ||
| 36-1 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-2 | Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam) | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-3 | Symphony no. 4 in D minor, op. 120: III. Scherzo, Lebhaft | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-4 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-5 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | Wiener Philharmoniker, Wilhelm Furtwängler | T-900.967.586-9 | |
| 36-6 | Symphony in D minor, FWV 48: II. Allegretto | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 36-7 | Symphony in D minor, FWV 48: III. Allegro non troppo | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 37-1 | Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo | — | ||
| 37-2 | Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo | — | ||
| 37-3 | Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto | — | ||
| 38-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 38-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 38-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 38-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 39-1 | Götterdämmerung: Act III. Siegfried's Funeral March | — | ||
| 39-2 | Götterdämmerung: Prologue. Siegfried's Rhine Journey | — | ||
| 39-3 | Don Juan, op. 20 | — | ||
| 39-4 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 39-5 | Les Préludes, S. 97 | — | ||
| 40-1 | Lohengrin: Act I. Prelude | — | ||
| 40-2 | Der Freischütz, op. 77: Overture | — | ||
| 40-3 | Euryanthe, op. 81: Overture | — | ||
| 40-4 | Alceste: Overture | — | ||
| 40-5 | Iphigénie en Aulide: Overture | — | ||
| 40-6 | Leonore Overture no. 2, op. 72a | — | ||
| 41-1 | Matthäus-Passion, BWV 244: First Part. Hall ambience | [no artist] | — | |
| 41-2 | Matthäus Passion: Chor "Kommt, ihr Töchter' - Choral 'O Lamm Gottes unschuldig" | Wiener Singakademie, Wiener Sängerknaben, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-3 | Matthäus Passion: Rezitativ "Da Jesus diese Rede vollendet hatte" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-4 | Matthäus Passion: Choral "Herzliebster Jesu" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-5 | Matthäus Passion: Rezitativ "Da versammelten sich die Hohenpriester" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-6 | Matthäus Passion: Chor "Ja nicht auf das Fest" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-7 | Matthäus Passion: Rezitatif "Da nun Jesus war zu Bethanien" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-8 | Matthäus Passion: Chor "Wozu dienet dieser Unrat ?" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-9 | Matthäus Passion: Rezitativ "Da das Jesus merkete, sprach er zu ihnen" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-10 | Matthäus Passion: Rezitativ "Du lieber Heiland du" | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-11 | Matthäus Passion: Arie "Buss' und Reu" | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-12 | Matthäus Passion: Rezitativ "Da ging in der Zwölfen Einer" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-13 | Matthäus Passion: Arie "Blute nur, du liebes Herz!" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-14 | Matthäus Passion: Rezitativ "Aber am ersten Tage" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-15 | Matthäus Passion: Chor "Wo willst du" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-16 | Matthäus Passion: Rezitativ "Er Sprach : Gehet hin in die stadt" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-17 | Matthäus Passion: Choral "Ich bin's, ich sollte büssen" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-18 | Matthäus Passion: Rezitativ "Er antwortete und sprach : Der mit der Hand" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-19 | Matthäus Passion: Rezitativ "Wiewohl mein Herz in Tränen schwimmt" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-20 | Matthäus Passion: Rezitativ "Und da sie den Lobgesang gesprochen hatten" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-21 | Matthäus Passion: Choral "Erkenne mich, mein Hütter" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-22 | Matthäus Passion: Rezitativ "Petrus aber antwortete und sprach zu ihm" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-23 | Matthäus Passion: Rezitativ "Da kam Jesus" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-24 | Matthäus Passion: Rezitativ "O Schmerz!" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-25 | Matthäus Passion: Arie "Ich will bei meinem Jesu wachen" - Chor "So schlafen unsere Sünden ein" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-26 | Matthäus Passion: Rezitativ "Und ging hin ein wenig" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-27 | Matthäus Passion: Rezitativ "Der Heiland fällt" | Otto Edelmann, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-28 | Matthäus Passion: Rezitativ "Und er kam zu seinen Jüngern" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-29 | Matthäus Passion: Choral "Was mein Gott will" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-30 | Matthäus Passion: Rezitativ "Da kam er zu seinen Jüngern" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-31 | Matthäus Passion: Duett "So is mein Jesus nun gefangen" - Chor " Lasst ihn, haltet, bindet nich!" | Elisabeth Grümmer, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-32 | Matthäus Passion: Rezitativ "Zu der Stund' sprach Jesus zu den Sharen" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-33 | Matthäus Passion: Choral "O Mensh, bewein' dein' Sünde gross" | Wiener Singakademie, Wiener Sängerknaben, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-1 | Matthäus Passion: Arie "Ach, nun ist mein Jesus hin !" - Chor "Wo ist denn dein Freund hingegangen ?" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-2 | Matthäus Passion: Rezitativ "Die aber Jesum gegriffen hatten" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-3 | Matthäus Passion: Rezitativ "Und der Hohepriester stand auf und sprach zu ihm" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-4 | Matthäus Passion: Rezitativ "Und der Hohepriester antwortete" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-5 | Matthäus Passion: Rezitativ "Da speiten sie" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-6 | Matthäus Passion: Choral "Wer hat dich so geschlagen" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-7 | Matthäus Passion: Rezitativ "Petrus aber sass draussen im Palast" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-8 | Matthäus Passion: Rezitativ "Da hub er an, sich zu verfluchen" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-9 | Matthäus Passion: Arie "Erbarme dich, mein Gott" | Marga Höffgen, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-10 | Matthäus Passion: Rezitativ "Jesus aber stand vor dem Landpfleger" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-11 | Matthäus Passion: Choral "Befiehl du deine Wege" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-12 | Matthäus Passion: Rezitativ "Aud das Fest aber hatte" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-13 | Matthäus Passion: Rezitativ "Der Landpfleger sagte" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-14 | Matthäus Passion: Rezitativ "Er hat uns allen wohlgetan" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-15 | Matthäus Passion: Arie "Aus Liebe will mein Heiland sterben" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-16 | Matthäus Passion: Rezitativ "Sie Schrieen aber noch mehr" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-17 | Matthäus Passion: Rezitativ "Erbarm' es Gott!" | Marga Höffgen, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-18 | Matthäus Passion: Rezitativ "Da nahmen die Kriegsknechte des Landpflegers" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-19 | Matthäus Passion: Choral "O Haupt voll Blut und Wunden" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-1 | Matthäus Passion: Rezitativ "Une da sie ihn verspottet hatten" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-2 | Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass) | Otto Edelmann, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-3 | Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass) | Otto Edelmann, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-4 | Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus) | Hans Gillesberger, Anton Dermota, Wiener Singakademie, Wiener Sängerknaben, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-5 | Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist) | Anton Dermota, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-6 | Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto) | Marga Höffgen, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-7 | Matthäus Passion: Rezitativ "Und von der sechsten Stunde" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-8 | Matthäus Passion: Choral "Wenn ich einmal soll schneiden" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-9 | Matthäus Passion: Rezitativ mit Chor "Und sihe da, der Vorhang im Tempel zerriss in zwei Stück" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-10 | Matthäus Passion: Rezitativ "Am Abend, da es kühle war" | Otto Edelmann, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-11 | Matthäus Passion: Rezitativ "Une Joseph nahm den Leib" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-12 | Matthäus Passion: Rezitativ mit Chor "Nun ist der Herr zur Ruh' grabracht" | Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Marga Höffgen, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-13 | Matthäus Passion: Chor "Wir setzen uns mit Tränen nieder" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 44-1 | Tristan und Isolde: Act I. Prelude | — | ||
| 44-2 | Tristan und Isolde: Act I, Scene 1. “Westwärts schweift der Blick” (Seeman, Isolde, Brangäne) | — | ||
| 44-3 | Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal) | — | ||
| 44-4 | Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne) | — | ||
| 44-5 | Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus) | — | ||
| 44-6 | Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne) | — | ||
| 44-7 | Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde) | — | ||
| 44-8 | Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus) | — | ||
| 45-1 | Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus) | — | ||
| 45-2 | Tristan und Isolde: Act II. Prelude | — | ||
| 45-3 | Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne) | — | ||
| 45-4 | Tristan und Isolde: Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde) | — | ||
| 45-5 | Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde) | — | ||
| 45-6 | Tristan und Isolde: Act II, Scene 2. “O sink hernieder, Nacht der Liebe” (Tristan, Isolde) | — | ||
| 45-7 | Tristan und Isolde: Act II, Scene 2. “Einsam wachend in der Nacht” (Brangäne) | — | ||
| 45-8 | Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde) | — | ||
| 45-9 | Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne) | — | ||
| 45-10 | Tristan und Isolde: Act II, Scene 3. “Rette dich, Tristan!” (Tristan, Kurwenal, Melot) | — | ||
| 46-1 | Tristan und Isolde: Act II, Scene 3. “Tatest du's wirklich?” (Marke, Tristan) | — | ||
| 46-2 | Tristan und Isolde: Act II, Scene 3. “Dies wundervolle Weib” (Marke, Tristan) | — | ||
| 46-3 | Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot) | — | ||
| 46-4 | Tristan und Isolde: Act III. Prelude | — | ||
| 46-5 | Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan) | — | ||
| 46-6 | Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan) | — | ||
| 46-7 | Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan) | — | ||
| 46-8 | Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan) | — | ||
| 46-9 | Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan) | — | ||
| 47-1 | Tristan und Isolde: Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde) | — | ||
| 47-2 | Tristan und Isolde: Act III, Scene 2. “O diese Sonne!” (Tristan, Isolde) | — | ||
| 47-3 | Tristan und Isolde: Act III, Scene 3. “Ich bin's, ich bin's” (Isolde) | — | ||
| 47-4 | Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke) | — | ||
| 47-5 | Tristan und Isolde: Act III, Scene 3. “Mild und leise wie es lächelt” (Isolde) | — | ||
| 48-1 | Fidelio, op. 72: Act I. Overture | — | ||
| 48-2 | Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline) | — | ||
| 48-3 | Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline) | — | ||
| 48-4 | Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco) | — | ||
| 48-5 | Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco) | — | ||
| 48-6 | Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco) | — | ||
| 48-7 | Fidelio, op. 72: Act I. March | — | ||
| 48-8 | Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus) | — | ||
| 48-9 | Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus) | — | ||
| 48-10 | Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore) | — | ||
| 48-11 | Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner) | — | ||
| 48-12 | Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco) | — | ||
| 48-13 | Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | — | ||
| 48-14 | Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | — | ||
| 49-1 | Fidelio, op. 72: Act II. Introduction | — | ||
| 49-2 | Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan) | — | ||
| 49-3 | Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco) | — | ||
| 49-4 | Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) | — | ||
| 49-5 | Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco) | — | ||
| 49-6 | Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino) | — | ||
| 49-7 | Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan) | — | ||
| 49-8 | Fidelio, op. 72: Act II. Leonore Overture no. 3 | — | ||
| 49-9 | Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus) | — | ||
| 49-10 | Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus) | — | ||
| 49-11 | Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | — | ||
| 49-12 | Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | — | ||
| 50-1 | Die Walküre: Act I. Prelude | — | ||
| 50-2 | Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde) | — | ||
| 50-3 | Die Walküre: Act I, Scene 1. “Einen Unseligen labtest du” (Siegmund, Sieglinde) | — | ||
| 50-4 | Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding) | — | ||
| 50-5 | Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding) | — | ||
| 50-6 | Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund) | — | ||
| 50-7 | Die Walküre: Act I, Scene 3. “Schläfst du, Gast?” (Siegmund, Sieglinde) | — | ||
| 50-8 | Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde) | — | ||
| 50-9 | Die Walküre: Act I, Scene 3. “Wehwalt heisst du fürwahr?” (Siegmund, Sieglinde) | — | ||
| 51-1 | Die Walküre: Act II. Prelude | — | ||
| 51-2 | Die Walküre: Act II, Scene 1. “Nun zaüme dein Ross, reisige Maid!” (Wotan, Brünnhilde) | — | ||
| 51-3 | Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka) | — | ||
| 51-4 | Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka) | — | ||
| 51-5 | Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde) | — | ||
| 51-6 | Die Walküre: Act II, Scene 2. “Ein andres ist's” (Wotan, Brünnhilde) | — | ||
| 51-7 | Die Walküre: Act II, Scene 2. “O sag, künde, was soll nun dein Kind?” (Wotan, Brünnhilde) | — | ||
| 51-8 | Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde) | — | ||
| 52-1 | Die Walküre: Act II, Scene 4. “Siegmund! Sieh auf mich” (Siegmund, Brünnhilde) | — | ||
| 52-2 | Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde) | — | ||
| 52-3 | Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan) | — | ||
| 53-1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | — | ||
| 53-2 | Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde) | — | ||
| 53-3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan) | — | ||
| 53-4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan) | — | ||
| 53-5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | — | ||
| 53-6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | — | ||
| 53-7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde) | — | ||
| 53-8 | Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan) | — | ||
| 53-9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | — | ||
| 54-1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 54-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience | — | ||
| 54-3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 54-4 | Kaiser-Walzer, op. 437 (Play-through - test recording) | — | ||
| 54-5 | Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording) | — | ||
| 54-6 | Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein) | — | ||
| 54-7 | Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein) | — | ||
| 54-8 | Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording) | — | ||
| 54-9 | Tuning, buzzers and false starts | — | ||
| 55-1 | Wilhelm Furtwängler - A Memoir: Introduction - Overview | — | ||
| 55-2 | Wilhelm Furtwängler - A Memoir: Berlin, 1930s | — | ||
| 55-3 | Wilhelm Furtwängler - A Memoir: Conducting Technique | — | ||
| 55-4 | Wilhelm Furtwängler - A Memoir: Europe, 1940s | — | ||
| 55-5 | Wilhelm Furtwängler - A Memoir: Demands in Rehearsal | — | ||
| 55-6 | Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results | — | ||
| 55-7 | Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists | — | ||
| 55-8 | Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording | — | ||
| 55-9 | Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity | — | ||
| 55-10 | Wilhelm Furtwängler - A Memoir: Final appearances | — |
Identifier Graph
0190295232405 is a Universal Product Code (UPC) assigned to The Complete Wilhelm Furtwängler on Record by Wilhelm Furtwängler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 475 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 9 in C major, D. 944 "Great": I. Andante. Allegro ma non troppo | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace | Berliner Philharmoniker, Wilhelm Furtwängler | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Wilhelm Furtwängler on Record” by Wilhelm Furtwängler is 0190295232405. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 475 tracks, each with its own ISRC. Tracks include DEF052902020, DEF052902010, DEF053002031.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Der Freischütz, op. 77: Overture | — | ||
| 2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 3 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 5 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 6 | A Midsummer Night’s Dream Overture, op. 21 | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 7 | Orchestral Suite no. 3 in D major, BWV 1068: Air “On the G String” | Berliner Philharmoniker, Wilhelm Furtwängler | T-914.248.874-2 | |
| 8 | Rosamunde, D. 797: Entracte no. 3 | — | ||
| 9 | Rosamunde, D. 797: Ballet no. 2 | — | ||
| 2-1 | Lohengrin: Act I. Prelude | — | ||
| 2-2 | Tristan und Isolde: Act I. Prelude | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-3 | Tristan und Isolde: Liebestod (concert version) | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-4 | Rosamunde, D. 797: Overture | — | ||
| 2-5 | Till Eulenspiegels lustige Streiche, op. 28 | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-6 | Till Eulenspiegels (Rehearsal) | — | ||
| 3-1 | The Hebrides, op. 26 “Fingal's Cave” | — | ||
| 3-2 | The Hebrides (Rehearsal) | — | ||
| 3-3 | La Damnation de Faust, op. 24: Marche hongroise | — | ||
| 3-4 | Slavonic Dance in A-flat major, op. 46 no. 3 | — | ||
| 3-5 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. | — | ||
| 3-6 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 3-7 | La gazza ladra: Overture | — | ||
| 3-8 | Hungarian Dances: No. 1 in G minor | Berliner Philharmoniker, Wilhelm Furtwängler | T-329.391.159-4 | |
| 3-9 | Hungarian Dances: No. 10 in E major | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 3-10 | Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”) | — | ||
| 4-1 | Siegfrieds Trauermarsch | Wilhelm Furtwängler, Berlin Philharmonic Orchestra | T-800.530.027-7 | |
| 4-2 | Egmont, op. 84: Overture | — | ||
| 4-3 | Le nozze di Figaro, K. 492: Overture | — | ||
| 4-4 | Die Entführung aus dem Serail, K. 384: Overture | — | ||
| 4-5 | Il barbiere di Siviglia: Overture | — | ||
| 4-6 | Der Freischütz, op. 77: Overture | — | ||
| 4-7 | Der Freischütz, op. 77: Act III. Prelude | — | ||
| 4-8 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 4-9 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante | — | ||
| 4-10 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio | — | ||
| 4-11 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | — | ||
| 4-12 | Die Fledermaus: Overture | Berliner Philharmoniker, Wilhelm Furtwängler | T-306.482.271-1 | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | — | ||
| 5-5 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | — | ||
| 5-6 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | — | ||
| 5-7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | — | ||
| 5-8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End | — | ||
| 6-1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | — | ||
| 6-2 | Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries) | — | ||
| 6-3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde) | — | ||
| 6-4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries) | — | ||
| 6-5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | — | ||
| 6-6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | — | ||
| 6-7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde) | — | ||
| 6-8 | Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan) | — | ||
| 6-9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | — | ||
| 7-1 | Götterdämmerung: Prologue. Orchestra (after the Norns) | — | ||
| 7-2 | Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde) | — | ||
| 7-3 | Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde) | — | ||
| 7-4 | Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried) | — | ||
| 7-5 | Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute) | — | ||
| 7-6 | Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute) | — | ||
| 7-7 | Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute) | — | ||
| 7-8 | Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde) | — | ||
| 7-9 | Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde) | — | ||
| 7-10 | Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde) | — | ||
| 8-1 | Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus) | — | ||
| 8-2 | Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus) | — | ||
| 8-3 | Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus) | — | ||
| 8-4 | Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen) | — | ||
| 8-5 | Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus) | — | ||
| 8-6 | Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus) | — | ||
| 8-7 | Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried) | — | ||
| 8-8 | Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde) | — | ||
| 8-9 | Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen) | — | ||
| 8-10 | Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen) | — | ||
| 8-11 | Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen) | — | ||
| 8-12 | Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde) | — | ||
| 8-13 | Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde) | — | ||
| 8-14 | Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | — | ||
| 8-15 | Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde) | — | ||
| 8-16 | Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | — | ||
| 8-17 | Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde) | — | ||
| 8-18 | Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde) | — | ||
| 9-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-5 | Tristan und Isolde: Act I. Prelude | — | ||
| 9-6 | Tristan und Isolde: Act III. Isoldes Liebestod | — | ||
| 9-7 | Parsifal: Act I. Prelude | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 9-8 | Parsifal: Act III. Good Friday Music | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 10-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo | — | ||
| 10-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 10-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 10-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso - Andante | — | ||
| 11-1 | Symphonic Concerto in B minor: II. Adagio (Sehr langsam) | Edwin Fischer, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 11-2 | Cavatina for String Orchestra (after String Quartet no. 13 in B-flat major, op. 130) | — | ||
| 11-3 | Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 11-4 | Alceste: Overture | — | ||
| 12-1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | — | ||
| 12-2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | — | ||
| 12-3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | — | ||
| 12-4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | — | ||
| 12-5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | — | ||
| 12-6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | — | ||
| 12-7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | — | ||
| 12-8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | — | ||
| 12-9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | — | ||
| 12-10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | — | ||
| 12-11 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | — | ||
| 12-12 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | — | ||
| 12-13 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 12-14 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 12-15 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 13-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 13-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 13-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | — | ||
| 14-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 14-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 14-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | — | ||
| 14-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | — | ||
| 14-5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release) | — | ||
| 14-6 | Coriolan Overture, op. 62 | — | ||
| 15-1 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro | — | ||
| 15-2 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto | — | ||
| 15-3 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio | — | ||
| 15-4 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto | — | ||
| 15-5 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio | — | ||
| 15-6 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni | — | ||
| 15-7 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo) | — | ||
| 16-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 16-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 16-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 16-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio | — | ||
| 17-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 17-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 17-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai | — | ||
| 17-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 17-5 | Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take) | — | ||
| 17-6 | Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take) | — | ||
| 17-7 | Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take) | — | ||
| 17-8 | Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take) | — | ||
| 18-1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde) | — | ||
| 18-2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | — | ||
| 18-3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde) | — | ||
| 18-4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | — | ||
| 18-5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | — | ||
| 18-6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde) | — | ||
| 18-7 | The Hebrides, op. 26 “Fingal's Cave” | — | ||
| 18-8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 18-9 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 18-10 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | — | ||
| 18-11 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 19-1 | Siegfried Idyll | — | ||
| 19-2 | Tannhäuser: Overture | — | ||
| 19-3 | Götterdämmerung: Siegfried's Rhine Journey | — | ||
| 19-4 | Der fliegende Holländer: Overture | — | ||
| 20-1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | — | ||
| 20-2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | — | ||
| 20-3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | — | ||
| 20-4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | — | ||
| 20-5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | — | ||
| 20-6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | — | ||
| 20-7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | — | ||
| 20-8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | — | ||
| 20-9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | — | ||
| 20-10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | — | ||
| 20-11 | Die Walküre: Act III. Ride of the Walkyries | — | ||
| 20-12 | La Damnation de Faust, op. 24: Marche hongroise | — | ||
| 20-13 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 20-14 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze - Andante | — | ||
| 20-15 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto - Allegretto | — | ||
| 20-16 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo - Allegro | — | ||
| 20-17 | Hungarian Dances: No. 1 in G major | — | ||
| 20-18 | Hungarian Dances: No. 3 in F major | — | ||
| 20-19 | Hungarian Dances: No. 10 in E major | — | ||
| 20-20 | Die Meistersinger von Nürnberg: Act I. Prelude | — | ||
| 20-21 | Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices | — | ||
| 21-1 | Lohengrin: Act I. Prelude | — | ||
| 21-2 | Violin Concerto in D major, op. 77: I. Allegro non troppo | — | ||
| 21-3 | Violin Concerto in D major, op. 77: II. Adagio | — | ||
| 21-4 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 22-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 22-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 22-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | — | ||
| 22-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 22-5 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 22-6 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 23-1 | Death and Transfiguration, op. 24 | — | ||
| 23-2 | Kaiser-Walzer, op. 437 | — | ||
| 23-3 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 23-4 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 23-5 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | — | ||
| 23-6 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 24-1 | Götterdämmerung: Act III. Siegfried's Funeral March | — | ||
| 24-2 | Die Meistersinger von Nürnberg: Act III. Prelude | — | ||
| 24-3 | Oberon, J. 306: Overture | — | ||
| 24-4 | Rosamunde: Entracte no. 3 | — | ||
| 24-5 | Rosamunde: Ballet music no. 2 | — | ||
| 24-6 | Serenade in C major, op. 48: II. Valse: Moderato | — | ||
| 24-7 | Serenade in C major, op. 48: IV. Finale: Tema russo | — | ||
| 24-8 | Pizzicato Polka (with glockenspiel) | — | ||
| 24-9 | Pizzicato Polka (without glockenspiel) | — | ||
| 24-10 | Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!” | — | ||
| 24-11 | Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache” | — | ||
| 25-1 | Rosamunde: Overture | — | ||
| 25-2 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 25-3 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 25-4 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, allegro | — | ||
| 25-5 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | — | ||
| 25-6 | Anacréon: Overture | — | ||
| 26-1 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Allegro | — | ||
| 26-2 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | — | ||
| 26-3 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet - Allegro - Trio - Menuet | — | ||
| 26-4 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale: Vivace | — | ||
| 26-5 | The Merry Wives of Windsor: Overture | — | ||
| 26-6 | Manfred, op. 115: Overture | — | ||
| 26-7 | Má Vlast: No. 2. Vltava “The Moldau” | — | ||
| 27-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 27-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 27-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 27-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 27-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 27-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 28-1 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | — | ||
| 28-2 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 28-3 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | — | ||
| 28-4 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 28-5 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | — | ||
| 28-6 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 28-7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | — | ||
| 28-8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | — | ||
| 28-9 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | — | ||
| 28-10 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | — | ||
| 28-11 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause | — | ||
| 29-1 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-3 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-4 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 29-5 | Symphonie No. 2 E-moll: I. Assai moderato - Allegro - Molto allegro | Berliner Philharmoniker, Wilhelm Furtwängler | T-306.395.786-4 | |
| 30-1 | Symphonie No. 2 E-moll: II. Andante semplice | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-2 | Symphonie No. 2 E-moll: III. Un poco moderato - Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-3 | Symphonie No. 2 E-moll: IV. Langsam - Moderato andante - Allegro molto - Moderato - Tempo des Anfangs - Moderato - Presto - Gehalten | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-4 | Symphony in G major, Hob. I:88: I. Adagio - Allegro | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-5 | Symphony in G major, Hob. I:88: II. Largo | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 30-6 | Symphony in G major, Hob. I:88: III. Menuetto | Berliner Philharmoniker, Wilhelm Furtwängler | T-902.876.200-7 | |
| 30-7 | Symphony No. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito) | Berliner Philharmoniker, Wilhelm Furtwängler | T-318.676.528-2 | |
| 31-1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde) | — | ||
| 31-2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | — | ||
| 31-3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde) | — | ||
| 31-4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde) | — | ||
| 31-5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | — | ||
| 31-6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde) | — | ||
| 31-7 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 31-8 | Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 31-9 | Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend’ Messer | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 31-10 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz | Dietrich Fischer-Dieskau, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 32-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 32-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 32-3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | — | ||
| 32-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 32-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | — | ||
| 32-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | — | ||
| 32-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 32-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 32-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 33-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 33-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 33-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | — | ||
| 33-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | — | ||
| 34-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 34-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 34-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | — | ||
| 34-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 34-5 | Tannhäuser: Overture | — | ||
| 35-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 35-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 35-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | — | ||
| 35-4 | Romance no. 1 in G major, op. 40 | — | ||
| 35-5 | Romance no. 2 in F major, op. 50 | — | ||
| 36-1 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-2 | Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam) | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-3 | Symphony no. 4 in D minor, op. 120: III. Scherzo, Lebhaft | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-4 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 36-5 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | Wiener Philharmoniker, Wilhelm Furtwängler | T-900.967.586-9 | |
| 36-6 | Symphony in D minor, FWV 48: II. Allegretto | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 36-7 | Symphony in D minor, FWV 48: III. Allegro non troppo | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 37-1 | Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo | — | ||
| 37-2 | Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo | — | ||
| 37-3 | Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto | — | ||
| 38-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 38-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 38-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 38-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 39-1 | Götterdämmerung: Act III. Siegfried's Funeral March | — | ||
| 39-2 | Götterdämmerung: Prologue. Siegfried's Rhine Journey | — | ||
| 39-3 | Don Juan, op. 20 | — | ||
| 39-4 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 39-5 | Les Préludes, S. 97 | — | ||
| 40-1 | Lohengrin: Act I. Prelude | — | ||
| 40-2 | Der Freischütz, op. 77: Overture | — | ||
| 40-3 | Euryanthe, op. 81: Overture | — | ||
| 40-4 | Alceste: Overture | — | ||
| 40-5 | Iphigénie en Aulide: Overture | — | ||
| 40-6 | Leonore Overture no. 2, op. 72a | — | ||
| 41-1 | Matthäus-Passion, BWV 244: First Part. Hall ambience | [no artist] | — | |
| 41-2 | Matthäus Passion: Chor "Kommt, ihr Töchter' - Choral 'O Lamm Gottes unschuldig" | Wiener Singakademie, Wiener Sängerknaben, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-3 | Matthäus Passion: Rezitativ "Da Jesus diese Rede vollendet hatte" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-4 | Matthäus Passion: Choral "Herzliebster Jesu" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-5 | Matthäus Passion: Rezitativ "Da versammelten sich die Hohenpriester" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-6 | Matthäus Passion: Chor "Ja nicht auf das Fest" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-7 | Matthäus Passion: Rezitatif "Da nun Jesus war zu Bethanien" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-8 | Matthäus Passion: Chor "Wozu dienet dieser Unrat ?" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-9 | Matthäus Passion: Rezitativ "Da das Jesus merkete, sprach er zu ihnen" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-10 | Matthäus Passion: Rezitativ "Du lieber Heiland du" | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-11 | Matthäus Passion: Arie "Buss' und Reu" | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-12 | Matthäus Passion: Rezitativ "Da ging in der Zwölfen Einer" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-13 | Matthäus Passion: Arie "Blute nur, du liebes Herz!" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-14 | Matthäus Passion: Rezitativ "Aber am ersten Tage" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-15 | Matthäus Passion: Chor "Wo willst du" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-16 | Matthäus Passion: Rezitativ "Er Sprach : Gehet hin in die stadt" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-17 | Matthäus Passion: Choral "Ich bin's, ich sollte büssen" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-18 | Matthäus Passion: Rezitativ "Er antwortete und sprach : Der mit der Hand" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-19 | Matthäus Passion: Rezitativ "Wiewohl mein Herz in Tränen schwimmt" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-20 | Matthäus Passion: Rezitativ "Und da sie den Lobgesang gesprochen hatten" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-21 | Matthäus Passion: Choral "Erkenne mich, mein Hütter" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-22 | Matthäus Passion: Rezitativ "Petrus aber antwortete und sprach zu ihm" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-23 | Matthäus Passion: Rezitativ "Da kam Jesus" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-24 | Matthäus Passion: Rezitativ "O Schmerz!" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-25 | Matthäus Passion: Arie "Ich will bei meinem Jesu wachen" - Chor "So schlafen unsere Sünden ein" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-26 | Matthäus Passion: Rezitativ "Und ging hin ein wenig" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-27 | Matthäus Passion: Rezitativ "Der Heiland fällt" | Otto Edelmann, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-28 | Matthäus Passion: Rezitativ "Und er kam zu seinen Jüngern" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-29 | Matthäus Passion: Choral "Was mein Gott will" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-30 | Matthäus Passion: Rezitativ "Da kam er zu seinen Jüngern" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-31 | Matthäus Passion: Duett "So is mein Jesus nun gefangen" - Chor " Lasst ihn, haltet, bindet nich!" | Elisabeth Grümmer, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-32 | Matthäus Passion: Rezitativ "Zu der Stund' sprach Jesus zu den Sharen" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 41-33 | Matthäus Passion: Choral "O Mensh, bewein' dein' Sünde gross" | Wiener Singakademie, Wiener Sängerknaben, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-1 | Matthäus Passion: Arie "Ach, nun ist mein Jesus hin !" - Chor "Wo ist denn dein Freund hingegangen ?" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-2 | Matthäus Passion: Rezitativ "Die aber Jesum gegriffen hatten" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-3 | Matthäus Passion: Rezitativ "Und der Hohepriester stand auf und sprach zu ihm" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-4 | Matthäus Passion: Rezitativ "Und der Hohepriester antwortete" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-5 | Matthäus Passion: Rezitativ "Da speiten sie" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-6 | Matthäus Passion: Choral "Wer hat dich so geschlagen" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-7 | Matthäus Passion: Rezitativ "Petrus aber sass draussen im Palast" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-8 | Matthäus Passion: Rezitativ "Da hub er an, sich zu verfluchen" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-9 | Matthäus Passion: Arie "Erbarme dich, mein Gott" | Marga Höffgen, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-10 | Matthäus Passion: Rezitativ "Jesus aber stand vor dem Landpfleger" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-11 | Matthäus Passion: Choral "Befiehl du deine Wege" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-12 | Matthäus Passion: Rezitativ "Aud das Fest aber hatte" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-13 | Matthäus Passion: Rezitativ "Der Landpfleger sagte" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-14 | Matthäus Passion: Rezitativ "Er hat uns allen wohlgetan" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-15 | Matthäus Passion: Arie "Aus Liebe will mein Heiland sterben" | Elisabeth Grümmer, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-16 | Matthäus Passion: Rezitativ "Sie Schrieen aber noch mehr" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-17 | Matthäus Passion: Rezitativ "Erbarm' es Gott!" | Marga Höffgen, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-18 | Matthäus Passion: Rezitativ "Da nahmen die Kriegsknechte des Landpflegers" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 42-19 | Matthäus Passion: Choral "O Haupt voll Blut und Wunden" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-1 | Matthäus Passion: Rezitativ "Une da sie ihn verspottet hatten" | Anton Dermota, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-2 | Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass) | Otto Edelmann, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-3 | Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass) | Otto Edelmann, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-4 | Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus) | Hans Gillesberger, Anton Dermota, Wiener Singakademie, Wiener Sängerknaben, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-5 | Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist) | Anton Dermota, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-6 | Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto) | Marga Höffgen, Anton Heiller, Franz Schütz, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-7 | Matthäus Passion: Rezitativ "Und von der sechsten Stunde" | Anton Dermota, Dietrich Fischer-Dieskau, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-8 | Matthäus Passion: Choral "Wenn ich einmal soll schneiden" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-9 | Matthäus Passion: Rezitativ mit Chor "Und sihe da, der Vorhang im Tempel zerriss in zwei Stück" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-10 | Matthäus Passion: Rezitativ "Am Abend, da es kühle war" | Otto Edelmann, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-11 | Matthäus Passion: Rezitativ "Une Joseph nahm den Leib" | Anton Dermota, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-12 | Matthäus Passion: Rezitativ mit Chor "Nun ist der Herr zur Ruh' grabracht" | Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Marga Höffgen, Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 43-13 | Matthäus Passion: Chor "Wir setzen uns mit Tränen nieder" | Wiener Singakademie, Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 44-1 | Tristan und Isolde: Act I. Prelude | — | ||
| 44-2 | Tristan und Isolde: Act I, Scene 1. “Westwärts schweift der Blick” (Seeman, Isolde, Brangäne) | — | ||
| 44-3 | Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal) | — | ||
| 44-4 | Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne) | — | ||
| 44-5 | Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus) | — | ||
| 44-6 | Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne) | — | ||
| 44-7 | Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde) | — | ||
| 44-8 | Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus) | — | ||
| 45-1 | Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus) | — | ||
| 45-2 | Tristan und Isolde: Act II. Prelude | — | ||
| 45-3 | Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne) | — | ||
| 45-4 | Tristan und Isolde: Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde) | — | ||
| 45-5 | Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde) | — | ||
| 45-6 | Tristan und Isolde: Act II, Scene 2. “O sink hernieder, Nacht der Liebe” (Tristan, Isolde) | — | ||
| 45-7 | Tristan und Isolde: Act II, Scene 2. “Einsam wachend in der Nacht” (Brangäne) | — | ||
| 45-8 | Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde) | — | ||
| 45-9 | Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne) | — | ||
| 45-10 | Tristan und Isolde: Act II, Scene 3. “Rette dich, Tristan!” (Tristan, Kurwenal, Melot) | — | ||
| 46-1 | Tristan und Isolde: Act II, Scene 3. “Tatest du's wirklich?” (Marke, Tristan) | — | ||
| 46-2 | Tristan und Isolde: Act II, Scene 3. “Dies wundervolle Weib” (Marke, Tristan) | — | ||
| 46-3 | Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot) | — | ||
| 46-4 | Tristan und Isolde: Act III. Prelude | — | ||
| 46-5 | Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan) | — | ||
| 46-6 | Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan) | — | ||
| 46-7 | Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan) | — | ||
| 46-8 | Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan) | — | ||
| 46-9 | Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan) | — | ||
| 47-1 | Tristan und Isolde: Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde) | — | ||
| 47-2 | Tristan und Isolde: Act III, Scene 2. “O diese Sonne!” (Tristan, Isolde) | — | ||
| 47-3 | Tristan und Isolde: Act III, Scene 3. “Ich bin's, ich bin's” (Isolde) | — | ||
| 47-4 | Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke) | — | ||
| 47-5 | Tristan und Isolde: Act III, Scene 3. “Mild und leise wie es lächelt” (Isolde) | — | ||
| 48-1 | Fidelio, op. 72: Act I. Overture | — | ||
| 48-2 | Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline) | — | ||
| 48-3 | Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline) | — | ||
| 48-4 | Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco) | — | ||
| 48-5 | Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco) | — | ||
| 48-6 | Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco) | — | ||
| 48-7 | Fidelio, op. 72: Act I. March | — | ||
| 48-8 | Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus) | — | ||
| 48-9 | Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus) | — | ||
| 48-10 | Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore) | — | ||
| 48-11 | Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner) | — | ||
| 48-12 | Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco) | — | ||
| 48-13 | Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | — | ||
| 48-14 | Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | — | ||
| 49-1 | Fidelio, op. 72: Act II. Introduction | — | ||
| 49-2 | Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan) | — | ||
| 49-3 | Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco) | — | ||
| 49-4 | Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) | — | ||
| 49-5 | Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco) | — | ||
| 49-6 | Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino) | — | ||
| 49-7 | Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan) | — | ||
| 49-8 | Fidelio, op. 72: Act II. Leonore Overture no. 3 | — | ||
| 49-9 | Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus) | — | ||
| 49-10 | Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus) | — | ||
| 49-11 | Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | — | ||
| 49-12 | Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | — | ||
| 50-1 | Die Walküre: Act I. Prelude | — | ||
| 50-2 | Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde) | — | ||
| 50-3 | Die Walküre: Act I, Scene 1. “Einen Unseligen labtest du” (Siegmund, Sieglinde) | — | ||
| 50-4 | Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding) | — | ||
| 50-5 | Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding) | — | ||
| 50-6 | Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund) | — | ||
| 50-7 | Die Walküre: Act I, Scene 3. “Schläfst du, Gast?” (Siegmund, Sieglinde) | — | ||
| 50-8 | Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde) | — | ||
| 50-9 | Die Walküre: Act I, Scene 3. “Wehwalt heisst du fürwahr?” (Siegmund, Sieglinde) | — | ||
| 51-1 | Die Walküre: Act II. Prelude | — | ||
| 51-2 | Die Walküre: Act II, Scene 1. “Nun zaüme dein Ross, reisige Maid!” (Wotan, Brünnhilde) | — | ||
| 51-3 | Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka) | — | ||
| 51-4 | Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka) | — | ||
| 51-5 | Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde) | — | ||
| 51-6 | Die Walküre: Act II, Scene 2. “Ein andres ist's” (Wotan, Brünnhilde) | — | ||
| 51-7 | Die Walküre: Act II, Scene 2. “O sag, künde, was soll nun dein Kind?” (Wotan, Brünnhilde) | — | ||
| 51-8 | Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde) | — | ||
| 52-1 | Die Walküre: Act II, Scene 4. “Siegmund! Sieh auf mich” (Siegmund, Brünnhilde) | — | ||
| 52-2 | Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde) | — | ||
| 52-3 | Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan) | — | ||
| 53-1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | — | ||
| 53-2 | Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde) | — | ||
| 53-3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan) | — | ||
| 53-4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan) | — | ||
| 53-5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | — | ||
| 53-6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | — | ||
| 53-7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde) | — | ||
| 53-8 | Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan) | — | ||
| 53-9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | — | ||
| 54-1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 54-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience | — | ||
| 54-3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 54-4 | Kaiser-Walzer, op. 437 (Play-through - test recording) | — | ||
| 54-5 | Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording) | — | ||
| 54-6 | Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein) | — | ||
| 54-7 | Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein) | — | ||
| 54-8 | Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording) | — | ||
| 54-9 | Tuning, buzzers and false starts | — | ||
| 55-1 | Wilhelm Furtwängler - A Memoir: Introduction - Overview | — | ||
| 55-2 | Wilhelm Furtwängler - A Memoir: Berlin, 1930s | — | ||
| 55-3 | Wilhelm Furtwängler - A Memoir: Conducting Technique | — | ||
| 55-4 | Wilhelm Furtwängler - A Memoir: Europe, 1940s | — | ||
| 55-5 | Wilhelm Furtwängler - A Memoir: Demands in Rehearsal | — | ||
| 55-6 | Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results | — | ||
| 55-7 | Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists | — | ||
| 55-8 | Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording | — | ||
| 55-9 | Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity | — | ||
| 55-10 | Wilhelm Furtwängler - A Memoir: Final appearances | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 9 in C major, D. 944 "Great": I. Andante. Allegro ma non troppo | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio | Berliner Philharmoniker, Wilhelm Furtwängler | — |
| Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace | Berliner Philharmoniker, Wilhelm Furtwängler | — |
