UPC · Release
Samson François
Last verified:
The UPC for “Complete Recordings” by Samson François is 0190295261863. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Erato. This release contains 676 tracks, each with its own ISRC. Tracks include FRZ114700604, FRZ115307212, FRZ115307208.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 2 | Étude in A minor, op. 10 no. 2 “Chromatique” | — | ||
| 3 | Étude in G-flat major, op. 25 no. 9 | — | ||
| 4 | Prélude in B-flat minor, op. 28 no. 16 | — | ||
| 5 | Prélude in A-flat major, op. 28 no. 17 | — | ||
| 6 | Scarbo (extrait de ''Gaspard de la nuit'') | Samson François | — | |
| 7 | Ballade no. 4 in F minor, op. 52 | — | ||
| 8 | Étude in E minor, op. 25 no. 5 | — | ||
| 9 | Étude in A-flat major, op. 10 no. 10 | — | ||
| 10 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 11 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 12 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | — | ||
| 13 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 14 | Scherzo no. 3 in C-sharp minor, op. 39 | — | ||
| 15 | Prelude in C major, op. 28 no. 1 | — | ||
| 2-1 | Concerto pastoral for piano and orchestra, op. 20: I. Allegro | — | ||
| 2-2 | Concerto pastoral for piano and orchestra, op. 20: II. Lent | — | ||
| 2-3 | Concerto pastoral for piano and orchestra, op. 20: III. Très vif | — | ||
| 2-4 | Concerto pour piano et orchestre | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 3-1 | Concerto pour piano et orchestre No. 3 en ut majeur, Op. 26 : I. Andante - Allegro | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 3-2 | Concerto pour piano et orchestre No. 3 en ut majeur, Op. 26 : II. Thème et variations | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 3-3 | Concerto pour piano et orchestre No. 3 en ut majeur, Op. 26 : III. Allegro ma non troppo | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 3-4 | Toccata en ut majeur, Op. 11 | Samson François | — | |
| 3-5 | Visions fugitives, Op. 22 No. 1 | Samson François | — | |
| 3-6 | Visions fugitives, Op. 22, No. 3 | Samson François | — | |
| 3-7 | Visions fugitives, Op. 22, No. 6 | Samson François | — | |
| 3-8 | Visions fugitives, Op. 22, No. 17 | Samson François | — | |
| 3-9 | Visions fugitives, Op. 22, No. 4 | Samson François | — | |
| 3-10 | Visions fugitives, Op. 22, No. 18 | Samson François | — | |
| 3-11 | Toccata in D minor, op. 11 | — | ||
| 3-12 | Toccata en ut majeur, Op. 7 | Samson François | — | |
| 4-1 | Hungarian Rhapsodies, S. 244: No. 1 in C-sharp minor | — | ||
| 4-2 | Hungarian Rhapsodies, S. 244: No. 2 in C-sharp minor | — | ||
| 4-3 | Hungarian Rhapsodies, S. 244: No. 3 in B-flat major | — | ||
| 4-4 | Hungarian Rhapsodies, S. 244: No. 4 in E-flat major | — | ||
| 4-5 | Hungarian Rhapsodies, S. 244: No. 5 in E minor “Héroïde-élégiaque” | — | ||
| 4-6 | Hungarian Rhapsodies, S. 244: No. 6 in D-flat major | — | ||
| 4-7 | Hungarian Rhapsodies, S. 244: No. 7 in D minor | — | ||
| 4-8 | Hungarian Rhapsodies, S. 244: No. 8 in F-sharp minor | — | ||
| 5-1 | Hungarian Rhapsodies, S. 244: No. 9 in E-flat major “Pesther Carneval” | — | ||
| 5-2 | Hungarian Rhapsodies, S. 244: No. 10 in E major | — | ||
| 5-3 | Hungarian Rhapsodies, S. 244: No. 11 in A minor | — | ||
| 5-4 | Hungarian Rhapsodies, S. 244: No. 12 in C-sharp minor | — | ||
| 5-5 | Hungarian Rhapsodies, S. 244: No. 13 in A minor | — | ||
| 5-6 | Hungarian Rhapsodies, S. 244: No. 14 in F minor | — | ||
| 5-7 | Hungarian Rhapsodies, S. 244: No. 15 in A minor “Rákóczi March” 4.5 | — | ||
| 6-1 | Concerto pour piano et orchestre no. 1, op. 11 : I. Allegro moderato | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 6-2 | Concerto pour piano et orchestre no. 1, op. 11 : II. Romance | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 6-3 | Concerto pour piano et orchestre no. 1, op. 11 : III. Allegro vivace | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 6-4 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 6-5 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 6-6 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro vivace | — | ||
| 6-7 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | — | ||
| 7-1 | Toccata, adagio & fugue en ut majeur, BWV 564: I. Toccata | Samson François | — | |
| 7-2 | Toccata, adagio & fugue en ut majeur, BWV 564: II. Adagio | Samson François | — | |
| 7-3 | Toccata, adagio & fugue en ut majeur, BWV 564: III. Fugue | Samson François | — | |
| 7-4 | Choral ''Ich ruf' zu dir, Herr Jesu Christ'', BWV 639 | Samson François | — | |
| 7-5 | Choral ''Nun freut euch, lieben Christen g'mein'', BWV 734 | Samson François | — | |
| 7-6 | Prélude et fugue en la mineur, BWV 543 : I. Prélude | Samson François | — | |
| 7-7 | Prélude et fugue en la mineur, BWV 543 : II. Fugue | Samson François | — | |
| 8-1 | Prélude, choral et fugue : I. Prélude | Samson François | — | |
| 8-2 | Prélude, choral et fugue : II. Choral | Samson François | — | |
| 8-3 | Prélude, choral et fugue : III. Fugue | Samson François | — | |
| 8-4 | Nocturne No. 2 en si majeur, op. 33 no. 2 | Samson François | — | |
| 8-5 | Nocturne No. 4 en mi bémol majeur, op. 36 | Samson François | — | |
| 8-6 | Impromptu No. 2 en fa mineur, op. 31 (enregistré en 1955) | Samson François | — | |
| 9-1 | 4 Scherzos: No. 1 in B minor, op. 20 | — | ||
| 9-2 | 4 Scherzos: No. 2 in B-flat minor, op. 31 | — | ||
| 9-3 | 4 Scherzos: No. 3 in C-sharp minor, op. 39 | — | ||
| 9-4 | 4 Scherzos: No. 4 in E major, op. 54 | — | ||
| 9-5 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 9-6 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 9-7 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 9-8 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 10-1 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 10-2 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 10-3 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 10-4 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 10-5 | Nocturne no. 15 in F minor, op. 55 no. 1 | — | ||
| 10-6 | Étude in F minor, op. 25 no. 2 | — | ||
| 10-7 | Étude in C minor, op. 10 no. 12 “Revolutionary” | — | ||
| 10-8 | Waltz in D-flat major, Op. 70 No. 3 | Samson François | — | |
| 10-9 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 10-10 | Grande polonaise brillante, op. 22 | — | ||
| 11-1 | Etudes symphoniques : I. Thème | Samson François | — | |
| 11-2 | Etudes symphoniques : II. Variation 1 | Samson François | — | |
| 11-3 | Etudes symphoniques : XI. Variation 10 | Samson François | — | |
| 11-4 | Etudes symphoniques : VIII. Variation 7 | Samson François | — | |
| 11-5 | Etudes symphoniques : XII. Variation 11 | Samson François | — | |
| 11-6 | Etudes symphoniques : III. Variation 2 | Samson François | — | |
| 11-7 | Etudes symphoniques : V. Variation 4 | Samson François | — | |
| 11-8 | Etudes symphoniques : IX. Variation 8 | Samson François | — | |
| 11-9 | Etudes symphoniques : X. Variation 9 | Samson François | — | |
| 11-10 | Etudes symphoniques : VI. Variation 5 | Samson François | — | |
| 11-11 | Etudes symphoniques : IV. Variation 3 | Samson François | — | |
| 11-12 | Etudes symphoniques : VII. Variation 6 | Samson François | — | |
| 11-13 | Etudes symphoniques : XIII. Finale | Samson François | — | |
| 11-14 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 11-15 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 11-16 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 11-17 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 11-18 | Papillons, op. 2: No. 4, Presto | — | ||
| 11-19 | Papillons, op. 2: No. 5, Più andante | — | ||
| 11-20 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 11-21 | Papillons, op. 2: No. 7, Semplice | — | ||
| 11-22 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 11-23 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 11-24 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 11-25 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 11-26 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 11-27 | Carnaval op. 9 : I. Préambule | Samson François | — | |
| 11-28 | Carnaval op. 9 : II. Pierrot | Samson François | — | |
| 11-29 | Carnaval op. 9 : III. Arlequin | Samson François | — | |
| 11-30 | Carnaval op. 9 : IV. Valse noble | Samson François | — | |
| 11-31 | Carnaval op. 9 : V. Euseblus | Samson François | — | |
| 11-32 | Carnaval op. 9 : VI. Florestan | Samson François | — | |
| 11-33 | Carnaval op. 9 : VII. Coquette | Samson François | — | |
| 11-34 | Carnaval op. 9 : VIII. Réplique | Samson François | — | |
| 11-35 | Carnaval op. 9 : IX. Sphinxes | Samson François | — | |
| 11-36 | Carnaval op. 9 : X. Papillons | Samson François | — | |
| 11-37 | Carnaval op. 9 : XI. ASCH - SCHA (lettres dansantes) | Samson François | — | |
| 11-38 | Carnaval op. 9 : XII. Chiarina | Samson François | — | |
| 11-39 | Carnaval Op. 9 : XIII. Chopin | Samson François | — | |
| 11-40 | Carnaval Op. 9 : XIV. Estrella | Samson François | — | |
| 11-41 | Carnaval op. 9 : XV. Reconnaissance | Samson François | — | |
| 11-42 | Carnaval op. 9 : XVI. Pantalon & Colombine | Samson François | — | |
| 11-43 | Carnaval op. 9 : XVII. Valse allemande-Paganini | Samson François | — | |
| 11-44 | Carnaval op. 9 : XVIII. Aveu | Samson François | — | |
| 11-45 | Carnaval op. 9 : XIX. Promenade | Samson François | — | |
| 11-46 | Carnaval op. 9 : XX. Pause | Samson François | — | |
| 11-47 | Carnaval op. 9 : XXI. Marche des Davidsbünder contre les Philistins | Samson François | — | |
| 12-1 | Mazurka no. 1 in F-sharp minor, op. 6 no. 1 | — | ||
| 12-2 | Mazurka no. 2 in C-sharp minor, op. 6 no. 2 | — | ||
| 12-3 | Mazurka no. 3 in E major, op. 6 no. 3 | — | ||
| 12-4 | Mazurka no. 4 in E-flat minor, op. 6 no. 4 | — | ||
| 12-5 | Mazurka no. 5 in B-flat major, op. 7 no. 1 | — | ||
| 12-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 12-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 12-8 | Mazurka no. 8 in A-flat major, op. 7 no. 4 | — | ||
| 12-9 | Mazurka no. 9 in C major, op. 7 no. 5 | — | ||
| 12-10 | Mazurka no. 10 in B-flat major, op. 17 no. 1 | — | ||
| 12-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | — | ||
| 12-12 | Mazurka no. 12 in A-flat major, op. 17 no. 3 | — | ||
| 12-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 12-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | — | ||
| 12-15 | Mazurka no. 15 in C major, op. 24 no. 2 | — | ||
| 12-16 | Mazurka no. 16 in A-flat major, op. 24 no. 3 | — | ||
| 12-17 | Mazurka no. 17 in B-flat minor, op. 24 no. 4 | — | ||
| 12-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | — | ||
| 12-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | — | ||
| 12-20 | Mazurka no. 20 in D-flat major, op. 30 no. 3 | — | ||
| 12-21 | Mazurka no. 21 in C-sharp minor, op. 30 no. 4 | — | ||
| 12-22 | Mazurka no. 22 in G-sharp minor, op. 33 no. 1 | — | ||
| 12-23 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 12-24 | Mazurka no. 24 in C major, op. 33 no. 3 | — | ||
| 12-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | — | ||
| 13-1 | Mazurka no. 26 in C-sharp minor, op. 41 no. 1 | — | ||
| 13-2 | Mazurka no. 27 in E minor, op. 41 no. 2 | — | ||
| 13-3 | Mazurka no. 28 in B major, op. 41 no. 3 | — | ||
| 13-4 | Mazurka no. 29 in A-flat major, op. 41 no. 4 | — | ||
| 13-5 | Mazurka no. 30 in G major, op. 50 no. 1 | — | ||
| 13-6 | Mazurka no. 31 in A-flat major, op. 50 no. 2 | — | ||
| 13-7 | Mazurka no. 32 in C-sharp minor, op. 50 no. 3 | — | ||
| 13-8 | Mazurka no. 33 in B major, op. 56 no. 1 | — | ||
| 13-9 | Mazurka no. 34 in C major, op. 56 no. 2 | — | ||
| 13-10 | Mazurka no. 35 in C minor, op. 56 no. 3 | — | ||
| 13-11 | Mazurka no. 36 in A minor, op. 59 no. 1 | — | ||
| 13-12 | Mazurka no. 37 in A-flat major, op. 59 no. 2 | — | ||
| 13-13 | Mazurka no. 38 in F-sharp minor, op. 59 no. 3 | — | ||
| 13-14 | Mazurka no. 39 in B major, op. 63 no. 1 | — | ||
| 13-15 | Mazurka no. 40 in F minor, op. 64 no. 2 | — | ||
| 13-16 | Mazurka no. 41 in C-sharp minor, op. 63 no. 3 | — | ||
| 13-17 | Mazurka no. 42 in G major, op. posth. 67 no. 1 | — | ||
| 13-18 | Mazurka no. 43 in G minor, op. posth. 67 no. 2 | — | ||
| 13-19 | Mazurka no. 44 in C major, op. posth. 67 no. 3 | — | ||
| 13-20 | Mazurka no. 45 in A minor, op. posth. 67 no. 4 | — | ||
| 13-21 | Mazurka no. 46 in C major, op. posth. 68 no. 1 | — | ||
| 13-22 | Mazurka no. 47 in A minor, op. posth. 68 no. 23 | — | ||
| 13-23 | Mazurka no. 48 in F major, op. posth. 68 no. 3 | — | ||
| 13-24 | Mazurka no. 49 in F minor, op. posth. 68 no. 4 | — | ||
| 13-25 | Mazurka no. 50 in A minor, op. posth. | — | ||
| 13-26 | Mazurka no. 51 in A minor, op. posth. | — | ||
| 14-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 14-2 | Ballade no. 2 in F major, op. 38 | — | ||
| 14-3 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 14-4 | Ballade no. 4 in f minor, op. 52 | — | ||
| 14-5 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 14-6 | Impromptu no. 2 in F-sharp major, op. 36 | — | ||
| 14-7 | Impromptu no. 3 in G-flat major, op. 51 | — | ||
| 14-8 | Impromptu no. 4 in C-sharp minor, op. posth. 66 “Fantaisie-Impromptu” | — | ||
| 15-1 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 15-2 | Waltz no. 2 in A-flat major, op. 34 no. 1 | — | ||
| 15-3 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 15-4 | Waltz no. 4 in F major, op. 34 no. 3 | — | ||
| 15-5 | Waltz no. 5 in A-flat major, op. 42 | — | ||
| 15-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 15-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 15-8 | Waltz no. 8 in A-flat major, op. 64 no. 3 | — | ||
| 15-9 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 “Farewell” | — | ||
| 15-10 | Waltz no. 10 in B minor, op. posth. 69 no. 2 | — | ||
| 15-11 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 15-12 | Waltz no. 12 in F minor, op. posth. 70 no. 2 | — | ||
| 15-13 | Waltz no. 13 in D-flat major, op. posth. 70 no. 3 | — | ||
| 15-14 | Waltz no. 14 in E minor, op. posth., B. 56 | — | ||
| 16-1 | Élégies no. 1, op. 8b, Sz. 41, Grave | Samson François | — | |
| 16-2 | Élégies no. 2, op. 8b, Sz. 41, Molto adagio | Samson François | — | |
| 16-3 | Variations en ut majeur sur ''Ah ! vous dirais-je maman'', KV 265 | Samson François | — | |
| 16-4 | Lieder ohne Worte, Book V, op. 62: No. 6 in A major “Spring Song” | — | ||
| 16-5 | Lieder ohne Worte, Book VI, op. 67: No. 5 in B minor | — | ||
| 16-6 | Lieder ohne Worte, Book I, op. 19: No. 4 in A major | — | ||
| 16-7 | Andante et Rondo Capriccioso en la mineur op. 14 | Samson François | — | |
| 16-8 | Lieder ohne Worte, Book VI, op. 67: No. 5 in B minor | — | ||
| 16-9 | Lieder ohne Worte, Book V, op. 62: No. 6 in A major “Spring Song” | — | ||
| 16-10 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Tema | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-11 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. I. Melancolisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-12 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. II. Sanguinisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-13 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. III. Phlegmatisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-14 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. IV. Cholerisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-15 | Musique originale du film "Ballade pour un voyou" : I. Thème de Vincent (rec.1963) | Christian Garros, Jimmy Gourhy, Pierre Michelot, Maurice Vander, Samson François | — | |
| 16-16 | Musique originale du film "Ballade pour un voyou" : II. Fuite de Vincent | Christian Garros, Jimmy Gourhy, Pierre Michelot, Maurice Vander, Samson François | — | |
| 16-17 | Musique originale du film "Ballade pour un voyou" : III. Générique | Christian Garros, Pierre Michelot, Maurice Vander, Samson François | — | |
| 16-18 | Musique originale du film "Ballade pour un voyou" : IV. Thème de jazz | Christian Garros, Jimmy Gourhy, Pierre Michelot, Maurice Vander, Samson François | — | |
| 17-1 | Concerto pour piano et orchestre en la mineur, op. 54: I. Allegro affettuoso | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-2 | Concerto pour piano et orchestre en la mineur, op. 54: II. Intermezzo (Andantino grazioso) | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-3 | Concerto pour piano et orchestre en la mineur, op. 54: III. Allegro vivace | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-4 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21: I. Maestoso | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 17-6 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21: III. Allegro vivace | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 18-1 | Polonaise no. 1 in C-sharp minor, op. 26 no. 1 | — | ||
| 18-2 | Polonaise no. 2 in E-flat minor, op. 25 no. 2 | — | ||
| 18-3 | Polonaise no. 3 in A major, op. 40 no. 1 “Militaire” | — | ||
| 18-4 | Polonaise no. 4 C minor, op. 40 no. 2 | — | ||
| 18-5 | Polonaise no. 5 F-sharp minor, op. 44 | — | ||
| 18-6 | Polonaise no. 6 in A-flat major, op. 53 “Heroic” | — | ||
| 18-7 | Polonaise no. 7 in A flat major, Polonaise-fantaisie, op. 61 | — | ||
| 18-8 | Andante spianato et Grande Polonaise en mi bémol majeur, op. 22 | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 19-1 | Études, op. 10: No. 1 in C major | — | ||
| 19-2 | Études, op. 10: No. 2 in A minor “Chromatique” | — | ||
| 19-3 | Études, op. 10: No. 3 in E major “Tristesse” | — | ||
| 19-4 | Études, op. 10: No. 4 in C-sharp minor | — | ||
| 19-5 | Études, op. 10: No. 5 in G-flat major “Black Keys” | — | ||
| 19-6 | Études, op. 10: No. 6 in E-flat minor | — | ||
| 19-7 | Études, op. 10: No. 7 in C major | — | ||
| 19-8 | Études, op. 10: No. 8 in F major | — | ||
| 19-9 | Études, op. 10: No. 9 in F minor | — | ||
| 19-10 | Études, op. 10: No. 10 in A-flat major | — | ||
| 19-11 | Études, op. 10: No. 11 in E-flat major “Arpeggio” | — | ||
| 19-12 | Études, op. 10: No. 12 in C minor “Revolutionary” | — | ||
| 19-13 | Études, op. 25: No. 1 in A-flat major “Aeolian Harp” | — | ||
| 19-14 | Études, op. 25: No. 2 in F minor | — | ||
| 19-15 | Études, op. 25: No. 3 in F major | — | ||
| 19-16 | Études, op. 25: No. 4 in A minor | — | ||
| 19-17 | Études, op. 25: No. 5 in E minor | — | ||
| 19-18 | Études, op. 25: No. 6 in G-sharp minor | — | ||
| 19-19 | Études, op. 25: No. 7 in C-sharp minor | — | ||
| 19-20 | Études, op. 25: No. 8 in D-flat major | — | ||
| 19-21 | Études, op. 25: No. 9 in G-flat major “Butterfly” | — | ||
| 19-22 | Études, op. 25: No. 10 in B minor | — | ||
| 19-23 | Études, op. 25: No. 11 in A minor “Winter Wind” | — | ||
| 19-24 | Études, op. 25: No. 12 in C minor | — | ||
| 20-1 | Le Tombeau de Couperin, suite pour piano : Prélude | Samson François | T-306.061.747-8 | |
| 20-2 | Le Tombeau de Couperin, suite pour piano : Fugue | Samson François | — | |
| 20-3 | Le Tombeau de Couperin, suite pour piano : Forlane | Samson François | T-305.194.353-0 | |
| 20-4 | Le Tombeau de Couperin, suite pour piano : Rigaudon | Samson François | T-305.199.226-4 | |
| 20-5 | Le Tombeau de Couperin, suite pour piano : Menuet | Samson François | T-305.131.442-8 | |
| 20-6 | Le Tombeau de Couperin, suite pour piano : Toccata | Samson François | — | |
| 20-7 | Gaspard de la Nuit, 3 Poèmes pour piano d'après Aloysius Bertrand : Ondine | Samson François | T-902.777.490-9 | |
| 20-8 | Gaspard de la Nuit, 3 Poèmes pour piano d'après Aloysius Bertrand : Le Gibet | Samson François | — | |
| 20-9 | Gaspard de la Nuit, 3 Poèmes pour piano d'après Aloysius Bertrand : Scarbo | Samson François | — | |
| 21-1 | Polonaise no. 6 in A-flat major, op. 53 “Héroique” | — | ||
| 21-2 | Nocturne no. 5 in F-sharp major, op. 15 no. 2 | — | ||
| 21-3 | Fantaisie-impromptu in C-sharp minor, op. posth. 66 | — | ||
| 21-4 | Étude in E major, op. 10 no. 3 “Tristesse” | — | ||
| 21-5 | Étude in G-flat major, op. 10 no. 5 “Black Keys” | — | ||
| 21-6 | Étude in F minor, op. 25 no. 2 | — | ||
| 21-7 | Étude in C minor, op. 10 no. 12 “Revolutionary” | — | ||
| 21-8 | Ballade no. 1 in G minor, op. 23 | — | ||
| 21-9 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 21-10 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 21-11 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 “Farewell” | — | ||
| 21-12 | Scherzo no. 2 in B-flat minor, op. 31 | — | ||
| 22-1 | Piano Concerto in G major: I. Allegramente | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 22-2 | Piano Concerto in G major: II. Adagio assai | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 22-3 | Piano Concerto in G major: III. Presto | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 22-4 | Concerto for the Left Hand | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 23-1 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: I. Allegro maestoso | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-2 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: II. Quasi adagio | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-3 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: III. Allegro vivace | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-4 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: IV. Allegro marziale animato | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-5 | Concerto pour piano et orchestre no. 2 en la majeur | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 24-1 | Sonate no. 7 en si bémol majeur, op. 83 : I. Allegro inquieto | Samson François | — | |
| 24-2 | Sonate no. 7 en si bémol majeur, op. 83 : II. Andante caloroso | Samson François | — | |
| 24-3 | Sonate no. 7 en si bémol majeur, op. 83 : III. Precipitato | Samson François | — | |
| 24-4 | Sonate no. 3 en fa dièse mineur, op. 23 : I. Dramatico | Samson François | — | |
| 24-5 | Sonate no. 3 en fa dièse mineur, op. 23 : II. Allegretto | Samson François | — | |
| 24-6 | Sonate no. 3 en fa dièse mineur, op. 23 : III. Andante | Samson François | — | |
| 24-7 | Sonate no. 3 en fa dièse mineur, op. 23 : IV. Presto con fuoco | Samson François | — | |
| 25-1 | L'Isle joyeuse, CD 109 | — | ||
| 25-2 | Préludes, Livre I, CD 125, L. 117: No. 8 La fille aux cheveux de lin | — | ||
| 25-3 | Préludes, Livre I, CD 125, L. 117: No. 10 La cathédrale engloutie | — | ||
| 25-4 | Préludes, Livre I, CD 125, L. 117: No. 11 La danse de Puck | — | ||
| 25-5 | Préludes, Livre I, CD 125, L. 117: No. 12 Minstrels | — | ||
| 25-6 | La plus que lente, CD 128 | — | ||
| 25-7 | Pour le piano, CD 95, L. 95: I. Prélude | — | ||
| 25-8 | Pour le piano, CD 95, L. 95: II. Sarabande | — | ||
| 25-9 | Pour le piano, CD 95, L. 95: III. Toccata | — | ||
| 25-10 | Étude no. 11, CD 143 | — | ||
| 25-11 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | — | ||
| 25-12 | Suite bergamasque, CD 82, L. 75: IV. Passepied | — | ||
| 26-1 | Prélude no. 1 en do majeur, op. 28 | Samson François | — | |
| 26-2 | Prélude no. 2 en la mineur, op. 28 | Samson François | — | |
| 26-3 | Prélude no. 3 en sol majeur, op. 28 | Samson François | — | |
| 26-4 | Prélude no. 4 en mi mineur, op. 28 | Samson François | — | |
| 26-5 | Prélude no. 5 en ré majeur, op. 28 | Samson François | — | |
| 26-6 | Prélude no. 6 en si mineur, op. 28 | Samson François | — | |
| 26-7 | Prélude no. 7 en la majeur, op. 28 | Samson François | — | |
| 26-8 | Prélude no. 8 en fa dièse mineur, op. 28 | Samson François | — | |
| 26-9 | Prélude no. 9 en mi majeur, op. 28 | Samson François | — | |
| 26-10 | Prélude no. 10 en ut dièse mineur, op. 28 | Samson François | — | |
| 26-11 | Prélude no. 11 en si majeur, op. 28 | Samson François | — | |
| 26-12 | Prélude no. 12 en sol dièse mineur, op. 28 | Samson François | — | |
| 26-13 | Prélude no. 13 en fa dièse majeur, op. 28 | Samson François | — | |
| 26-14 | Prélude no. 14 en mi bémol mineur, op. 28 | Samson François | — | |
| 26-15 | Prélude no. 15 en ré bémol majeur, op. 28 | Samson François | — | |
| 26-16 | Prélude no. 16 en si bémol mineur, op. 28 | Samson François | — | |
| 26-17 | Prélude no. 17 en la bémol majeur, op. 28 | Samson François | — | |
| 26-18 | Prélude no. 18 en fa mineur, op. 28 | Samson François | — | |
| 26-19 | Prelude no. 19 en mi bémol majeur, op. 28 | Samson François | — | |
| 26-20 | Prelude no. 20 en ut mineur, op. 28 | Samson François | — | |
| 26-21 | Prelude no. 21 en si bémol majeur, op. 28 | Samson François | — | |
| 26-22 | Prelude no. 22 en sol mineur, op. 28 | Samson François | — | |
| 26-23 | Prelude no. 23 en fa majeur, op. 28 | Samson François | — | |
| 26-24 | Prelude no. 24 en ré mineur, op. 28 | Samson François | — | |
| 27-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 27-2 | Piano Concerto no. 3 in C major, op. 26: II. Thème et variations | — | ||
| 27-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 27-4 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : I. Allegro con brio | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-5 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : II. Moderato ben accentuato | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-6 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : III. Toccata (Allegro con fuoco) | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-7 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : IV. Larghetto | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-8 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : V. Vivo | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 28-1 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 28-2 | Waltz no. 2 in A-flat major, op. 34 no. 1 | — | ||
| 28-3 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 28-4 | Waltz no. 4 in F major, op. 34 no. 3 | — | ||
| 28-5 | Waltz no. 5 in A-flat major, op. 42 | — | ||
| 28-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 28-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 28-8 | Waltz no. 8 in A-flat major, op. 64 no. 3 | — | ||
| 28-9 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 “Farewell” | — | ||
| 28-10 | Waltz no. 10 in B minor, op. posth. 69 no. 2 | — | ||
| 28-11 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 28-12 | Waltz no. 12 in F minor, op. posth. 70 no. 2 | — | ||
| 28-13 | Waltz no. 13 in D-flat major, op. posth. 70 no. 3 | — | ||
| 28-14 | Waltz no. 14 in E minor, op. posth., B. 56 | — | ||
| 29-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro molto e con brio | — | ||
| 29-2 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 29-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | — | ||
| 29-4 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 29-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 29-6 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 29-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 29-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 29-9 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro man non troppo - Presto | — | ||
| 30-1 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 30-2 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 30-3 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 30-4 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 30-5 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 30-6 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo | — | ||
| 30-7 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 30-8 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale. Presto non tanto | — | ||
| 31-1 | Nocturne no. 1 in B-flat major, op. 9 no. 1 | Samson François | — | |
| 31-2 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | Samson François | — | |
| 31-3 | Nocturne no. 3 in B major, op. 9 no. 3 | Samson François | — | |
| 31-4 | Nocturne no. 4 in F major, op. 15 no. 1 | Samson François | — | |
| 31-5 | Nocturne no. 5 in F-sharp major, op. 15 no. 2 | Samson François | — | |
| 31-6 | Nocturne no. 6 in G minor, op. 15 no. 3 | Samson François | — | |
| 31-7 | Nocturne No. 7 in C-sharp minor, Op. 27 No. 1 | Samson François | — | |
| 31-8 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Samson François | — | |
| 31-9 | Nocturne no. 9 in B major, op. 32 no. 1 | Samson François | — | |
| 31-10 | Nocturne no. 10 in A-flat major, op. 32 no. 2 | Samson François | — | |
| 32-1 | Nocturne no. 11 in G minor, op. 37 no. 1 | Samson François | — | |
| 32-2 | Nocturne no. 12 in G major, op. 37 no. 2 | Samson François | — | |
| 32-3 | Nocturne no. 13 in C minor, op. 48 no. 1 | Samson François | — | |
| 32-4 | Nocturne no. 14 in F-sharp minor, op. 48 no. 2 | Samson François | — | |
| 32-5 | Nocturne no. 15 in F minor, op. 55 no. 1 | Samson François | — | |
| 32-6 | Nocturne no. 16 in E-flat major, op. 55 no. 2 | Samson François | — | |
| 32-7 | Nocturne no. 17 in B major, op. 62 no. 1 | Samson François | — | |
| 32-8 | Nocturne no. 18 in E major, op. 62 no. 2 | Samson François | — | |
| 32-9 | Nocturne no. 19 in E minor, op. 72 no. 1 | Samson François | — | |
| 33-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 33-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 33-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 34-1 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 34-2 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 34-3 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 34-4 | Rondo for Two Pianos in C major, op. posth. 73 | — | ||
| 35-1 | Gaspard de la nuit, 3 poèmes pour piano d'après Aloysius Bertrand : Ondine | Samson François | — | |
| 35-2 | Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet | Samson François | — | |
| 35-3 | Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo | Samson François | — | |
| 35-4 | Sonatine: I. Modéré | Samson François | T-335.920.489-6 | |
| 35-5 | Sonatine: II. Mouvement de menuet | Samson François | T-003.016.390-6 | |
| 35-6 | Sonatine: III. Animé | Samson François | T-003.016.390-6 | |
| 35-7 | Le tombeau de Couperin: I. Prélude | Samson François | T-306.061.747-8 | |
| 35-8 | Le tombeau de Couperin: II. Fugue | Samson François | — | |
| 35-9 | Le tombeau de Couperin: III. Forlane | Samson François | T-305.194.353-0 | |
| 35-10 | Le tombeau de Couperin: IV. Rigaudon | Samson François | T-305.199.226-4 | |
| 35-11 | Le tombeau de Couperin: V. Menuet | Samson François | T-305.131.442-8 | |
| 35-12 | Le tombeau de Couperin: VI. Toccata | Samson François | T-336.058.761-3 | |
| 35-13 | Menuet Antique | Samson François | — | |
| 35-14 | Ma mère l'Oye: I. Pavane de la Belle au bois dormant | Pierre Barbizet, Samson François | — | |
| 35-15 | Ma mère l'Oye: II. Petit poucet | Pierre Barbizet, Samson François | T-004.018.862-2 | |
| 35-16 | Ma mère l'Oye: III. Laideronnette, impératrice des pagodes | Pierre Barbizet, Samson François | — | |
| 35-17 | Ma mère l'Oye: IV. Les Entretiens de la Belle et de la Bête | Pierre Barbizet, Samson François | T-004.018.862-2 | |
| 35-18 | Ma mère l'Oye: V. Le Jardin féerique | Pierre Barbizet, Samson François | T-004.018.862-2 | |
| 36-1 | Pavane pour une infante défunte | Samson François | T-003.013.767-7 | |
| 36-2 | Valses nobles et sentimentales: I. Modéré - Très franc | Samson François | T-003.017.935-1 | |
| 36-3 | Valses nobles et sentimentales: II. Assez lent | Samson François | T-324.796.541-5 | |
| 36-4 | Valses nobles et sentimentales: III. Modéré | Samson François | T-003.017.935-1 | |
| 36-5 | Valses nobles et sentimentales: IV. Assez animé | Samson François | T-003.017.935-1 | |
| 36-6 | Valses nobles et sentimentales: V. Presque lent | Samson François | T-003.017.935-1 | |
| 36-7 | Valses nobles et sentimentales: VI. Vif | Samson François | T-003.017.935-1 | |
| 36-8 | Valses nobles et sentimentales: VII. Moins vif | Samson François | — | |
| 36-9 | Valses nobles et sentimentales: VIII. Epilogue. Lent | Samson François | T-003.017.935-1 | |
| 36-10 | Prélude | Samson François | T-900.798.614-3 | |
| 36-11 | À la manière de Emmanuel Chabrier | Samson François | T-003.005.231-3 | |
| 36-12 | À la manière de Borodine | Samson François | — | |
| 36-13 | Jeux d'eau | Samson François | T-003.011.149-9 | |
| 36-14 | Menuet sur le nom de Haydn | Samson François | T-931.939.751-8 | |
| 36-15 | Miroirs: I. Noctuelles | Samson François | T-338.427.203-7 | |
| 36-16 | Miroirs: II. Oiseaux tristes | Samson François | — | |
| 36-17 | Miroirs: III. Une barque sur l'océan (for piano) | Samson François | T-338.342.541-6 | |
| 36-18 | Miroirs: IV. Alborada del gracioso (original for piano solo) | Samson François | T-305.194.489-5 | |
| 36-19 | Miroirs: V. La vallée des cloches | Samson François | T-338.427.204-8 | |
| 37-1 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-2 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-3 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-4 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-5 | Nocturne no. 6 en ré bémol majeur, op. 63 | Samson François | — | |
| 37-6 | Impromptu no. 2 en fa mineur, op. 31 (enregistré en 1969) | Samson François | — | |
| 38-1 | Polonaise no. 1 in C-sharp minor, op. 26 no. 1 | — | ||
| 38-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2 | — | ||
| 38-3 | Polonaise no. 3 in A major, op. 40 no. 1 “Militaire” | — | ||
| 38-4 | Polonaise no. 4 in C minor, op. 40 no. 2 | — | ||
| 38-5 | Polonaise no. 5 in F-sharp minor, op. 44 | — | ||
| 38-6 | Polonaise no. 6 in A-flat major, op. 53 “Heroic” | — | ||
| 39-1 | Polonaise no. 7 in A-flat major, Polonaise-fantaisie, op. 61 | — | ||
| 39-2 | Polonaise no. 1 in D minor, op. posth. 71 | — | ||
| 39-3 | Polonaise no. 2 in B-flat major, op. posth. 71 | — | ||
| 39-4 | Polonaise no. 3 in F minor, op. posth. 71 | — | ||
| 39-5 | Andante spianato et grande polonaise brillante, op. 22 | — | ||
| 40-1 | Quintette pour piano, 2 violons, alto & violoncelle en fa mineur : I. Molto moderato quasi lento - Allegro | Jean-Claude Bernède, Paul Boufil, Guy Chêne, Samson François, Gérard Montmayeur | — | |
| 40-2 | Quintette pour piano, 2 violons, alto & violoncelle en fa mineur : II. Lento, con molto sentimento | Jean-Claude Bernède, Paul Boufil, Guy Chêne, Samson François, Gérard Montmayeur | — | |
| 40-3 | Quintette pour piano, 2 violons, alto & violoncelle en fa mineur : III. Allegro non troppo, ma con fuoco | Jean-Claude Bernède, Paul Boufil, Guy Chêne, Samson François, Gérard Montmayeur | — | |
| 41-1 | Trois nouvelles études (for the “Méthode des méthodes” by Moscheles), op. posth.: No. 1 in F minor | — | ||
| 41-2 | Trois nouvelles études (for the “Méthode des méthodes” by Moscheles), op. posth.: No. 2 in D-flat major | — | ||
| 41-3 | Trois nouvelles études (for the “Méthode des méthodes” by Moscheles), op. posth.: No. 3 in A-flat major | — | ||
| 41-4 | Fantasy in F minor, op. 49 | — | ||
| 41-5 | Barcarolle in F-sharp major, op. 60 | — | ||
| 41-6 | Tarantelle in A-flat major, op. 43 | — | ||
| 42-1 | Ballade no. 4 in F minor, op. 52 | — | ||
| 42-2 | Étude in A-flat major, op. 10 no. 10 | — | ||
| 42-3 | Étude in E minor, op. 25 no. 5 | — | ||
| 42-4 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 42-5 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 42-6 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | — | ||
| 42-7 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 42-8 | Scherzo no. 3 in C-sharp minor, op. 39 | — | ||
| 43-1 | Préludes, Livre I, CD 125, L. 117: I. Danseuses de Delphes | — | ||
| 43-2 | Préludes, Livre I, CD 125, L. 117: II. Voiles | — | ||
| 43-3 | Préludes, Livre I, CD 125, L. 117: III. Le vent dans la plaine | — | ||
| 43-4 | Préludes, Livre I, CD 125, L. 117: IV. Les sons et les parfums tournent dans l'air du soir | — | ||
| 43-5 | Préludes, Livre I, CD 125, L. 117: V. Les collines d'Anacapri | — | ||
| 43-6 | Préludes, Livre I, CD 125, L. 117: VI. Des pas sur la neige | — | ||
| 43-7 | Préludes, Livre I, CD 125, L. 117: VII. Ce qu'a vu le vent d'Ouest | — | ||
| 43-8 | Préludes, Livre I, CD 125, L. 117: VIII. La fille aux cheveux de lin | — | ||
| 43-9 | Préludes, Livre I, CD 125, L. 117: IX. La sérénade interrompue | — | ||
| 43-10 | Préludes, Livre I, CD 125, L. 117: X. La cathédrale engloutie | — | ||
| 43-11 | Préludes, Livre I, CD 125, L. 117: XI. La danse de Puck | — | ||
| 43-12 | Préludes, Livre I, CD 125, L. 117: XII. Minstrels | — | ||
| 43-13 | Préludes, Livre II, CD 131, L. 123: Brouillards | — | ||
| 43-14 | Préludes, Livre II, CD 131, L. 123: Feuilles mortes | — | ||
| 43-15 | Préludes, Livre II, CD 131, L. 123: La Puerta del Vino | — | ||
| 43-16 | Préludes, Livre II, CD 131, L. 123: Les fées sont d'exquises danseuses | — | ||
| 43-17 | Préludes, Livre II, CD 131, L. 123: Bruyères | — | ||
| 43-18 | Préludes, Livre II, CD 131, L. 123: Généal Lavine - excentric | — | ||
| 43-19 | Préludes, Livre II, CD 131, L. 123: La terrasse des audiences du clair de lune | — | ||
| 43-20 | Préludes, Livre II, CD 131, L. 123: Ondine | — | ||
| 43-21 | Préludes, Livre II, CD 131, L. 123: Hommage à S. Pickwick Esq. P.P.M.P.C. | — | ||
| 43-22 | Préludes, Livre II, CD 131, L. 123: Canope | — | ||
| 43-23 | Préludes, Livre II, CD 131, L. 123: Feux d'artifice | — | ||
| 44-1 | Images, Livre I, CD 105, L. 110: Reflets dans l'eau | — | ||
| 44-2 | Images, Livre I, CD 105, L. 110: Hommage à Rameau | — | ||
| 44-3 | Images, Livre I, CD 105, L. 110: Mouvement | — | ||
| 44-4 | Images, Livre II, CD 120, L. 111: Cloches à travers les feuilles | — | ||
| 44-5 | Images, Livre II, CD 120, L. 111: Et la lune descend sur le temple qui fut | — | ||
| 44-6 | Images, Livre II, CD 120, L. 111: Poissons d'or | — | ||
| 44-7 | Masques, CD 110 | — | ||
| 44-8 | Rêverie, CD 76 | — | ||
| 44-9 | 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | — | ||
| 44-10 | 2 Arabesques, CD 74, L. 66: No. 2, Allegretto scherzando | — | ||
| 44-11 | Études, CD 143, L. 136: No. 7: Pour les degrés chromatiques | — | ||
| 44-12 | Études, CD 143, L. 136: No. 8: Pour les agréments | — | ||
| 44-13 | Études, CD 143, L. 136: No. 10: Pour les sonorités opposées | — | ||
| 44-14 | Études, CD 143, L. 136: No. 11: Pour les arpèges composés | — | ||
| 44-15 | Études, CD 143, L. 136: No. 12: Pour les accords | — | ||
| 44-16 | Berceuse héroïque, CD 140 | — | ||
| 45-1 | Children's Corner, CD 119, L. 113: I. Doctor's Gradus and Parnassum | — | ||
| 45-2 | Children's Corner, CD 119, L. 113: II. Jimbo's Lullaby | — | ||
| 45-3 | Children's Corner, CD 119, L. 113: III. Serenade of the Doll | — | ||
| 45-4 | Children's Corner, CD 119, L. 113: IV. The Snow is Dancing | — | ||
| 45-5 | Children's Corner, CD 119, L. 113: V. The Little Shepherd | — | ||
| 45-6 | Children's Corner: Golliwogg's Cakewalk | Samson François | — | |
| 45-7 | Estampes, CD 108, L. 100: Pagodes | — | ||
| 45-8 | Estampes, CD 108, L. 100: La soirée dans Grenade | — | ||
| 45-9 | Estampes, CD 108, L. 100: Jardins sous la pluie | — | ||
| 45-10 | Suite bergamasque, CD 82, L. 75: I. Prélude | — | ||
| 45-11 | Suite bergamasque, CD 82, L. 75: II. Menuet | — | ||
| 45-12 | Suite bergamasque: Claire de lune | Samson François | — | |
| 45-13 | Suite bergamasque, CD 82, L. 75: IV. Passepied | — | ||
| 45-14 | Pour le piano, CD 95, L. 95: I. Prélude | — | ||
| 45-15 | Pour le piano, CD 95, L. 95: II. Sarabande | — | ||
| 45-16 | Pour le piano, CD 95, L. 95: III. Toccata | — | ||
| 46-1 | Magies noires: No. 2 | — | ||
| 46-2 | Magies noires: No. 3 | — | ||
| 46-3 | Étude, op. 111 no. 6: Toccata d'après le cinquième concerto | — | ||
| 46-4 | Trois Études, CD 143, L. 136: No. 8: Pour les agréments | — | ||
| 46-5 | Trois Études, CD 143, L. 136: No. 10: Pour les sonorités opposées | — | ||
| 46-6 | Trois Études, CD 143, L. 136: No. 12: Pour les accords | — | ||
| 46-7 | Impromptus on a Theme of Clara Wieck, op. 5 | — | ||
| 46-8 | Valse-Impromptu | — | ||
| 46-9 | Le Rossignol | — | ||
| 46-10 | Sonetto 123 del Petrarco (Années de Pèlerinage, 2ᵉ année: Italie) | — | ||
| 46-11 | Études d'exécution transcendante, S. 139: No. 8 in C minor, Wilde Jagd | — | ||
| 46-12 | Études d'exécution transcendante, S. 139: No. 7 in E-flat major, Eroica | — | ||
| 47-1 | Variations symphoniques for piano and orchestra | — | ||
| 47-2 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 47-3 | Piano Concerto in A minor, op. 54: II. Intermezzo - Andantino grazioso | — | ||
| 47-4 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 47-5 | Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio | — | ||
| 47-6 | Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato | — | ||
| 47-7 | Piano Concerto no. 5 in G major, op. 55: III. Toccata. Allegro con fuoco | — | ||
| 47-8 | Piano Concerto no. 5 in G major, op. 55: IV. Larghetto | — | ||
| 47-9 | Piano Concerto no. 5 in G major, op. 55: V. Vivo | — | ||
| 48-1 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 48-2 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 48-3 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 48-4 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 48-5 | Papillons, op. 2: No. 4, Presto | — | ||
| 48-6 | Papillons, op. 2: No. 5, Più andante | — | ||
| 48-7 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 48-8 | Papillons, op. 2: No. 7, Semplice | — | ||
| 48-9 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 48-10 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 48-11 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 48-12 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 48-13 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 48-14 | Réminiscences de Don Juan | — | ||
| 48-15 | Piano Concerto no. 3, Sz. 119: I. Allegretto | — | ||
| 48-16 | Piano Concerto no. 3, Sz. 119: II. Andante religioso | — | ||
| 48-17 | Piano Concerto no. 3, Sz. 119: III. Allegro vivace | — | ||
| 49-1 | Fantaisie in F minor, op. 49 | — | ||
| 49-2 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 49-3 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | — | ||
| 49-4 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 49-5 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 49-6 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 49-7 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 49-8 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 49-9 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 49-10 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 49-11 | Étude in A-flat major, op. 10 no. 10 | — | ||
| 49-12 | Étude in E minor, op. 25 no. 5 | — | ||
| 49-13 | Étude in F minor, op. 25 no. 2 | — | ||
| 49-14 | Étude in C minor, op. 10 no. 12 “Revolutionary” | — | ||
| 49-15 | Étude in G-flat major, op. 10 no. 5 “Black Keys” | — | ||
| 49-16 | Étude in G-flat major, op. 25 no. 9 “Butterfly” | — | ||
| 50-1 | Sonate pour piano No. 4 en si bémol majeur, KV 282 : I. Adagio | Samson François | — | |
| 50-2 | Sonate pour piano No. 4 en si bémol majeur, KV 282 : II. Menuetto I & II | Samson François | — | |
| 50-3 | Sonate pour piano No. 4 en si bémol majeur, KV 282 : III. Allegro | Samson François | — | |
| 50-4 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 50-5 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo | — | ||
| 50-6 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 50-7 | Kinderszene, op. 15 : I. Von fremde Ländern und Menschen | Samson François | — | |
| 50-8 | Kinderszene, op. 15 : II. Kuriose Geschichte | Samson François | — | |
| 50-9 | Kinderszene, op. 15 : III. Hasche-Mann | Samson François | — | |
| 50-10 | Kinderszene, op. 15 : IV. Bittendes Kind | Samson François | — | |
| 50-11 | Kinderszene, op. 15 : V. Glückes genug | Samson François | — | |
| 50-12 | Kinderszene, op. 15 : VI. Wichtige Begebeheit | Samson François | — | |
| 50-13 | Kinderszene, op. 15 : VII. Träumerei | Samson François | — | |
| 50-14 | Kinderszene, op. 15 : VIII. Am Kamin | Samson François | — | |
| 50-15 | Kinderszene, op. 15 : IX. Ritter vom Steckenpferd | Samson François | — | |
| 50-16 | Kinderszene, op. 15 : X. Fast zu ernst | Samson François | — | |
| 50-17 | Kinderszene, op. 15 : XI. Fürchtenmachen | Samson François | — | |
| 50-18 | Kinderszene, op. 15 : XII. Kind im Einschlummern | Samson François | — | |
| 50-19 | Kinderszene, op. 15 : XIII. Der Dichter spricht | Samson François | — | |
| 50-20 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto | — | ||
| 50-21 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso | — | ||
| 50-22 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | — | ||
| 50-23 | Le Rossignol | — | ||
| 50-24 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 50-25 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 51-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 51-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 51-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro vivace | — | ||
| 51-4 | Piano Concerto no. 1 in E-flat major, S. 124: | — | ||
| 51-5 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 51-6 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 51-7 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 51-8 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 51-9 | Papillons, op. 2: No. 4, Presto | — | ||
| 51-10 | Papillons, op. 2: No. 5, Più andante | — | ||
| 51-11 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 51-12 | Papillons, op. 2: No. 7, Semplice | — | ||
| 51-13 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 51-14 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 51-15 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 51-16 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 51-17 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 51-18 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 51-19 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 51-20 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 51-21 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 51-22 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 51-23 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 51-24 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 51-25 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 51-26 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 51-27 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 51-28 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 51-29 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 51-30 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 51-31 | Polonaise no. 3 in A major, op. 40 no. 1 “Military” | — | ||
| 51-32 | Mazurka no. 5 in B-flat major, op. 7 no. 1 | — | ||
| 51-33 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 51-34 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 51-35 | Mazurka no. 20 in D-flat major, op. 30 no. 3 | — | ||
| 51-36 | Ballade no. 4 in F minor, op. 52 | — | ||
| 52-1 | Prélude, Choral et Fugue, FWV 21: I. Prélude | — | ||
| 52-2 | Prélude, Choral et Fugue, FWV 21: II. Choral | — | ||
| 52-3 | Prélude, Choral et Fugue, FWV 21: III. Fugue | — | ||
| 52-4 | Nocturne no. 6 in D-flat major, op. 63 | — | ||
| 52-5 | Impromptu no. 2 in F minor, op. 31 | — | ||
| 52-6 | Prélude no. 1, Danseuses de Delphes (Livre I, CD 125, L. 117) | — | ||
| 52-7 | Prélude no. 8, La fille aux cheveux de lin (Livre I, CD 125, L. 117) | — | ||
| 52-8 | Prélude no. 10, La cathédrale engloutie (Livre I, CD 125, L. 117) | — | ||
| 52-9 | Prélude no. 12, Feux d'artifice (Livre II, CD 131, L. 123) | — | ||
| 52-10 | Pour le piano, CD 95, L. 95: I. Prélude | — | ||
| 52-11 | Pour le piano, CD 95, L. 95: II. Sarabande | — | ||
| 52-12 | Pour le piano, CD 95, L. 95: III. Toccata | — | ||
| 53-1 | Piano Sonata no. 3, op. 14 “Concerto for piano without orchestra”: III. Quasi variazioni. Andantino de Clara Wieck | — | ||
| 53-2 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 53-3 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 53-4 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 53-5 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 53-6 | Papillons, op. 2: No. 4, Presto | — | ||
| 53-7 | Papillons, op. 2: No. 5, Più andante | — | ||
| 53-8 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 53-9 | Papillons, op. 2: No. 7, Semplice | — | ||
| 53-10 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 53-11 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 53-12 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 53-13 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 53-14 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 53-15 | Gaspard de la nuit, M. 55: I. Ondine | — | ||
| 53-16 | Gaspard de la nuit, M. 55: II. Le Gibet | — | ||
| 53-17 | Gaspard de la nuit, M. 55: III. Scarbo | — | ||
| 54-1 | Suite bergamasque, CD 82, L. 75: I. Prélude | — | ||
| 54-2 | Suite bergamasque, CD 82, L. 75: II. Meneut | — | ||
| 54-3 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | — | ||
| 54-4 | Suite bergamasque, CD 82, L. 75: IV. Passepied | — | ||
| 54-5 | Nocturne no. 3 in B major, op. 9 no. 3 | — | ||
| 54-6 | Scherzo no. 2 in B-flat minor, op. 31 | — | ||
| 54-7 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 55-1 | Samson François, l'enchanteur du piano | — |
Identifier Graph
0190295261863 is a Universal Product Code (UPC) assigned to Complete Recordings by Samson François. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 676 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
Songwriters/Publishers (IPI)
The UPC for “Complete Recordings” by Samson François is 0190295261863. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Erato. This release contains 676 tracks, each with its own ISRC. Tracks include FRZ114700604, FRZ115307212, FRZ115307208.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 2 | Étude in A minor, op. 10 no. 2 “Chromatique” | — | ||
| 3 | Étude in G-flat major, op. 25 no. 9 | — | ||
| 4 | Prélude in B-flat minor, op. 28 no. 16 | — | ||
| 5 | Prélude in A-flat major, op. 28 no. 17 | — | ||
| 6 | Scarbo (extrait de ''Gaspard de la nuit'') | Samson François | — | |
| 7 | Ballade no. 4 in F minor, op. 52 | — | ||
| 8 | Étude in E minor, op. 25 no. 5 | — | ||
| 9 | Étude in A-flat major, op. 10 no. 10 | — | ||
| 10 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 11 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 12 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | — | ||
| 13 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 14 | Scherzo no. 3 in C-sharp minor, op. 39 | — | ||
| 15 | Prelude in C major, op. 28 no. 1 | — | ||
| 2-1 | Concerto pastoral for piano and orchestra, op. 20: I. Allegro | — | ||
| 2-2 | Concerto pastoral for piano and orchestra, op. 20: II. Lent | — | ||
| 2-3 | Concerto pastoral for piano and orchestra, op. 20: III. Très vif | — | ||
| 2-4 | Concerto pour piano et orchestre | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 3-1 | Concerto pour piano et orchestre No. 3 en ut majeur, Op. 26 : I. Andante - Allegro | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 3-2 | Concerto pour piano et orchestre No. 3 en ut majeur, Op. 26 : II. Thème et variations | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 3-3 | Concerto pour piano et orchestre No. 3 en ut majeur, Op. 26 : III. Allegro ma non troppo | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 3-4 | Toccata en ut majeur, Op. 11 | Samson François | — | |
| 3-5 | Visions fugitives, Op. 22 No. 1 | Samson François | — | |
| 3-6 | Visions fugitives, Op. 22, No. 3 | Samson François | — | |
| 3-7 | Visions fugitives, Op. 22, No. 6 | Samson François | — | |
| 3-8 | Visions fugitives, Op. 22, No. 17 | Samson François | — | |
| 3-9 | Visions fugitives, Op. 22, No. 4 | Samson François | — | |
| 3-10 | Visions fugitives, Op. 22, No. 18 | Samson François | — | |
| 3-11 | Toccata in D minor, op. 11 | — | ||
| 3-12 | Toccata en ut majeur, Op. 7 | Samson François | — | |
| 4-1 | Hungarian Rhapsodies, S. 244: No. 1 in C-sharp minor | — | ||
| 4-2 | Hungarian Rhapsodies, S. 244: No. 2 in C-sharp minor | — | ||
| 4-3 | Hungarian Rhapsodies, S. 244: No. 3 in B-flat major | — | ||
| 4-4 | Hungarian Rhapsodies, S. 244: No. 4 in E-flat major | — | ||
| 4-5 | Hungarian Rhapsodies, S. 244: No. 5 in E minor “Héroïde-élégiaque” | — | ||
| 4-6 | Hungarian Rhapsodies, S. 244: No. 6 in D-flat major | — | ||
| 4-7 | Hungarian Rhapsodies, S. 244: No. 7 in D minor | — | ||
| 4-8 | Hungarian Rhapsodies, S. 244: No. 8 in F-sharp minor | — | ||
| 5-1 | Hungarian Rhapsodies, S. 244: No. 9 in E-flat major “Pesther Carneval” | — | ||
| 5-2 | Hungarian Rhapsodies, S. 244: No. 10 in E major | — | ||
| 5-3 | Hungarian Rhapsodies, S. 244: No. 11 in A minor | — | ||
| 5-4 | Hungarian Rhapsodies, S. 244: No. 12 in C-sharp minor | — | ||
| 5-5 | Hungarian Rhapsodies, S. 244: No. 13 in A minor | — | ||
| 5-6 | Hungarian Rhapsodies, S. 244: No. 14 in F minor | — | ||
| 5-7 | Hungarian Rhapsodies, S. 244: No. 15 in A minor “Rákóczi March” 4.5 | — | ||
| 6-1 | Concerto pour piano et orchestre no. 1, op. 11 : I. Allegro moderato | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 6-2 | Concerto pour piano et orchestre no. 1, op. 11 : II. Romance | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 6-3 | Concerto pour piano et orchestre no. 1, op. 11 : III. Allegro vivace | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 6-4 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 6-5 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 6-6 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro vivace | — | ||
| 6-7 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | — | ||
| 7-1 | Toccata, adagio & fugue en ut majeur, BWV 564: I. Toccata | Samson François | — | |
| 7-2 | Toccata, adagio & fugue en ut majeur, BWV 564: II. Adagio | Samson François | — | |
| 7-3 | Toccata, adagio & fugue en ut majeur, BWV 564: III. Fugue | Samson François | — | |
| 7-4 | Choral ''Ich ruf' zu dir, Herr Jesu Christ'', BWV 639 | Samson François | — | |
| 7-5 | Choral ''Nun freut euch, lieben Christen g'mein'', BWV 734 | Samson François | — | |
| 7-6 | Prélude et fugue en la mineur, BWV 543 : I. Prélude | Samson François | — | |
| 7-7 | Prélude et fugue en la mineur, BWV 543 : II. Fugue | Samson François | — | |
| 8-1 | Prélude, choral et fugue : I. Prélude | Samson François | — | |
| 8-2 | Prélude, choral et fugue : II. Choral | Samson François | — | |
| 8-3 | Prélude, choral et fugue : III. Fugue | Samson François | — | |
| 8-4 | Nocturne No. 2 en si majeur, op. 33 no. 2 | Samson François | — | |
| 8-5 | Nocturne No. 4 en mi bémol majeur, op. 36 | Samson François | — | |
| 8-6 | Impromptu No. 2 en fa mineur, op. 31 (enregistré en 1955) | Samson François | — | |
| 9-1 | 4 Scherzos: No. 1 in B minor, op. 20 | — | ||
| 9-2 | 4 Scherzos: No. 2 in B-flat minor, op. 31 | — | ||
| 9-3 | 4 Scherzos: No. 3 in C-sharp minor, op. 39 | — | ||
| 9-4 | 4 Scherzos: No. 4 in E major, op. 54 | — | ||
| 9-5 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 9-6 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 9-7 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 9-8 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 10-1 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 10-2 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 10-3 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 10-4 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 10-5 | Nocturne no. 15 in F minor, op. 55 no. 1 | — | ||
| 10-6 | Étude in F minor, op. 25 no. 2 | — | ||
| 10-7 | Étude in C minor, op. 10 no. 12 “Revolutionary” | — | ||
| 10-8 | Waltz in D-flat major, Op. 70 No. 3 | Samson François | — | |
| 10-9 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 10-10 | Grande polonaise brillante, op. 22 | — | ||
| 11-1 | Etudes symphoniques : I. Thème | Samson François | — | |
| 11-2 | Etudes symphoniques : II. Variation 1 | Samson François | — | |
| 11-3 | Etudes symphoniques : XI. Variation 10 | Samson François | — | |
| 11-4 | Etudes symphoniques : VIII. Variation 7 | Samson François | — | |
| 11-5 | Etudes symphoniques : XII. Variation 11 | Samson François | — | |
| 11-6 | Etudes symphoniques : III. Variation 2 | Samson François | — | |
| 11-7 | Etudes symphoniques : V. Variation 4 | Samson François | — | |
| 11-8 | Etudes symphoniques : IX. Variation 8 | Samson François | — | |
| 11-9 | Etudes symphoniques : X. Variation 9 | Samson François | — | |
| 11-10 | Etudes symphoniques : VI. Variation 5 | Samson François | — | |
| 11-11 | Etudes symphoniques : IV. Variation 3 | Samson François | — | |
| 11-12 | Etudes symphoniques : VII. Variation 6 | Samson François | — | |
| 11-13 | Etudes symphoniques : XIII. Finale | Samson François | — | |
| 11-14 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 11-15 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 11-16 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 11-17 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 11-18 | Papillons, op. 2: No. 4, Presto | — | ||
| 11-19 | Papillons, op. 2: No. 5, Più andante | — | ||
| 11-20 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 11-21 | Papillons, op. 2: No. 7, Semplice | — | ||
| 11-22 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 11-23 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 11-24 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 11-25 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 11-26 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 11-27 | Carnaval op. 9 : I. Préambule | Samson François | — | |
| 11-28 | Carnaval op. 9 : II. Pierrot | Samson François | — | |
| 11-29 | Carnaval op. 9 : III. Arlequin | Samson François | — | |
| 11-30 | Carnaval op. 9 : IV. Valse noble | Samson François | — | |
| 11-31 | Carnaval op. 9 : V. Euseblus | Samson François | — | |
| 11-32 | Carnaval op. 9 : VI. Florestan | Samson François | — | |
| 11-33 | Carnaval op. 9 : VII. Coquette | Samson François | — | |
| 11-34 | Carnaval op. 9 : VIII. Réplique | Samson François | — | |
| 11-35 | Carnaval op. 9 : IX. Sphinxes | Samson François | — | |
| 11-36 | Carnaval op. 9 : X. Papillons | Samson François | — | |
| 11-37 | Carnaval op. 9 : XI. ASCH - SCHA (lettres dansantes) | Samson François | — | |
| 11-38 | Carnaval op. 9 : XII. Chiarina | Samson François | — | |
| 11-39 | Carnaval Op. 9 : XIII. Chopin | Samson François | — | |
| 11-40 | Carnaval Op. 9 : XIV. Estrella | Samson François | — | |
| 11-41 | Carnaval op. 9 : XV. Reconnaissance | Samson François | — | |
| 11-42 | Carnaval op. 9 : XVI. Pantalon & Colombine | Samson François | — | |
| 11-43 | Carnaval op. 9 : XVII. Valse allemande-Paganini | Samson François | — | |
| 11-44 | Carnaval op. 9 : XVIII. Aveu | Samson François | — | |
| 11-45 | Carnaval op. 9 : XIX. Promenade | Samson François | — | |
| 11-46 | Carnaval op. 9 : XX. Pause | Samson François | — | |
| 11-47 | Carnaval op. 9 : XXI. Marche des Davidsbünder contre les Philistins | Samson François | — | |
| 12-1 | Mazurka no. 1 in F-sharp minor, op. 6 no. 1 | — | ||
| 12-2 | Mazurka no. 2 in C-sharp minor, op. 6 no. 2 | — | ||
| 12-3 | Mazurka no. 3 in E major, op. 6 no. 3 | — | ||
| 12-4 | Mazurka no. 4 in E-flat minor, op. 6 no. 4 | — | ||
| 12-5 | Mazurka no. 5 in B-flat major, op. 7 no. 1 | — | ||
| 12-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 12-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 12-8 | Mazurka no. 8 in A-flat major, op. 7 no. 4 | — | ||
| 12-9 | Mazurka no. 9 in C major, op. 7 no. 5 | — | ||
| 12-10 | Mazurka no. 10 in B-flat major, op. 17 no. 1 | — | ||
| 12-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | — | ||
| 12-12 | Mazurka no. 12 in A-flat major, op. 17 no. 3 | — | ||
| 12-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 12-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | — | ||
| 12-15 | Mazurka no. 15 in C major, op. 24 no. 2 | — | ||
| 12-16 | Mazurka no. 16 in A-flat major, op. 24 no. 3 | — | ||
| 12-17 | Mazurka no. 17 in B-flat minor, op. 24 no. 4 | — | ||
| 12-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | — | ||
| 12-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | — | ||
| 12-20 | Mazurka no. 20 in D-flat major, op. 30 no. 3 | — | ||
| 12-21 | Mazurka no. 21 in C-sharp minor, op. 30 no. 4 | — | ||
| 12-22 | Mazurka no. 22 in G-sharp minor, op. 33 no. 1 | — | ||
| 12-23 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 12-24 | Mazurka no. 24 in C major, op. 33 no. 3 | — | ||
| 12-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | — | ||
| 13-1 | Mazurka no. 26 in C-sharp minor, op. 41 no. 1 | — | ||
| 13-2 | Mazurka no. 27 in E minor, op. 41 no. 2 | — | ||
| 13-3 | Mazurka no. 28 in B major, op. 41 no. 3 | — | ||
| 13-4 | Mazurka no. 29 in A-flat major, op. 41 no. 4 | — | ||
| 13-5 | Mazurka no. 30 in G major, op. 50 no. 1 | — | ||
| 13-6 | Mazurka no. 31 in A-flat major, op. 50 no. 2 | — | ||
| 13-7 | Mazurka no. 32 in C-sharp minor, op. 50 no. 3 | — | ||
| 13-8 | Mazurka no. 33 in B major, op. 56 no. 1 | — | ||
| 13-9 | Mazurka no. 34 in C major, op. 56 no. 2 | — | ||
| 13-10 | Mazurka no. 35 in C minor, op. 56 no. 3 | — | ||
| 13-11 | Mazurka no. 36 in A minor, op. 59 no. 1 | — | ||
| 13-12 | Mazurka no. 37 in A-flat major, op. 59 no. 2 | — | ||
| 13-13 | Mazurka no. 38 in F-sharp minor, op. 59 no. 3 | — | ||
| 13-14 | Mazurka no. 39 in B major, op. 63 no. 1 | — | ||
| 13-15 | Mazurka no. 40 in F minor, op. 64 no. 2 | — | ||
| 13-16 | Mazurka no. 41 in C-sharp minor, op. 63 no. 3 | — | ||
| 13-17 | Mazurka no. 42 in G major, op. posth. 67 no. 1 | — | ||
| 13-18 | Mazurka no. 43 in G minor, op. posth. 67 no. 2 | — | ||
| 13-19 | Mazurka no. 44 in C major, op. posth. 67 no. 3 | — | ||
| 13-20 | Mazurka no. 45 in A minor, op. posth. 67 no. 4 | — | ||
| 13-21 | Mazurka no. 46 in C major, op. posth. 68 no. 1 | — | ||
| 13-22 | Mazurka no. 47 in A minor, op. posth. 68 no. 23 | — | ||
| 13-23 | Mazurka no. 48 in F major, op. posth. 68 no. 3 | — | ||
| 13-24 | Mazurka no. 49 in F minor, op. posth. 68 no. 4 | — | ||
| 13-25 | Mazurka no. 50 in A minor, op. posth. | — | ||
| 13-26 | Mazurka no. 51 in A minor, op. posth. | — | ||
| 14-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 14-2 | Ballade no. 2 in F major, op. 38 | — | ||
| 14-3 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 14-4 | Ballade no. 4 in f minor, op. 52 | — | ||
| 14-5 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 14-6 | Impromptu no. 2 in F-sharp major, op. 36 | — | ||
| 14-7 | Impromptu no. 3 in G-flat major, op. 51 | — | ||
| 14-8 | Impromptu no. 4 in C-sharp minor, op. posth. 66 “Fantaisie-Impromptu” | — | ||
| 15-1 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 15-2 | Waltz no. 2 in A-flat major, op. 34 no. 1 | — | ||
| 15-3 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 15-4 | Waltz no. 4 in F major, op. 34 no. 3 | — | ||
| 15-5 | Waltz no. 5 in A-flat major, op. 42 | — | ||
| 15-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 15-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 15-8 | Waltz no. 8 in A-flat major, op. 64 no. 3 | — | ||
| 15-9 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 “Farewell” | — | ||
| 15-10 | Waltz no. 10 in B minor, op. posth. 69 no. 2 | — | ||
| 15-11 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 15-12 | Waltz no. 12 in F minor, op. posth. 70 no. 2 | — | ||
| 15-13 | Waltz no. 13 in D-flat major, op. posth. 70 no. 3 | — | ||
| 15-14 | Waltz no. 14 in E minor, op. posth., B. 56 | — | ||
| 16-1 | Élégies no. 1, op. 8b, Sz. 41, Grave | Samson François | — | |
| 16-2 | Élégies no. 2, op. 8b, Sz. 41, Molto adagio | Samson François | — | |
| 16-3 | Variations en ut majeur sur ''Ah ! vous dirais-je maman'', KV 265 | Samson François | — | |
| 16-4 | Lieder ohne Worte, Book V, op. 62: No. 6 in A major “Spring Song” | — | ||
| 16-5 | Lieder ohne Worte, Book VI, op. 67: No. 5 in B minor | — | ||
| 16-6 | Lieder ohne Worte, Book I, op. 19: No. 4 in A major | — | ||
| 16-7 | Andante et Rondo Capriccioso en la mineur op. 14 | Samson François | — | |
| 16-8 | Lieder ohne Worte, Book VI, op. 67: No. 5 in B minor | — | ||
| 16-9 | Lieder ohne Worte, Book V, op. 62: No. 6 in A major “Spring Song” | — | ||
| 16-10 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Tema | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-11 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. I. Melancolisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-12 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. II. Sanguinisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-13 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. III. Phlegmatisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-14 | Les Quatre Tempéraments, thème et variations pour orchestre à corde & piano : Var. IV. Cholerisch | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 16-15 | Musique originale du film "Ballade pour un voyou" : I. Thème de Vincent (rec.1963) | Christian Garros, Jimmy Gourhy, Pierre Michelot, Maurice Vander, Samson François | — | |
| 16-16 | Musique originale du film "Ballade pour un voyou" : II. Fuite de Vincent | Christian Garros, Jimmy Gourhy, Pierre Michelot, Maurice Vander, Samson François | — | |
| 16-17 | Musique originale du film "Ballade pour un voyou" : III. Générique | Christian Garros, Pierre Michelot, Maurice Vander, Samson François | — | |
| 16-18 | Musique originale du film "Ballade pour un voyou" : IV. Thème de jazz | Christian Garros, Jimmy Gourhy, Pierre Michelot, Maurice Vander, Samson François | — | |
| 17-1 | Concerto pour piano et orchestre en la mineur, op. 54: I. Allegro affettuoso | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-2 | Concerto pour piano et orchestre en la mineur, op. 54: II. Intermezzo (Andantino grazioso) | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-3 | Concerto pour piano et orchestre en la mineur, op. 54: III. Allegro vivace | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-4 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21: I. Maestoso | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 17-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 17-6 | Concerto pour piano et orchestre no. 2 en fa mineur, op. 21: III. Allegro vivace | Samson François, Orchestre National de la Radiodiffusion Française, Paul Kletzki | — | |
| 18-1 | Polonaise no. 1 in C-sharp minor, op. 26 no. 1 | — | ||
| 18-2 | Polonaise no. 2 in E-flat minor, op. 25 no. 2 | — | ||
| 18-3 | Polonaise no. 3 in A major, op. 40 no. 1 “Militaire” | — | ||
| 18-4 | Polonaise no. 4 C minor, op. 40 no. 2 | — | ||
| 18-5 | Polonaise no. 5 F-sharp minor, op. 44 | — | ||
| 18-6 | Polonaise no. 6 in A-flat major, op. 53 “Heroic” | — | ||
| 18-7 | Polonaise no. 7 in A flat major, Polonaise-fantaisie, op. 61 | — | ||
| 18-8 | Andante spianato et Grande Polonaise en mi bémol majeur, op. 22 | Samson François, Orchestre de la Société des Concerts du Conservatoire, Georges Tzipine | — | |
| 19-1 | Études, op. 10: No. 1 in C major | — | ||
| 19-2 | Études, op. 10: No. 2 in A minor “Chromatique” | — | ||
| 19-3 | Études, op. 10: No. 3 in E major “Tristesse” | — | ||
| 19-4 | Études, op. 10: No. 4 in C-sharp minor | — | ||
| 19-5 | Études, op. 10: No. 5 in G-flat major “Black Keys” | — | ||
| 19-6 | Études, op. 10: No. 6 in E-flat minor | — | ||
| 19-7 | Études, op. 10: No. 7 in C major | — | ||
| 19-8 | Études, op. 10: No. 8 in F major | — | ||
| 19-9 | Études, op. 10: No. 9 in F minor | — | ||
| 19-10 | Études, op. 10: No. 10 in A-flat major | — | ||
| 19-11 | Études, op. 10: No. 11 in E-flat major “Arpeggio” | — | ||
| 19-12 | Études, op. 10: No. 12 in C minor “Revolutionary” | — | ||
| 19-13 | Études, op. 25: No. 1 in A-flat major “Aeolian Harp” | — | ||
| 19-14 | Études, op. 25: No. 2 in F minor | — | ||
| 19-15 | Études, op. 25: No. 3 in F major | — | ||
| 19-16 | Études, op. 25: No. 4 in A minor | — | ||
| 19-17 | Études, op. 25: No. 5 in E minor | — | ||
| 19-18 | Études, op. 25: No. 6 in G-sharp minor | — | ||
| 19-19 | Études, op. 25: No. 7 in C-sharp minor | — | ||
| 19-20 | Études, op. 25: No. 8 in D-flat major | — | ||
| 19-21 | Études, op. 25: No. 9 in G-flat major “Butterfly” | — | ||
| 19-22 | Études, op. 25: No. 10 in B minor | — | ||
| 19-23 | Études, op. 25: No. 11 in A minor “Winter Wind” | — | ||
| 19-24 | Études, op. 25: No. 12 in C minor | — | ||
| 20-1 | Le Tombeau de Couperin, suite pour piano : Prélude | Samson François | T-306.061.747-8 | |
| 20-2 | Le Tombeau de Couperin, suite pour piano : Fugue | Samson François | — | |
| 20-3 | Le Tombeau de Couperin, suite pour piano : Forlane | Samson François | T-305.194.353-0 | |
| 20-4 | Le Tombeau de Couperin, suite pour piano : Rigaudon | Samson François | T-305.199.226-4 | |
| 20-5 | Le Tombeau de Couperin, suite pour piano : Menuet | Samson François | T-305.131.442-8 | |
| 20-6 | Le Tombeau de Couperin, suite pour piano : Toccata | Samson François | — | |
| 20-7 | Gaspard de la Nuit, 3 Poèmes pour piano d'après Aloysius Bertrand : Ondine | Samson François | T-902.777.490-9 | |
| 20-8 | Gaspard de la Nuit, 3 Poèmes pour piano d'après Aloysius Bertrand : Le Gibet | Samson François | — | |
| 20-9 | Gaspard de la Nuit, 3 Poèmes pour piano d'après Aloysius Bertrand : Scarbo | Samson François | — | |
| 21-1 | Polonaise no. 6 in A-flat major, op. 53 “Héroique” | — | ||
| 21-2 | Nocturne no. 5 in F-sharp major, op. 15 no. 2 | — | ||
| 21-3 | Fantaisie-impromptu in C-sharp minor, op. posth. 66 | — | ||
| 21-4 | Étude in E major, op. 10 no. 3 “Tristesse” | — | ||
| 21-5 | Étude in G-flat major, op. 10 no. 5 “Black Keys” | — | ||
| 21-6 | Étude in F minor, op. 25 no. 2 | — | ||
| 21-7 | Étude in C minor, op. 10 no. 12 “Revolutionary” | — | ||
| 21-8 | Ballade no. 1 in G minor, op. 23 | — | ||
| 21-9 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 21-10 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 21-11 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 “Farewell” | — | ||
| 21-12 | Scherzo no. 2 in B-flat minor, op. 31 | — | ||
| 22-1 | Piano Concerto in G major: I. Allegramente | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 22-2 | Piano Concerto in G major: II. Adagio assai | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 22-3 | Piano Concerto in G major: III. Presto | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 22-4 | Concerto for the Left Hand | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 23-1 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: I. Allegro maestoso | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-2 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: II. Quasi adagio | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-3 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: III. Allegro vivace | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-4 | Concerto pour piano et orchestre no. 1 en mi bémol majeur: IV. Allegro marziale animato | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 23-5 | Concerto pour piano et orchestre no. 2 en la majeur | Samson François, Philharmonia Orchestra, Constantin Silvestri | — | |
| 24-1 | Sonate no. 7 en si bémol majeur, op. 83 : I. Allegro inquieto | Samson François | — | |
| 24-2 | Sonate no. 7 en si bémol majeur, op. 83 : II. Andante caloroso | Samson François | — | |
| 24-3 | Sonate no. 7 en si bémol majeur, op. 83 : III. Precipitato | Samson François | — | |
| 24-4 | Sonate no. 3 en fa dièse mineur, op. 23 : I. Dramatico | Samson François | — | |
| 24-5 | Sonate no. 3 en fa dièse mineur, op. 23 : II. Allegretto | Samson François | — | |
| 24-6 | Sonate no. 3 en fa dièse mineur, op. 23 : III. Andante | Samson François | — | |
| 24-7 | Sonate no. 3 en fa dièse mineur, op. 23 : IV. Presto con fuoco | Samson François | — | |
| 25-1 | L'Isle joyeuse, CD 109 | — | ||
| 25-2 | Préludes, Livre I, CD 125, L. 117: No. 8 La fille aux cheveux de lin | — | ||
| 25-3 | Préludes, Livre I, CD 125, L. 117: No. 10 La cathédrale engloutie | — | ||
| 25-4 | Préludes, Livre I, CD 125, L. 117: No. 11 La danse de Puck | — | ||
| 25-5 | Préludes, Livre I, CD 125, L. 117: No. 12 Minstrels | — | ||
| 25-6 | La plus que lente, CD 128 | — | ||
| 25-7 | Pour le piano, CD 95, L. 95: I. Prélude | — | ||
| 25-8 | Pour le piano, CD 95, L. 95: II. Sarabande | — | ||
| 25-9 | Pour le piano, CD 95, L. 95: III. Toccata | — | ||
| 25-10 | Étude no. 11, CD 143 | — | ||
| 25-11 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | — | ||
| 25-12 | Suite bergamasque, CD 82, L. 75: IV. Passepied | — | ||
| 26-1 | Prélude no. 1 en do majeur, op. 28 | Samson François | — | |
| 26-2 | Prélude no. 2 en la mineur, op. 28 | Samson François | — | |
| 26-3 | Prélude no. 3 en sol majeur, op. 28 | Samson François | — | |
| 26-4 | Prélude no. 4 en mi mineur, op. 28 | Samson François | — | |
| 26-5 | Prélude no. 5 en ré majeur, op. 28 | Samson François | — | |
| 26-6 | Prélude no. 6 en si mineur, op. 28 | Samson François | — | |
| 26-7 | Prélude no. 7 en la majeur, op. 28 | Samson François | — | |
| 26-8 | Prélude no. 8 en fa dièse mineur, op. 28 | Samson François | — | |
| 26-9 | Prélude no. 9 en mi majeur, op. 28 | Samson François | — | |
| 26-10 | Prélude no. 10 en ut dièse mineur, op. 28 | Samson François | — | |
| 26-11 | Prélude no. 11 en si majeur, op. 28 | Samson François | — | |
| 26-12 | Prélude no. 12 en sol dièse mineur, op. 28 | Samson François | — | |
| 26-13 | Prélude no. 13 en fa dièse majeur, op. 28 | Samson François | — | |
| 26-14 | Prélude no. 14 en mi bémol mineur, op. 28 | Samson François | — | |
| 26-15 | Prélude no. 15 en ré bémol majeur, op. 28 | Samson François | — | |
| 26-16 | Prélude no. 16 en si bémol mineur, op. 28 | Samson François | — | |
| 26-17 | Prélude no. 17 en la bémol majeur, op. 28 | Samson François | — | |
| 26-18 | Prélude no. 18 en fa mineur, op. 28 | Samson François | — | |
| 26-19 | Prelude no. 19 en mi bémol majeur, op. 28 | Samson François | — | |
| 26-20 | Prelude no. 20 en ut mineur, op. 28 | Samson François | — | |
| 26-21 | Prelude no. 21 en si bémol majeur, op. 28 | Samson François | — | |
| 26-22 | Prelude no. 22 en sol mineur, op. 28 | Samson François | — | |
| 26-23 | Prelude no. 23 en fa majeur, op. 28 | Samson François | — | |
| 26-24 | Prelude no. 24 en ré mineur, op. 28 | Samson François | — | |
| 27-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 27-2 | Piano Concerto no. 3 in C major, op. 26: II. Thème et variations | — | ||
| 27-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 27-4 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : I. Allegro con brio | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-5 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : II. Moderato ben accentuato | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-6 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : III. Toccata (Allegro con fuoco) | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-7 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : IV. Larghetto | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 27-8 | Concerto pour piano et orchestre no. 5 en sol majeur, op. 55 : V. Vivo | Samson François, Philharmonia Orchestra, Witold Rowicki | — | |
| 28-1 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 28-2 | Waltz no. 2 in A-flat major, op. 34 no. 1 | — | ||
| 28-3 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 28-4 | Waltz no. 4 in F major, op. 34 no. 3 | — | ||
| 28-5 | Waltz no. 5 in A-flat major, op. 42 | — | ||
| 28-6 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 28-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 28-8 | Waltz no. 8 in A-flat major, op. 64 no. 3 | — | ||
| 28-9 | Waltz no. 9 in A-flat major, op. posth. 69 no. 1 “Farewell” | — | ||
| 28-10 | Waltz no. 10 in B minor, op. posth. 69 no. 2 | — | ||
| 28-11 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 28-12 | Waltz no. 12 in F minor, op. posth. 70 no. 2 | — | ||
| 28-13 | Waltz no. 13 in D-flat major, op. posth. 70 no. 3 | — | ||
| 28-14 | Waltz no. 14 in E minor, op. posth., B. 56 | — | ||
| 29-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro molto e con brio | — | ||
| 29-2 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 29-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | — | ||
| 29-4 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 29-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 29-6 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 29-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 29-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 29-9 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro man non troppo - Presto | — | ||
| 30-1 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 30-2 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 30-3 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 30-4 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 30-5 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 30-6 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo | — | ||
| 30-7 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 30-8 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale. Presto non tanto | — | ||
| 31-1 | Nocturne no. 1 in B-flat major, op. 9 no. 1 | Samson François | — | |
| 31-2 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | Samson François | — | |
| 31-3 | Nocturne no. 3 in B major, op. 9 no. 3 | Samson François | — | |
| 31-4 | Nocturne no. 4 in F major, op. 15 no. 1 | Samson François | — | |
| 31-5 | Nocturne no. 5 in F-sharp major, op. 15 no. 2 | Samson François | — | |
| 31-6 | Nocturne no. 6 in G minor, op. 15 no. 3 | Samson François | — | |
| 31-7 | Nocturne No. 7 in C-sharp minor, Op. 27 No. 1 | Samson François | — | |
| 31-8 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Samson François | — | |
| 31-9 | Nocturne no. 9 in B major, op. 32 no. 1 | Samson François | — | |
| 31-10 | Nocturne no. 10 in A-flat major, op. 32 no. 2 | Samson François | — | |
| 32-1 | Nocturne no. 11 in G minor, op. 37 no. 1 | Samson François | — | |
| 32-2 | Nocturne no. 12 in G major, op. 37 no. 2 | Samson François | — | |
| 32-3 | Nocturne no. 13 in C minor, op. 48 no. 1 | Samson François | — | |
| 32-4 | Nocturne no. 14 in F-sharp minor, op. 48 no. 2 | Samson François | — | |
| 32-5 | Nocturne no. 15 in F minor, op. 55 no. 1 | Samson François | — | |
| 32-6 | Nocturne no. 16 in E-flat major, op. 55 no. 2 | Samson François | — | |
| 32-7 | Nocturne no. 17 in B major, op. 62 no. 1 | Samson François | — | |
| 32-8 | Nocturne no. 18 in E major, op. 62 no. 2 | Samson François | — | |
| 32-9 | Nocturne no. 19 in E minor, op. 72 no. 1 | Samson François | — | |
| 33-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 33-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 33-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 34-1 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 34-2 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 34-3 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 34-4 | Rondo for Two Pianos in C major, op. posth. 73 | — | ||
| 35-1 | Gaspard de la nuit, 3 poèmes pour piano d'après Aloysius Bertrand : Ondine | Samson François | — | |
| 35-2 | Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet | Samson François | — | |
| 35-3 | Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo | Samson François | — | |
| 35-4 | Sonatine: I. Modéré | Samson François | T-335.920.489-6 | |
| 35-5 | Sonatine: II. Mouvement de menuet | Samson François | T-003.016.390-6 | |
| 35-6 | Sonatine: III. Animé | Samson François | T-003.016.390-6 | |
| 35-7 | Le tombeau de Couperin: I. Prélude | Samson François | T-306.061.747-8 | |
| 35-8 | Le tombeau de Couperin: II. Fugue | Samson François | — | |
| 35-9 | Le tombeau de Couperin: III. Forlane | Samson François | T-305.194.353-0 | |
| 35-10 | Le tombeau de Couperin: IV. Rigaudon | Samson François | T-305.199.226-4 | |
| 35-11 | Le tombeau de Couperin: V. Menuet | Samson François | T-305.131.442-8 | |
| 35-12 | Le tombeau de Couperin: VI. Toccata | Samson François | T-336.058.761-3 | |
| 35-13 | Menuet Antique | Samson François | — | |
| 35-14 | Ma mère l'Oye: I. Pavane de la Belle au bois dormant | Pierre Barbizet, Samson François | — | |
| 35-15 | Ma mère l'Oye: II. Petit poucet | Pierre Barbizet, Samson François | T-004.018.862-2 | |
| 35-16 | Ma mère l'Oye: III. Laideronnette, impératrice des pagodes | Pierre Barbizet, Samson François | — | |
| 35-17 | Ma mère l'Oye: IV. Les Entretiens de la Belle et de la Bête | Pierre Barbizet, Samson François | T-004.018.862-2 | |
| 35-18 | Ma mère l'Oye: V. Le Jardin féerique | Pierre Barbizet, Samson François | T-004.018.862-2 | |
| 36-1 | Pavane pour une infante défunte | Samson François | T-003.013.767-7 | |
| 36-2 | Valses nobles et sentimentales: I. Modéré - Très franc | Samson François | T-003.017.935-1 | |
| 36-3 | Valses nobles et sentimentales: II. Assez lent | Samson François | T-324.796.541-5 | |
| 36-4 | Valses nobles et sentimentales: III. Modéré | Samson François | T-003.017.935-1 | |
| 36-5 | Valses nobles et sentimentales: IV. Assez animé | Samson François | T-003.017.935-1 | |
| 36-6 | Valses nobles et sentimentales: V. Presque lent | Samson François | T-003.017.935-1 | |
| 36-7 | Valses nobles et sentimentales: VI. Vif | Samson François | T-003.017.935-1 | |
| 36-8 | Valses nobles et sentimentales: VII. Moins vif | Samson François | — | |
| 36-9 | Valses nobles et sentimentales: VIII. Epilogue. Lent | Samson François | T-003.017.935-1 | |
| 36-10 | Prélude | Samson François | T-900.798.614-3 | |
| 36-11 | À la manière de Emmanuel Chabrier | Samson François | T-003.005.231-3 | |
| 36-12 | À la manière de Borodine | Samson François | — | |
| 36-13 | Jeux d'eau | Samson François | T-003.011.149-9 | |
| 36-14 | Menuet sur le nom de Haydn | Samson François | T-931.939.751-8 | |
| 36-15 | Miroirs: I. Noctuelles | Samson François | T-338.427.203-7 | |
| 36-16 | Miroirs: II. Oiseaux tristes | Samson François | — | |
| 36-17 | Miroirs: III. Une barque sur l'océan (for piano) | Samson François | T-338.342.541-6 | |
| 36-18 | Miroirs: IV. Alborada del gracioso (original for piano solo) | Samson François | T-305.194.489-5 | |
| 36-19 | Miroirs: V. La vallée des cloches | Samson François | T-338.427.204-8 | |
| 37-1 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-2 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-3 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-4 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 37-5 | Nocturne no. 6 en ré bémol majeur, op. 63 | Samson François | — | |
| 37-6 | Impromptu no. 2 en fa mineur, op. 31 (enregistré en 1969) | Samson François | — | |
| 38-1 | Polonaise no. 1 in C-sharp minor, op. 26 no. 1 | — | ||
| 38-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2 | — | ||
| 38-3 | Polonaise no. 3 in A major, op. 40 no. 1 “Militaire” | — | ||
| 38-4 | Polonaise no. 4 in C minor, op. 40 no. 2 | — | ||
| 38-5 | Polonaise no. 5 in F-sharp minor, op. 44 | — | ||
| 38-6 | Polonaise no. 6 in A-flat major, op. 53 “Heroic” | — | ||
| 39-1 | Polonaise no. 7 in A-flat major, Polonaise-fantaisie, op. 61 | — | ||
| 39-2 | Polonaise no. 1 in D minor, op. posth. 71 | — | ||
| 39-3 | Polonaise no. 2 in B-flat major, op. posth. 71 | — | ||
| 39-4 | Polonaise no. 3 in F minor, op. posth. 71 | — | ||
| 39-5 | Andante spianato et grande polonaise brillante, op. 22 | — | ||
| 40-1 | Quintette pour piano, 2 violons, alto & violoncelle en fa mineur : I. Molto moderato quasi lento - Allegro | Jean-Claude Bernède, Paul Boufil, Guy Chêne, Samson François, Gérard Montmayeur | — | |
| 40-2 | Quintette pour piano, 2 violons, alto & violoncelle en fa mineur : II. Lento, con molto sentimento | Jean-Claude Bernède, Paul Boufil, Guy Chêne, Samson François, Gérard Montmayeur | — | |
| 40-3 | Quintette pour piano, 2 violons, alto & violoncelle en fa mineur : III. Allegro non troppo, ma con fuoco | Jean-Claude Bernède, Paul Boufil, Guy Chêne, Samson François, Gérard Montmayeur | — | |
| 41-1 | Trois nouvelles études (for the “Méthode des méthodes” by Moscheles), op. posth.: No. 1 in F minor | — | ||
| 41-2 | Trois nouvelles études (for the “Méthode des méthodes” by Moscheles), op. posth.: No. 2 in D-flat major | — | ||
| 41-3 | Trois nouvelles études (for the “Méthode des méthodes” by Moscheles), op. posth.: No. 3 in A-flat major | — | ||
| 41-4 | Fantasy in F minor, op. 49 | — | ||
| 41-5 | Barcarolle in F-sharp major, op. 60 | — | ||
| 41-6 | Tarantelle in A-flat major, op. 43 | — | ||
| 42-1 | Ballade no. 4 in F minor, op. 52 | — | ||
| 42-2 | Étude in A-flat major, op. 10 no. 10 | — | ||
| 42-3 | Étude in E minor, op. 25 no. 5 | — | ||
| 42-4 | Waltz no. 11 in G-flat major, op. posth. 70 no. 1 | — | ||
| 42-5 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 42-6 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | — | ||
| 42-7 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 42-8 | Scherzo no. 3 in C-sharp minor, op. 39 | — | ||
| 43-1 | Préludes, Livre I, CD 125, L. 117: I. Danseuses de Delphes | — | ||
| 43-2 | Préludes, Livre I, CD 125, L. 117: II. Voiles | — | ||
| 43-3 | Préludes, Livre I, CD 125, L. 117: III. Le vent dans la plaine | — | ||
| 43-4 | Préludes, Livre I, CD 125, L. 117: IV. Les sons et les parfums tournent dans l'air du soir | — | ||
| 43-5 | Préludes, Livre I, CD 125, L. 117: V. Les collines d'Anacapri | — | ||
| 43-6 | Préludes, Livre I, CD 125, L. 117: VI. Des pas sur la neige | — | ||
| 43-7 | Préludes, Livre I, CD 125, L. 117: VII. Ce qu'a vu le vent d'Ouest | — | ||
| 43-8 | Préludes, Livre I, CD 125, L. 117: VIII. La fille aux cheveux de lin | — | ||
| 43-9 | Préludes, Livre I, CD 125, L. 117: IX. La sérénade interrompue | — | ||
| 43-10 | Préludes, Livre I, CD 125, L. 117: X. La cathédrale engloutie | — | ||
| 43-11 | Préludes, Livre I, CD 125, L. 117: XI. La danse de Puck | — | ||
| 43-12 | Préludes, Livre I, CD 125, L. 117: XII. Minstrels | — | ||
| 43-13 | Préludes, Livre II, CD 131, L. 123: Brouillards | — | ||
| 43-14 | Préludes, Livre II, CD 131, L. 123: Feuilles mortes | — | ||
| 43-15 | Préludes, Livre II, CD 131, L. 123: La Puerta del Vino | — | ||
| 43-16 | Préludes, Livre II, CD 131, L. 123: Les fées sont d'exquises danseuses | — | ||
| 43-17 | Préludes, Livre II, CD 131, L. 123: Bruyères | — | ||
| 43-18 | Préludes, Livre II, CD 131, L. 123: Généal Lavine - excentric | — | ||
| 43-19 | Préludes, Livre II, CD 131, L. 123: La terrasse des audiences du clair de lune | — | ||
| 43-20 | Préludes, Livre II, CD 131, L. 123: Ondine | — | ||
| 43-21 | Préludes, Livre II, CD 131, L. 123: Hommage à S. Pickwick Esq. P.P.M.P.C. | — | ||
| 43-22 | Préludes, Livre II, CD 131, L. 123: Canope | — | ||
| 43-23 | Préludes, Livre II, CD 131, L. 123: Feux d'artifice | — | ||
| 44-1 | Images, Livre I, CD 105, L. 110: Reflets dans l'eau | — | ||
| 44-2 | Images, Livre I, CD 105, L. 110: Hommage à Rameau | — | ||
| 44-3 | Images, Livre I, CD 105, L. 110: Mouvement | — | ||
| 44-4 | Images, Livre II, CD 120, L. 111: Cloches à travers les feuilles | — | ||
| 44-5 | Images, Livre II, CD 120, L. 111: Et la lune descend sur le temple qui fut | — | ||
| 44-6 | Images, Livre II, CD 120, L. 111: Poissons d'or | — | ||
| 44-7 | Masques, CD 110 | — | ||
| 44-8 | Rêverie, CD 76 | — | ||
| 44-9 | 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | — | ||
| 44-10 | 2 Arabesques, CD 74, L. 66: No. 2, Allegretto scherzando | — | ||
| 44-11 | Études, CD 143, L. 136: No. 7: Pour les degrés chromatiques | — | ||
| 44-12 | Études, CD 143, L. 136: No. 8: Pour les agréments | — | ||
| 44-13 | Études, CD 143, L. 136: No. 10: Pour les sonorités opposées | — | ||
| 44-14 | Études, CD 143, L. 136: No. 11: Pour les arpèges composés | — | ||
| 44-15 | Études, CD 143, L. 136: No. 12: Pour les accords | — | ||
| 44-16 | Berceuse héroïque, CD 140 | — | ||
| 45-1 | Children's Corner, CD 119, L. 113: I. Doctor's Gradus and Parnassum | — | ||
| 45-2 | Children's Corner, CD 119, L. 113: II. Jimbo's Lullaby | — | ||
| 45-3 | Children's Corner, CD 119, L. 113: III. Serenade of the Doll | — | ||
| 45-4 | Children's Corner, CD 119, L. 113: IV. The Snow is Dancing | — | ||
| 45-5 | Children's Corner, CD 119, L. 113: V. The Little Shepherd | — | ||
| 45-6 | Children's Corner: Golliwogg's Cakewalk | Samson François | — | |
| 45-7 | Estampes, CD 108, L. 100: Pagodes | — | ||
| 45-8 | Estampes, CD 108, L. 100: La soirée dans Grenade | — | ||
| 45-9 | Estampes, CD 108, L. 100: Jardins sous la pluie | — | ||
| 45-10 | Suite bergamasque, CD 82, L. 75: I. Prélude | — | ||
| 45-11 | Suite bergamasque, CD 82, L. 75: II. Menuet | — | ||
| 45-12 | Suite bergamasque: Claire de lune | Samson François | — | |
| 45-13 | Suite bergamasque, CD 82, L. 75: IV. Passepied | — | ||
| 45-14 | Pour le piano, CD 95, L. 95: I. Prélude | — | ||
| 45-15 | Pour le piano, CD 95, L. 95: II. Sarabande | — | ||
| 45-16 | Pour le piano, CD 95, L. 95: III. Toccata | — | ||
| 46-1 | Magies noires: No. 2 | — | ||
| 46-2 | Magies noires: No. 3 | — | ||
| 46-3 | Étude, op. 111 no. 6: Toccata d'après le cinquième concerto | — | ||
| 46-4 | Trois Études, CD 143, L. 136: No. 8: Pour les agréments | — | ||
| 46-5 | Trois Études, CD 143, L. 136: No. 10: Pour les sonorités opposées | — | ||
| 46-6 | Trois Études, CD 143, L. 136: No. 12: Pour les accords | — | ||
| 46-7 | Impromptus on a Theme of Clara Wieck, op. 5 | — | ||
| 46-8 | Valse-Impromptu | — | ||
| 46-9 | Le Rossignol | — | ||
| 46-10 | Sonetto 123 del Petrarco (Années de Pèlerinage, 2ᵉ année: Italie) | — | ||
| 46-11 | Études d'exécution transcendante, S. 139: No. 8 in C minor, Wilde Jagd | — | ||
| 46-12 | Études d'exécution transcendante, S. 139: No. 7 in E-flat major, Eroica | — | ||
| 47-1 | Variations symphoniques for piano and orchestra | — | ||
| 47-2 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 47-3 | Piano Concerto in A minor, op. 54: II. Intermezzo - Andantino grazioso | — | ||
| 47-4 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 47-5 | Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio | — | ||
| 47-6 | Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato | — | ||
| 47-7 | Piano Concerto no. 5 in G major, op. 55: III. Toccata. Allegro con fuoco | — | ||
| 47-8 | Piano Concerto no. 5 in G major, op. 55: IV. Larghetto | — | ||
| 47-9 | Piano Concerto no. 5 in G major, op. 55: V. Vivo | — | ||
| 48-1 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 48-2 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 48-3 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 48-4 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 48-5 | Papillons, op. 2: No. 4, Presto | — | ||
| 48-6 | Papillons, op. 2: No. 5, Più andante | — | ||
| 48-7 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 48-8 | Papillons, op. 2: No. 7, Semplice | — | ||
| 48-9 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 48-10 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 48-11 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 48-12 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 48-13 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 48-14 | Réminiscences de Don Juan | — | ||
| 48-15 | Piano Concerto no. 3, Sz. 119: I. Allegretto | — | ||
| 48-16 | Piano Concerto no. 3, Sz. 119: II. Andante religioso | — | ||
| 48-17 | Piano Concerto no. 3, Sz. 119: III. Allegro vivace | — | ||
| 49-1 | Fantaisie in F minor, op. 49 | — | ||
| 49-2 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 49-3 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | — | ||
| 49-4 | Waltz no. 7 in C-sharp minor, op. 64 no. 2 | — | ||
| 49-5 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: I. Grave - Doppio movimento | — | ||
| 49-6 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: II. Scherzo | — | ||
| 49-7 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 49-8 | Piano Sonata no. 2 in B-flat minor, op. 35 “Funeral March”: IV. Finale. Presto | — | ||
| 49-9 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 49-10 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 49-11 | Étude in A-flat major, op. 10 no. 10 | — | ||
| 49-12 | Étude in E minor, op. 25 no. 5 | — | ||
| 49-13 | Étude in F minor, op. 25 no. 2 | — | ||
| 49-14 | Étude in C minor, op. 10 no. 12 “Revolutionary” | — | ||
| 49-15 | Étude in G-flat major, op. 10 no. 5 “Black Keys” | — | ||
| 49-16 | Étude in G-flat major, op. 25 no. 9 “Butterfly” | — | ||
| 50-1 | Sonate pour piano No. 4 en si bémol majeur, KV 282 : I. Adagio | Samson François | — | |
| 50-2 | Sonate pour piano No. 4 en si bémol majeur, KV 282 : II. Menuetto I & II | Samson François | — | |
| 50-3 | Sonate pour piano No. 4 en si bémol majeur, KV 282 : III. Allegro | Samson François | — | |
| 50-4 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 50-5 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo | — | ||
| 50-6 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 50-7 | Kinderszene, op. 15 : I. Von fremde Ländern und Menschen | Samson François | — | |
| 50-8 | Kinderszene, op. 15 : II. Kuriose Geschichte | Samson François | — | |
| 50-9 | Kinderszene, op. 15 : III. Hasche-Mann | Samson François | — | |
| 50-10 | Kinderszene, op. 15 : IV. Bittendes Kind | Samson François | — | |
| 50-11 | Kinderszene, op. 15 : V. Glückes genug | Samson François | — | |
| 50-12 | Kinderszene, op. 15 : VI. Wichtige Begebeheit | Samson François | — | |
| 50-13 | Kinderszene, op. 15 : VII. Träumerei | Samson François | — | |
| 50-14 | Kinderszene, op. 15 : VIII. Am Kamin | Samson François | — | |
| 50-15 | Kinderszene, op. 15 : IX. Ritter vom Steckenpferd | Samson François | — | |
| 50-16 | Kinderszene, op. 15 : X. Fast zu ernst | Samson François | — | |
| 50-17 | Kinderszene, op. 15 : XI. Fürchtenmachen | Samson François | — | |
| 50-18 | Kinderszene, op. 15 : XII. Kind im Einschlummern | Samson François | — | |
| 50-19 | Kinderszene, op. 15 : XIII. Der Dichter spricht | Samson François | — | |
| 50-20 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto | — | ||
| 50-21 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso | — | ||
| 50-22 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | — | ||
| 50-23 | Le Rossignol | — | ||
| 50-24 | Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute” | — | ||
| 50-25 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 51-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 51-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 51-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro vivace | — | ||
| 51-4 | Piano Concerto no. 1 in E-flat major, S. 124: | — | ||
| 51-5 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 51-6 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 51-7 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 51-8 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 51-9 | Papillons, op. 2: No. 4, Presto | — | ||
| 51-10 | Papillons, op. 2: No. 5, Più andante | — | ||
| 51-11 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 51-12 | Papillons, op. 2: No. 7, Semplice | — | ||
| 51-13 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 51-14 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 51-15 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 51-16 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 51-17 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 51-18 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 51-19 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 51-20 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 51-21 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 51-22 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 51-23 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 51-24 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 51-25 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 51-26 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 51-27 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 51-28 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 51-29 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 51-30 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 51-31 | Polonaise no. 3 in A major, op. 40 no. 1 “Military” | — | ||
| 51-32 | Mazurka no. 5 in B-flat major, op. 7 no. 1 | — | ||
| 51-33 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 51-34 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 51-35 | Mazurka no. 20 in D-flat major, op. 30 no. 3 | — | ||
| 51-36 | Ballade no. 4 in F minor, op. 52 | — | ||
| 52-1 | Prélude, Choral et Fugue, FWV 21: I. Prélude | — | ||
| 52-2 | Prélude, Choral et Fugue, FWV 21: II. Choral | — | ||
| 52-3 | Prélude, Choral et Fugue, FWV 21: III. Fugue | — | ||
| 52-4 | Nocturne no. 6 in D-flat major, op. 63 | — | ||
| 52-5 | Impromptu no. 2 in F minor, op. 31 | — | ||
| 52-6 | Prélude no. 1, Danseuses de Delphes (Livre I, CD 125, L. 117) | — | ||
| 52-7 | Prélude no. 8, La fille aux cheveux de lin (Livre I, CD 125, L. 117) | — | ||
| 52-8 | Prélude no. 10, La cathédrale engloutie (Livre I, CD 125, L. 117) | — | ||
| 52-9 | Prélude no. 12, Feux d'artifice (Livre II, CD 131, L. 123) | — | ||
| 52-10 | Pour le piano, CD 95, L. 95: I. Prélude | — | ||
| 52-11 | Pour le piano, CD 95, L. 95: II. Sarabande | — | ||
| 52-12 | Pour le piano, CD 95, L. 95: III. Toccata | — | ||
| 53-1 | Piano Sonata no. 3, op. 14 “Concerto for piano without orchestra”: III. Quasi variazioni. Andantino de Clara Wieck | — | ||
| 53-2 | Papillons, op. 2: Introduzione. Moderato | — | ||
| 53-3 | Papillons, op. 2: No. 1, Allegro comodo | — | ||
| 53-4 | Papillons, op. 2: No. 2, Prestissimo | — | ||
| 53-5 | Papillons, op. 2: No. 3, Allegro molto | — | ||
| 53-6 | Papillons, op. 2: No. 4, Presto | — | ||
| 53-7 | Papillons, op. 2: No. 5, Più andante | — | ||
| 53-8 | Papillons, op. 2: No. 6, Allegro molto - Poco più tranquillo | — | ||
| 53-9 | Papillons, op. 2: No. 7, Semplice | — | ||
| 53-10 | Papillons, op. 2: No. 8, Allegro feroce - Poco meno mosso | — | ||
| 53-11 | Papillons, op. 2: No. 9, Prestissimo | — | ||
| 53-12 | Papillons, op. 2: No. 10, Vivo - Più lento | — | ||
| 53-13 | Papillons, op. 2: No. 11, Allegro maestoso - Più lento - In tempo | — | ||
| 53-14 | Papillons, op. 2: No. 12, Finale. Con brio - Più lento | — | ||
| 53-15 | Gaspard de la nuit, M. 55: I. Ondine | — | ||
| 53-16 | Gaspard de la nuit, M. 55: II. Le Gibet | — | ||
| 53-17 | Gaspard de la nuit, M. 55: III. Scarbo | — | ||
| 54-1 | Suite bergamasque, CD 82, L. 75: I. Prélude | — | ||
| 54-2 | Suite bergamasque, CD 82, L. 75: II. Meneut | — | ||
| 54-3 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | — | ||
| 54-4 | Suite bergamasque, CD 82, L. 75: IV. Passepied | — | ||
| 54-5 | Nocturne no. 3 in B major, op. 9 no. 3 | — | ||
| 54-6 | Scherzo no. 2 in B-flat minor, op. 31 | — | ||
| 54-7 | Grande valse brillante in E-flat major, op. 18 | — | ||
| 55-1 | Samson François, l'enchanteur du piano | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
