UPC · Release
Jaroussky
Last verified:
The UPC for “Passion” by Jaroussky is 0190295375553. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Erato. This release contains 52 tracks, each with its own ISRC. Tracks include GBAYC1402095, GBAYC0601627, FRX290701204.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri | Philippe Jaroussky, Ensemble Artaserse | — | |
| 2 | L’Ormindo: Atto II. “Che città” (Nerillo) | — | ||
| 3 | Arianna e Teseo: "Mira in cielo" (Alceste) | — | ||
| 4 | Semiramide riconosciuta: Atto II. "Se pietoso il tuo labbro" (Mirteo) | — | ||
| 5 | Giustino: “Vedro con mio diletto” (Anastasio) | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | T-035.040.106-7 | |
| 6 | Il Xerse: Atto I. "Ombra mai fu" (Xerse) | — | ||
| 7 | Niobe, regina di Tebe: Atto I. "Sfere amiche" (Anfione) | — | ||
| 8 | Gli amori d’Apollo e di Dafne: Atto III. "Misero Apollo" (Apollo) | — | ||
| 9 | Stabat Mater, RV 621: I. "Stabat Mater dolorosa" | — | ||
| 10 | Stabat Mater, RV 621: VII. "Eia Mater" | — | ||
| 11 | Confitebor tibi Domine, P. 66: V. "Sanctum et terribile nomen ejus" | — | ||
| 12 | L’Erismena: Atto II. "Uscitemi dal cor, lacrime amare" (Idraspe) | — | ||
| 13 | Stabat Mater, P. 77: X. "Fac ut portem Christi mortem" | — | ||
| 14 | Longe mala, umbrae, terrores, RV 629: I. "Longe mala, umbrae, terrores" | — | ||
| 15 | Nisi Dominus per contro-tenore, archi e basso continuo, RV 608: IV. Largo "Cum dederit delectis suis somnum" | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | — | |
| 16 | "Flow My Tears" | — | ||
| 17 | Here the Deities Approve | Philippe Jaroussky, L’Arpeggiata, Christina Pluhar | — | |
| 18 | O Solitude, My Sweetest Choice | Philippe Jaroussky, Christina Pluhar, L’Arpeggiata | — | |
| 19 | Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto) | — | ||
| 20 | Partenope, HWV 27: Atto II. "Furibondo spira il vento" (Arsace) | — | ||
| 21 | Partenope, HWV 27: Atto III. "Ch'io parta?" (Arsace) | — | ||
| 22 | Serse, HWV 40: Atto I. "Frondi tenere ... Ombra mai fu" (Serse) | — | ||
| 23 | Flavio, re de' Longobardi, HWV 16: Atto II. "Rompo i lacci" (Guido) | — | ||
| 24 | Ich habe genug, BWV 82: I. "Ich habe genug" | — | ||
| 25 | "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 | — | ||
| 26 | Jesus liegt in letzten Zügen, TWV 1:983: III. "Mein liebster Heiland" | — | ||
| 27 | L'Orfeo, SV 318: Atto I. "Rosa del Ciel" (Euridice, Orfeo) | — | ||
| 28 | Orfeo ed Euridice, Wq. 30: Atto III. "Che farò senza Euridice" (Orfeo) | — | ||
| 29 | "Du bist die Ruh", D. 776 | — | ||
| 30 | Schwanengesang, D. 957: IV. Ständchen | — | ||
| 31 | Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) [Transc. for Counter-Tenor, Chorus, String Quartet and Piano] | — | ||
| 32 | Colloque sentimental (Transc. for Counter-Tenor, String Quartet and Piano) | — | ||
| 33 | Les feuilles mortes | — | ||
| 34 | Polifemo: Atto II. "Placidetti zeffiretti" (Galatea, Polifemo) | — | ||
| 35 | Stabat Mater, P. 77: I. "Stabat Mater dolorosa" | — | ||
| 36 | L'Orfeo: Atto I. "Cara e amabile catena" (Euridice, Orfeo) | — | ||
| 37 | Giulio Cesare in Egitto, HWV 17: Atto I. "Son nata a lagrimar" (Cornelia, Sesto) | — | ||
| 38 | Motetti a due, tre et quattro voci, Libro 3: No. 21, "O intemerata" | Philippe Jaroussky | — | |
| 39 | Faramondo, HWV 39, Act 3: "Caro, cara, tu m'accendi" (Clotilde, Adolfo) | Philippe Jaroussky, I Barocchisti, Diego Fasolis | — | |
| 40 | Orfeo ed Euridice, Wq. 30: Atto III. "Vieni, appaga il tuo consorte ... Grande, o Numi" (Orfeo, Euridice) | — | ||
| 41 | Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno) | — | ||
| 42 | Niobe, regina di Tebe: Atto I. "Mia fiamma, mio ardore" (Anfione, Niobe) | — | ||
| 43 | Eritrea: Atto I. "O luci belle" (Laodicea, Theramene) | — | ||
| 44 | Magnificat in D major, BWV 243: VI. "Et misericordia" | Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 45 | L’incoronazione di Poppea, SV 308: Atto III. "Pur ti miro" (Neron, Popea) | — | ||
| 46 | Rêvons, c’est l’heure | — | ||
| 47 | Elégie | — | ||
| 48 | Violons dans le soir | — | ||
| 49 | "Viens, une flûte invisible soupire" | — | ||
| 50 | Chanson d’automne | Philippe Jaroussky, Jérôme Ducros, Quatuor Ébène | T-004.013.261-3 | |
| 51 | Cet air | — | ||
| 52 | Oh My Love | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0190295375553 is a Universal Product Code (UPC) assigned to Passion by Jaroussky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Passion” by Jaroussky is 0190295375553. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Erato. This release contains 52 tracks, each with its own ISRC. Tracks include GBAYC1402095, GBAYC0601627, FRX290701204.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri | Philippe Jaroussky, Ensemble Artaserse | — | |
| 2 | L’Ormindo: Atto II. “Che città” (Nerillo) | — | ||
| 3 | Arianna e Teseo: "Mira in cielo" (Alceste) | — | ||
| 4 | Semiramide riconosciuta: Atto II. "Se pietoso il tuo labbro" (Mirteo) | — | ||
| 5 | Giustino: “Vedro con mio diletto” (Anastasio) | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | T-035.040.106-7 | |
| 6 | Il Xerse: Atto I. "Ombra mai fu" (Xerse) | — | ||
| 7 | Niobe, regina di Tebe: Atto I. "Sfere amiche" (Anfione) | — | ||
| 8 | Gli amori d’Apollo e di Dafne: Atto III. "Misero Apollo" (Apollo) | — | ||
| 9 | Stabat Mater, RV 621: I. "Stabat Mater dolorosa" | — | ||
| 10 | Stabat Mater, RV 621: VII. "Eia Mater" | — | ||
| 11 | Confitebor tibi Domine, P. 66: V. "Sanctum et terribile nomen ejus" | — | ||
| 12 | L’Erismena: Atto II. "Uscitemi dal cor, lacrime amare" (Idraspe) | — | ||
| 13 | Stabat Mater, P. 77: X. "Fac ut portem Christi mortem" | — | ||
| 14 | Longe mala, umbrae, terrores, RV 629: I. "Longe mala, umbrae, terrores" | — | ||
| 15 | Nisi Dominus per contro-tenore, archi e basso continuo, RV 608: IV. Largo "Cum dederit delectis suis somnum" | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | — | |
| 16 | "Flow My Tears" | — | ||
| 17 | Here the Deities Approve | Philippe Jaroussky, L’Arpeggiata, Christina Pluhar | — | |
| 18 | O Solitude, My Sweetest Choice | Philippe Jaroussky, Christina Pluhar, L’Arpeggiata | — | |
| 19 | Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto) | — | ||
| 20 | Partenope, HWV 27: Atto II. "Furibondo spira il vento" (Arsace) | — | ||
| 21 | Partenope, HWV 27: Atto III. "Ch'io parta?" (Arsace) | — | ||
| 22 | Serse, HWV 40: Atto I. "Frondi tenere ... Ombra mai fu" (Serse) | — | ||
| 23 | Flavio, re de' Longobardi, HWV 16: Atto II. "Rompo i lacci" (Guido) | — | ||
| 24 | Ich habe genug, BWV 82: I. "Ich habe genug" | — | ||
| 25 | "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 | — | ||
| 26 | Jesus liegt in letzten Zügen, TWV 1:983: III. "Mein liebster Heiland" | — | ||
| 27 | L'Orfeo, SV 318: Atto I. "Rosa del Ciel" (Euridice, Orfeo) | — | ||
| 28 | Orfeo ed Euridice, Wq. 30: Atto III. "Che farò senza Euridice" (Orfeo) | — | ||
| 29 | "Du bist die Ruh", D. 776 | — | ||
| 30 | Schwanengesang, D. 957: IV. Ständchen | — | ||
| 31 | Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) [Transc. for Counter-Tenor, Chorus, String Quartet and Piano] | — | ||
| 32 | Colloque sentimental (Transc. for Counter-Tenor, String Quartet and Piano) | — | ||
| 33 | Les feuilles mortes | — | ||
| 34 | Polifemo: Atto II. "Placidetti zeffiretti" (Galatea, Polifemo) | — | ||
| 35 | Stabat Mater, P. 77: I. "Stabat Mater dolorosa" | — | ||
| 36 | L'Orfeo: Atto I. "Cara e amabile catena" (Euridice, Orfeo) | — | ||
| 37 | Giulio Cesare in Egitto, HWV 17: Atto I. "Son nata a lagrimar" (Cornelia, Sesto) | — | ||
| 38 | Motetti a due, tre et quattro voci, Libro 3: No. 21, "O intemerata" | Philippe Jaroussky | — | |
| 39 | Faramondo, HWV 39, Act 3: "Caro, cara, tu m'accendi" (Clotilde, Adolfo) | Philippe Jaroussky, I Barocchisti, Diego Fasolis | — | |
| 40 | Orfeo ed Euridice, Wq. 30: Atto III. "Vieni, appaga il tuo consorte ... Grande, o Numi" (Orfeo, Euridice) | — | ||
| 41 | Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno) | — | ||
| 42 | Niobe, regina di Tebe: Atto I. "Mia fiamma, mio ardore" (Anfione, Niobe) | — | ||
| 43 | Eritrea: Atto I. "O luci belle" (Laodicea, Theramene) | — | ||
| 44 | Magnificat in D major, BWV 243: VI. "Et misericordia" | Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 45 | L’incoronazione di Poppea, SV 308: Atto III. "Pur ti miro" (Neron, Popea) | — | ||
| 46 | Rêvons, c’est l’heure | — | ||
| 47 | Elégie | — | ||
| 48 | Violons dans le soir | — | ||
| 49 | "Viens, une flûte invisible soupire" | — | ||
| 50 | Chanson d’automne | Philippe Jaroussky, Jérôme Ducros, Quatuor Ébène | T-004.013.261-3 | |
| 51 | Cet air | — | ||
| 52 | Oh My Love | — |
