Passion

UPC · Release

Passion

Jaroussky

0190295375553
52 tracksReleased 2019-01-01Erato

Last verified:

0190295375553 is the Universal Product Code (UPC barcode) for the release Passion by Jaroussky, released 2019-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBAYC1402095, GBAYC0601627, FRX290701204.

Format

019GS1 prefix
0295Company prefix
37555Product
3Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPassion
ISRC9 recordings
ISWC5 works
IPI2 songwriters

Track List (52)

Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri
Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri
Philippe Jaroussky, Ensemble Artaserse
L’Ormindo: Atto II. “Che città” (Nerillo)
L’Ormindo: Atto II. “Che città” (Nerillo)
Arianna e Teseo: "Mira in cielo" (Alceste)
Arianna e Teseo: "Mira in cielo" (Alceste)
Semiramide riconosciuta: Atto II. "Se pietoso il tuo labbro" (Mirteo)
Semiramide riconosciuta: Atto II. "Se pietoso il tuo labbro" (Mirteo)
Giustino: “Vedro con mio diletto” (Anastasio)
Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi
Il Xerse: Atto I. "Ombra mai fu" (Xerse)
Il Xerse: Atto I. "Ombra mai fu" (Xerse)
Niobe, regina di Tebe: Atto I. "Sfere amiche" (Anfione)
Niobe, regina di Tebe: Atto I. "Sfere amiche" (Anfione)
Gli amori d’Apollo e di Dafne: Atto III. "Misero Apollo" (Apollo)
Gli amori d’Apollo e di Dafne: Atto III. "Misero Apollo" (Apollo)
Stabat Mater, RV 621: I. "Stabat Mater dolorosa"
Stabat Mater, RV 621: I. "Stabat Mater dolorosa"
Stabat Mater, RV 621: VII. "Eia Mater"
Stabat Mater, RV 621: VII. "Eia Mater"
Confitebor tibi Domine, P. 66: V. "Sanctum et terribile nomen ejus"
Confitebor tibi Domine, P. 66: V. "Sanctum et terribile nomen ejus"
L’Erismena: Atto II. "Uscitemi dal cor, lacrime amare" (Idraspe)
L’Erismena: Atto II. "Uscitemi dal cor, lacrime amare" (Idraspe)
Stabat Mater, P. 77: X. "Fac ut portem Christi mortem"
Stabat Mater, P. 77: X. "Fac ut portem Christi mortem"
Longe mala, umbrae, terrores, RV 629: I. "Longe mala, umbrae, terrores"
Longe mala, umbrae, terrores, RV 629: I. "Longe mala, umbrae, terrores"
Nisi Dominus per contro-tenore, archi e basso continuo, RV 608: IV. Largo "Cum dederit delectis suis somnum"
Nisi Dominus per contro-tenore, archi e basso continuo, RV 608: IV. Largo "Cum dederit delectis suis somnum"
Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi
"Flow My Tears"
"Flow My Tears"
Here the Deities Approve
Here the Deities Approve
Philippe Jaroussky, L’Arpeggiata, Christina Pluhar
O Solitude, My Sweetest Choice
O Solitude, My Sweetest Choice
Philippe Jaroussky, Christina Pluhar, L’Arpeggiata
Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto)
Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto)
Partenope, HWV 27: Atto II. "Furibondo spira il vento" (Arsace)
Partenope, HWV 27: Atto II. "Furibondo spira il vento" (Arsace)
Partenope, HWV 27: Atto III. "Ch'io parta?" (Arsace)
Partenope, HWV 27: Atto III. "Ch'io parta?" (Arsace)
Serse, HWV 40: Atto I. "Frondi tenere ... Ombra mai fu" (Serse)
Serse, HWV 40: Atto I. "Frondi tenere ... Ombra mai fu" (Serse)
Flavio, re de' Longobardi, HWV 16: Atto II. "Rompo i lacci" (Guido)
Flavio, re de' Longobardi, HWV 16: Atto II. "Rompo i lacci" (Guido)
Ich habe genug, BWV 82: I. "Ich habe genug"
Ich habe genug, BWV 82: I. "Ich habe genug"
"Komm, süsser Tod, komm, sel'ge Ruh", BWV 478
"Komm, süsser Tod, komm, sel'ge Ruh", BWV 478
Jesus liegt in letzten Zügen, TWV 1:983: III. "Mein liebster Heiland"
Jesus liegt in letzten Zügen, TWV 1:983: III. "Mein liebster Heiland"
L'Orfeo, SV 318: Atto I. "Rosa del Ciel" (Euridice, Orfeo)
L'Orfeo, SV 318: Atto I. "Rosa del Ciel" (Euridice, Orfeo)
Orfeo ed Euridice, Wq. 30: Atto III. "Che farò senza Euridice" (Orfeo)
Orfeo ed Euridice, Wq. 30: Atto III. "Che farò senza Euridice" (Orfeo)
"Du bist die Ruh", D. 776
"Du bist die Ruh", D. 776
Schwanengesang, D. 957: IV. Ständchen
Schwanengesang, D. 957: IV. Ständchen
Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) [Transc. for Counter-Tenor, Chorus, String Quartet and Piano]
Fisch-Ton-Kan, D. 23: "Qui je suis, qui je suis" (Fisch-Ton-Kan) [Transc. for Counter-Tenor, Chorus, String Quartet and Piano]
Colloque sentimental (Transc. for Counter-Tenor, String Quartet and Piano)
Colloque sentimental (Transc. for Counter-Tenor, String Quartet and Piano)
Les feuilles mortes
Les feuilles mortes
Polifemo: Atto II. "Placidetti zeffiretti" (Galatea, Polifemo)
Polifemo: Atto II. "Placidetti zeffiretti" (Galatea, Polifemo)
Stabat Mater, P. 77: I. "Stabat Mater dolorosa"
Stabat Mater, P. 77: I. "Stabat Mater dolorosa"
L'Orfeo: Atto I. "Cara e amabile catena" (Euridice, Orfeo)
L'Orfeo: Atto I. "Cara e amabile catena" (Euridice, Orfeo)
Giulio Cesare in Egitto, HWV 17: Atto I. "Son nata a lagrimar" (Cornelia, Sesto)
Giulio Cesare in Egitto, HWV 17: Atto I. "Son nata a lagrimar" (Cornelia, Sesto)
Motetti a due, tre et quattro voci, Libro 3: No. 21, "O intemerata"
Motetti a due, tre et quattro voci, Libro 3: No. 21, "O intemerata"
Philippe Jaroussky
Faramondo, HWV 39, Act 3: "Caro, cara, tu m'accendi" (Clotilde, Adolfo)
Faramondo, HWV 39, Act 3: "Caro, cara, tu m'accendi" (Clotilde, Adolfo)
Philippe Jaroussky, I Barocchisti, Diego Fasolis
Orfeo ed Euridice, Wq. 30: Atto III. "Vieni, appaga il tuo consorte ... Grande, o Numi" (Orfeo, Euridice)
Orfeo ed Euridice, Wq. 30: Atto III. "Vieni, appaga il tuo consorte ... Grande, o Numi" (Orfeo, Euridice)
Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno)
Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno)
Niobe, regina di Tebe: Atto I. "Mia fiamma, mio ardore" (Anfione, Niobe)
Niobe, regina di Tebe: Atto I. "Mia fiamma, mio ardore" (Anfione, Niobe)
Eritrea: Atto I. "O luci belle" (Laodicea, Theramene)
Eritrea: Atto I. "O luci belle" (Laodicea, Theramene)
Magnificat in D major, BWV 243: VI. "Et misericordia"
Magnificat in D major, BWV 243: VI. "Et misericordia"
Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm
L’incoronazione di Poppea, SV 308: Atto III. "Pur ti miro" (Neron, Popea)
L’incoronazione di Poppea, SV 308: Atto III. "Pur ti miro" (Neron, Popea)
Rêvons, c’est l’heure
Rêvons, c’est l’heure
Elégie
Elégie
Violons dans le soir
Violons dans le soir
"Viens, une flûte invisible soupire"
"Viens, une flûte invisible soupire"
Chanson d’automne
Philippe Jaroussky, Jérôme Ducros, Quatuor Ébène
Cet air
Cet air
Oh My Love
Oh My Love

Identifier Graph

UPCPassionISRCFiliae maestae …ISRCGiustino: “Vedr…

People also ask

What is UPC 0190295375553?
UPC 0190295375553 is the Universal Product Code (barcode) for "Passion" by Jaroussky, released on Erato.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 0190295375553?
UPC 0190295375553 contains 52 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 0190295375553?

0190295375553 is a Universal Product Code (UPC) assigned to Passion by Jaroussky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm