UPC · Release
Charles Munch
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The UPC for “The Complete Recordings on Warner Classics” by Charles Munch is 0190295611989. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Warner Classics. This release contains 134 tracks, each with its own ISRC. Tracks include FRZ206703501, FRZ206703502, FRZ206703503.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie fantastique, op. 14a: I. Rêveries – Passions | — | ||
| 2 | Symphonie fantastique, op. 14a: Un bal | — | ||
| 3 | Symphonie fantastique, op. 14a: Scène aux champs | — | ||
| 4 | Symphonie fantastique, op. 14a: Marche au supplice | — | ||
| 5 | Symphonie fantastique, op. 14a: Songe d’une nuit de sabbat | — | ||
| 6 | Daphnis et Chloé, Suite no. 2, M. 57b: I. Lever du jour | — | ||
| 7 | Daphnis et Chloé, Suite no. 2, M. 57b: II. Pantomime | — | ||
| 8 | Daphnis et Chloé, Suite no. 2, M. 57b: III. Danse générale | — | ||
| 2-1 | Pavane pour une infante défunte, M. 19 | — | ||
| 2-2 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 2-3 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 2-4 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 2-5 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 2-6 | Piano Concerto in G Major, M. 83: I. Allegramente | — | ||
| 2-7 | Piano Concerto in G Major, M. 83: II. Adagio assai | — | ||
| 2-8 | Piano Concerto in G Major, M. 83: III. Presto | — | ||
| 2-9 | Boléro, M. 81 | — | ||
| 3-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 3-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 3-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 3-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo | — | ||
| 3-5 | Symphony no. 2 in D major, H. 153: I. Molto moderato – Allegro | — | ||
| 3-6 | Symphony no. 2 in D major, H. 153: II. Adagio mesto | — | ||
| 3-7 | Symphony no. 2 in D major, H. 153: III. Vivace, non troppo presto | — | ||
| 4-1 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | — | ||
| 4-2 | Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | — | ||
| 4-3 | Cello Concerto No. 1 in A Minor, Op. 33: III. Molto allegro | — | ||
| 4-4 | Cello Concerto in D Minor: I. Prélude - Allegro maestoso | — | ||
| 4-5 | Cello Concerto in D Minor: II. Intermezzo | — | ||
| 4-6 | Cello Concerto in D Minor: III. Introduction - Rondo | — | ||
| 5-1 | Suite in F Major, Op. 33: I. Prélude | — | ||
| 5-2 | Suite in F Major, Op. 33: II. Sarabande | — | ||
| 5-3 | Suite in F Major, Op. 33: III. Gigue | — | ||
| 5-4 | Symphony No. 3 in G Minor, Op. 42, L. 53: I. Allegro vivo | — | ||
| 5-5 | Symphony No. 3 in G Minor, Op. 42, L. 53: II. Adagio | — | ||
| 5-6 | Symphony No. 3 in G Minor, Op. 42, L. 53: III. Vivace | — | ||
| 5-7 | Symphony No. 3 in G Minor, Op. 42, L. 53: IV. Allegro con spirito | — | ||
| 5-8 | Symphony No. 4 in A Major, Op. 53, L. 67: I. Lento - Allegro con brio | — | ||
| 5-9 | Symphony No. 4 in A Major, Op. 53, L. 67: II. Lento molto | — | ||
| 5-10 | Symphony No. 4 in A Major, Op. 53, L. 67: III. Allegro scherzando | — | ||
| 5-11 | Symphony No. 4 in A Major, Op. 53, L. 67: IV. Allegro molto | — | ||
| 6-1 | Symphony No. 2, "Le double": I. Animato ma misterioso | — | ||
| 6-2 | Symphony No. 2, "Le double": II. Andante sostenuto | — | ||
| 6-3 | Symphony No. 2, "Le double": III. Allegro fuocoso - Calmato | — | ||
| 6-4 | Métaboles: Incantatoire | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-5 | Métaboles: Lineaire | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-6 | Métaboles: Obsessionel | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-7 | Métaboles: Torpide | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-8 | Métaboles: Flamboyant | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-9 | Symphony no. 4 ‘Deliciae Basilensis’: Lento misterioso | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-10 | Symphony no. 4 ‘Deliciae Basilensis’: Larghetto | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-11 | Symphony no. 4 ‘Deliciae Basilensis’: Allegro | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 7-1 | Piano Concerto No. 4 in C Minor, Op. 44: I. Allegro moderato - Andante | — | ||
| 7-2 | Piano Concerto No. 4 in C Minor, Op. 44: II. Allegro vivace - Andante - Allegro | — | ||
| 7-3 | Violin Concerto in D Major, Op. 3 No. 9, RV 230: I. Allegro (Arr. Dandelot) | — | ||
| 7-4 | Violin Concerto in D Major, Op. 3 No. 9, RV 230: II. Larghetto (Arr. Dandelot) | — | ||
| 7-5 | Violin Concerto in D Major, Op. 3 No. 9, RV 230: III. Finale (Arr. Dandelot) | — | ||
| 7-6 | Violin Concerto No. 7 in D Major, K. 271a/K. 271i: I. Allegro maestoso (Cadenza by Enescu) | — | ||
| 7-7 | Violin Concerto No. 7 in D Major, K. 271a/K. 271i: II. Andante | — | ||
| 7-8 | Violin Concerto No. 7 in D Major, K. 271a/K. 271i: III. Allegro (Cadenza by Enescu) | — | ||
| 7-9 | Berceuse in D Major, Op. 16 | — | ||
| 8-1 | Violin Concerto in A Minor: I. Allegro deciso | — | ||
| 8-2 | Violin Concerto in A Minor: II. Andante | — | ||
| 8-3 | Violin Concerto in A Minor: III. Deciso | — | ||
| 8-4 | Piano Concerto for the Left Hand in D Major, M. 82 | — | ||
| 8-5 | Violin Concerto No. 5 in A Major, K. 219: I. Allegro aperto | — | ||
| 8-6 | Violin Concerto No. 5 in A Major, K. 219: II. Adagio | — | ||
| 8-7 | Violin Concerto No. 5 in A Major, K. 219: III. Rondeau. Tempo di minuetto | — | ||
| 9-1 | La danse des morts, H. 131: I. Dialogue | — | ||
| 9-2 | La danse des morts, H. 131: II. Danse des morts | — | ||
| 9-3 | La danse des morts, H. 131: III. Lamento | — | ||
| 9-4 | La danse des morts, H. 131: IV. Sanglots | — | ||
| 9-5 | La danse des morts, H. 131: V. La réponse de Dieu (Excerpt) | — | ||
| 9-6 | La danse des morts, H. 131: VI. Espérance dans la Croix | — | ||
| 9-7 | La danse des morts, H. 131: VII. Affirmation | — | ||
| 9-8 | Symphony No. 2 in D Major, H. 153: I. Molto moderato - Allegro | — | ||
| 9-9 | Symphony No. 2 in D Major, H. 153: II. Adagio mesto | — | ||
| 9-10 | Symphony No. 2 in D Major, H. 153: III. Vivace, non troppo presto | — | ||
| 9-11 | Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 9-12 | Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo - Tempo I | — | ||
| 9-13 | Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco - Molto meno mosso - Allegro vivo | — | ||
| 11-1 | Cendrillon ou La pantoufle de vair: I. Danse des négrillons | — | ||
| 11-2 | Cendrillon ou La pantoufle de vair: II Apothéose | — | ||
| 11-3 | Sérénade concertante: I. Allegro | — | ||
| 11-4 | Sérénade concertante: II. Andante | — | ||
| 11-5 | Sérénade concertante: III. Capriccio | — | ||
| 11-6 | Rapsodia portuguesa: I. Ampio a sostenuto | — | ||
| 11-7 | Rapsodia portuguesa: II. Allegretto vivace | — | ||
| 11-8 | Rapsodia portuguesa: III. Andante | — | ||
| 11-9 | Rapsodia portuguesa: IV. Allegretto vivace | — | ||
| 11-10 | Rapsodia portuguesa: V. Vivo con allegrezza | — | ||
| 11-11 | Rapsodia portuguesa: VI. Andantino | — | ||
| 11-12 | Rapsodia portuguesa: VII. Allegro brioso | — | ||
| 11-13 | Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | — | ||
| 11-14 | Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio | — | ||
| 11-15 | Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace - Allegro animato | — | ||
| 11-16 | Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato | — | ||
| 11-17 | Meine Seele rühmt und preist, BWV 189: I. "Meine Seele rühmt und preist" (Formerly attrib. to J.S. Bach) | — | ||
| 11-18 | Meine Seele rühmt und preist, BWV 189: II. "Denn seh' ich mich und auch mein Leben an" (Formerly attrib. to J.S. Bach) | — | ||
| 11-19 | Meine Seele rühmt und preist, BWV 189: III. "Gott hat sich hoch gesetzet" (Formerly attrib. to J.S. Bach) | — | ||
| 11-20 | Meine Seele rühmt und preist, BWV 189: IV. "O wass vor grosse Dinge treff ich an allen Orten an" (Formerly attrib. to J.S. Bach) | — | ||
| 11-21 | Meine Seele rühmt und preist, BWV 189: V. "Deine Güte, dein Erbarmen" (Formerly attrib. to J.S. Bach) | — | ||
| 11-22 | Pavane pour une infante défunte, M. 19 | — | ||
| 12-1 | Piano Concerto No. 20 in D Minor, K. 466: I. Allegro | — | ||
| 12-2 | Piano Concerto No. 20 in D Minor, K. 466: II. Romance | — | ||
| 12-3 | Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) | — | ||
| 12-4 | La Mer, L. 111a: I. De l'aube à midi sur la mer | — | ||
| 12-5 | La Mer, L. 111a: II. Jeux de vagues | — | ||
| 12-6 | La Mer, L. 111a: III. Dialogue du vent et de la mer | — | ||
| 12-7 | La Valse, M. 72 | — | ||
| 12-8 | Piano Concerto for the Left Hand in D Major, M. 82 | — | ||
| 13-1 | Le cercle des heures: I. Prélude | — | ||
| 13-2 | Le cercle des heures: II. Son nom | — | ||
| 13-3 | Le cercle des heures: III. Doute | — | ||
| 13-4 | Le cercle des heures: IV. Renouveau | — | ||
| 13-5 | Le cercle des heures: V. Si j'étais une luciole | — | ||
| 13-6 | Le cercle des heures: VI. Deux étoiles | — | ||
| 13-7 | Le cercle des heures: VII. Baiser | — | ||
| 13-8 | Le cercle des heures: VIII. Postlude | — | ||
| 13-9 | Nuit | — | ||
| 13-10 | Les trois complaintes du soldat: I. Complainte du soldat vaincu | — | ||
| 13-11 | Les trois complaintes du soldat: II. Complainte du pont de Gien | — | ||
| 13-12 | Les trois complaintes du soldat: III. Complainte à Dieu | — | ||
| 13-13 | Habanera | — | ||
| 13-14 | Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": I. Allegro | — | ||
| 13-15 | Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": II. Adagio un poco mosso | — | ||
| 13-16 | Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": III. Rondo. Allegro | — | ||
| 14-1 | La nuit ensorcelée: Tableau 1 (Orch. Aubert) | — | ||
| 14-2 | La nuit ensorcelée: Tableau 2 (Excerpts) [Orch. Aubert] | — | ||
| 14-3 | Symphonie fantastique, op. 14, H. 48: I. Rêveries – Passions | — | ||
| 14-4 | Symphonie fantastique, op. 14, H. 48: II. Un bal | — | ||
| 14-5 | Symphonie fantastique, op. 14, H. 48: III. Scène aux champs | — | ||
| 14-6 | Symphonie fantastique, op. 14, H. 48: IV. Marche au supplice | — | ||
| 14-7 | Symphonie fantastique, op. 14, H. 48: V. Songe d’une nuit de Sabbat | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0190295611989 is a Universal Product Code (UPC) assigned to The Complete Recordings on Warner Classics by Charles Munch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 134 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Recordings on Warner Classics” by Charles Munch is 0190295611989. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Warner Classics. This release contains 134 tracks, each with its own ISRC. Tracks include FRZ206703501, FRZ206703502, FRZ206703503.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie fantastique, op. 14a: I. Rêveries – Passions | — | ||
| 2 | Symphonie fantastique, op. 14a: Un bal | — | ||
| 3 | Symphonie fantastique, op. 14a: Scène aux champs | — | ||
| 4 | Symphonie fantastique, op. 14a: Marche au supplice | — | ||
| 5 | Symphonie fantastique, op. 14a: Songe d’une nuit de sabbat | — | ||
| 6 | Daphnis et Chloé, Suite no. 2, M. 57b: I. Lever du jour | — | ||
| 7 | Daphnis et Chloé, Suite no. 2, M. 57b: II. Pantomime | — | ||
| 8 | Daphnis et Chloé, Suite no. 2, M. 57b: III. Danse générale | — | ||
| 2-1 | Pavane pour une infante défunte, M. 19 | — | ||
| 2-2 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 2-3 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 2-4 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 2-5 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 2-6 | Piano Concerto in G Major, M. 83: I. Allegramente | — | ||
| 2-7 | Piano Concerto in G Major, M. 83: II. Adagio assai | — | ||
| 2-8 | Piano Concerto in G Major, M. 83: III. Presto | — | ||
| 2-9 | Boléro, M. 81 | — | ||
| 3-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 3-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 3-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 3-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo | — | ||
| 3-5 | Symphony no. 2 in D major, H. 153: I. Molto moderato – Allegro | — | ||
| 3-6 | Symphony no. 2 in D major, H. 153: II. Adagio mesto | — | ||
| 3-7 | Symphony no. 2 in D major, H. 153: III. Vivace, non troppo presto | — | ||
| 4-1 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | — | ||
| 4-2 | Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | — | ||
| 4-3 | Cello Concerto No. 1 in A Minor, Op. 33: III. Molto allegro | — | ||
| 4-4 | Cello Concerto in D Minor: I. Prélude - Allegro maestoso | — | ||
| 4-5 | Cello Concerto in D Minor: II. Intermezzo | — | ||
| 4-6 | Cello Concerto in D Minor: III. Introduction - Rondo | — | ||
| 5-1 | Suite in F Major, Op. 33: I. Prélude | — | ||
| 5-2 | Suite in F Major, Op. 33: II. Sarabande | — | ||
| 5-3 | Suite in F Major, Op. 33: III. Gigue | — | ||
| 5-4 | Symphony No. 3 in G Minor, Op. 42, L. 53: I. Allegro vivo | — | ||
| 5-5 | Symphony No. 3 in G Minor, Op. 42, L. 53: II. Adagio | — | ||
| 5-6 | Symphony No. 3 in G Minor, Op. 42, L. 53: III. Vivace | — | ||
| 5-7 | Symphony No. 3 in G Minor, Op. 42, L. 53: IV. Allegro con spirito | — | ||
| 5-8 | Symphony No. 4 in A Major, Op. 53, L. 67: I. Lento - Allegro con brio | — | ||
| 5-9 | Symphony No. 4 in A Major, Op. 53, L. 67: II. Lento molto | — | ||
| 5-10 | Symphony No. 4 in A Major, Op. 53, L. 67: III. Allegro scherzando | — | ||
| 5-11 | Symphony No. 4 in A Major, Op. 53, L. 67: IV. Allegro molto | — | ||
| 6-1 | Symphony No. 2, "Le double": I. Animato ma misterioso | — | ||
| 6-2 | Symphony No. 2, "Le double": II. Andante sostenuto | — | ||
| 6-3 | Symphony No. 2, "Le double": III. Allegro fuocoso - Calmato | — | ||
| 6-4 | Métaboles: Incantatoire | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-5 | Métaboles: Lineaire | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-6 | Métaboles: Obsessionel | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-7 | Métaboles: Torpide | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-8 | Métaboles: Flamboyant | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-9 | Symphony no. 4 ‘Deliciae Basilensis’: Lento misterioso | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-10 | Symphony no. 4 ‘Deliciae Basilensis’: Larghetto | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 6-11 | Symphony no. 4 ‘Deliciae Basilensis’: Allegro | Orchestre National de l’O.R.T.F., Charles Münch | — | |
| 7-1 | Piano Concerto No. 4 in C Minor, Op. 44: I. Allegro moderato - Andante | — | ||
| 7-2 | Piano Concerto No. 4 in C Minor, Op. 44: II. Allegro vivace - Andante - Allegro | — | ||
| 7-3 | Violin Concerto in D Major, Op. 3 No. 9, RV 230: I. Allegro (Arr. Dandelot) | — | ||
| 7-4 | Violin Concerto in D Major, Op. 3 No. 9, RV 230: II. Larghetto (Arr. Dandelot) | — | ||
| 7-5 | Violin Concerto in D Major, Op. 3 No. 9, RV 230: III. Finale (Arr. Dandelot) | — | ||
| 7-6 | Violin Concerto No. 7 in D Major, K. 271a/K. 271i: I. Allegro maestoso (Cadenza by Enescu) | — | ||
| 7-7 | Violin Concerto No. 7 in D Major, K. 271a/K. 271i: II. Andante | — | ||
| 7-8 | Violin Concerto No. 7 in D Major, K. 271a/K. 271i: III. Allegro (Cadenza by Enescu) | — | ||
| 7-9 | Berceuse in D Major, Op. 16 | — | ||
| 8-1 | Violin Concerto in A Minor: I. Allegro deciso | — | ||
| 8-2 | Violin Concerto in A Minor: II. Andante | — | ||
| 8-3 | Violin Concerto in A Minor: III. Deciso | — | ||
| 8-4 | Piano Concerto for the Left Hand in D Major, M. 82 | — | ||
| 8-5 | Violin Concerto No. 5 in A Major, K. 219: I. Allegro aperto | — | ||
| 8-6 | Violin Concerto No. 5 in A Major, K. 219: II. Adagio | — | ||
| 8-7 | Violin Concerto No. 5 in A Major, K. 219: III. Rondeau. Tempo di minuetto | — | ||
| 9-1 | La danse des morts, H. 131: I. Dialogue | — | ||
| 9-2 | La danse des morts, H. 131: II. Danse des morts | — | ||
| 9-3 | La danse des morts, H. 131: III. Lamento | — | ||
| 9-4 | La danse des morts, H. 131: IV. Sanglots | — | ||
| 9-5 | La danse des morts, H. 131: V. La réponse de Dieu (Excerpt) | — | ||
| 9-6 | La danse des morts, H. 131: VI. Espérance dans la Croix | — | ||
| 9-7 | La danse des morts, H. 131: VII. Affirmation | — | ||
| 9-8 | Symphony No. 2 in D Major, H. 153: I. Molto moderato - Allegro | — | ||
| 9-9 | Symphony No. 2 in D Major, H. 153: II. Adagio mesto | — | ||
| 9-10 | Symphony No. 2 in D Major, H. 153: III. Vivace, non troppo presto | — | ||
| 9-11 | Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 9-12 | Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo - Tempo I | — | ||
| 9-13 | Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco - Molto meno mosso - Allegro vivo | — | ||
| 11-1 | Cendrillon ou La pantoufle de vair: I. Danse des négrillons | — | ||
| 11-2 | Cendrillon ou La pantoufle de vair: II Apothéose | — | ||
| 11-3 | Sérénade concertante: I. Allegro | — | ||
| 11-4 | Sérénade concertante: II. Andante | — | ||
| 11-5 | Sérénade concertante: III. Capriccio | — | ||
| 11-6 | Rapsodia portuguesa: I. Ampio a sostenuto | — | ||
| 11-7 | Rapsodia portuguesa: II. Allegretto vivace | — | ||
| 11-8 | Rapsodia portuguesa: III. Andante | — | ||
| 11-9 | Rapsodia portuguesa: IV. Allegretto vivace | — | ||
| 11-10 | Rapsodia portuguesa: V. Vivo con allegrezza | — | ||
| 11-11 | Rapsodia portuguesa: VI. Andantino | — | ||
| 11-12 | Rapsodia portuguesa: VII. Allegro brioso | — | ||
| 11-13 | Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | — | ||
| 11-14 | Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio | — | ||
| 11-15 | Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace - Allegro animato | — | ||
| 11-16 | Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato | — | ||
| 11-17 | Meine Seele rühmt und preist, BWV 189: I. "Meine Seele rühmt und preist" (Formerly attrib. to J.S. Bach) | — | ||
| 11-18 | Meine Seele rühmt und preist, BWV 189: II. "Denn seh' ich mich und auch mein Leben an" (Formerly attrib. to J.S. Bach) | — | ||
| 11-19 | Meine Seele rühmt und preist, BWV 189: III. "Gott hat sich hoch gesetzet" (Formerly attrib. to J.S. Bach) | — | ||
| 11-20 | Meine Seele rühmt und preist, BWV 189: IV. "O wass vor grosse Dinge treff ich an allen Orten an" (Formerly attrib. to J.S. Bach) | — | ||
| 11-21 | Meine Seele rühmt und preist, BWV 189: V. "Deine Güte, dein Erbarmen" (Formerly attrib. to J.S. Bach) | — | ||
| 11-22 | Pavane pour une infante défunte, M. 19 | — | ||
| 12-1 | Piano Concerto No. 20 in D Minor, K. 466: I. Allegro | — | ||
| 12-2 | Piano Concerto No. 20 in D Minor, K. 466: II. Romance | — | ||
| 12-3 | Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) | — | ||
| 12-4 | La Mer, L. 111a: I. De l'aube à midi sur la mer | — | ||
| 12-5 | La Mer, L. 111a: II. Jeux de vagues | — | ||
| 12-6 | La Mer, L. 111a: III. Dialogue du vent et de la mer | — | ||
| 12-7 | La Valse, M. 72 | — | ||
| 12-8 | Piano Concerto for the Left Hand in D Major, M. 82 | — | ||
| 13-1 | Le cercle des heures: I. Prélude | — | ||
| 13-2 | Le cercle des heures: II. Son nom | — | ||
| 13-3 | Le cercle des heures: III. Doute | — | ||
| 13-4 | Le cercle des heures: IV. Renouveau | — | ||
| 13-5 | Le cercle des heures: V. Si j'étais une luciole | — | ||
| 13-6 | Le cercle des heures: VI. Deux étoiles | — | ||
| 13-7 | Le cercle des heures: VII. Baiser | — | ||
| 13-8 | Le cercle des heures: VIII. Postlude | — | ||
| 13-9 | Nuit | — | ||
| 13-10 | Les trois complaintes du soldat: I. Complainte du soldat vaincu | — | ||
| 13-11 | Les trois complaintes du soldat: II. Complainte du pont de Gien | — | ||
| 13-12 | Les trois complaintes du soldat: III. Complainte à Dieu | — | ||
| 13-13 | Habanera | — | ||
| 13-14 | Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": I. Allegro | — | ||
| 13-15 | Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": II. Adagio un poco mosso | — | ||
| 13-16 | Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": III. Rondo. Allegro | — | ||
| 14-1 | La nuit ensorcelée: Tableau 1 (Orch. Aubert) | — | ||
| 14-2 | La nuit ensorcelée: Tableau 2 (Excerpts) [Orch. Aubert] | — | ||
| 14-3 | Symphonie fantastique, op. 14, H. 48: I. Rêveries – Passions | — | ||
| 14-4 | Symphonie fantastique, op. 14, H. 48: II. Un bal | — | ||
| 14-5 | Symphonie fantastique, op. 14, H. 48: III. Scène aux champs | — | ||
| 14-6 | Symphonie fantastique, op. 14, H. 48: IV. Marche au supplice | — | ||
| 14-7 | Symphonie fantastique, op. 14, H. 48: V. Songe d’une nuit de Sabbat | — |
