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Michel Dalberto: The Making of a Musician - Complete Erato Recordings
Michel Dalberto
0190295612085
257 tracksReleased 2018-01-01Erato
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0190295612085 is the Universal Product Code (UPC barcode) for the release “Michel Dalberto: The Making of a Musician - Complete Erato Recordings” by Michel Dalberto, released 2018-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 257 tracks, each with its own ISRC.
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UPCMichel Dalberto: The Making of a Musician - Complete Erato Recordings
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Track List (257)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro | — | ||
| 2 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio | — | ||
| 3 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto - Allegretto | — | ||
| 4 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 5 | Piano Sonata No. 4 in E-Flat Major, Op. 7: I. Allegro molto e con brio | — | ||
| 6 | Piano Sonata No. 4 in E-Flat Major, Op. 7: II. Largo, con gran espressione | — | ||
| 7 | Piano Sonata No. 4 in E-Flat Major, Op. 7: III. Allegro | — | ||
| 8 | Piano Sonata No. 4 in E-Flat Major, Op. 7: IV. Rondo - Poco allegretto e grazioso | — | ||
| 9 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 10 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 11 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: III. Finale - Prestissimo | — | ||
| 12 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro | — | ||
| 13 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto | — | ||
| 14 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto | — | ||
| 2-1 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 2-2 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 2-3 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo - Allegro | — | ||
| 2-4 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo - Grazioso | — | ||
| 2-5 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 2-6 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: II. Adagio | — | ||
| 2-7 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo - Allegro | — | ||
| 2-8 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 2-9 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto | — | ||
| 2-10 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 2-11 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto - Allegro | — | ||
| 2-12 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo - Allegro | — | ||
| 3-1 | Piano Sonata No. 17 in D Major, D. 850: I. Allegro | — | ||
| 3-2 | Piano Sonata No. 17 in D Major, D. 850: II. Con moto | — | ||
| 3-3 | Piano Sonata No. 17 in D Major, D. 850: III. Scherzo - Allegro vivace | — | ||
| 3-4 | Piano Sonata No. 17 in D Major, D. 850: IV. Rondo - Allegro moderato | — | ||
| 3-5 | Piano Sonata No. 15 in C Major, D. 840, "Reliquie": I. Moderato | — | ||
| 3-6 | Piano Sonata No. 15 in C Major, D. 840, "Reliquie": II. Andante | — | ||
| 4-1 | Piano Sonata No. 20 in A Major, D. 959: I. Allegro | — | ||
| 4-2 | Piano Sonata No. 20 in A Major, D. 959: II. Andantino | — | ||
| 4-3 | Piano Sonata No. 20 in A Major, D. 959: III. Scherzo - Allegro vivace | — | ||
| 4-4 | Piano Sonata No. 20 in A Major, D. 959: IV. Rondo - Allegretto | — | ||
| 4-5 | 3 Klavierstücke, D. 946: No. 1, in E-Flat Minor | — | ||
| 4-6 | 3 Klavierstücke, D. 946: No. 2, in E-Flat Major | — | ||
| 5-1 | Abegg Variations, Op. 1: I. Thema | — | ||
| 5-2 | Abegg Variations, Op. 1: II. Variation I | — | ||
| 5-3 | Abegg Variations, Op. 1: III. Variation II | — | ||
| 5-4 | Abegg Variations, Op. 1: IV. Variation III | — | ||
| 5-5 | Abegg Variations, Op. 1: V. Cantabile | — | ||
| 5-6 | Abegg Variations, Op. 1: VI. Finale alla fantasia | — | ||
| 5-7 | Waldszenen, Op. 82: I. Eintritt | — | ||
| 5-8 | Waldszenen, Op. 82: II. Jäger auf der Lauer | — | ||
| 5-9 | Waldszenen, Op. 82: III. Einsame Blumen | — | ||
| 5-10 | Waldszenen, Op. 82: IV. Verrufene Stelle | — | ||
| 5-11 | Waldszenen, Op. 82: V. Freundliche Landschaft | — | ||
| 5-12 | Waldszenen, Op. 82: VI. Herberge | — | ||
| 5-13 | Waldszenen, Op. 82: VII. Vogel als Prophet | — | ||
| 5-14 | Waldszenen, Op. 82: VIII. Jagdlied | — | ||
| 5-15 | Waldszenen, Op. 82: IX. Abschied | — | ||
| 5-16 | Humoreske, Op. 20: I. Einfach | — | ||
| 5-17 | Humoreske, Op. 20: II. Sehr rasch und leicht | — | ||
| 5-18 | Humoreske, Op. 20: III. Hastig | — | ||
| 5-19 | Humoreske, Op. 20: IV. Nach und nach immer lebhafter und stärker | — | ||
| 5-20 | Humoreske, Op. 20: V. Einfach und zart - Intermezzo | — | ||
| 5-21 | Humoreske, Op. 20: VI. Innig | — | ||
| 5-22 | Humoreske, Op. 20: VII. Sehr lebhaft | — | ||
| 5-23 | Humoreske, Op. 20: VIII. Mit einigem Pomp | — | ||
| 5-24 | Humoreske, Op. 20: IX. Zum Beschluss | — | ||
| 6-1 | Kreisleriana, Op. 16: I. Äusserst bewegt | — | ||
| 6-2 | Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch | — | ||
| 6-3 | Kreisleriana, Op. 16: III. Sehr aufgeregt | — | ||
| 6-4 | Kreisleriana, Op. 16: IV. Sehr langsam | — | ||
| 6-5 | Kreisleriana, Op. 16: V. Sehr lebhaft | — | ||
| 6-6 | Kreisleriana, Op. 16: VI. Sehr langsam | — | ||
| 6-7 | Kreisleriana, Op. 16: VII. Sehr rasch | — | ||
| 6-8 | Kreisleriana, Op. 16: VIII. Schnell und spielend | — | ||
| 6-9 | Blumenstück in D-Flat Major, Op. 19 | — | ||
| 6-10 | Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 6-11 | Fantasie in C Major, Op. 17: II. Mässig, durchaus energisch | — | ||
| 6-12 | Fantasie in C Major, Op. 17: III. Langsam getragen - Durchweg leise zu halten | — | ||
| 7-1 | 4 Ballades, Op. 10: No. 1, Andante | — | ||
| 7-2 | 4 Ballades, Op. 10: No. 2, Andante | — | ||
| 7-3 | 4 Ballades, Op. 10: No. 3, Intermezzo (Allegro) | — | ||
| 7-4 | 4 Ballades, Op. 10: No. 4, Andante con moto | — | ||
| 7-5 | 3 Intermezzi, Op. 117: I. Andante moderato in E-Flat Major | — | ||
| 7-6 | 3 Intermezzi, Op. 117: II. Andante non troppo e con molto espressione in B-Flat Minor | — | ||
| 7-7 | 3 Intermezzi, Op. 117: III. Andante con moto in C-Sharp Minor | — | ||
| 7-8 | 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor (Allegro non assai) | — | ||
| 7-9 | 6 Klavierstücke, Op. 118: No. 2, Intermezo in A Major (Andante teneramente) | — | ||
| 7-10 | 6 Klavierstücke, Op. 118: No. 3, Ballade in G Minor (Allegro energico) | — | ||
| 7-11 | 6 Klavierstücke, Op. 118: No. 4, Intermezzo in F Minor (Allegretto un poco agitato) | — | ||
| 7-12 | 6 Klavierstücke, Op. 118: No. 5, Romanze in F Major (Andante) | — | ||
| 7-13 | 6 Klavierstücke, Op. 118: No. 6, Intermezzo in E-Flat Minor (Andante, largo e mesto) | — | ||
| 8-1 | Études d'exécution transcendante, S. 139: No. 1, in C Major, "Preludio" | — | ||
| 8-2 | Études d'exécution transcendante, S. 139: No. 2, in A Minor - Molto vivace, "Fusées" | — | ||
| 8-3 | Études d'exécution transcendante, S. 139: No. 3, in F Major, "Paysage" | — | ||
| 8-4 | Études d'exécution transcendante, S. 139: No. 4, in D Minor, "Mazeppa" | — | ||
| 8-5 | Études d'exécution transcendante, S. 139: No. 5, in B-Flat Major, "Feux-follets" | — | ||
| 8-6 | Études d'exécution transcendante, S. 139: No. 6, in G Minor, "Vision" | — | ||
| 8-7 | Études d'exécution transcendante, S. 139: No. 7, in E-Flat Major, "Eroica" | — | ||
| 8-8 | Études d'exécution transcendante, S. 139: No. 8, in C Minor, "Wilde Jagd" | — | ||
| 8-9 | Études d'exécution transcendante, S. 139: No. 9, in A-Flat Major, "Ricordanza" | — | ||
| 8-10 | Études d'exécution transcendante, S. 139: No. 10, in F Minor - Allegro agitato molto, "Appassionata" | — | ||
| 8-11 | Études d'exécution transcendante, S. 139: No. 11 in D-Flat Major, "Harmonies du soir" | — | ||
| 8-12 | Études d'exécution transcendante, S. 139: No. 12, in B-Flat Minor, "Chasse-neige" | — | ||
| 9-1 | Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro | — | ||
| 9-2 | Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | — | ||
| 9-3 | Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro | — | ||
| 9-4 | Concerto for 4 Keyboards in A Minor, BWV 1065: I. Allegro | — | ||
| 9-5 | Concerto for 4 Keyboards in A Minor, BWV 1065: II. Largo | — | ||
| 9-6 | Concerto for 4 Keyboards in A Minor, BWV 1065: III. Allegro | — | ||
| 9-7 | Concerto for 3 Keyboards in D Minor, BWV 1063: I. Allegro | — | ||
| 9-8 | Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana | — | ||
| 9-9 | Concerto for 3 Keyboards in D Minor, BWV 1063: III. Allegro | — | ||
| 9-10 | Concerto for 3 Keyboards in C Major, BWV 1064: I. Allegro | — | ||
| 9-11 | Concerto for 3 Keyboards in C Major, BWV 1064: II. Adagio | — | ||
| 9-12 | Concerto for 3 Keyboards in C Major, BWV 1064: III. Allegro | — | ||
| 10-1 | Piano Concerto No. 25 in C Major, K. 503: I. Allegro maestoso (Cadenza by Magaloff) | — | ||
| 10-2 | Piano Concerto No. 25 in C Major, K. 503: II. Andante | — | ||
| 10-3 | Piano Concerto No. 25 in C Major, K. 503: III. Finale - Allegretto | — | ||
| 10-4 | Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace | — | ||
| 10-5 | Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto | — | ||
| 10-6 | Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace | — | ||
| 11-1 | Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace | — | ||
| 11-2 | Cello Sonata No. 2 in F Major, Op. 99: II. Adagio affettuoso | — | ||
| 11-3 | Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato | — | ||
| 11-4 | Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto | — | ||
| 11-5 | Violin Sonata No. 1 in G Major, Op. 78: I. Vivace ma non troppo (Arr. Brahms for Cello and Piano) | — | ||
| 11-6 | Violin Sonata No. 1 in G Major, Op. 78: II. Adagio (Arr. Brahms for Cello and Piano) | — | ||
| 11-7 | Violin Sonata No. 1 in G Major, Op. 78: III. Allegro molto moderato (Arr. Brahms for Cello and Piano) | — | ||
| 12-1 | Horn Trio in E-Flat Major, Op. 40: I. Andante | — | ||
| 12-2 | Horn Trio in E-Flat Major, Op. 40: II. Scherzo | — | ||
| 12-3 | Horn Trio in E-Flat Major, Op. 40: III. Adagio mesto | — | ||
| 12-4 | Horn Trio in E-Flat Major, Op. 40: IV. Finale: Allegro con brio | — | ||
| 12-5 | Clarinet Trio in A Minor, Op. 114: I. Allegro | — | ||
| 12-6 | Clarinet Trio in A Minor, Op. 114: II. Adagio | — | ||
| 12-7 | Clarinet Trio in A Minor, Op. 114: III. Andante grazioso | — | ||
| 12-8 | Clarinet Trio in A Minor, Op. 114: IV. Allegro | — | ||
| 12-9 | Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion | — | ||
| 12-10 | Le carnaval des animaux, R. 125: II. Poules et coqs | — | ||
| 12-11 | Le carnaval des animaux, R. 125: III. Hémiones | — | ||
| 12-12 | . Le carnaval des animaux, R. 125: IV. Tortues | — | ||
| 12-13 | . Le carnaval des animaux, R. 125: V. L'éléphant | — | ||
| 12-14 | . Le carnaval des animaux, R. 125: VI. Kangourous | — | ||
| 12-15 | . Le carnaval des animaux, R. 125: VII. Aquarium | — | ||
| 12-16 | . Le carnaval des animaux, R. 125: VIII. Personnages à longues oreilles | — | ||
| 12-17 | . Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois | — | ||
| 12-18 | . Le carnaval des animaux, R. 125: X. Volière | — | ||
| 12-19 | . Le carnaval des animaux, R. 125: XI. Pianistes | — | ||
| 12-20 | . Le carnaval des animaux, R. 125: XII. Fossiles | — | ||
| 12-21 | . Le carnaval des animaux, R. 125: XIII. Le cygne | — | ||
| 12-22 | . Le carnaval des animaux, R. 125: XIV. Final | — | ||
| 13-1 | Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | — | ||
| 13-2 | Violin Sonata No. 1 in A Major, Op. 13: II. Andante | — | ||
| 13-3 | Violin Sonata No. 1 in A Major, Op. 13: III. Allegro vivo | — | ||
| 13-4 | Violin Sonata No. 1 in A Major, Op. 13: IV. Allegro quasi presto | — | ||
| 13-5 | Berceuse, Op. 16 | — | ||
| 13-6 | Romance, Op. 28 | — | ||
| 13-7 | Andante in B-Flat Major, Op. 75 | — | ||
| 13-8 | Morceau de Lecture | — | ||
| 13-9 | Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | — | ||
| 13-10 | Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo: Allegro vivo | — | ||
| 13-11 | Piano Quartet No. 1 in C Minor, Op. 15: III. Adagio | — | ||
| 13-12 | Piano Quartet No. 1 in C Minor, Op. 15: IV. Allegro molto | — | ||
| 14-1 | Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro | — | ||
| 14-2 | Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | — | ||
| 14-3 | Cello Sonata No. 1 in D Minor, Op. 109: III. Finale: Allegro commodo | — | ||
| 14-4 | Élégie, Op. 24 | — | ||
| 14-5 | Papillon, Op. 77 | — | ||
| 14-6 | Romance, Op. 69 | — | ||
| 14-7 | Sérénade, Op. 98 | — | ||
| 14-8 | Sicilienne, Op. 78 | — | ||
| 14-9 | Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato | — | ||
| 14-10 | Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio | — | ||
| 14-11 | Piano Quintet No. 1 in D Minor, Op. 89: III. Allegretto moderato | — | ||
| 15-1 | Myrthen, Op. 25: No. 1, Widmung | — | ||
| 15-2 | Myrthen, Op. 25: No. 2, Freisinn | — | ||
| 15-3 | Myrthen, Op. 25: No. 3, Der Nussbaum | — | ||
| 15-4 | Myrthen, Op. 25: No. 4, Jemand | — | ||
| 15-5 | Myrthen, Op. 25: No. 5, "Sitz' ich allein" | — | ||
| 15-6 | Myrthen, Op. 25: No. 6, "Setze mir nicht" | — | ||
| 15-7 | Myrthen, Op. 25: No. 7, Die Lotosblume | — | ||
| 15-8 | Myrthen, Op. 25: No. 8, Talismane | — | ||
| 15-9 | Myrthen, Op. 25: No. 9, Lied der Suleika | — | ||
| 15-10 | Myrthen, Op. 25: No. 10, Die Hochländer-Witwe | — | ||
| 15-11 | Myrthen, Op. 25: No. 11, Lied der Braut I | — | ||
| 15-12 | Myrthen, Op. 25: No. 12, Lied der Braut II | — | ||
| 15-13 | Myrthen, Op. 25: No. 13, Hochländers Abschied | — | ||
| 15-14 | Myrthen, Op. 25: No. 14, Hochländisches Wiegenlied | — | ||
| 15-15 | Myrthen, Op. 25: No. 15, Aus den hebräischen Gesängen | — | ||
| 15-16 | Myrthen, Op. 25: No. 16, Rätsel | — | ||
| 15-17 | Myrthen, Op. 25: No. 17, 2 Venezianische Lieder I | — | ||
| 15-18 | Myrthen, Op. 25: No. 18, 2 Venezianische Lieder II | — | ||
| 15-19 | Myrthen, Op. 25: No. 19, Hauptmanns Weib | — | ||
| 15-20 | Myrthen, Op. 25: No. 20, Weit, weit | — | ||
| 15-21 | Myrthen, Op. 25: No. 21, "Was will die einsame Träne" | — | ||
| 15-22 | Myrthen, Op. 25: No. 22, Niemand | — | ||
| 15-23 | Myrthen, Op. 25: No. 23, Im Westen | — | ||
| 15-24 | Myrthen, Op. 25: No. 24, "Du bist wie eine Blume" | — | ||
| 15-25 | Myrthen, Op. 25: No. 25, Aus den östlichen Rosen | — | ||
| 15-26 | Myrthen, Op. 25: No. 26, Zum Schluss | — | ||
| 15-27 | Gedichte der Königin Maria Stuart, Op. 135: No. 1, Abschied von Frankreich | — | ||
| 15-28 | Gedichte der Königin Maria Stuart, Op. 135: No. 2, Nach der Geburt ihres Sohnes | — | ||
| 15-29 | Gedichte der Königin Maria Stuart, Op. 135: No. 3, An die Königin Elisabeth | — | ||
| 15-30 | Gedichte der Königin Maria Stuart, Op. 135: No. 4, Abschied von der Welt | — | ||
| 15-31 | Gedichte der Königin Maria Stuart, Op. 135: No. 5, Gebet | — | ||
| 15-32 | Chanson perpétuelle, Op. 37 | — | ||
| 15-33 | 7 Mélodies, Op. 2: VII. Le colibri | — | ||
| 15-34 | 7 Mélodies, Op. 2: V. Sérénade italienne | — | ||
| 15-35 | 7 Mélodies, Op. 2: IV. La dernière feuille | — | ||
| 15-36 | 7 Mélodies, Op. 2: III. Les papillons | — | ||
| 15-37 | 7 Mélodies, Op. 2: II. Le charme | — | ||
| 16-1 | Sérénade | — | ||
| 16-2 | Viens ! Les gazons sont verts ! | — | ||
| 16-3 | L'absent | — | ||
| 16-4 | Ouvre ton coeur | — | ||
| 16-5 | Adieux de l'hôtesse arabe, WD 72 | — | ||
| 16-6 | Chanson pour Jeanne | — | ||
| 16-7 | L'île heureuse | — | ||
| 16-8 | Chanson perpétuelle, Op. 37 | — | ||
| 16-9 | 7 Mélodies, Op. 2: No. 3, Les papillons | — | ||
| 16-10 | 7 Mélodies, Op. 2: No. 7, Le colibri | — | ||
| 16-11 | Crépuscule | — | ||
| 16-12 | Élégie | — | ||
| 16-13 | L'invitation au voyage | — | ||
| 16-14 | Chanson triste | — | ||
| 16-15 | Extase | — | ||
| 16-16 | Chanson espagnole | — | ||
| 16-17 | Rêverie | — | ||
| 16-18 | Le rossignol des lilas | — | ||
| 16-19 | Si mes vers avaient des ailes | — | ||
| 16-20 | "Quand je fus pris au pavillon" | — | ||
| 16-21 | Chère nuit | — | ||
| 16-22 | Plaisir d'amour | — | ||
| 16-23 | Vexations | — | ||
| 17-1 | 3 Mélodies, Op. 7: No. 1, Après un rêve | — | ||
| 17-2 | 2 Mélodies, Op. 46: No. 2, Clair de lune | — | ||
| 17-3 | 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | — | ||
| 17-4 | 2 Mélodies, Op. 83: No. 1, Prison | — | ||
| 17-5 | 3 Mélodies, Op. 23: No. 2, Notre amour | — | ||
| 17-6 | 3 Mélodies, Op. 18: No. 3, Automne | — | ||
| 17-7 | 3 Mélodies, Op. 23: No. 3, Le secret | — | ||
| 17-8 | 2 Mélodies, Op. 27: No. 1, Chanson d'amour | — | ||
| 17-9 | 2 Mélodies, Op. 27: No. 2, La fée aux chansons | — | ||
| 17-10 | 4 Mélodies, Op. 39: No. 2, Fleur jetée | — | ||
| 17-11 | 2 Mélodies, Op. 43: No. 2, Nocturne | — | ||
| 17-12 | 2 Mélodies, Op. 46: No. 1, Les présents | — | ||
| 17-13 | Poème d'un jour, Op. 21: No. 1, Rencontre | — | ||
| 17-14 | Poème d'un jour, Op. 21: No. 2, Toujours | — | ||
| 17-15 | Poème d'un jour, Op. 21: No. 3, Adieu | — | ||
| 17-16 | 3 Mélodies, Op. 18: No. 1, Nell | — | ||
| 17-17 | 4 Mélodies, Op. 39: No. 4, Les roses d'Ispahan | — | ||
| 17-18 | 3 Mélodies, Op. 8: No. 1, Au bord de l'eau | — | ||
| 17-19 | 3 Mélodies, Op. 23: No. 1, Les berceaux | — | ||
| 17-20 | La bonne chanson, Op. 61: No. 1, Une sainte en son auréole | — | ||
| 17-21 | La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit | — | ||
| 17-22 | La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois | — | ||
| 17-23 | La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides | — | ||
| 17-24 | La bonne chanson, Op. 61: No. 5, J'ai presque peur, en vérité | — | ||
| 17-25 | La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles | — | ||
| 17-26 | La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été | — | ||
| 17-27 | La bonne chanson, Op. 61: No. 8, N'est-ce pas? | — | ||
| 17-28 | La bonne chanson, Op. 61: No. 9, L'hiver a cessé | — |
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro
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Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio
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Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto - Allegretto
—
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo
—
Piano Sonata No. 4 in E-Flat Major, Op. 7: I. Allegro molto e con brio
—
Piano Sonata No. 4 in E-Flat Major, Op. 7: II. Largo, con gran espressione
—
Piano Sonata No. 4 in E-Flat Major, Op. 7: III. Allegro
—
Piano Sonata No. 4 in E-Flat Major, Op. 7: IV. Rondo - Poco allegretto e grazioso
—
Piano Sonata No. 5 in C Minor, Op. 10 No. 1: I. Allegro molto e con brio
—
Piano Sonata No. 5 in C Minor, Op. 10 No. 1: II. Adagio molto
—
Piano Sonata No. 5 in C Minor, Op. 10 No. 1: III. Finale - Prestissimo
—
Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro
—
Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto
—
Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto
—
Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace
—
Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato
—
Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo - Allegro
—
Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo - Grazioso
—
Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio
—
Piano Sonata No. 3 in C Major, Op. 2 No. 3: II. Adagio
—
Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo - Allegro
—
Piano Sonata No. 3 in C Major, Op. 2 No. 3: IV. Allegro assai
—
Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto
—
Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto
—
Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto - Allegro
—
Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo - Allegro
—
Piano Sonata No. 17 in D Major, D. 850: I. Allegro
—
Piano Sonata No. 17 in D Major, D. 850: II. Con moto
—
Piano Sonata No. 17 in D Major, D. 850: III. Scherzo - Allegro vivace
—
Piano Sonata No. 17 in D Major, D. 850: IV. Rondo - Allegro moderato
—
Piano Sonata No. 15 in C Major, D. 840, "Reliquie": I. Moderato
—
Piano Sonata No. 15 in C Major, D. 840, "Reliquie": II. Andante
—
Piano Sonata No. 20 in A Major, D. 959: I. Allegro
—
Piano Sonata No. 20 in A Major, D. 959: II. Andantino
—
Piano Sonata No. 20 in A Major, D. 959: III. Scherzo - Allegro vivace
—
Piano Sonata No. 20 in A Major, D. 959: IV. Rondo - Allegretto
—
3 Klavierstücke, D. 946: No. 1, in E-Flat Minor
—
3 Klavierstücke, D. 946: No. 2, in E-Flat Major
—
Abegg Variations, Op. 1: I. Thema
—
Abegg Variations, Op. 1: II. Variation I
—
Abegg Variations, Op. 1: III. Variation II
—
Abegg Variations, Op. 1: IV. Variation III
—
Abegg Variations, Op. 1: V. Cantabile
—
Abegg Variations, Op. 1: VI. Finale alla fantasia
—
Waldszenen, Op. 82: I. Eintritt
—
Waldszenen, Op. 82: II. Jäger auf der Lauer
—
Waldszenen, Op. 82: III. Einsame Blumen
—
Waldszenen, Op. 82: IV. Verrufene Stelle
—
Waldszenen, Op. 82: V. Freundliche Landschaft
—
Waldszenen, Op. 82: VI. Herberge
—
Waldszenen, Op. 82: VII. Vogel als Prophet
—
Waldszenen, Op. 82: VIII. Jagdlied
—
Waldszenen, Op. 82: IX. Abschied
—
Humoreske, Op. 20: I. Einfach
—
Humoreske, Op. 20: II. Sehr rasch und leicht
—
Humoreske, Op. 20: III. Hastig
—
Humoreske, Op. 20: IV. Nach und nach immer lebhafter und stärker
—
Humoreske, Op. 20: V. Einfach und zart - Intermezzo
—
Humoreske, Op. 20: VI. Innig
—
Humoreske, Op. 20: VII. Sehr lebhaft
—
Humoreske, Op. 20: VIII. Mit einigem Pomp
—
Humoreske, Op. 20: IX. Zum Beschluss
—
Kreisleriana, Op. 16: I. Äusserst bewegt
—
Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch
—
Kreisleriana, Op. 16: III. Sehr aufgeregt
—
Kreisleriana, Op. 16: IV. Sehr langsam
—
Kreisleriana, Op. 16: V. Sehr lebhaft
—
Kreisleriana, Op. 16: VI. Sehr langsam
—
Kreisleriana, Op. 16: VII. Sehr rasch
—
Kreisleriana, Op. 16: VIII. Schnell und spielend
—
Blumenstück in D-Flat Major, Op. 19
—
Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen
—
Fantasie in C Major, Op. 17: II. Mässig, durchaus energisch
—
Fantasie in C Major, Op. 17: III. Langsam getragen - Durchweg leise zu halten
—
4 Ballades, Op. 10: No. 1, Andante
—
4 Ballades, Op. 10: No. 2, Andante
—
4 Ballades, Op. 10: No. 3, Intermezzo (Allegro)
—
4 Ballades, Op. 10: No. 4, Andante con moto
—
3 Intermezzi, Op. 117: I. Andante moderato in E-Flat Major
—
3 Intermezzi, Op. 117: II. Andante non troppo e con molto espressione in B-Flat Minor
—
3 Intermezzi, Op. 117: III. Andante con moto in C-Sharp Minor
—
6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor (Allegro non assai)
—
6 Klavierstücke, Op. 118: No. 2, Intermezo in A Major (Andante teneramente)
—
6 Klavierstücke, Op. 118: No. 3, Ballade in G Minor (Allegro energico)
—
6 Klavierstücke, Op. 118: No. 4, Intermezzo in F Minor (Allegretto un poco agitato)
—
6 Klavierstücke, Op. 118: No. 5, Romanze in F Major (Andante)
—
6 Klavierstücke, Op. 118: No. 6, Intermezzo in E-Flat Minor (Andante, largo e mesto)
—
Études d'exécution transcendante, S. 139: No. 1, in C Major, "Preludio"
—
Études d'exécution transcendante, S. 139: No. 2, in A Minor - Molto vivace, "Fusées"
—
Études d'exécution transcendante, S. 139: No. 3, in F Major, "Paysage"
—
Études d'exécution transcendante, S. 139: No. 4, in D Minor, "Mazeppa"
—
Études d'exécution transcendante, S. 139: No. 5, in B-Flat Major, "Feux-follets"
—
Études d'exécution transcendante, S. 139: No. 6, in G Minor, "Vision"
—
Études d'exécution transcendante, S. 139: No. 7, in E-Flat Major, "Eroica"
—
Études d'exécution transcendante, S. 139: No. 8, in C Minor, "Wilde Jagd"
—
Études d'exécution transcendante, S. 139: No. 9, in A-Flat Major, "Ricordanza"
—
Études d'exécution transcendante, S. 139: No. 10, in F Minor - Allegro agitato molto, "Appassionata"
—
Études d'exécution transcendante, S. 139: No. 11 in D-Flat Major, "Harmonies du soir"
—
Études d'exécution transcendante, S. 139: No. 12, in B-Flat Minor, "Chasse-neige"
—
Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro
—
Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio
—
Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro
—
Concerto for 4 Keyboards in A Minor, BWV 1065: I. Allegro
—
Concerto for 4 Keyboards in A Minor, BWV 1065: II. Largo
—
Concerto for 4 Keyboards in A Minor, BWV 1065: III. Allegro
—
Concerto for 3 Keyboards in D Minor, BWV 1063: I. Allegro
—
Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana
—
Concerto for 3 Keyboards in D Minor, BWV 1063: III. Allegro
—
Concerto for 3 Keyboards in C Major, BWV 1064: I. Allegro
—
Concerto for 3 Keyboards in C Major, BWV 1064: II. Adagio
—
Concerto for 3 Keyboards in C Major, BWV 1064: III. Allegro
—
Piano Concerto No. 25 in C Major, K. 503: I. Allegro maestoso (Cadenza by Magaloff)
—
Piano Concerto No. 25 in C Major, K. 503: II. Andante
—
Piano Concerto No. 25 in C Major, K. 503: III. Finale - Allegretto
—
Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace
—
Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto
—
Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace
—
Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace
—
Cello Sonata No. 2 in F Major, Op. 99: II. Adagio affettuoso
—
Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato
—
Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto
—
Violin Sonata No. 1 in G Major, Op. 78: I. Vivace ma non troppo (Arr. Brahms for Cello and Piano)
—
Violin Sonata No. 1 in G Major, Op. 78: II. Adagio (Arr. Brahms for Cello and Piano)
—
Violin Sonata No. 1 in G Major, Op. 78: III. Allegro molto moderato (Arr. Brahms for Cello and Piano)
—
Horn Trio in E-Flat Major, Op. 40: I. Andante
—
Horn Trio in E-Flat Major, Op. 40: II. Scherzo
—
Horn Trio in E-Flat Major, Op. 40: III. Adagio mesto
—
Horn Trio in E-Flat Major, Op. 40: IV. Finale: Allegro con brio
—
Clarinet Trio in A Minor, Op. 114: I. Allegro
—
Clarinet Trio in A Minor, Op. 114: II. Adagio
—
Clarinet Trio in A Minor, Op. 114: III. Andante grazioso
—
Clarinet Trio in A Minor, Op. 114: IV. Allegro
—
Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion
—
Le carnaval des animaux, R. 125: II. Poules et coqs
—
Le carnaval des animaux, R. 125: III. Hémiones
—
. Le carnaval des animaux, R. 125: IV. Tortues
—
. Le carnaval des animaux, R. 125: V. L'éléphant
—
. Le carnaval des animaux, R. 125: VI. Kangourous
—
. Le carnaval des animaux, R. 125: VII. Aquarium
—
. Le carnaval des animaux, R. 125: VIII. Personnages à longues oreilles
—
. Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois
—
. Le carnaval des animaux, R. 125: X. Volière
—
. Le carnaval des animaux, R. 125: XI. Pianistes
—
. Le carnaval des animaux, R. 125: XII. Fossiles
—
. Le carnaval des animaux, R. 125: XIII. Le cygne
—
. Le carnaval des animaux, R. 125: XIV. Final
—
Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto
—
Violin Sonata No. 1 in A Major, Op. 13: II. Andante
—
Violin Sonata No. 1 in A Major, Op. 13: III. Allegro vivo
—
Violin Sonata No. 1 in A Major, Op. 13: IV. Allegro quasi presto
—
Berceuse, Op. 16
—
Romance, Op. 28
—
Andante in B-Flat Major, Op. 75
—
Morceau de Lecture
—
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato
—
Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo: Allegro vivo
—
Piano Quartet No. 1 in C Minor, Op. 15: III. Adagio
—
Piano Quartet No. 1 in C Minor, Op. 15: IV. Allegro molto
—
Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro
—
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante
—
Cello Sonata No. 1 in D Minor, Op. 109: III. Finale: Allegro commodo
—
Élégie, Op. 24
—
Papillon, Op. 77
—
Romance, Op. 69
—
Sérénade, Op. 98
—
Sicilienne, Op. 78
—
Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato
—
Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio
—
Piano Quintet No. 1 in D Minor, Op. 89: III. Allegretto moderato
—
Myrthen, Op. 25: No. 1, Widmung
—
Myrthen, Op. 25: No. 2, Freisinn
—
Myrthen, Op. 25: No. 3, Der Nussbaum
—
Myrthen, Op. 25: No. 4, Jemand
—
Myrthen, Op. 25: No. 5, "Sitz' ich allein"
—
Myrthen, Op. 25: No. 6, "Setze mir nicht"
—
Myrthen, Op. 25: No. 7, Die Lotosblume
—
Myrthen, Op. 25: No. 8, Talismane
—
Myrthen, Op. 25: No. 9, Lied der Suleika
—
Myrthen, Op. 25: No. 10, Die Hochländer-Witwe
—
Myrthen, Op. 25: No. 11, Lied der Braut I
—
Myrthen, Op. 25: No. 12, Lied der Braut II
—
Myrthen, Op. 25: No. 13, Hochländers Abschied
—
Myrthen, Op. 25: No. 14, Hochländisches Wiegenlied
—
Myrthen, Op. 25: No. 15, Aus den hebräischen Gesängen
—
Myrthen, Op. 25: No. 16, Rätsel
—
Myrthen, Op. 25: No. 17, 2 Venezianische Lieder I
—
Myrthen, Op. 25: No. 18, 2 Venezianische Lieder II
—
Myrthen, Op. 25: No. 19, Hauptmanns Weib
—
Myrthen, Op. 25: No. 20, Weit, weit
—
Myrthen, Op. 25: No. 21, "Was will die einsame Träne"
—
Myrthen, Op. 25: No. 22, Niemand
—
Myrthen, Op. 25: No. 23, Im Westen
—
Myrthen, Op. 25: No. 24, "Du bist wie eine Blume"
—
Myrthen, Op. 25: No. 25, Aus den östlichen Rosen
—
Myrthen, Op. 25: No. 26, Zum Schluss
—
Gedichte der Königin Maria Stuart, Op. 135: No. 1, Abschied von Frankreich
—
Gedichte der Königin Maria Stuart, Op. 135: No. 2, Nach der Geburt ihres Sohnes
—
Gedichte der Königin Maria Stuart, Op. 135: No. 3, An die Königin Elisabeth
—
Gedichte der Königin Maria Stuart, Op. 135: No. 4, Abschied von der Welt
—
Gedichte der Königin Maria Stuart, Op. 135: No. 5, Gebet
—
Chanson perpétuelle, Op. 37
—
7 Mélodies, Op. 2: VII. Le colibri
—
7 Mélodies, Op. 2: V. Sérénade italienne
—
7 Mélodies, Op. 2: IV. La dernière feuille
—
7 Mélodies, Op. 2: III. Les papillons
—
7 Mélodies, Op. 2: II. Le charme
—
Sérénade
—
Viens ! Les gazons sont verts !
—
L'absent
—
Ouvre ton coeur
—
Adieux de l'hôtesse arabe, WD 72
—
Chanson pour Jeanne
—
L'île heureuse
—
Chanson perpétuelle, Op. 37
—
7 Mélodies, Op. 2: No. 3, Les papillons
—
7 Mélodies, Op. 2: No. 7, Le colibri
—
Crépuscule
—
Élégie
—
L'invitation au voyage
—
Chanson triste
—
Extase
—
Chanson espagnole
—
Rêverie
—
Le rossignol des lilas
—
Si mes vers avaient des ailes
—
"Quand je fus pris au pavillon"
—
Chère nuit
—
Plaisir d'amour
—
Vexations
—
3 Mélodies, Op. 7: No. 1, Après un rêve
—
2 Mélodies, Op. 46: No. 2, Clair de lune
—
5 Mélodies de Venise, Op. 58: No. 1, Mandoline
—
2 Mélodies, Op. 83: No. 1, Prison
—
3 Mélodies, Op. 23: No. 2, Notre amour
—
3 Mélodies, Op. 18: No. 3, Automne
—
3 Mélodies, Op. 23: No. 3, Le secret
—
2 Mélodies, Op. 27: No. 1, Chanson d'amour
—
2 Mélodies, Op. 27: No. 2, La fée aux chansons
—
4 Mélodies, Op. 39: No. 2, Fleur jetée
—
2 Mélodies, Op. 43: No. 2, Nocturne
—
2 Mélodies, Op. 46: No. 1, Les présents
—
Poème d'un jour, Op. 21: No. 1, Rencontre
—
Poème d'un jour, Op. 21: No. 2, Toujours
—
Poème d'un jour, Op. 21: No. 3, Adieu
—
3 Mélodies, Op. 18: No. 1, Nell
—
4 Mélodies, Op. 39: No. 4, Les roses d'Ispahan
—
3 Mélodies, Op. 8: No. 1, Au bord de l'eau
—
3 Mélodies, Op. 23: No. 1, Les berceaux
—
La bonne chanson, Op. 61: No. 1, Une sainte en son auréole
—
La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit
—
La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois
—
La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides
—
La bonne chanson, Op. 61: No. 5, J'ai presque peur, en vérité
—
La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles
—
La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été
—
La bonne chanson, Op. 61: No. 8, N'est-ce pas?
—
La bonne chanson, Op. 61: No. 9, L'hiver a cessé
—
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