UPC · Release
Michel Dalberto
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The UPC for “Michel Dalberto: The Making of a Musician - Complete Erato Recordings” by Michel Dalberto is 0190295612085. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Erato. This release contains 257 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro | — | ||
| 2 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio | — | ||
| 3 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto - Allegretto | — | ||
| 4 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 5 | Piano Sonata No. 4 in E-Flat Major, Op. 7: I. Allegro molto e con brio | — | ||
| 6 | Piano Sonata No. 4 in E-Flat Major, Op. 7: II. Largo, con gran espressione | — | ||
| 7 | Piano Sonata No. 4 in E-Flat Major, Op. 7: III. Allegro | — | ||
| 8 | Piano Sonata No. 4 in E-Flat Major, Op. 7: IV. Rondo - Poco allegretto e grazioso | — | ||
| 9 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 10 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 11 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: III. Finale - Prestissimo | — | ||
| 12 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro | — | ||
| 13 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto | — | ||
| 14 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto | — | ||
| 2-1 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 2-2 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 2-3 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo - Allegro | — | ||
| 2-4 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo - Grazioso | — | ||
| 2-5 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 2-6 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: II. Adagio | — | ||
| 2-7 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo - Allegro | — | ||
| 2-8 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 2-9 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto | — | ||
| 2-10 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 2-11 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto - Allegro | — | ||
| 2-12 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo - Allegro | — | ||
| 3-1 | Piano Sonata No. 17 in D Major, D. 850: I. Allegro | — | ||
| 3-2 | Piano Sonata No. 17 in D Major, D. 850: II. Con moto | — | ||
| 3-3 | Piano Sonata No. 17 in D Major, D. 850: III. Scherzo - Allegro vivace | — | ||
| 3-4 | Piano Sonata No. 17 in D Major, D. 850: IV. Rondo - Allegro moderato | — | ||
| 3-5 | Piano Sonata No. 15 in C Major, D. 840, "Reliquie": I. Moderato | — | ||
| 3-6 | Piano Sonata No. 15 in C Major, D. 840, "Reliquie": II. Andante | — | ||
| 4-1 | Piano Sonata No. 20 in A Major, D. 959: I. Allegro | — | ||
| 4-2 | Piano Sonata No. 20 in A Major, D. 959: II. Andantino | — | ||
| 4-3 | Piano Sonata No. 20 in A Major, D. 959: III. Scherzo - Allegro vivace | — | ||
| 4-4 | Piano Sonata No. 20 in A Major, D. 959: IV. Rondo - Allegretto | — | ||
| 4-5 | 3 Klavierstücke, D. 946: No. 1, in E-Flat Minor | — | ||
| 4-6 | 3 Klavierstücke, D. 946: No. 2, in E-Flat Major | — | ||
| 5-1 | Abegg Variations, Op. 1: I. Thema | — | ||
| 5-2 | Abegg Variations, Op. 1: II. Variation I | — | ||
| 5-3 | Abegg Variations, Op. 1: III. Variation II | — | ||
| 5-4 | Abegg Variations, Op. 1: IV. Variation III | — | ||
| 5-5 | Abegg Variations, Op. 1: V. Cantabile | — | ||
| 5-6 | Abegg Variations, Op. 1: VI. Finale alla fantasia | — | ||
| 5-7 | Waldszenen, Op. 82: I. Eintritt | — | ||
| 5-8 | Waldszenen, Op. 82: II. Jäger auf der Lauer | — | ||
| 5-9 | Waldszenen, Op. 82: III. Einsame Blumen | — | ||
| 5-10 | Waldszenen, Op. 82: IV. Verrufene Stelle | — | ||
| 5-11 | Waldszenen, Op. 82: V. Freundliche Landschaft | — | ||
| 5-12 | Waldszenen, Op. 82: VI. Herberge | — | ||
| 5-13 | Waldszenen, Op. 82: VII. Vogel als Prophet | — | ||
| 5-14 | Waldszenen, Op. 82: VIII. Jagdlied | — | ||
| 5-15 | Waldszenen, Op. 82: IX. Abschied | — | ||
| 5-16 | Humoreske, Op. 20: I. Einfach | — | ||
| 5-17 | Humoreske, Op. 20: II. Sehr rasch und leicht | — | ||
| 5-18 | Humoreske, Op. 20: III. Hastig | — | ||
| 5-19 | Humoreske, Op. 20: IV. Nach und nach immer lebhafter und stärker | — | ||
| 5-20 | Humoreske, Op. 20: V. Einfach und zart - Intermezzo | — | ||
| 5-21 | Humoreske, Op. 20: VI. Innig | — | ||
| 5-22 | Humoreske, Op. 20: VII. Sehr lebhaft | — | ||
| 5-23 | Humoreske, Op. 20: VIII. Mit einigem Pomp | — | ||
| 5-24 | Humoreske, Op. 20: IX. Zum Beschluss | — | ||
| 6-1 | Kreisleriana, Op. 16: I. Äusserst bewegt | — | ||
| 6-2 | Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch | — | ||
| 6-3 | Kreisleriana, Op. 16: III. Sehr aufgeregt | — | ||
| 6-4 | Kreisleriana, Op. 16: IV. Sehr langsam | — | ||
| 6-5 | Kreisleriana, Op. 16: V. Sehr lebhaft | — | ||
| 6-6 | Kreisleriana, Op. 16: VI. Sehr langsam | — | ||
| 6-7 | Kreisleriana, Op. 16: VII. Sehr rasch | — | ||
| 6-8 | Kreisleriana, Op. 16: VIII. Schnell und spielend | — | ||
| 6-9 | Blumenstück in D-Flat Major, Op. 19 | — | ||
| 6-10 | Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 6-11 | Fantasie in C Major, Op. 17: II. Mässig, durchaus energisch | — | ||
| 6-12 | Fantasie in C Major, Op. 17: III. Langsam getragen - Durchweg leise zu halten | — | ||
| 7-1 | 4 Ballades, Op. 10: No. 1, Andante | — | ||
| 7-2 | 4 Ballades, Op. 10: No. 2, Andante | — | ||
| 7-3 | 4 Ballades, Op. 10: No. 3, Intermezzo (Allegro) | — | ||
| 7-4 | 4 Ballades, Op. 10: No. 4, Andante con moto | — | ||
| 7-5 | 3 Intermezzi, Op. 117: I. Andante moderato in E-Flat Major | — | ||
| 7-6 | 3 Intermezzi, Op. 117: II. Andante non troppo e con molto espressione in B-Flat Minor | — | ||
| 7-7 | 3 Intermezzi, Op. 117: III. Andante con moto in C-Sharp Minor | — | ||
| 7-8 | 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor (Allegro non assai) | — | ||
| 7-9 | 6 Klavierstücke, Op. 118: No. 2, Intermezo in A Major (Andante teneramente) | — | ||
| 7-10 | 6 Klavierstücke, Op. 118: No. 3, Ballade in G Minor (Allegro energico) | — | ||
| 7-11 | 6 Klavierstücke, Op. 118: No. 4, Intermezzo in F Minor (Allegretto un poco agitato) | — | ||
| 7-12 | 6 Klavierstücke, Op. 118: No. 5, Romanze in F Major (Andante) | — | ||
| 7-13 | 6 Klavierstücke, Op. 118: No. 6, Intermezzo in E-Flat Minor (Andante, largo e mesto) | — | ||
| 8-1 | Études d'exécution transcendante, S. 139: No. 1, in C Major, "Preludio" | — | ||
| 8-2 | Études d'exécution transcendante, S. 139: No. 2, in A Minor - Molto vivace, "Fusées" | — | ||
| 8-3 | Études d'exécution transcendante, S. 139: No. 3, in F Major, "Paysage" | — | ||
| 8-4 | Études d'exécution transcendante, S. 139: No. 4, in D Minor, "Mazeppa" | — | ||
| 8-5 | Études d'exécution transcendante, S. 139: No. 5, in B-Flat Major, "Feux-follets" | — | ||
| 8-6 | Études d'exécution transcendante, S. 139: No. 6, in G Minor, "Vision" | — | ||
| 8-7 | Études d'exécution transcendante, S. 139: No. 7, in E-Flat Major, "Eroica" | — | ||
| 8-8 | Études d'exécution transcendante, S. 139: No. 8, in C Minor, "Wilde Jagd" | — | ||
| 8-9 | Études d'exécution transcendante, S. 139: No. 9, in A-Flat Major, "Ricordanza" | — | ||
| 8-10 | Études d'exécution transcendante, S. 139: No. 10, in F Minor - Allegro agitato molto, "Appassionata" | — | ||
| 8-11 | Études d'exécution transcendante, S. 139: No. 11 in D-Flat Major, "Harmonies du soir" | — | ||
| 8-12 | Études d'exécution transcendante, S. 139: No. 12, in B-Flat Minor, "Chasse-neige" | — | ||
| 9-1 | Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro | — | ||
| 9-2 | Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | — | ||
| 9-3 | Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro | — | ||
| 9-4 | Concerto for 4 Keyboards in A Minor, BWV 1065: I. Allegro | — | ||
| 9-5 | Concerto for 4 Keyboards in A Minor, BWV 1065: II. Largo | — | ||
| 9-6 | Concerto for 4 Keyboards in A Minor, BWV 1065: III. Allegro | — | ||
| 9-7 | Concerto for 3 Keyboards in D Minor, BWV 1063: I. Allegro | — | ||
| 9-8 | Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana | — | ||
| 9-9 | Concerto for 3 Keyboards in D Minor, BWV 1063: III. Allegro | — | ||
| 9-10 | Concerto for 3 Keyboards in C Major, BWV 1064: I. Allegro | — | ||
| 9-11 | Concerto for 3 Keyboards in C Major, BWV 1064: II. Adagio | — | ||
| 9-12 | Concerto for 3 Keyboards in C Major, BWV 1064: III. Allegro | — | ||
| 10-1 | Piano Concerto No. 25 in C Major, K. 503: I. Allegro maestoso (Cadenza by Magaloff) | — | ||
| 10-2 | Piano Concerto No. 25 in C Major, K. 503: II. Andante | — | ||
| 10-3 | Piano Concerto No. 25 in C Major, K. 503: III. Finale - Allegretto | — | ||
| 10-4 | Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace | — | ||
| 10-5 | Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto | — | ||
| 10-6 | Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace | — | ||
| 11-1 | Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace | — | ||
| 11-2 | Cello Sonata No. 2 in F Major, Op. 99: II. Adagio affettuoso | — | ||
| 11-3 | Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato | — | ||
| 11-4 | Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto | — | ||
| 11-5 | Violin Sonata No. 1 in G Major, Op. 78: I. Vivace ma non troppo (Arr. Brahms for Cello and Piano) | — | ||
| 11-6 | Violin Sonata No. 1 in G Major, Op. 78: II. Adagio (Arr. Brahms for Cello and Piano) | — | ||
| 11-7 | Violin Sonata No. 1 in G Major, Op. 78: III. Allegro molto moderato (Arr. Brahms for Cello and Piano) | — | ||
| 12-1 | Horn Trio in E-Flat Major, Op. 40: I. Andante | — | ||
| 12-2 | Horn Trio in E-Flat Major, Op. 40: II. Scherzo | — | ||
| 12-3 | Horn Trio in E-Flat Major, Op. 40: III. Adagio mesto | — | ||
| 12-4 | Horn Trio in E-Flat Major, Op. 40: IV. Finale: Allegro con brio | — | ||
| 12-5 | Clarinet Trio in A Minor, Op. 114: I. Allegro | — | ||
| 12-6 | Clarinet Trio in A Minor, Op. 114: II. Adagio | — | ||
| 12-7 | Clarinet Trio in A Minor, Op. 114: III. Andante grazioso | — | ||
| 12-8 | Clarinet Trio in A Minor, Op. 114: IV. Allegro | — | ||
| 12-9 | Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion | — | ||
| 12-10 | Le carnaval des animaux, R. 125: II. Poules et coqs | — | ||
| 12-11 | Le carnaval des animaux, R. 125: III. Hémiones | — | ||
| 12-12 | . Le carnaval des animaux, R. 125: IV. Tortues | — | ||
| 12-13 | . Le carnaval des animaux, R. 125: V. L'éléphant | — | ||
| 12-14 | . Le carnaval des animaux, R. 125: VI. Kangourous | — | ||
| 12-15 | . Le carnaval des animaux, R. 125: VII. Aquarium | — | ||
| 12-16 | . Le carnaval des animaux, R. 125: VIII. Personnages à longues oreilles | — | ||
| 12-17 | . Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois | — | ||
| 12-18 | . Le carnaval des animaux, R. 125: X. Volière | — | ||
| 12-19 | . Le carnaval des animaux, R. 125: XI. Pianistes | — | ||
| 12-20 | . Le carnaval des animaux, R. 125: XII. Fossiles | — | ||
| 12-21 | . Le carnaval des animaux, R. 125: XIII. Le cygne | — | ||
| 12-22 | . Le carnaval des animaux, R. 125: XIV. Final | — | ||
| 13-1 | Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | — | ||
| 13-2 | Violin Sonata No. 1 in A Major, Op. 13: II. Andante | — | ||
| 13-3 | Violin Sonata No. 1 in A Major, Op. 13: III. Allegro vivo | — | ||
| 13-4 | Violin Sonata No. 1 in A Major, Op. 13: IV. Allegro quasi presto | — | ||
| 13-5 | Berceuse, Op. 16 | — | ||
| 13-6 | Romance, Op. 28 | — | ||
| 13-7 | Andante in B-Flat Major, Op. 75 | — | ||
| 13-8 | Morceau de Lecture | — | ||
| 13-9 | Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | — | ||
| 13-10 | Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo: Allegro vivo | — | ||
| 13-11 | Piano Quartet No. 1 in C Minor, Op. 15: III. Adagio | — | ||
| 13-12 | Piano Quartet No. 1 in C Minor, Op. 15: IV. Allegro molto | — | ||
| 14-1 | Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro | — | ||
| 14-2 | Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | — | ||
| 14-3 | Cello Sonata No. 1 in D Minor, Op. 109: III. Finale: Allegro commodo | — | ||
| 14-4 | Élégie, Op. 24 | — | ||
| 14-5 | Papillon, Op. 77 | — | ||
| 14-6 | Romance, Op. 69 | — | ||
| 14-7 | Sérénade, Op. 98 | — | ||
| 14-8 | Sicilienne, Op. 78 | — | ||
| 14-9 | Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato | — | ||
| 14-10 | Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio | — | ||
| 14-11 | Piano Quintet No. 1 in D Minor, Op. 89: III. Allegretto moderato | — | ||
| 15-1 | Myrthen, Op. 25: No. 1, Widmung | — | ||
| 15-2 | Myrthen, Op. 25: No. 2, Freisinn | — | ||
| 15-3 | Myrthen, Op. 25: No. 3, Der Nussbaum | — | ||
| 15-4 | Myrthen, Op. 25: No. 4, Jemand | — | ||
| 15-5 | Myrthen, Op. 25: No. 5, "Sitz' ich allein" | — | ||
| 15-6 | Myrthen, Op. 25: No. 6, "Setze mir nicht" | — | ||
| 15-7 | Myrthen, Op. 25: No. 7, Die Lotosblume | — | ||
| 15-8 | Myrthen, Op. 25: No. 8, Talismane | — | ||
| 15-9 | Myrthen, Op. 25: No. 9, Lied der Suleika | — | ||
| 15-10 | Myrthen, Op. 25: No. 10, Die Hochländer-Witwe | — | ||
| 15-11 | Myrthen, Op. 25: No. 11, Lied der Braut I | — | ||
| 15-12 | Myrthen, Op. 25: No. 12, Lied der Braut II | — | ||
| 15-13 | Myrthen, Op. 25: No. 13, Hochländers Abschied | — | ||
| 15-14 | Myrthen, Op. 25: No. 14, Hochländisches Wiegenlied | — | ||
| 15-15 | Myrthen, Op. 25: No. 15, Aus den hebräischen Gesängen | — | ||
| 15-16 | Myrthen, Op. 25: No. 16, Rätsel | — | ||
| 15-17 | Myrthen, Op. 25: No. 17, 2 Venezianische Lieder I | — | ||
| 15-18 | Myrthen, Op. 25: No. 18, 2 Venezianische Lieder II | — | ||
| 15-19 | Myrthen, Op. 25: No. 19, Hauptmanns Weib | — | ||
| 15-20 | Myrthen, Op. 25: No. 20, Weit, weit | — | ||
| 15-21 | Myrthen, Op. 25: No. 21, "Was will die einsame Träne" | — | ||
| 15-22 | Myrthen, Op. 25: No. 22, Niemand | — | ||
| 15-23 | Myrthen, Op. 25: No. 23, Im Westen | — | ||
| 15-24 | Myrthen, Op. 25: No. 24, "Du bist wie eine Blume" | — | ||
| 15-25 | Myrthen, Op. 25: No. 25, Aus den östlichen Rosen | — | ||
| 15-26 | Myrthen, Op. 25: No. 26, Zum Schluss | — | ||
| 15-27 | Gedichte der Königin Maria Stuart, Op. 135: No. 1, Abschied von Frankreich | — | ||
| 15-28 | Gedichte der Königin Maria Stuart, Op. 135: No. 2, Nach der Geburt ihres Sohnes | — | ||
| 15-29 | Gedichte der Königin Maria Stuart, Op. 135: No. 3, An die Königin Elisabeth | — | ||
| 15-30 | Gedichte der Königin Maria Stuart, Op. 135: No. 4, Abschied von der Welt | — | ||
| 15-31 | Gedichte der Königin Maria Stuart, Op. 135: No. 5, Gebet | — | ||
| 15-32 | Chanson perpétuelle, Op. 37 | — | ||
| 15-33 | 7 Mélodies, Op. 2: VII. Le colibri | — | ||
| 15-34 | 7 Mélodies, Op. 2: V. Sérénade italienne | — | ||
| 15-35 | 7 Mélodies, Op. 2: IV. La dernière feuille | — | ||
| 15-36 | 7 Mélodies, Op. 2: III. Les papillons | — | ||
| 15-37 | 7 Mélodies, Op. 2: II. Le charme | — | ||
| 16-1 | Sérénade | — | ||
| 16-2 | Viens ! Les gazons sont verts ! | — | ||
| 16-3 | L'absent | — | ||
| 16-4 | Ouvre ton coeur | — | ||
| 16-5 | Adieux de l'hôtesse arabe, WD 72 | — | ||
| 16-6 | Chanson pour Jeanne | — | ||
| 16-7 | L'île heureuse | — | ||
| 16-8 | Chanson perpétuelle, Op. 37 | — | ||
| 16-9 | 7 Mélodies, Op. 2: No. 3, Les papillons | — | ||
| 16-10 | 7 Mélodies, Op. 2: No. 7, Le colibri | — | ||
| 16-11 | Crépuscule | — | ||
| 16-12 | Élégie | — | ||
| 16-13 | L'invitation au voyage | — | ||
| 16-14 | Chanson triste | — | ||
| 16-15 | Extase | — | ||
| 16-16 | Chanson espagnole | — | ||
| 16-17 | Rêverie | — | ||
| 16-18 | Le rossignol des lilas | — | ||
| 16-19 | Si mes vers avaient des ailes | — | ||
| 16-20 | "Quand je fus pris au pavillon" | — | ||
| 16-21 | Chère nuit | — | ||
| 16-22 | Plaisir d'amour | — | ||
| 16-23 | Vexations | — | ||
| 17-1 | 3 Mélodies, Op. 7: No. 1, Après un rêve | — | ||
| 17-2 | 2 Mélodies, Op. 46: No. 2, Clair de lune | — | ||
| 17-3 | 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | — | ||
| 17-4 | 2 Mélodies, Op. 83: No. 1, Prison | — | ||
| 17-5 | 3 Mélodies, Op. 23: No. 2, Notre amour | — | ||
| 17-6 | 3 Mélodies, Op. 18: No. 3, Automne | — | ||
| 17-7 | 3 Mélodies, Op. 23: No. 3, Le secret | — | ||
| 17-8 | 2 Mélodies, Op. 27: No. 1, Chanson d'amour | — | ||
| 17-9 | 2 Mélodies, Op. 27: No. 2, La fée aux chansons | — | ||
| 17-10 | 4 Mélodies, Op. 39: No. 2, Fleur jetée | — | ||
| 17-11 | 2 Mélodies, Op. 43: No. 2, Nocturne | — | ||
| 17-12 | 2 Mélodies, Op. 46: No. 1, Les présents | — | ||
| 17-13 | Poème d'un jour, Op. 21: No. 1, Rencontre | — | ||
| 17-14 | Poème d'un jour, Op. 21: No. 2, Toujours | — | ||
| 17-15 | Poème d'un jour, Op. 21: No. 3, Adieu | — | ||
| 17-16 | 3 Mélodies, Op. 18: No. 1, Nell | — | ||
| 17-17 | 4 Mélodies, Op. 39: No. 4, Les roses d'Ispahan | — | ||
| 17-18 | 3 Mélodies, Op. 8: No. 1, Au bord de l'eau | — | ||
| 17-19 | 3 Mélodies, Op. 23: No. 1, Les berceaux | — | ||
| 17-20 | La bonne chanson, Op. 61: No. 1, Une sainte en son auréole | — | ||
| 17-21 | La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit | — | ||
| 17-22 | La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois | — | ||
| 17-23 | La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides | — | ||
| 17-24 | La bonne chanson, Op. 61: No. 5, J'ai presque peur, en vérité | — | ||
| 17-25 | La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles | — | ||
| 17-26 | La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été | — | ||
| 17-27 | La bonne chanson, Op. 61: No. 8, N'est-ce pas? | — | ||
| 17-28 | La bonne chanson, Op. 61: No. 9, L'hiver a cessé | — |
Songwriters/Publishers (IPI)
Credits Graph
0190295612085 is a Universal Product Code (UPC) assigned to Michel Dalberto: The Making of a Musician - Complete Erato Recordings by Michel Dalberto. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 257 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Michel Dalberto: The Making of a Musician - Complete Erato Recordings” by Michel Dalberto is 0190295612085. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Erato. This release contains 257 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro | — | ||
| 2 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio | — | ||
| 3 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto - Allegretto | — | ||
| 4 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 5 | Piano Sonata No. 4 in E-Flat Major, Op. 7: I. Allegro molto e con brio | — | ||
| 6 | Piano Sonata No. 4 in E-Flat Major, Op. 7: II. Largo, con gran espressione | — | ||
| 7 | Piano Sonata No. 4 in E-Flat Major, Op. 7: III. Allegro | — | ||
| 8 | Piano Sonata No. 4 in E-Flat Major, Op. 7: IV. Rondo - Poco allegretto e grazioso | — | ||
| 9 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 10 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 11 | Piano Sonata No. 5 in C Minor, Op. 10 No. 1: III. Finale - Prestissimo | — | ||
| 12 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro | — | ||
| 13 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto | — | ||
| 14 | Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto | — | ||
| 2-1 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 2-2 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 2-3 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo - Allegro | — | ||
| 2-4 | Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo - Grazioso | — | ||
| 2-5 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 2-6 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: II. Adagio | — | ||
| 2-7 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo - Allegro | — | ||
| 2-8 | Piano Sonata No. 3 in C Major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 2-9 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto | — | ||
| 2-10 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 2-11 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto - Allegro | — | ||
| 2-12 | Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo - Allegro | — | ||
| 3-1 | Piano Sonata No. 17 in D Major, D. 850: I. Allegro | — | ||
| 3-2 | Piano Sonata No. 17 in D Major, D. 850: II. Con moto | — | ||
| 3-3 | Piano Sonata No. 17 in D Major, D. 850: III. Scherzo - Allegro vivace | — | ||
| 3-4 | Piano Sonata No. 17 in D Major, D. 850: IV. Rondo - Allegro moderato | — | ||
| 3-5 | Piano Sonata No. 15 in C Major, D. 840, "Reliquie": I. Moderato | — | ||
| 3-6 | Piano Sonata No. 15 in C Major, D. 840, "Reliquie": II. Andante | — | ||
| 4-1 | Piano Sonata No. 20 in A Major, D. 959: I. Allegro | — | ||
| 4-2 | Piano Sonata No. 20 in A Major, D. 959: II. Andantino | — | ||
| 4-3 | Piano Sonata No. 20 in A Major, D. 959: III. Scherzo - Allegro vivace | — | ||
| 4-4 | Piano Sonata No. 20 in A Major, D. 959: IV. Rondo - Allegretto | — | ||
| 4-5 | 3 Klavierstücke, D. 946: No. 1, in E-Flat Minor | — | ||
| 4-6 | 3 Klavierstücke, D. 946: No. 2, in E-Flat Major | — | ||
| 5-1 | Abegg Variations, Op. 1: I. Thema | — | ||
| 5-2 | Abegg Variations, Op. 1: II. Variation I | — | ||
| 5-3 | Abegg Variations, Op. 1: III. Variation II | — | ||
| 5-4 | Abegg Variations, Op. 1: IV. Variation III | — | ||
| 5-5 | Abegg Variations, Op. 1: V. Cantabile | — | ||
| 5-6 | Abegg Variations, Op. 1: VI. Finale alla fantasia | — | ||
| 5-7 | Waldszenen, Op. 82: I. Eintritt | — | ||
| 5-8 | Waldszenen, Op. 82: II. Jäger auf der Lauer | — | ||
| 5-9 | Waldszenen, Op. 82: III. Einsame Blumen | — | ||
| 5-10 | Waldszenen, Op. 82: IV. Verrufene Stelle | — | ||
| 5-11 | Waldszenen, Op. 82: V. Freundliche Landschaft | — | ||
| 5-12 | Waldszenen, Op. 82: VI. Herberge | — | ||
| 5-13 | Waldszenen, Op. 82: VII. Vogel als Prophet | — | ||
| 5-14 | Waldszenen, Op. 82: VIII. Jagdlied | — | ||
| 5-15 | Waldszenen, Op. 82: IX. Abschied | — | ||
| 5-16 | Humoreske, Op. 20: I. Einfach | — | ||
| 5-17 | Humoreske, Op. 20: II. Sehr rasch und leicht | — | ||
| 5-18 | Humoreske, Op. 20: III. Hastig | — | ||
| 5-19 | Humoreske, Op. 20: IV. Nach und nach immer lebhafter und stärker | — | ||
| 5-20 | Humoreske, Op. 20: V. Einfach und zart - Intermezzo | — | ||
| 5-21 | Humoreske, Op. 20: VI. Innig | — | ||
| 5-22 | Humoreske, Op. 20: VII. Sehr lebhaft | — | ||
| 5-23 | Humoreske, Op. 20: VIII. Mit einigem Pomp | — | ||
| 5-24 | Humoreske, Op. 20: IX. Zum Beschluss | — | ||
| 6-1 | Kreisleriana, Op. 16: I. Äusserst bewegt | — | ||
| 6-2 | Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch | — | ||
| 6-3 | Kreisleriana, Op. 16: III. Sehr aufgeregt | — | ||
| 6-4 | Kreisleriana, Op. 16: IV. Sehr langsam | — | ||
| 6-5 | Kreisleriana, Op. 16: V. Sehr lebhaft | — | ||
| 6-6 | Kreisleriana, Op. 16: VI. Sehr langsam | — | ||
| 6-7 | Kreisleriana, Op. 16: VII. Sehr rasch | — | ||
| 6-8 | Kreisleriana, Op. 16: VIII. Schnell und spielend | — | ||
| 6-9 | Blumenstück in D-Flat Major, Op. 19 | — | ||
| 6-10 | Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 6-11 | Fantasie in C Major, Op. 17: II. Mässig, durchaus energisch | — | ||
| 6-12 | Fantasie in C Major, Op. 17: III. Langsam getragen - Durchweg leise zu halten | — | ||
| 7-1 | 4 Ballades, Op. 10: No. 1, Andante | — | ||
| 7-2 | 4 Ballades, Op. 10: No. 2, Andante | — | ||
| 7-3 | 4 Ballades, Op. 10: No. 3, Intermezzo (Allegro) | — | ||
| 7-4 | 4 Ballades, Op. 10: No. 4, Andante con moto | — | ||
| 7-5 | 3 Intermezzi, Op. 117: I. Andante moderato in E-Flat Major | — | ||
| 7-6 | 3 Intermezzi, Op. 117: II. Andante non troppo e con molto espressione in B-Flat Minor | — | ||
| 7-7 | 3 Intermezzi, Op. 117: III. Andante con moto in C-Sharp Minor | — | ||
| 7-8 | 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor (Allegro non assai) | — | ||
| 7-9 | 6 Klavierstücke, Op. 118: No. 2, Intermezo in A Major (Andante teneramente) | — | ||
| 7-10 | 6 Klavierstücke, Op. 118: No. 3, Ballade in G Minor (Allegro energico) | — | ||
| 7-11 | 6 Klavierstücke, Op. 118: No. 4, Intermezzo in F Minor (Allegretto un poco agitato) | — | ||
| 7-12 | 6 Klavierstücke, Op. 118: No. 5, Romanze in F Major (Andante) | — | ||
| 7-13 | 6 Klavierstücke, Op. 118: No. 6, Intermezzo in E-Flat Minor (Andante, largo e mesto) | — | ||
| 8-1 | Études d'exécution transcendante, S. 139: No. 1, in C Major, "Preludio" | — | ||
| 8-2 | Études d'exécution transcendante, S. 139: No. 2, in A Minor - Molto vivace, "Fusées" | — | ||
| 8-3 | Études d'exécution transcendante, S. 139: No. 3, in F Major, "Paysage" | — | ||
| 8-4 | Études d'exécution transcendante, S. 139: No. 4, in D Minor, "Mazeppa" | — | ||
| 8-5 | Études d'exécution transcendante, S. 139: No. 5, in B-Flat Major, "Feux-follets" | — | ||
| 8-6 | Études d'exécution transcendante, S. 139: No. 6, in G Minor, "Vision" | — | ||
| 8-7 | Études d'exécution transcendante, S. 139: No. 7, in E-Flat Major, "Eroica" | — | ||
| 8-8 | Études d'exécution transcendante, S. 139: No. 8, in C Minor, "Wilde Jagd" | — | ||
| 8-9 | Études d'exécution transcendante, S. 139: No. 9, in A-Flat Major, "Ricordanza" | — | ||
| 8-10 | Études d'exécution transcendante, S. 139: No. 10, in F Minor - Allegro agitato molto, "Appassionata" | — | ||
| 8-11 | Études d'exécution transcendante, S. 139: No. 11 in D-Flat Major, "Harmonies du soir" | — | ||
| 8-12 | Études d'exécution transcendante, S. 139: No. 12, in B-Flat Minor, "Chasse-neige" | — | ||
| 9-1 | Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro | — | ||
| 9-2 | Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | — | ||
| 9-3 | Keyboard Concerto No. 1 in D Minor, BWV 1052: III. Allegro | — | ||
| 9-4 | Concerto for 4 Keyboards in A Minor, BWV 1065: I. Allegro | — | ||
| 9-5 | Concerto for 4 Keyboards in A Minor, BWV 1065: II. Largo | — | ||
| 9-6 | Concerto for 4 Keyboards in A Minor, BWV 1065: III. Allegro | — | ||
| 9-7 | Concerto for 3 Keyboards in D Minor, BWV 1063: I. Allegro | — | ||
| 9-8 | Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana | — | ||
| 9-9 | Concerto for 3 Keyboards in D Minor, BWV 1063: III. Allegro | — | ||
| 9-10 | Concerto for 3 Keyboards in C Major, BWV 1064: I. Allegro | — | ||
| 9-11 | Concerto for 3 Keyboards in C Major, BWV 1064: II. Adagio | — | ||
| 9-12 | Concerto for 3 Keyboards in C Major, BWV 1064: III. Allegro | — | ||
| 10-1 | Piano Concerto No. 25 in C Major, K. 503: I. Allegro maestoso (Cadenza by Magaloff) | — | ||
| 10-2 | Piano Concerto No. 25 in C Major, K. 503: II. Andante | — | ||
| 10-3 | Piano Concerto No. 25 in C Major, K. 503: III. Finale - Allegretto | — | ||
| 10-4 | Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace | — | ||
| 10-5 | Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto | — | ||
| 10-6 | Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace | — | ||
| 11-1 | Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace | — | ||
| 11-2 | Cello Sonata No. 2 in F Major, Op. 99: II. Adagio affettuoso | — | ||
| 11-3 | Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato | — | ||
| 11-4 | Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto | — | ||
| 11-5 | Violin Sonata No. 1 in G Major, Op. 78: I. Vivace ma non troppo (Arr. Brahms for Cello and Piano) | — | ||
| 11-6 | Violin Sonata No. 1 in G Major, Op. 78: II. Adagio (Arr. Brahms for Cello and Piano) | — | ||
| 11-7 | Violin Sonata No. 1 in G Major, Op. 78: III. Allegro molto moderato (Arr. Brahms for Cello and Piano) | — | ||
| 12-1 | Horn Trio in E-Flat Major, Op. 40: I. Andante | — | ||
| 12-2 | Horn Trio in E-Flat Major, Op. 40: II. Scherzo | — | ||
| 12-3 | Horn Trio in E-Flat Major, Op. 40: III. Adagio mesto | — | ||
| 12-4 | Horn Trio in E-Flat Major, Op. 40: IV. Finale: Allegro con brio | — | ||
| 12-5 | Clarinet Trio in A Minor, Op. 114: I. Allegro | — | ||
| 12-6 | Clarinet Trio in A Minor, Op. 114: II. Adagio | — | ||
| 12-7 | Clarinet Trio in A Minor, Op. 114: III. Andante grazioso | — | ||
| 12-8 | Clarinet Trio in A Minor, Op. 114: IV. Allegro | — | ||
| 12-9 | Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion | — | ||
| 12-10 | Le carnaval des animaux, R. 125: II. Poules et coqs | — | ||
| 12-11 | Le carnaval des animaux, R. 125: III. Hémiones | — | ||
| 12-12 | . Le carnaval des animaux, R. 125: IV. Tortues | — | ||
| 12-13 | . Le carnaval des animaux, R. 125: V. L'éléphant | — | ||
| 12-14 | . Le carnaval des animaux, R. 125: VI. Kangourous | — | ||
| 12-15 | . Le carnaval des animaux, R. 125: VII. Aquarium | — | ||
| 12-16 | . Le carnaval des animaux, R. 125: VIII. Personnages à longues oreilles | — | ||
| 12-17 | . Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois | — | ||
| 12-18 | . Le carnaval des animaux, R. 125: X. Volière | — | ||
| 12-19 | . Le carnaval des animaux, R. 125: XI. Pianistes | — | ||
| 12-20 | . Le carnaval des animaux, R. 125: XII. Fossiles | — | ||
| 12-21 | . Le carnaval des animaux, R. 125: XIII. Le cygne | — | ||
| 12-22 | . Le carnaval des animaux, R. 125: XIV. Final | — | ||
| 13-1 | Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | — | ||
| 13-2 | Violin Sonata No. 1 in A Major, Op. 13: II. Andante | — | ||
| 13-3 | Violin Sonata No. 1 in A Major, Op. 13: III. Allegro vivo | — | ||
| 13-4 | Violin Sonata No. 1 in A Major, Op. 13: IV. Allegro quasi presto | — | ||
| 13-5 | Berceuse, Op. 16 | — | ||
| 13-6 | Romance, Op. 28 | — | ||
| 13-7 | Andante in B-Flat Major, Op. 75 | — | ||
| 13-8 | Morceau de Lecture | — | ||
| 13-9 | Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | — | ||
| 13-10 | Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo: Allegro vivo | — | ||
| 13-11 | Piano Quartet No. 1 in C Minor, Op. 15: III. Adagio | — | ||
| 13-12 | Piano Quartet No. 1 in C Minor, Op. 15: IV. Allegro molto | — | ||
| 14-1 | Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro | — | ||
| 14-2 | Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | — | ||
| 14-3 | Cello Sonata No. 1 in D Minor, Op. 109: III. Finale: Allegro commodo | — | ||
| 14-4 | Élégie, Op. 24 | — | ||
| 14-5 | Papillon, Op. 77 | — | ||
| 14-6 | Romance, Op. 69 | — | ||
| 14-7 | Sérénade, Op. 98 | — | ||
| 14-8 | Sicilienne, Op. 78 | — | ||
| 14-9 | Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato | — | ||
| 14-10 | Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio | — | ||
| 14-11 | Piano Quintet No. 1 in D Minor, Op. 89: III. Allegretto moderato | — | ||
| 15-1 | Myrthen, Op. 25: No. 1, Widmung | — | ||
| 15-2 | Myrthen, Op. 25: No. 2, Freisinn | — | ||
| 15-3 | Myrthen, Op. 25: No. 3, Der Nussbaum | — | ||
| 15-4 | Myrthen, Op. 25: No. 4, Jemand | — | ||
| 15-5 | Myrthen, Op. 25: No. 5, "Sitz' ich allein" | — | ||
| 15-6 | Myrthen, Op. 25: No. 6, "Setze mir nicht" | — | ||
| 15-7 | Myrthen, Op. 25: No. 7, Die Lotosblume | — | ||
| 15-8 | Myrthen, Op. 25: No. 8, Talismane | — | ||
| 15-9 | Myrthen, Op. 25: No. 9, Lied der Suleika | — | ||
| 15-10 | Myrthen, Op. 25: No. 10, Die Hochländer-Witwe | — | ||
| 15-11 | Myrthen, Op. 25: No. 11, Lied der Braut I | — | ||
| 15-12 | Myrthen, Op. 25: No. 12, Lied der Braut II | — | ||
| 15-13 | Myrthen, Op. 25: No. 13, Hochländers Abschied | — | ||
| 15-14 | Myrthen, Op. 25: No. 14, Hochländisches Wiegenlied | — | ||
| 15-15 | Myrthen, Op. 25: No. 15, Aus den hebräischen Gesängen | — | ||
| 15-16 | Myrthen, Op. 25: No. 16, Rätsel | — | ||
| 15-17 | Myrthen, Op. 25: No. 17, 2 Venezianische Lieder I | — | ||
| 15-18 | Myrthen, Op. 25: No. 18, 2 Venezianische Lieder II | — | ||
| 15-19 | Myrthen, Op. 25: No. 19, Hauptmanns Weib | — | ||
| 15-20 | Myrthen, Op. 25: No. 20, Weit, weit | — | ||
| 15-21 | Myrthen, Op. 25: No. 21, "Was will die einsame Träne" | — | ||
| 15-22 | Myrthen, Op. 25: No. 22, Niemand | — | ||
| 15-23 | Myrthen, Op. 25: No. 23, Im Westen | — | ||
| 15-24 | Myrthen, Op. 25: No. 24, "Du bist wie eine Blume" | — | ||
| 15-25 | Myrthen, Op. 25: No. 25, Aus den östlichen Rosen | — | ||
| 15-26 | Myrthen, Op. 25: No. 26, Zum Schluss | — | ||
| 15-27 | Gedichte der Königin Maria Stuart, Op. 135: No. 1, Abschied von Frankreich | — | ||
| 15-28 | Gedichte der Königin Maria Stuart, Op. 135: No. 2, Nach der Geburt ihres Sohnes | — | ||
| 15-29 | Gedichte der Königin Maria Stuart, Op. 135: No. 3, An die Königin Elisabeth | — | ||
| 15-30 | Gedichte der Königin Maria Stuart, Op. 135: No. 4, Abschied von der Welt | — | ||
| 15-31 | Gedichte der Königin Maria Stuart, Op. 135: No. 5, Gebet | — | ||
| 15-32 | Chanson perpétuelle, Op. 37 | — | ||
| 15-33 | 7 Mélodies, Op. 2: VII. Le colibri | — | ||
| 15-34 | 7 Mélodies, Op. 2: V. Sérénade italienne | — | ||
| 15-35 | 7 Mélodies, Op. 2: IV. La dernière feuille | — | ||
| 15-36 | 7 Mélodies, Op. 2: III. Les papillons | — | ||
| 15-37 | 7 Mélodies, Op. 2: II. Le charme | — | ||
| 16-1 | Sérénade | — | ||
| 16-2 | Viens ! Les gazons sont verts ! | — | ||
| 16-3 | L'absent | — | ||
| 16-4 | Ouvre ton coeur | — | ||
| 16-5 | Adieux de l'hôtesse arabe, WD 72 | — | ||
| 16-6 | Chanson pour Jeanne | — | ||
| 16-7 | L'île heureuse | — | ||
| 16-8 | Chanson perpétuelle, Op. 37 | — | ||
| 16-9 | 7 Mélodies, Op. 2: No. 3, Les papillons | — | ||
| 16-10 | 7 Mélodies, Op. 2: No. 7, Le colibri | — | ||
| 16-11 | Crépuscule | — | ||
| 16-12 | Élégie | — | ||
| 16-13 | L'invitation au voyage | — | ||
| 16-14 | Chanson triste | — | ||
| 16-15 | Extase | — | ||
| 16-16 | Chanson espagnole | — | ||
| 16-17 | Rêverie | — | ||
| 16-18 | Le rossignol des lilas | — | ||
| 16-19 | Si mes vers avaient des ailes | — | ||
| 16-20 | "Quand je fus pris au pavillon" | — | ||
| 16-21 | Chère nuit | — | ||
| 16-22 | Plaisir d'amour | — | ||
| 16-23 | Vexations | — | ||
| 17-1 | 3 Mélodies, Op. 7: No. 1, Après un rêve | — | ||
| 17-2 | 2 Mélodies, Op. 46: No. 2, Clair de lune | — | ||
| 17-3 | 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | — | ||
| 17-4 | 2 Mélodies, Op. 83: No. 1, Prison | — | ||
| 17-5 | 3 Mélodies, Op. 23: No. 2, Notre amour | — | ||
| 17-6 | 3 Mélodies, Op. 18: No. 3, Automne | — | ||
| 17-7 | 3 Mélodies, Op. 23: No. 3, Le secret | — | ||
| 17-8 | 2 Mélodies, Op. 27: No. 1, Chanson d'amour | — | ||
| 17-9 | 2 Mélodies, Op. 27: No. 2, La fée aux chansons | — | ||
| 17-10 | 4 Mélodies, Op. 39: No. 2, Fleur jetée | — | ||
| 17-11 | 2 Mélodies, Op. 43: No. 2, Nocturne | — | ||
| 17-12 | 2 Mélodies, Op. 46: No. 1, Les présents | — | ||
| 17-13 | Poème d'un jour, Op. 21: No. 1, Rencontre | — | ||
| 17-14 | Poème d'un jour, Op. 21: No. 2, Toujours | — | ||
| 17-15 | Poème d'un jour, Op. 21: No. 3, Adieu | — | ||
| 17-16 | 3 Mélodies, Op. 18: No. 1, Nell | — | ||
| 17-17 | 4 Mélodies, Op. 39: No. 4, Les roses d'Ispahan | — | ||
| 17-18 | 3 Mélodies, Op. 8: No. 1, Au bord de l'eau | — | ||
| 17-19 | 3 Mélodies, Op. 23: No. 1, Les berceaux | — | ||
| 17-20 | La bonne chanson, Op. 61: No. 1, Une sainte en son auréole | — | ||
| 17-21 | La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit | — | ||
| 17-22 | La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois | — | ||
| 17-23 | La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides | — | ||
| 17-24 | La bonne chanson, Op. 61: No. 5, J'ai presque peur, en vérité | — | ||
| 17-25 | La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles | — | ||
| 17-26 | La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été | — | ||
| 17-27 | La bonne chanson, Op. 61: No. 8, N'est-ce pas? | — | ||
| 17-28 | La bonne chanson, Op. 61: No. 9, L'hiver a cessé | — |
