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Gérard Caussé
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The UPC for “Viola Legend - The Erato Years” by Gérard Caussé is 0190295681586. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Erato. This release contains 168 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: I. Allegro maestoso | — | ||
| 2 | Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: II. Andante | — | ||
| 3 | Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: III. Presto | — | ||
| 4 | Harold en Italie, H. 68: I. Harold aux montagnes (Scènes de mélancolie, de bonheur et de joie) | — | ||
| 5 | Harold en Italie, H 68: II. Marche des pèlerins chantant la prière du soir | — | ||
| 6 | Harold en Italie, H. 68: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse | — | ||
| 7 | Harold en Italie, H. 68: IV. Orgie de brigands (Souvenirs des scènes précédentes) | — | ||
| 2-1 | Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: I. Andante | — | ||
| 2-2 | Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: II. Menuetto | — | ||
| 2-3 | Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: III. Rondeau. Allegretto | — | ||
| 2-4 | Divertimento for String Trio in E‐flat major, K. 563: I. Allegro | — | ||
| 2-5 | Divertimento for String Trio in E‐flat major, K. 563: II. Adagio | — | ||
| 2-6 | Divertimento for String Trio in E‐flat major, K. 563: III. Menuetto. Allegretto | — | ||
| 2-7 | Divertimento for String Trio in E‐flat major, K. 563: IV. Andante | — | ||
| 2-8 | Divertimento for String Trio in E‐flat major, K. 563: V. Menuetto. Allegretto | — | ||
| 2-9 | Divertimento for String Trio in E‐flat major, K. 563: VI. Allegro | — | ||
| 2-10 | Suite in G minor, HWV 432: VI. Passacaglia (Arr. Halvorsen) | — | ||
| 3-1 | Harold en Italie, S. 472: I. Harold aux montagnes. Adagio - Allegro ma non troppo | — | ||
| 3-2 | Harold en Italie, S. 472: II. Marche des Pèlerins. Allegretto | — | ||
| 3-3 | Harold en Italie, S. 472: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai - Allegretto | — | ||
| 3-4 | Harold en Italie, S. 472: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico | — | ||
| 3-5 | Romance oubliée, S. 132a | — | ||
| 3-6 | Viola Sonata in E‐flat major, op. 5 no. 3: I. Allegro moderato | — | ||
| 3-7 | Viola Sonata in E‐flat major, op. 5 no. 3: II. Adagio cantabile | — | ||
| 3-8 | Viola Sonata in E‐flat major, op. 5 no. 3: III. Rondo con moto | — | ||
| 4-1 | Concerto for Clarinet and Viola in E minor, op. 88: I. Andante con moto | — | ||
| 4-2 | Concerto for Clarinet and Viola in E minor, op. 88: II. Allegro moderato | — | ||
| 4-3 | Concerto for Clarinet and Viola in E minor, op. 88: III. Allegro molto | — | ||
| 4-4 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 1, Andante | — | ||
| 4-5 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 2, Allegro con moto | — | ||
| 4-6 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 3, Andante con moto | — | ||
| 4-7 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 4, Allegro agitato | — | ||
| 4-8 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 5, Andante | — | ||
| 4-9 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 6, Andante con moto | — | ||
| 4-10 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 7, Allegro vivace, ma non troppo | — | ||
| 4-11 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 8, Moderato | — | ||
| 4-12 | Romanze, op. 85 | — | ||
| 4-13 | Legenden, op. 62: I. Andantino | — | ||
| 4-14 | Legenden, op. 62: II. Moderato | — | ||
| 4-15 | Legenden, op. 62: III. Andante | — | ||
| 5-1 | Viola Concerto in D major: I. Allegro (Cadenza by Beyer) | — | ||
| 5-2 | Viola Concerto in D major: II. Adagio | — | ||
| 5-3 | Viola Concerto in D major: III. Rondo | — | ||
| 5-4 | Fantasy for viola and orchestra (reconstruction Fernand Oubradous) | — | ||
| 5-5 | Viola Concerto in C major: I. Allegro | — | ||
| 5-6 | Viola Concerto in C major: II Romanze. Adagio | — | ||
| 5-7 | Viola Concerto in C major: III. Rondo. Allegretto | — | ||
| 5-8 | Andante e rondo ongarese, op. 35: I. Andante (revised Georg Schünemann) | — | ||
| 5-9 | Andante e rondo ongarese, op. 35: II. Rondo ungarese (revised Georg Schünemann) | — | ||
| 5-10 | Duo for Violin and Viola no. 1 in G major, K. 423: I. Allegro | — | ||
| 5-11 | Duo for Violin and Viola no. 1 in G major, K. 423: II. Adagio | — | ||
| 5-12 | Duo for Violin and Viola no. 1 in G major, K. 423: III. Rondeau. Allegro | — | ||
| 6-1 | Trauermusik: I. Langsam | — | ||
| 6-2 | Trauermusik: II. Ruhig bewegt | — | ||
| 6-3 | Trauermusik: III. Lebhaft | — | ||
| 6-4 | Trauermusik: IV. Choral “Für deinen Thron tret ich hiermit” | — | ||
| 6-5 | Viola Sonata, op. 25 no. 1: I. Breit | — | ||
| 6-6 | Viola Sonata, op. 25 no. 1: II. Sehr frisch und straff | — | ||
| 6-7 | Viola Sonata, op. 25 no. 1: III. Sehr langsam | — | ||
| 6-8 | Viola Sonata, op. 25 no. 1: IV. Rasendes Zeitmass - Wild - Tonschönheit ist Nebensache | — | ||
| 6-9 | Viola Sonata, op. 25 no. 1: V. Langsam, mit viel Ausdruck | — | ||
| 6-10 | Der Schwanendreher: I. “Zwischen Berg und tiefen Tal” | — | ||
| 6-11 | Der Schwanendreher: II. “Nun laube, Lindlein, laube!” | — | ||
| 6-12 | Der Schwanendreher: III. Variationen “Seid ihr nicht der Schwanendreher” | — | ||
| 6-13 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: I. (a) Adagio | — | ||
| 6-14 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: I. (b) Allegro | — | ||
| 6-15 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: II. Andante cantabile | — | ||
| 6-16 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: III. Andante grazioso. Tema con variazioni | — | ||
| 7-1 | Viola Sonata no. 1 in F minor, op. 120 no. 1: I. Allegro appassionato | — | ||
| 7-2 | Viola Sonata no. 1 in F minor, op. 120 no. 1: II. Andante un poco adagio | — | ||
| 7-3 | Viola Sonata no. 1 in F minor, op. 120 no. 1: III. Allegretto grazioso | — | ||
| 7-4 | Viola Sonata no. 1 in F minor, op. 120 no. 1: IV. Vivace | — | ||
| 7-5 | Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: I. Allegro amabile | — | ||
| 7-6 | Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: II. Allegro appassionato | — | ||
| 7-7 | Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: III. Andante con moto | — | ||
| 7-8 | 2 Gesänge, op. 91: I. Gestillte Sehnsucht | — | ||
| 7-9 | 2 Gesänge, op. 91: II. Geistliches Wiegenlied | — | ||
| 8-1 | Arpeggione Sonata in A minor, D. 821: I. Allegro moderato (Version for Viola and Piano) | — | ||
| 8-2 | Arpeggione Sonata in A minor, D. 821: II. Adagio (Version for Viola and Piano) | — | ||
| 8-3 | Arpeggione Sonata in A minor, D. 821: III. Allegretto (Version for Viola and Piano) | — | ||
| 8-4 | Notturno in D major, op. 42: I. Marcia - Allegro | — | ||
| 8-5 | Notturno in D major, op. 42: II. Adagio | — | ||
| 8-6 | Notturno in D major, op. 42: III. Menuetto | — | ||
| 8-7 | Notturno in D major, op. 42: IV. Adagio | — | ||
| 8-8 | Notturno in D major, op. 42: V. Allegretto alla polacca | — | ||
| 8-9 | Notturno in D major, op. 42: VI. Tema con variazioni | — | ||
| 8-10 | 3 Fantasiestücke for Viola and Piano, op. 43: I. Romanze | — | ||
| 8-11 | 3 Fantasiestücke for Viola and Piano, op. 43: II. Allegro molto agitato | — | ||
| 8-12 | 3 Fantasiestücke for Viola and Piano, op. 43: III. Jahrmarkt‐Szene - eine Humoreske | — | ||
| 8-13 | Märchenbilder, op. 113: I. Nicht schnell | — | ||
| 8-14 | Märchenbilder, op. 113: II. Lebhaft | — | ||
| 8-15 | Märchenbilder, op. 113: III. Rasch | — | ||
| 8-16 | Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck | — | ||
| 9-1 | String Quintet no. 1 in A major, op. 18, MWV R21: I. Allegro con moto | — | ||
| 9-2 | String Quintet no. 1 in A major, op. 18, MWV R21: II. Intermezzo. Andante sostenuto | — | ||
| 9-3 | String Quintet no. 1 in A major, op. 18, MWV R21: III. Scherzo. Allegro di molto | — | ||
| 9-4 | String Quintet no. 1 in A major, op. 18, MWV R21: IV. Allegro vivace | — | ||
| 9-5 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: I. Allegro vivace | — | ||
| 9-6 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: II. Andante scherzando | — | ||
| 9-7 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: III. Adagio e lento | — | ||
| 9-8 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: IV. Allegro molto vivace | — | ||
| 9-9 | Märchenerzählungen, op. 132: I. Lebhaft, nicht zu schnell | — | ||
| 9-10 | Märchenerzählungen, op. 132: II. Lebhaft und sehr markiert | — | ||
| 9-11 | Märchenerzählungen, op. 132: III. Ruhiges Tempo, mit zartem Ausdruck | — | ||
| 9-12 | Märchenerzählungen, op. 132: IV. Lebhaft, sehr markiert | — | ||
| 10-1 | “Pour écrire un seul vers, il faut avoir vu beaucoup de villes, d’hommes et de choses … “ | — | ||
| 10-2 | Cello Suite no. 1 in G major, BWV 1007: I. Prelude | — | ||
| 10-3 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | — | ||
| 10-4 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | — | ||
| 10-5 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | — | ||
| 10-6 | Cello Suite no. 1 in G major, BWV 1007: V. Menuets I & II | — | ||
| 10-7 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | — | ||
| 10-8 | Christoph Rilke “Chevaucher, chevaucher, chevaucher, le jour, la nuit, le jour” | — | ||
| 10-9 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | — | ||
| 10-10 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | — | ||
| 10-11 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | — | ||
| 10-12 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | — | ||
| 10-13 | Cello Suite no. 3 in C major, BWV 1009: V. Bourrées I & II | — | ||
| 10-14 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | — | ||
| 10-15 | Le Garçon “Je voudrais devenir un de ceux‐là … “ | — | ||
| 10-16 | Le Carrousel (Jardin du Luxembourg) “Avec un toit que suit son ombre … “ | — | ||
| 10-17 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | — | ||
| 10-18 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | — | ||
| 10-19 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | — | ||
| 10-20 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | — | ||
| 10-21 | Cello Suite no. 6 in D major, BWV 1012: V. Gavottes I & II | — | ||
| 10-22 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | — | ||
| 11-1 | Heure grave “Quiconque pleure à présent quelque part dans le monde … “ | — | ||
| 11-2 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | — | ||
| 11-3 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 11-4 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | — | ||
| 11-5 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 11-6 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuets I & II | — | ||
| 11-7 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 11-8 | Le Livre de la pauvreté et de la mort “Seigneur, donne à chacun sa propre mort … “ | — | ||
| 11-9 | Cello Suite no. 4 in E‐flat major, BWV 1010: I. Prelude | — | ||
| 11-10 | Cello Suite no. 4 in E‐flat major, BWV 1010: II. Allemande | — | ||
| 11-11 | Cello Suite no. 4 in E‐flat major, BWV 1010: III. Courante | — | ||
| 11-12 | Cello Suite no. 4 in E‐flat major, BWV 1010: IV. Sarabande | — | ||
| 11-13 | Cello Suite no. 4 in E‐flat major, BWV 1010: V. Bourrées I & II | — | ||
| 11-14 | Cello Suite no. 4 in E‐flat major, BWV 1010: VI. Gigue | — | ||
| 11-15 | Neuvième Élégie “Terre, n’est‐ce pas ce que tu veux - invisible en nous, renaître ?” | — | ||
| 11-16 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | — | ||
| 11-17 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | — | ||
| 11-18 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | — | ||
| 11-19 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | — | ||
| 11-20 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I & II | — | ||
| 11-21 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | — | ||
| 12-1 | Suite for Viola and Orchestra: I. Lento - Meno lento - Animato | — | ||
| 12-2 | Suite for Viola and Orchestra: II. Allegro ironico | — | ||
| 12-3 | Suite for Viola and Orchestra: III. Lento | — | ||
| 12-4 | Suite for Viola and Orchestra: IV. Molto vivo | — | ||
| 12-5 | Suite Hébraïque: I. Rapsodie (Andante moderato) | — | ||
| 12-6 | Suite Hébraïque: II. Processional (Andante con moto) | — | ||
| 12-7 | Suite Hébraïque: III. Affirmation (Maestoso) | — | ||
| 12-8 | 5 Schilflieder, op. 28: I. Langsam, träumerisch | — | ||
| 12-9 | 5 Schilflieder, op. 28: II. Leidenschaftlich erregt | — | ||
| 12-10 | 5 Schilflieder, op. 28: III. Zart, in ruhiger Bewegung | — | ||
| 12-11 | 5 Schilflieder, op. 28: IV. Feurig | — | ||
| 12-12 | 5 Schilflieder, op. 28: V. Sehr ruhig | — | ||
| 13-1 | Elegia, op. 44 | — | ||
| 13-2 | 6 Pieces, op. 19: IV. Nocturne | — | ||
| 13-3 | Souvenir d’un lieu cher, op. 42 | — | ||
| 13-4 | 6 Pieces, op. 51: VI. Valse sentimentale | — | ||
| 13-5 | 14 Romances, op. 34: XIV. Vocalise | — | ||
| 13-6 | Viola Sonata in C major, op. 147: I. Moderato | — | ||
| 13-7 | Viola Sonata in C major, op. 147: II. Allegretto | — | ||
| 13-8 | Viola Sonata in C major, op. 147: III. Adagio | — |
Songwriters/Publishers (IPI)
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0190295681586 is a Universal Product Code (UPC) assigned to Viola Legend - The Erato Years by Gérard Caussé. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 168 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Viola Legend - The Erato Years” by Gérard Caussé is 0190295681586. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Erato. This release contains 168 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: I. Allegro maestoso | — | ||
| 2 | Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: II. Andante | — | ||
| 3 | Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: III. Presto | — | ||
| 4 | Harold en Italie, H. 68: I. Harold aux montagnes (Scènes de mélancolie, de bonheur et de joie) | — | ||
| 5 | Harold en Italie, H 68: II. Marche des pèlerins chantant la prière du soir | — | ||
| 6 | Harold en Italie, H. 68: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse | — | ||
| 7 | Harold en Italie, H. 68: IV. Orgie de brigands (Souvenirs des scènes précédentes) | — | ||
| 2-1 | Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: I. Andante | — | ||
| 2-2 | Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: II. Menuetto | — | ||
| 2-3 | Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: III. Rondeau. Allegretto | — | ||
| 2-4 | Divertimento for String Trio in E‐flat major, K. 563: I. Allegro | — | ||
| 2-5 | Divertimento for String Trio in E‐flat major, K. 563: II. Adagio | — | ||
| 2-6 | Divertimento for String Trio in E‐flat major, K. 563: III. Menuetto. Allegretto | — | ||
| 2-7 | Divertimento for String Trio in E‐flat major, K. 563: IV. Andante | — | ||
| 2-8 | Divertimento for String Trio in E‐flat major, K. 563: V. Menuetto. Allegretto | — | ||
| 2-9 | Divertimento for String Trio in E‐flat major, K. 563: VI. Allegro | — | ||
| 2-10 | Suite in G minor, HWV 432: VI. Passacaglia (Arr. Halvorsen) | — | ||
| 3-1 | Harold en Italie, S. 472: I. Harold aux montagnes. Adagio - Allegro ma non troppo | — | ||
| 3-2 | Harold en Italie, S. 472: II. Marche des Pèlerins. Allegretto | — | ||
| 3-3 | Harold en Italie, S. 472: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai - Allegretto | — | ||
| 3-4 | Harold en Italie, S. 472: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico | — | ||
| 3-5 | Romance oubliée, S. 132a | — | ||
| 3-6 | Viola Sonata in E‐flat major, op. 5 no. 3: I. Allegro moderato | — | ||
| 3-7 | Viola Sonata in E‐flat major, op. 5 no. 3: II. Adagio cantabile | — | ||
| 3-8 | Viola Sonata in E‐flat major, op. 5 no. 3: III. Rondo con moto | — | ||
| 4-1 | Concerto for Clarinet and Viola in E minor, op. 88: I. Andante con moto | — | ||
| 4-2 | Concerto for Clarinet and Viola in E minor, op. 88: II. Allegro moderato | — | ||
| 4-3 | Concerto for Clarinet and Viola in E minor, op. 88: III. Allegro molto | — | ||
| 4-4 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 1, Andante | — | ||
| 4-5 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 2, Allegro con moto | — | ||
| 4-6 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 3, Andante con moto | — | ||
| 4-7 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 4, Allegro agitato | — | ||
| 4-8 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 5, Andante | — | ||
| 4-9 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 6, Andante con moto | — | ||
| 4-10 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 7, Allegro vivace, ma non troppo | — | ||
| 4-11 | 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 8, Moderato | — | ||
| 4-12 | Romanze, op. 85 | — | ||
| 4-13 | Legenden, op. 62: I. Andantino | — | ||
| 4-14 | Legenden, op. 62: II. Moderato | — | ||
| 4-15 | Legenden, op. 62: III. Andante | — | ||
| 5-1 | Viola Concerto in D major: I. Allegro (Cadenza by Beyer) | — | ||
| 5-2 | Viola Concerto in D major: II. Adagio | — | ||
| 5-3 | Viola Concerto in D major: III. Rondo | — | ||
| 5-4 | Fantasy for viola and orchestra (reconstruction Fernand Oubradous) | — | ||
| 5-5 | Viola Concerto in C major: I. Allegro | — | ||
| 5-6 | Viola Concerto in C major: II Romanze. Adagio | — | ||
| 5-7 | Viola Concerto in C major: III. Rondo. Allegretto | — | ||
| 5-8 | Andante e rondo ongarese, op. 35: I. Andante (revised Georg Schünemann) | — | ||
| 5-9 | Andante e rondo ongarese, op. 35: II. Rondo ungarese (revised Georg Schünemann) | — | ||
| 5-10 | Duo for Violin and Viola no. 1 in G major, K. 423: I. Allegro | — | ||
| 5-11 | Duo for Violin and Viola no. 1 in G major, K. 423: II. Adagio | — | ||
| 5-12 | Duo for Violin and Viola no. 1 in G major, K. 423: III. Rondeau. Allegro | — | ||
| 6-1 | Trauermusik: I. Langsam | — | ||
| 6-2 | Trauermusik: II. Ruhig bewegt | — | ||
| 6-3 | Trauermusik: III. Lebhaft | — | ||
| 6-4 | Trauermusik: IV. Choral “Für deinen Thron tret ich hiermit” | — | ||
| 6-5 | Viola Sonata, op. 25 no. 1: I. Breit | — | ||
| 6-6 | Viola Sonata, op. 25 no. 1: II. Sehr frisch und straff | — | ||
| 6-7 | Viola Sonata, op. 25 no. 1: III. Sehr langsam | — | ||
| 6-8 | Viola Sonata, op. 25 no. 1: IV. Rasendes Zeitmass - Wild - Tonschönheit ist Nebensache | — | ||
| 6-9 | Viola Sonata, op. 25 no. 1: V. Langsam, mit viel Ausdruck | — | ||
| 6-10 | Der Schwanendreher: I. “Zwischen Berg und tiefen Tal” | — | ||
| 6-11 | Der Schwanendreher: II. “Nun laube, Lindlein, laube!” | — | ||
| 6-12 | Der Schwanendreher: III. Variationen “Seid ihr nicht der Schwanendreher” | — | ||
| 6-13 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: I. (a) Adagio | — | ||
| 6-14 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: I. (b) Allegro | — | ||
| 6-15 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: II. Andante cantabile | — | ||
| 6-16 | Duo for Violin and Viola no. 2 in B‐flat major, K. 424: III. Andante grazioso. Tema con variazioni | — | ||
| 7-1 | Viola Sonata no. 1 in F minor, op. 120 no. 1: I. Allegro appassionato | — | ||
| 7-2 | Viola Sonata no. 1 in F minor, op. 120 no. 1: II. Andante un poco adagio | — | ||
| 7-3 | Viola Sonata no. 1 in F minor, op. 120 no. 1: III. Allegretto grazioso | — | ||
| 7-4 | Viola Sonata no. 1 in F minor, op. 120 no. 1: IV. Vivace | — | ||
| 7-5 | Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: I. Allegro amabile | — | ||
| 7-6 | Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: II. Allegro appassionato | — | ||
| 7-7 | Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: III. Andante con moto | — | ||
| 7-8 | 2 Gesänge, op. 91: I. Gestillte Sehnsucht | — | ||
| 7-9 | 2 Gesänge, op. 91: II. Geistliches Wiegenlied | — | ||
| 8-1 | Arpeggione Sonata in A minor, D. 821: I. Allegro moderato (Version for Viola and Piano) | — | ||
| 8-2 | Arpeggione Sonata in A minor, D. 821: II. Adagio (Version for Viola and Piano) | — | ||
| 8-3 | Arpeggione Sonata in A minor, D. 821: III. Allegretto (Version for Viola and Piano) | — | ||
| 8-4 | Notturno in D major, op. 42: I. Marcia - Allegro | — | ||
| 8-5 | Notturno in D major, op. 42: II. Adagio | — | ||
| 8-6 | Notturno in D major, op. 42: III. Menuetto | — | ||
| 8-7 | Notturno in D major, op. 42: IV. Adagio | — | ||
| 8-8 | Notturno in D major, op. 42: V. Allegretto alla polacca | — | ||
| 8-9 | Notturno in D major, op. 42: VI. Tema con variazioni | — | ||
| 8-10 | 3 Fantasiestücke for Viola and Piano, op. 43: I. Romanze | — | ||
| 8-11 | 3 Fantasiestücke for Viola and Piano, op. 43: II. Allegro molto agitato | — | ||
| 8-12 | 3 Fantasiestücke for Viola and Piano, op. 43: III. Jahrmarkt‐Szene - eine Humoreske | — | ||
| 8-13 | Märchenbilder, op. 113: I. Nicht schnell | — | ||
| 8-14 | Märchenbilder, op. 113: II. Lebhaft | — | ||
| 8-15 | Märchenbilder, op. 113: III. Rasch | — | ||
| 8-16 | Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck | — | ||
| 9-1 | String Quintet no. 1 in A major, op. 18, MWV R21: I. Allegro con moto | — | ||
| 9-2 | String Quintet no. 1 in A major, op. 18, MWV R21: II. Intermezzo. Andante sostenuto | — | ||
| 9-3 | String Quintet no. 1 in A major, op. 18, MWV R21: III. Scherzo. Allegro di molto | — | ||
| 9-4 | String Quintet no. 1 in A major, op. 18, MWV R21: IV. Allegro vivace | — | ||
| 9-5 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: I. Allegro vivace | — | ||
| 9-6 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: II. Andante scherzando | — | ||
| 9-7 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: III. Adagio e lento | — | ||
| 9-8 | String Quintet no. 2 in B‐flat major, op. 87, MWV R33: IV. Allegro molto vivace | — | ||
| 9-9 | Märchenerzählungen, op. 132: I. Lebhaft, nicht zu schnell | — | ||
| 9-10 | Märchenerzählungen, op. 132: II. Lebhaft und sehr markiert | — | ||
| 9-11 | Märchenerzählungen, op. 132: III. Ruhiges Tempo, mit zartem Ausdruck | — | ||
| 9-12 | Märchenerzählungen, op. 132: IV. Lebhaft, sehr markiert | — | ||
| 10-1 | “Pour écrire un seul vers, il faut avoir vu beaucoup de villes, d’hommes et de choses … “ | — | ||
| 10-2 | Cello Suite no. 1 in G major, BWV 1007: I. Prelude | — | ||
| 10-3 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | — | ||
| 10-4 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | — | ||
| 10-5 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | — | ||
| 10-6 | Cello Suite no. 1 in G major, BWV 1007: V. Menuets I & II | — | ||
| 10-7 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | — | ||
| 10-8 | Christoph Rilke “Chevaucher, chevaucher, chevaucher, le jour, la nuit, le jour” | — | ||
| 10-9 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | — | ||
| 10-10 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | — | ||
| 10-11 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | — | ||
| 10-12 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | — | ||
| 10-13 | Cello Suite no. 3 in C major, BWV 1009: V. Bourrées I & II | — | ||
| 10-14 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | — | ||
| 10-15 | Le Garçon “Je voudrais devenir un de ceux‐là … “ | — | ||
| 10-16 | Le Carrousel (Jardin du Luxembourg) “Avec un toit que suit son ombre … “ | — | ||
| 10-17 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | — | ||
| 10-18 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | — | ||
| 10-19 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | — | ||
| 10-20 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | — | ||
| 10-21 | Cello Suite no. 6 in D major, BWV 1012: V. Gavottes I & II | — | ||
| 10-22 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | — | ||
| 11-1 | Heure grave “Quiconque pleure à présent quelque part dans le monde … “ | — | ||
| 11-2 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | — | ||
| 11-3 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 11-4 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | — | ||
| 11-5 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 11-6 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuets I & II | — | ||
| 11-7 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 11-8 | Le Livre de la pauvreté et de la mort “Seigneur, donne à chacun sa propre mort … “ | — | ||
| 11-9 | Cello Suite no. 4 in E‐flat major, BWV 1010: I. Prelude | — | ||
| 11-10 | Cello Suite no. 4 in E‐flat major, BWV 1010: II. Allemande | — | ||
| 11-11 | Cello Suite no. 4 in E‐flat major, BWV 1010: III. Courante | — | ||
| 11-12 | Cello Suite no. 4 in E‐flat major, BWV 1010: IV. Sarabande | — | ||
| 11-13 | Cello Suite no. 4 in E‐flat major, BWV 1010: V. Bourrées I & II | — | ||
| 11-14 | Cello Suite no. 4 in E‐flat major, BWV 1010: VI. Gigue | — | ||
| 11-15 | Neuvième Élégie “Terre, n’est‐ce pas ce que tu veux - invisible en nous, renaître ?” | — | ||
| 11-16 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | — | ||
| 11-17 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | — | ||
| 11-18 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | — | ||
| 11-19 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | — | ||
| 11-20 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I & II | — | ||
| 11-21 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | — | ||
| 12-1 | Suite for Viola and Orchestra: I. Lento - Meno lento - Animato | — | ||
| 12-2 | Suite for Viola and Orchestra: II. Allegro ironico | — | ||
| 12-3 | Suite for Viola and Orchestra: III. Lento | — | ||
| 12-4 | Suite for Viola and Orchestra: IV. Molto vivo | — | ||
| 12-5 | Suite Hébraïque: I. Rapsodie (Andante moderato) | — | ||
| 12-6 | Suite Hébraïque: II. Processional (Andante con moto) | — | ||
| 12-7 | Suite Hébraïque: III. Affirmation (Maestoso) | — | ||
| 12-8 | 5 Schilflieder, op. 28: I. Langsam, träumerisch | — | ||
| 12-9 | 5 Schilflieder, op. 28: II. Leidenschaftlich erregt | — | ||
| 12-10 | 5 Schilflieder, op. 28: III. Zart, in ruhiger Bewegung | — | ||
| 12-11 | 5 Schilflieder, op. 28: IV. Feurig | — | ||
| 12-12 | 5 Schilflieder, op. 28: V. Sehr ruhig | — | ||
| 13-1 | Elegia, op. 44 | — | ||
| 13-2 | 6 Pieces, op. 19: IV. Nocturne | — | ||
| 13-3 | Souvenir d’un lieu cher, op. 42 | — | ||
| 13-4 | 6 Pieces, op. 51: VI. Valse sentimentale | — | ||
| 13-5 | 14 Romances, op. 34: XIV. Vocalise | — | ||
| 13-6 | Viola Sonata in C major, op. 147: I. Moderato | — | ||
| 13-7 | Viola Sonata in C major, op. 147: II. Allegretto | — | ||
| 13-8 | Viola Sonata in C major, op. 147: III. Adagio | — |
