UPC · Release
The King’s Singers
Last verified:
The UPC for “Madrigals & Songs From The Renaissance” by The King’s Singers is 0190295702823. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Warner Classics. This release contains 158 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Amor vittorioso | — | ||
| 2 | Lirum bililirum | — | ||
| 3 | Il bianco e dolce cigno | — | ||
| 4 | La bella Franceschina | — | ||
| 5 | Ultimi mei sospiri | — | ||
| 6 | Alla cazza | — | ||
| 7 | Or si rallegri il cielo | — | ||
| 8 | Fine knacks for ladies | — | ||
| 9 | Who made thee, Hob, forsake the plough? | — | ||
| 10 | Of all the birds that I do know | — | ||
| 11 | Too much I once lamented | — | ||
| 12 | Fair Phyllis | — | ||
| 13 | The Silver Swan | — | ||
| 14 | Now is the month of maying | — | ||
| 15 | La Guerre | — | ||
| 16 | La, la, la, la je ne l'ose dire | — | ||
| 17 | Bon jour: et puis, quelles nouvelles? | — | ||
| 18 | Mignonne, allons voir si la rose | — | ||
| 19 | Il est bel et bon | — | ||
| 20 | Margot labourez les vignes | — | ||
| 21 | Un gentil amoureux | — | ||
| 22 | Faulte d'argent | — | ||
| 23 | La tricotea | — | ||
| 24 | Triste estaba el rey David | — | ||
| 25 | Cucú, cucú | — | ||
| 26 | Tres morillas m'enamoran | — | ||
| 27 | Fatal la parte | — | ||
| 28 | La bomba | — | ||
| 29 | Tanzen und Springen | — | ||
| 30 | Vitrum nostrum gloriosum | — | ||
| 31 | Ach Elslein | — | ||
| 32 | Ach weh des Leiden | — | ||
| 33 | Das G'läut zu Speyer | — | ||
| 34 | Herzliebstes Bild | — | ||
| 2-1 | Tanzen Und Springen | — | ||
| 2-2 | Das Gläut Zu Speyer | — | ||
| 2-3 | Hertslieb Zu Dir Allein | — | ||
| 2-4 | Ein Guten Rat | — | ||
| 2-5 | Ich Klag Den Tag | — | ||
| 2-6 | Jungfrau Dein Schöne Gstalt | — | ||
| 2-7 | Ich Armes Käuzlein Kleine | — | ||
| 2-8 | Ach Weh Des Leiden | — | ||
| 2-9 | Frau, Ich Bin Euch Von Herzen Hold | — | ||
| 2-10 | So Trinken Wir | — | ||
| 2-11 | Ihr Brüder, Lieben Brüder Mein | — | ||
| 2-12 | Dindirín, Dindirín | — | ||
| 2-13 | Fatal Le Porte | — | ||
| 2-14 | A Los Maitines Era | — | ||
| 2-15 | La Bomba | — | ||
| 2-16 | Ora, Sus, Pues Que Ansí Es! | — | ||
| 2-17 | Lágrimas De Mi Consuelo | — | ||
| 2-18 | Yo Con Vos Señora | — | ||
| 2-19 | Falai, Meus Olhos | — | ||
| 2-20 | Ave Color Vini Clari | — | ||
| 3-1 | Domine, Dominus noster | — | ||
| 3-2 | Adoramus te, Christe | — | ||
| 3-3 | In pace in idipsum | — | ||
| 3-4 | In hora ultima | — | ||
| 3-5 | Ad te levavi oculus meos | — | ||
| 3-6 | Te Deum | — | ||
| 3-7 | Praeter rerum seriem (Plainchant) | — | ||
| 3-8 | Josquin Desprez - Praeter rerum seriem | — | ||
| 3-9 | Resonet in laudibus | — | ||
| 3-10 | Pelli meae consumtis carnibus | — | ||
| 3-11 | Christus resurgens ex mortuis | — | ||
| 3-12 | Tibi laus, tibi gloria | — | ||
| 3-13 | Magnifiat Praeter rerum seriem | — | ||
| 4-1 | Bon jour : et puis, quelles nouvelles? | — | ||
| 4-2 | Bon jour mon coeur | — | ||
| 4-3 | Dessus le marche d'Arras | — | ||
| 4-4 | Il etait une religieuse | — | ||
| 4-5 | Au feu, au feu, venez-moi secourir | — | ||
| 4-6 | Paisible domaine | — | ||
| 4-7 | O vin et vigne | — | ||
| 4-8 | Vignon, vignon | — | ||
| 4-9 | La nuit froide et sombre | — | ||
| 4-10 | Quand mon mari vient | — | ||
| 4-11 | Toutes les nuits | — | ||
| 4-12 | Musica, Dei donum optimi | — | ||
| 4-13 | Matona mia cara | — | ||
| 4-14 | Come la notte ogni fiamella | — | ||
| 4-15 | Chi chilichi? | — | ||
| 4-16 | Cantai, hor piango | — | ||
| 4-17 | Ardo si, ma non t'amo | — | ||
| 4-18 | Hort zu ein news gedicht | — | ||
| 4-19 | Ein guten Raht | — | ||
| 4-20 | Im Mayen | — | ||
| 4-21 | Omnia tempus habent | — | ||
| 5-1 | The Lamentations of Jeremiah, Part I | — | ||
| 5-2 | The Lamentations of Jeremiah, Part II | — | ||
| 5-3 | Gaudeamus Omnes | — | ||
| 5-4 | Ne Irascaris, Domine | — | ||
| 5-5 | Domine, Salva Nos | — | ||
| 5-6 | Haec Dies | — | ||
| 5-7 | Vide, Domine | — | ||
| 5-8 | Ave Verum Corpus | — | ||
| 6-1 | Festa, riso | — | ||
| 6-2 | Canzone villanesche alla napolitana: O dolce vita mia | — | ||
| 6-3 | Tri ciechi siamo | — | ||
| 6-4 | Pavana d'España | — | ||
| 6-5 | Chi la gagliarda | — | ||
| 6-6 | Gagliarda seconda | — | ||
| 6-7 | L'amanza mia | — | ||
| 6-8 | Parmi di star | — | ||
| 6-9 | El Cancionero de Medinaceli: Corten espadas afiladas | — | ||
| 6-10 | Motecta liber primus: Ave virgo sponsa Dei | — | ||
| 6-11 | Colascione | — | ||
| 6-12 | Il terzo libro delle villotte alla napolitana: Catalina, Catalina! | — | ||
| 6-13 | Trattado de Glosas: Recercada quarta sobre la Folía | — | ||
| 6-14 | Canzone villanesche alla napolitana: O dolce vita mia | — | ||
| 6-15 | Toccata e gagliarda | — | ||
| 6-16 | Madrigali: Qual dolcezza giamai | — | ||
| 6-17 | Tres libros de música en cifra para vihuela, Book I No. 12: Fantasía X que contrahaze la harpa en la manera de Ludovico | — | ||
| 6-18 | Non t'aricordi | — | ||
| 6-19 | Canzoni alla napolitana: Chi passa per 'sta strada | — | ||
| 6-20 | Canzone villanesche alla napolitana: Vecchie letrose | — | ||
| 7-1 | Sing We And Chant It | — | ||
| 7-2 | On A Fair Morning | — | ||
| 7-3 | Oft Have I Vowed | — | ||
| 7-4 | Is Love A Boy? | — | ||
| 7-5 | Say, Love, If Ever Thou Didst Find | — | ||
| 7-6 | All At Once Well Met | — | ||
| 7-7 | Construe My Meaning | — | ||
| 7-8 | Lord! When I Think | — | ||
| 7-9 | Cruel, Wilt Thou Persever | — | ||
| 7-10 | Fine Knacks For Ladies | — | ||
| 7-11 | Strike It Up, Tabor | — | ||
| 7-12 | I Love, Alas I Love Thee | — | ||
| 7-13 | Farewell, Dear Love | — | ||
| 7-14 | See, See The Shepherds' Queen | — | ||
| 7-15 | Have I Found Her | — | ||
| 7-16 | Lady Your Words Do Spite Me | — | ||
| 7-17 | Were I A King | — | ||
| 7-18 | Come Again Sweet Love | — | ||
| 7-19 | Tan Ta Ra, Cries Mars | — | ||
| 7-20 | Why Should I Love? | — | ||
| 7-21 | This Sweet And Merry Month Of May | — | ||
| 8-1 | Now Is The Month Of Maying | — | ||
| 8-2 | Four Arms, Two Necks, One Wreathing | — | ||
| 8-3 | Hark, All Ye Lovely Saints Above | — | ||
| 8-4 | Since Robin Hood | — | ||
| 8-5 | Though Philomela Lost Her Love | — | ||
| 8-6 | O Wretched Man | — | ||
| 8-7 | Weep, O Mine Eyes | — | ||
| 8-8 | The Nightingale, The Organ Of Delight | — | ||
| 8-9 | Come, Sirrah Jack, Ho | — | ||
| 8-10 | Cruel, Behold My Heavy Ending | — | ||
| 8-11 | Fair Phyllis I Saw Sitting All Alone | — | ||
| 8-12 | L'Ultimo Dì Di Maggio | — | ||
| 8-13 | Un Cavalier Di Spagna | — | ||
| 8-14 | Vezzosi Augelli | — | ||
| 8-15 | Valle, Che De Lamenti Miei | — | ||
| 8-16 | Mentre Il Cucolo | — | ||
| 8-17 | Chi La Gagliarda | — | ||
| 8-18 | Chi Chi Li Chi | — | ||
| 8-19 | Contrappunto Bestiale Alla Mente | — | ||
| 8-20 | Mascherata De Cacciatori | — | ||
| 8-21 | Matona Mia Cara | — |
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0190295702823 is a Universal Product Code (UPC) assigned to Madrigals & Songs From The Renaissance by The King’s Singers. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 158 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Madrigals & Songs From The Renaissance” by The King’s Singers is 0190295702823. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Warner Classics. This release contains 158 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Amor vittorioso | — | ||
| 2 | Lirum bililirum | — | ||
| 3 | Il bianco e dolce cigno | — | ||
| 4 | La bella Franceschina | — | ||
| 5 | Ultimi mei sospiri | — | ||
| 6 | Alla cazza | — | ||
| 7 | Or si rallegri il cielo | — | ||
| 8 | Fine knacks for ladies | — | ||
| 9 | Who made thee, Hob, forsake the plough? | — | ||
| 10 | Of all the birds that I do know | — | ||
| 11 | Too much I once lamented | — | ||
| 12 | Fair Phyllis | — | ||
| 13 | The Silver Swan | — | ||
| 14 | Now is the month of maying | — | ||
| 15 | La Guerre | — | ||
| 16 | La, la, la, la je ne l'ose dire | — | ||
| 17 | Bon jour: et puis, quelles nouvelles? | — | ||
| 18 | Mignonne, allons voir si la rose | — | ||
| 19 | Il est bel et bon | — | ||
| 20 | Margot labourez les vignes | — | ||
| 21 | Un gentil amoureux | — | ||
| 22 | Faulte d'argent | — | ||
| 23 | La tricotea | — | ||
| 24 | Triste estaba el rey David | — | ||
| 25 | Cucú, cucú | — | ||
| 26 | Tres morillas m'enamoran | — | ||
| 27 | Fatal la parte | — | ||
| 28 | La bomba | — | ||
| 29 | Tanzen und Springen | — | ||
| 30 | Vitrum nostrum gloriosum | — | ||
| 31 | Ach Elslein | — | ||
| 32 | Ach weh des Leiden | — | ||
| 33 | Das G'läut zu Speyer | — | ||
| 34 | Herzliebstes Bild | — | ||
| 2-1 | Tanzen Und Springen | — | ||
| 2-2 | Das Gläut Zu Speyer | — | ||
| 2-3 | Hertslieb Zu Dir Allein | — | ||
| 2-4 | Ein Guten Rat | — | ||
| 2-5 | Ich Klag Den Tag | — | ||
| 2-6 | Jungfrau Dein Schöne Gstalt | — | ||
| 2-7 | Ich Armes Käuzlein Kleine | — | ||
| 2-8 | Ach Weh Des Leiden | — | ||
| 2-9 | Frau, Ich Bin Euch Von Herzen Hold | — | ||
| 2-10 | So Trinken Wir | — | ||
| 2-11 | Ihr Brüder, Lieben Brüder Mein | — | ||
| 2-12 | Dindirín, Dindirín | — | ||
| 2-13 | Fatal Le Porte | — | ||
| 2-14 | A Los Maitines Era | — | ||
| 2-15 | La Bomba | — | ||
| 2-16 | Ora, Sus, Pues Que Ansí Es! | — | ||
| 2-17 | Lágrimas De Mi Consuelo | — | ||
| 2-18 | Yo Con Vos Señora | — | ||
| 2-19 | Falai, Meus Olhos | — | ||
| 2-20 | Ave Color Vini Clari | — | ||
| 3-1 | Domine, Dominus noster | — | ||
| 3-2 | Adoramus te, Christe | — | ||
| 3-3 | In pace in idipsum | — | ||
| 3-4 | In hora ultima | — | ||
| 3-5 | Ad te levavi oculus meos | — | ||
| 3-6 | Te Deum | — | ||
| 3-7 | Praeter rerum seriem (Plainchant) | — | ||
| 3-8 | Josquin Desprez - Praeter rerum seriem | — | ||
| 3-9 | Resonet in laudibus | — | ||
| 3-10 | Pelli meae consumtis carnibus | — | ||
| 3-11 | Christus resurgens ex mortuis | — | ||
| 3-12 | Tibi laus, tibi gloria | — | ||
| 3-13 | Magnifiat Praeter rerum seriem | — | ||
| 4-1 | Bon jour : et puis, quelles nouvelles? | — | ||
| 4-2 | Bon jour mon coeur | — | ||
| 4-3 | Dessus le marche d'Arras | — | ||
| 4-4 | Il etait une religieuse | — | ||
| 4-5 | Au feu, au feu, venez-moi secourir | — | ||
| 4-6 | Paisible domaine | — | ||
| 4-7 | O vin et vigne | — | ||
| 4-8 | Vignon, vignon | — | ||
| 4-9 | La nuit froide et sombre | — | ||
| 4-10 | Quand mon mari vient | — | ||
| 4-11 | Toutes les nuits | — | ||
| 4-12 | Musica, Dei donum optimi | — | ||
| 4-13 | Matona mia cara | — | ||
| 4-14 | Come la notte ogni fiamella | — | ||
| 4-15 | Chi chilichi? | — | ||
| 4-16 | Cantai, hor piango | — | ||
| 4-17 | Ardo si, ma non t'amo | — | ||
| 4-18 | Hort zu ein news gedicht | — | ||
| 4-19 | Ein guten Raht | — | ||
| 4-20 | Im Mayen | — | ||
| 4-21 | Omnia tempus habent | — | ||
| 5-1 | The Lamentations of Jeremiah, Part I | — | ||
| 5-2 | The Lamentations of Jeremiah, Part II | — | ||
| 5-3 | Gaudeamus Omnes | — | ||
| 5-4 | Ne Irascaris, Domine | — | ||
| 5-5 | Domine, Salva Nos | — | ||
| 5-6 | Haec Dies | — | ||
| 5-7 | Vide, Domine | — | ||
| 5-8 | Ave Verum Corpus | — | ||
| 6-1 | Festa, riso | — | ||
| 6-2 | Canzone villanesche alla napolitana: O dolce vita mia | — | ||
| 6-3 | Tri ciechi siamo | — | ||
| 6-4 | Pavana d'España | — | ||
| 6-5 | Chi la gagliarda | — | ||
| 6-6 | Gagliarda seconda | — | ||
| 6-7 | L'amanza mia | — | ||
| 6-8 | Parmi di star | — | ||
| 6-9 | El Cancionero de Medinaceli: Corten espadas afiladas | — | ||
| 6-10 | Motecta liber primus: Ave virgo sponsa Dei | — | ||
| 6-11 | Colascione | — | ||
| 6-12 | Il terzo libro delle villotte alla napolitana: Catalina, Catalina! | — | ||
| 6-13 | Trattado de Glosas: Recercada quarta sobre la Folía | — | ||
| 6-14 | Canzone villanesche alla napolitana: O dolce vita mia | — | ||
| 6-15 | Toccata e gagliarda | — | ||
| 6-16 | Madrigali: Qual dolcezza giamai | — | ||
| 6-17 | Tres libros de música en cifra para vihuela, Book I No. 12: Fantasía X que contrahaze la harpa en la manera de Ludovico | — | ||
| 6-18 | Non t'aricordi | — | ||
| 6-19 | Canzoni alla napolitana: Chi passa per 'sta strada | — | ||
| 6-20 | Canzone villanesche alla napolitana: Vecchie letrose | — | ||
| 7-1 | Sing We And Chant It | — | ||
| 7-2 | On A Fair Morning | — | ||
| 7-3 | Oft Have I Vowed | — | ||
| 7-4 | Is Love A Boy? | — | ||
| 7-5 | Say, Love, If Ever Thou Didst Find | — | ||
| 7-6 | All At Once Well Met | — | ||
| 7-7 | Construe My Meaning | — | ||
| 7-8 | Lord! When I Think | — | ||
| 7-9 | Cruel, Wilt Thou Persever | — | ||
| 7-10 | Fine Knacks For Ladies | — | ||
| 7-11 | Strike It Up, Tabor | — | ||
| 7-12 | I Love, Alas I Love Thee | — | ||
| 7-13 | Farewell, Dear Love | — | ||
| 7-14 | See, See The Shepherds' Queen | — | ||
| 7-15 | Have I Found Her | — | ||
| 7-16 | Lady Your Words Do Spite Me | — | ||
| 7-17 | Were I A King | — | ||
| 7-18 | Come Again Sweet Love | — | ||
| 7-19 | Tan Ta Ra, Cries Mars | — | ||
| 7-20 | Why Should I Love? | — | ||
| 7-21 | This Sweet And Merry Month Of May | — | ||
| 8-1 | Now Is The Month Of Maying | — | ||
| 8-2 | Four Arms, Two Necks, One Wreathing | — | ||
| 8-3 | Hark, All Ye Lovely Saints Above | — | ||
| 8-4 | Since Robin Hood | — | ||
| 8-5 | Though Philomela Lost Her Love | — | ||
| 8-6 | O Wretched Man | — | ||
| 8-7 | Weep, O Mine Eyes | — | ||
| 8-8 | The Nightingale, The Organ Of Delight | — | ||
| 8-9 | Come, Sirrah Jack, Ho | — | ||
| 8-10 | Cruel, Behold My Heavy Ending | — | ||
| 8-11 | Fair Phyllis I Saw Sitting All Alone | — | ||
| 8-12 | L'Ultimo Dì Di Maggio | — | ||
| 8-13 | Un Cavalier Di Spagna | — | ||
| 8-14 | Vezzosi Augelli | — | ||
| 8-15 | Valle, Che De Lamenti Miei | — | ||
| 8-16 | Mentre Il Cucolo | — | ||
| 8-17 | Chi La Gagliarda | — | ||
| 8-18 | Chi Chi Li Chi | — | ||
| 8-19 | Contrappunto Bestiale Alla Mente | — | ||
| 8-20 | Mascherata De Cacciatori | — | ||
| 8-21 | Matona Mia Cara | — |
