UPC · Release
André Cluytens
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The UPC for “The Complete Orchestral & Concerto Recordings” by André Cluytens is 0190295886691. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Erato. This release contains 609 tracks, each with its own ISRC. Tracks include FR8Z95314714, FRZ111700399, FRZ111700415.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo - Vivace | — | ||
| 4 | Burleske in D minor, TrV 145 | — | ||
| 5 | La Habanera: Prelude | — | ||
| 6 | Patrie, op. 19, WD 41: Overture | — | ||
| 7 | La Princesse jaune, op. 30: Overture | — | ||
| 2-1 | Symphonie espanole in D minor, op. 21: I. Allegro non troppo | — | ||
| 2-2 | Symphonie espanole in D minor, op. 21: II. Scherzando - Allegro molto | — | ||
| 2-3 | Symphonie espanole in D minor, op. 21: IV. Andante | — | ||
| 2-4 | Symphonie espanole in D minor, op. 21: V. Rondo - Allegro | — | ||
| 2-5 | La Dame blanche: Overture | — | ||
| 2-6 | Mireille: Overture | — | ||
| 2-7 | Le Pré aux clercs: Overture | — | ||
| 2-8 | An American in Paris | — | ||
| 3-1 | Don Giovanni, K. 527: Overture | — | ||
| 3-2 | Oberon, J. 306: Overture | — | ||
| 3-3 | Andante spianato et Grande polonaise, op. 22: I. Andante spianato | — | ||
| 3-4 | Andante spianato et Grande polonaise, op. 22: II. Grande polonaise | — | ||
| 3-5 | Ma Mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 3-6 | Ma Mère l'Oye, M. 60: II. Petit Poucet | — | ||
| 3-7 | Ma Mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes | — | ||
| 3-8 | Ma Mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête | — | ||
| 3-9 | Ma Mère l'Oye, M. 60: V. Le jardin féérique | — | ||
| 3-10 | Pavane pour une Infante défunte, M. 19 | — | ||
| 3-11 | El sombrero de tres picos, part 2: I. Los Vecinos | — | ||
| 3-12 | El sombrero de tres picos, part 2: II. Danza del molinero | — | ||
| 3-13 | El sombrero de tres picos, part 2: VII. Danza final (Jota) | — | ||
| 4-1 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": I. Adagio - Allegro | — | ||
| 4-2 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": II. Andante | — | ||
| 4-3 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": III. Menuet - Allegro - Trio - Menuet | — | ||
| 4-4 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": IV. Finale - Vivace | — | ||
| 4-5 | Symphony no. 104 in D major, Hob. I, 104, "London": I. Adagio - Allegro | — | ||
| 4-6 | Symphony no. 104 in D major, Hob. I, 104, "London": II. Andante | — | ||
| 4-7 | Symphony no. 104 in D major, Hob. I, 104, "London": III. Menuet - Allegro - Trio - Menuet | — | ||
| 4-8 | Symphony no. 104 in D major, Hob. I, 104, "London": IV. Finale - Vivace | — | ||
| 4-9 | Cello Concerto no. 3 in A major, Wq. 172: I. Allegro (Arr. Pollain) | — | ||
| 4-10 | Cello Concerto no. 3 in A major, Wq. 172: II. Largo (Arr. Pollain) | — | ||
| 4-11 | Cello Concerto no. 3 in A major, Wq. 172: III. Allegro assai (Arr. Pollain) | — | ||
| 5-1 | In nativitatem Domini canticum, H. 416, Part 1: Nuit | — | ||
| 5-2 | Requiem, op. 48: I. Introitus & Kyrie | — | ||
| 5-3 | Requiem, op. 48: II. Offertorium - Domine Jesu Christe | — | ||
| 5-4 | Requiem, op. 48: III. Sanctus | — | ||
| 5-5 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 5-6 | Requiem, op. 48: V. Agnus Dei | — | ||
| 5-7 | Requiem, op. 48: VI. Libera me | — | ||
| 5-8 | Requiem, op. 48: VII. In paradisum | — | ||
| 5-9 | Ballade op. 19 | — | ||
| 5-10 | Carmen, Suite no. 1, WD 31: Prélude | — | ||
| 5-11 | Carmen, Suite no. 1, WD 31: Entr'acte Act 2 | — | ||
| 5-12 | Carmen, Suite no. 1, WD 31: Entr'acte Act 3 | — | ||
| 5-13 | Carmen, Suite no. 1, WD 31: Entr'acte Act 4 | — | ||
| 6-1 | Semiramide: Overture | — | ||
| 6-2 | The Creatures of Prometheus, op. 43: Overture | — | ||
| 6-3 | Symphony no. 8 in B minor, D. 759, "Unfinished": I. Allegro moderato | — | ||
| 6-4 | Symphony no. 8 in B minor, D. 759, "Unfinished": II. Andante con moto | — | ||
| 6-5 | La Valse, M. 72 | — | ||
| 6-6 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 6-7 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 6-8 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 6-9 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 6-10 | Cydalise et le chèvre-pied, Tableau 1: IV. L'école des Aegipans | — | ||
| 6-11 | Cydalise et le chèvre-pied, Tableau 1: V. La leçon de flûte de Pan | — | ||
| 6-12 | Cydalise et le chèvre-pied, Tableau 1: VI. Marche des élèves nymphes | — | ||
| 6-13 | Cydalise et le chèvre-pied, Tableau 1: VII. La leçon de danse (Excerpt) | — | ||
| 7-1 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Dans la crèche, en ce temps, Jésus venait de naître" (Narrator) | — | ||
| 7-2 | L'Enfance du Christ, op. 25, H. 130, Part 1: Nocturnal March (Orchestra) | — | ||
| 7-3 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Qui vient? ... Rome ... Avancez!" (Chorus) | — | ||
| 7-4 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Toujours ce rêve! Encore cet enfant" (Herod) | — | ||
| 7-5 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Ô misère des rois!" (Herod) | — | ||
| 7-6 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Seigneur! ... Lâches, tremblez!" (Chorus Member, Herod) | — | ||
| 7-7 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Les sages de Judée, ô roi" (Herod, Chorus) | — | ||
| 7-8 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Eh bien! Par le fer qu'ils périssent" (Herod, Chorus) | — | ||
| 7-9 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Ô mon cher fils, donne cette herbe tendre" (Mary, Joseph) | — | ||
| 7-10 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Joseph! Marie!" (Chorus, Mary, Joseph) | — | ||
| 7-11 | L'Enfance du Christ, op. 25, H. 130, Part 2: Overture (Orchestra) | — | ||
| 7-12 | L'Enfance du Christ, op. 25, H. 130, Part 2: "Il s'en va loin de la terre" (Chorus) | — | ||
| 7-13 | L'Enfance du Christ, op. 25, H. 130, Part 2: "Les pèlerins étant venus" (Narrator, Chorus) | — | ||
| 7-14 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Depuis trois jours, malgré l'ardeur du vent" (Narrator) | — | ||
| 7-15 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Dans cette ville immense" (Mary, Joseph, Chorus) | — | ||
| 7-16 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Entrez, entrez, pauvres Hébreux" (Ishmaelite Father, Joseph, Chorus) | — | ||
| 7-17 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Sur vos traits fatigués la tristesse est empreinte" (Ishmaelite Father, Joseph, Chorus) | — | ||
| 8-1 | L'Enfance du Christ, op. 25, H. 130, Part 3: Trio of Ishmaelite Children (Two Flutes and Harp) | — | ||
| 8-2 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Vous pleurez, jeune mère" (Ishmaelite Father, Mary, Joseph, Chorus) | — | ||
| 8-3 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Ce fut ainsi que, par un infidèle" (Narrator) | — | ||
| 8-4 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Ô mon âme!" (Narrator, Chorus) | — | ||
| 8-5 | L'Arlésienne, Suite no. 1: I. Prélude | — | ||
| 8-6 | L'Arlésienne, Suite no. 1: II. Minuetto | — | ||
| 8-7 | L'Arlésienne, Suite no. 1: III. Adagietto | — | ||
| 8-8 | L'Arlésienne, Suite no. 1: IV. Carillon | — | ||
| 8-9 | L'Arlésienne, Suite no. 2, WD 40: I. Pastorale (Arr. Guiraud) | — | ||
| 8-10 | L'Arlésienne, Suite no. 2, WD 40: II. Intermezzo (Arr. Guiraud) | — | ||
| 8-11 | L'Arlésienne, Suite no. 2, WD 40: III. Minuetto (Arr. Guiraud) | — | ||
| 8-12 | L'Arlésienne, Suite no. 2, WD 40: IV. Farandole (Arr. Guiraud) | — | ||
| 8-13 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): I. Prélude | — | ||
| 8-14 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): II. Sérénade | — | ||
| 8-15 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): III. Marche | — | ||
| 8-16 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): IV. Danse bohémienne | — | ||
| 8-17 | 4 Poèmes hindous: I. Madras | — | ||
| 8-18 | 4 Poèmes hindous: II. Lahore | — | ||
| 8-19 | 4 Poèmes hindous: III. Benares | — | ||
| 8-20 | 4 Poèmes hindous: IV. Jeypur | — | ||
| 8-21 | 3 Chants de la jungle: II. Berceuse phoque | — | ||
| 9-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto espressione | — | ||
| 9-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante simplice - Prestissimo - Tempo I | — | ||
| 9-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 9-4 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | — | ||
| 9-5 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 9-6 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 9-7 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 9-8 | Symphony no. 4 in D minor, op. 120: II. Romanze - Ziemlich langsam | — | ||
| 9-9 | Symphony no. 4 in D minor, op. 120: III. Scherzo - Lebhaft - Etwas zurückhaltend | — | ||
| 9-10 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller - Presto | — | ||
| 10-1 | Piano Concerto in F major: I. Allegro | — | ||
| 10-2 | Piano Concerto in F major: II. Lento | — | ||
| 10-3 | Piano Concerto in F major: III. Allegro | — | ||
| 10-4 | Piano Concerto no. 1: I. Molto moderato | — | ||
| 10-5 | Piano Concerto no. 1: II. Andante affettuoso | — | ||
| 10-6 | Piano Concerto no. 1: III. Vivo | — | ||
| 11-1 | In the Steppes of Central Asia | — | ||
| 11-2 | Night on Bald Mountain (Orch. Rimsky-Korsakov) | — | ||
| 11-3 | Russian Easter Festival Overture, op. 36 | — | ||
| 11-4 | Capriccio espagnol, op. 34: I. Alborada - Vivo e strepitoso | — | ||
| 11-5 | Capriccio espagnol, op. 34: II. Variazioni - Andante con moto | — | ||
| 11-6 | Capriccio espagnol, op. 34: III. Alborada - Vivo e strepitoso | — | ||
| 11-7 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 11-8 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 12-1 | Scheherazade, op. 35: I. The sea and Sinbad's ship | — | ||
| 12-2 | Scheherazade, op. 35: II. The story of the Kalandar prince | — | ||
| 12-3 | Scheherazade, op. 35: III. The young prince and princess | — | ||
| 12-4 | Scheherazade, op. 35: IV. Festival in Baghdad - The sea - Shipwreck - Conclusion | — | ||
| 12-5 | Faust, Ballet Music: I. Les Nubiennes | — | ||
| 12-6 | Faust, Ballet Music: II. Adagio | — | ||
| 12-7 | Faust, Ballet Music: III. Danse antique | — | ||
| 12-8 | Faust, Ballet Music: IV. Variations de Cléopâtre | — | ||
| 12-9 | Faust, Ballet Music: V. Les Troyennes | — | ||
| 12-10 | Faust, Ballet Music: VI. Variations du miroir | — | ||
| 12-11 | Faust, Ballet Music: VII. Danse de Phryné | — | ||
| 13-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio - Cadenza - Tempo I | — | ||
| 13-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 13-3 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo - Molto allegro | — | ||
| 13-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro con brio - Cadenza - Tempo I | — | ||
| 13-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 13-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo - Vivace - Cadenza - Tempo I - Presto | — | ||
| 13-7 | España | — | ||
| 14-1 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 14-2 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 14-3 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 14-4 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 14-5 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | — | ||
| 14-6 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 15-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 15-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 15-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 15-4 | Gaultier Garguille | — | ||
| 15-5 | Madame Bovary, Act 2: "Rodolphe ... Emma ... Tu ne m'attendais pas" (Emma, Rodolphe) | — | ||
| 15-6 | Madame Bovary, Act 3: "Je souffre ... Pourquoi mon amour ... " (Emma, Charles) | — | ||
| 16-1 | Le Tombeau de Couperin, M. 68: I. Prélude | — | ||
| 16-2 | Le Tombeau de Couperin, M. 68: II. Forlane | — | ||
| 16-3 | Le Tombeau de Couperin, M. 68: III. Menuet | — | ||
| 16-4 | Le Tombeau de Couperin, M. 68: IV. Rigaudon | — | ||
| 16-5 | Boléro, M. 81 | — | ||
| 16-6 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 16-7 | Daphnis et Chloé, Suite no. 1, M. 57a: I. Nocturne | — | ||
| 16-8 | Daphnis et Chloé, Suite no. 1, M. 57a: II. Interlude et danse guerrière | — | ||
| 16-9 | Daphnis et Chloé, Suite no. 2, M. 57b: I. Lever du jour | — | ||
| 16-10 | Daphnis et Chloé, Suite no. 2, M. 57b: II. Pantomime | — | ||
| 16-11 | Daphnis et Chloé, Suite no. 2, M. 57b: III. Danse générale | — | ||
| 17-1 | Pavane pour une infant défunte, M. 19 | — | ||
| 17-2 | Menuet antique, M. 7 | — | ||
| 17-3 | Valses nobles et sentimentales, M. 61: I. Modéré | — | ||
| 17-4 | Valses nobles et sentimentales, M. 61: II. Assez lent | — | ||
| 17-5 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 17-6 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 17-7 | Valses nobles et sentimentales, M. 61: V. Presque lent | — | ||
| 17-8 | Valses nobles et sentimentales, M. 61: VI. Assez vif | — | ||
| 17-9 | Valses nobles et sentimentales, M. 61: VII. Moins vif | — | ||
| 17-10 | Valses nobles et sentimentales, M. 61: VIII. Épilogue - Lent | — | ||
| 17-11 | Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 17-12 | Ma mère l'Oye, M. 60: II. Petit Poucet | — | ||
| 17-13 | Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes | — | ||
| 17-14 | Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête | — | ||
| 17-15 | Ma mère l'Oye, M. 60: V. Le jardin féérique | — | ||
| 17-16 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 17-17 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 17-18 | Piano Concerto no. 1 in C major, op. 15: III. Rondo - Allegro scherzando | — | ||
| 18-1 | Variations symphoniques, FWV 46 | — | ||
| 18-2 | Rédemption, FWV 52 | — | ||
| 18-3 | Psyché, FWV 47: I. Le sommeil de Psyché | — | ||
| 18-4 | Psyché, FWV 47: II. Psyché enlevée par les Zéphyrs | — | ||
| 18-5 | Psyché, FWV 47: III. Les jardins d'Eros | — | ||
| 18-6 | Psyché, FWV 47: IV. Psyché et Eros | — | ||
| 18-7 | Le Chasseur maudit, FWV 44 | — | ||
| 18-8 | Le Roi d'Ys: Overture | — | ||
| 19-1 | Symphony in G major, op. 25, "Sur un chant montagnard français": I. Assez lent | — | ||
| 19-2 | Symphony in G major, op. 25, "Sur un chant montagnard français": II. Assez modéré | — | ||
| 19-3 | Symphony in G major, op. 25, "Sur un chant montagnard français": III. Animé | — | ||
| 19-4 | Symphony in C major, WD 33: I. Allegro vivo | — | ||
| 19-5 | Symphony in C major, WD 33: II. Adagio | — | ||
| 19-6 | Symphony in C major, WD 33: III. Scherzo - Allegro | — | ||
| 19-7 | Symphony in C Major, WD 33: IV. Allegro vivace (Finale) | Orchestre National de la R.T.F, André Cluytens | — | |
| 19-8 | Patrie, op. 19, WD 41 | — | ||
| 19-9 | Mireille: Overture | — | ||
| 20-1 | Les Érinnyes, Act 1: No. 1 Prélude | — | ||
| 20-2 | Les Érinnyes, Act 2: No. 7 Scène religieuse | — | ||
| 20-3 | Les Érinnyes, Act 2: No. 8 Invocation | — | ||
| 20-4 | Les Érinnyes, Act 2: No. 6 Entracte | — | ||
| 20-5 | Les Érinnyes, Act 1: No. 4b Danse grecque | — | ||
| 20-6 | Les Érinnyes, Act 1: No. 4b La troyenne regrettant sa patrie perdue | — | ||
| 20-7 | Les Érinnyes, Act 1: No. 4b Final - "Saturnales" | — | ||
| 20-8 | Suite no. 7, "Scènes alsaciennes": I. Dimanche matin | — | ||
| 20-9 | Suite no. 7, "Scènes alsaciennes": II. Au cabaret | — | ||
| 20-10 | Suite no. 7, "Scènes alsaciennes": III. Sous les tilleuls | — | ||
| 20-11 | Suite no. 7, "Scènes alsaciennes": IV. Dimanche soir | — | ||
| 20-12 | Suite no. 4, "Scènes pittoresques": I. Marche | — | ||
| 20-13 | Suite no. 4, "Scènes pittoresques": II. Air de ballet | — | ||
| 20-14 | Suite no. 4, "Scènes pittoresques": III. Angélus | — | ||
| 20-15 | Suite no. 4, "Scènes pittoresques": IV. Fête bohème | — | ||
| 20-16 | Phèdre: Overture | — | ||
| 21-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 21-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 21-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo - Allegro - Presto | — | ||
| 21-4 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 21-5 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo - Adagio | — | ||
| 21-6 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 22-1 | Le Martyre de Saint-Sébastien, L. 130: Nuncius et Prélude | — | ||
| 22-2 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Frères, que serait-il le monde ... " (Les Jumeaux) | — | ||
| 22-3 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Andronique, ils chantent leur hymne" (Les Gentils, Le Préfet, Une voix,... | — | ||
| 22-4 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Seigneur, tu t'es blessé!" (Les Archers d'Émèse, Le Saint, Les Gentils,... | — | ||
| 22-5 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Avez-vous entendu? Tout est souillé, foulé ... " (Les Gentils,... | — | ||
| 22-6 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Vierges, vierges, ne pleurez pas" | — | ||
| 22-7 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Chef, tu ne peux pas!" (Les Archers d'Émèse, Le Saint) | — | ||
| 22-8 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Sébastien! Sébastien!" (Les Archers d'Émèse, Le Saint) | — | ||
| 22-9 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Sois loué par les Chérubins ... " (Une voix, Le Saint) | — | ||
| 22-10 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Hymnes, toute l'ombre s'efface" (Les Neufs compagnons des Jumeaux,... | — | ||
| 22-11 | Le Martyre de Saint-Sébastien, L. 130, Act 2: Prélude | — | ||
| 22-12 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "A moi, Guddène! A moi, Phlégon!" (Le Saint, Les Magiciennes, Hassub... | — | ||
| 22-13 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Je fauchais l'Épi de froment ... " (La Voix de la Vierge Érigone) | — | ||
| 22-14 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Elle est Érigone, la Vierge" (Hyale, Phoenisse, Atreneste, Le Saint,... | — | ||
| 22-15 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Sébastien, archer du Christ" (Les Esclaves, Les Briseurs d'idoles,... | — | ||
| 22-16 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Arédrôs, tu reviens ... " (La Fille malade des fièvres, Le Saint, La Sainte) | — | ||
| 22-17 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Qui pleure mon Enfant si doux ... " (Vox Coelestis) | — | ||
| 23-1 | Le Martyre de Saint-Sébastien, L. 130, Act 3: Prélude - Fanfare (Toutes les voix) | — | ||
| 23-2 | Le Martyre de Saint-Sébastien, L. 130, Act 3: Salut, beau jeune homme" (L'Empereur, Le Saint, Toutes les voix,... | — | ||
| 23-3 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Païan, Lyre d'or, Arc d'argent" (Les Citharèdes) | — | ||
| 23-4 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Cessez! Cessez, ô citharèdes ... " (Le Saint, L'Empereur, Les Orphiques,... | — | ||
| 23-5 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Il dit alors - mon âme est triste ... " (Le Saint) | — | ||
| 23-6 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Ah, tu pleures le bien-aimé" (Les Femmes de Byblos, Chorus Syriacus,... | — | ||
| 23-7 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Il est un Dieu, il est un Dieu!" (L'Empereur, Le Saint) | — | ||
| 23-8 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Io! Io! Adoniastes!" (Choeur) | — | ||
| 23-9 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Jésus! Jésus! Jésus à moi!" (Le Saint, L'Empereur) | — | ||
| 23-10 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Il est mort, le bel Adonis! Pleurez!" (Chorus Syriacus) | — | ||
| 23-11 | Le Martyre de Saint-Sébastien, L. 130, Act 4: Prélude | — | ||
| 23-12 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "Ils sont loin, ils sont déjà loin" (Sanaé, Le Saint, Les Archers d'Émèse) | — | ||
| 23-13 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "O tremblement de mon âme" (Le Saint, Sanaé) | — | ||
| 23-14 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "Des profondeurs, j'appelle votre amour, Archers!" (Le Saint) | — | ||
| 23-15 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "Béni soit le premier! Bénie soit l'étoile première!" (Le Saint, L'Empereur,... | — | ||
| 23-16 | Le Martyre de Saint-Sébastien, L. 130, Act 5: "Gloire! Sous nos armures, flamboyez, ô blessures!" (Choeur des Martyrs,... | — | ||
| 24-1 | Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 24-2 | Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 24-3 | Piano Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 24-4 | La boîte à joujoux, L. 136: Prélude - Le Sommeil de la boîte | — | ||
| 24-5 | La boîte à joujoux, L. 136: I. La Maison des jouets | — | ||
| 24-6 | La boîte à joujoux, L. 136: II. Le Champ de bataille | — | ||
| 24-7 | La boîte à joujoux, L. 136: III. La Bergerie à vendre | — | ||
| 24-8 | La boîte à joujoux, L. 136: IV. Après fortune faite | — | ||
| 24-9 | La boîte à joujoux, L. 136: Épilogue | — | ||
| 24-10 | Children's Corner, L. 119: I. Doctor Gradus ad Parnassum | — | ||
| 24-11 | Children's Corner, L. 119: II. Jimbo's lullaby | — | ||
| 24-12 | Children's Corner, L. 119: III. Serenade for the doll | — | ||
| 24-13 | Children's Corner, L. 119: IV. The snow is dancing | — | ||
| 24-14 | Children's Corner, L. 119: V. The little sherpherd | — | ||
| 24-15 | Children's Corner, L. 119: VI. Golliwog's cake-walk | — | ||
| 25-1 | Perséphone, W 64, Part 1: "Déesse aux mille noms" (Eumolpe, Chorus, Perséphone) | — | ||
| 25-2 | Perséphone, W 64, Part 1: "Jacinthe, anémone, safran" (Eumolpe, Chorus, Perséphone) | — | ||
| 25-3 | Perséphone, W 64, Part 1: "Ne cueille pas cette fleur, Perséphone" (Chorus, Eumolpe, Perséphone) | — | ||
| 25-4 | Perséphone, W 64, Part 2: "Ô peuple douloureux des ombres" (Perséphone, Eumolpe, chorus) | — | ||
| 25-5 | Perséphone, W 64, Part 2: "Attentives sur les rives de l'éternité" (Chorus, Perséphone) | — | ||
| 25-6 | Perséphone, W 64, Part 2: "Tu viens pour dominer" (Chorus, Eumolpe, Perséphone) | — | ||
| 25-7 | Perséphone, W 64, Part 2: "Viens, Mercure !" (Chorus, Eumolpe, Perséphone) | — | ||
| 25-8 | Perséphone, W 64, Part 2: "Si tu contemplais le calice" (Chorus, Perséphone) | — | ||
| 25-9 | Perséphone, W 64, Part 2: "Pauvres ombres" (Eumolpe, Perséphone, Chorus) | — | ||
| 25-10 | Perséphone, W 64, Part 3: "C'est ainsi, nous raconte Homère" (Eumolpe, Chorus) | — | ||
| 25-11 | Perséphone, W 64, Part 3: "Venez à nous, enfants des hommes" (Chorus) | — | ||
| 25-12 | Perséphone, W 64, Part 3: "L'ombre encore t'environne" (Chorus) | — | ||
| 25-13 | Perséphone, W 64, Part 3: "Mère, ta Perséphone à tes voeux s'est rendue" (Perséphone, Eumolpe, Chorus) | — | ||
| 26-1 | Water Music, Suite no. 1 in F major, HWV 348: I. Allegro (Arr. Harty) | — | ||
| 26-2 | Water Music, Suite no. 1 in F major, HWV 348: II. Air - Andante un poco allegretto (Arr. Harty) | — | ||
| 26-3 | Water Music, Suite no. 1 in F major, HWV 348: III. Bourrée - Vivace (Arr. Harty) | — | ||
| 26-4 | Water Music, Suite no. 1 in F major, HWV 348: IV. Hornpipe - Delicato ma con molto brio (Arr. Harty) | — | ||
| 26-5 | Water Music, Suite no. 1 in F major, HWV 348: V. Andante espressivo (Arr. Harty) | — | ||
| 26-6 | Water Music, Suite no. 1 in F major, HWV 348: VI. Allegro deciso (Arr. Harty) | — | ||
| 26-7 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": I. Allegro assai | — | ||
| 26-8 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": II. Adagio | — | ||
| 26-9 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": III. Menuet e Trio - Allegretto | — | ||
| 26-10 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": IV. Finale - Presto e adagio | — | ||
| 26-11 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": I. Adagio - Allegro | — | ||
| 26-12 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": II. Andante | — | ||
| 26-13 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": III. Menuet e Trio - Allegretto | — | ||
| 26-14 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": IV. Finale - Vivace | — | ||
| 27-1 | Symphonie fantastique, op. 14, H. 48: I. Rêveries - Passions | — | ||
| 27-2 | Symphonie fantastique, op. 14, H. 48: II. Un bal | — | ||
| 27-3 | Symphonie fantastique, op. 14, H. 48: III. Scène aux champs | — | ||
| 27-4 | Symphonie fantastique, op. 14, H. 48: IV. Marche au supplice | — | ||
| 27-5 | Symphonie fantastique, op. 14, H. 48: V. Songe d'une nuit de sabbat | — | ||
| 27-6 | La Damnation de Faust, op. 24, H. 111, Part 1: III. Marche hongroise | — | ||
| 27-7 | La Damnation de Faust, op. 24, H. 111, Part 2: VII. Danse des sylphes | — | ||
| 27-8 | La Damnation de Faust, op. 24, H. 111, Part 3: XII. Menuet des follets | — | ||
| 28-1 | Symphony no. 6 in F major, op. 68, "Pastoral": I. Awakening of happy feelings on arriving in the country (Allegro non troppo) | — | ||
| 28-2 | Symphony no. 6 in F major, op. 68, "Pastoral": II. Scene by the brook (Andante molto mosso) | — | ||
| 28-3 | Symphony no. 6 in F major, op. 68, "Pastoral": III. Merry gathering of the country folk (Allegro) | — | ||
| 28-4 | Symphony no. 6 in F major, op. 68, "Pastoral": IV. Storm and Tempest (Allegro) | — | ||
| 28-5 | Symphony no. 6 in F major, op. 68, "Pastoral": V. Shepherd's Song - Happy and thankful feelings after the storm (Allegretto) | — | ||
| 28-6 | Symphony no. 3 in C minor, op. 78, "Organ": I. Adagio - Allegro moderato | — | ||
| 28-7 | Symphony no. 3 in C minor, op. 78, "Organ": II. Poco adagio | — | ||
| 28-8 | Symphony no. 3 in C minor, op. 78, "Organ": III. Allegro moderato - Presto | — | ||
| 28-9 | Symphony no. 3 in C minor, op. 78, "Organ": IV. Maestoso - Allegro | — | ||
| 29-1 | Coppélia, Act 1: Prélude | — | ||
| 29-2 | Coppélia, Act 1: no. 3 Mazurka | — | ||
| 29-3 | Coppélia, Act 2: Entr'acte | — | ||
| 29-4 | Coppélia, Act 1: no. 1 Valse | — | ||
| 29-5 | Coppélia, Act 1: no. 5 Ballade de l'Épi | — | ||
| 29-6 | Coppélia, Act 1: no. 6 Thème slave varié | — | ||
| 29-7 | Coppélia, Act 2: no. 14 Valse de la poupée | — | ||
| 29-8 | Coppélia, Act 1: no. 7 Czárdás - Danse hongroise | — | ||
| 29-9 | Sylvia, Act 1: Prélude | — | ||
| 29-10 | Sylvia, Act 1: No. 3 Les Chasseresses (fanfare) | Orchestre de l’Opéra national de Paris, André Cluytens | — | |
| 29-11 | Sylvia, Act 1: no. 4a Intermezzo | — | ||
| 29-12 | Sylvia, Act 1: no. 4b Valse lente | — | ||
| 29-13 | Sylvia, Act 3: no. 16a Pizzicati | — | ||
| 29-14 | Sylvia, Act 3: no. 14 Marche et Cortège de Bacchus | — | ||
| 29-15 | Roméo et Juliette, op. 17, H. 79, Part 2: Roméo seul - Tristesse - Bruits lointains de concert et de bal | — | ||
| 29-16 | Roméo et Juliette, op. 17, H. 79, Part 2: Scène d'amour | — | ||
| 29-17 | Roméo et Juliette, op. 17, H. 79, Part 2: Scherzo - La Reine Mab, ou la Fée des songes | — | ||
| 30-1 | Benvenuto Cellini, op. 23, H. 76: Overture | — | ||
| 30-2 | Le Roi Lear, op. 4, H. 53: Overture | — | ||
| 30-3 | Le Carnaval romain, op. 9, H. 95: Overture | — | ||
| 30-4 | Le Corsaire, op. 21, H. 101: Overture | — | ||
| 30-5 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 31-1 | Manfred, op. 115: Overture | — | ||
| 31-2 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": I. Lebhaft | — | ||
| 31-3 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": II. Scherzo - Sehr mässig | — | ||
| 31-4 | Symphony No. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | Berliner Philharmoniker, André Cluytens | — | |
| 31-5 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": IV. Feierlich | — | ||
| 31-6 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": V. Lebhaft | — | ||
| 31-7 | Miroirs, M. 43 : III. Une Barque sur l'océan | — | ||
| 31-8 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 31-9 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 31-10 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 31-11 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 31-12 | La Valse, M. 72 | — | ||
| 32-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 32-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 32-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | — | ||
| 32-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 32-5 | Egmont Overture, op. 84 | — | ||
| 33-1 | Siegfried Idyll, WWV 103 | — | ||
| 33-2 | Siegfried, WWV 86C, Act 2: Waldweben | — | ||
| 33-3 | Götterdämmerung, WWV 86D, Act 1: Siegfrieds Rheinfahrt (Arr. Humperdinck) | — | ||
| 33-4 | Götterdämmerung, WWV 86D, Act 3: Siegfrieds Trauermarsch | — | ||
| 34-1 | Kamarinskaya | — | ||
| 34-2 | Khovanshchina: Prelude | — | ||
| 34-3 | Pictures at an Exhibition: I. Promenade (Orch. Ravel) | — | ||
| 34-4 | Pictures at an Exhibition: II. Gnomus (Orch. Ravel) | — | ||
| 34-5 | Pictures at an Exhibition: III. Promenade (Orch. Ravel) | — | ||
| 34-6 | Pictures at an Exhibition: IV. Il Vecchio castello (Orch. Ravel) | — | ||
| 34-7 | Pictures at an Exhibition: V. Promenade (Orch. Ravel) | — | ||
| 34-8 | Pictures at an Exhibition: VI. Tuileries (Orch. Ravel) | — | ||
| 34-9 | Pictures at an Exhibition: VII. Býdlo (Orch. Ravel) | — | ||
| 34-10 | Pictures at an Exhibition: VIII. Promenade (Orch. Ravel) | — | ||
| 34-11 | Pictures at an Exhibition: IX. Ballet of the Unhatched Chicks (Orch. Ravel) | — | ||
| 34-12 | Pictures at an Exhibition: X. Samuel Goldenberg & Schmuyle (Orch. Ravel) | — | ||
| 34-13 | Pictures at an Exhibition: XI. Limoges - The Market (Orch. Ravel) | — | ||
| 34-14 | Pictures at an Exhibition: XII. Catacombae - Sepulcrum Romanum (Orch. Ravel) | — | ||
| 34-15 | Pictures at an Exhibition: XIII. Con mortuis in lingua mortua (Orch. Ravel) | — | ||
| 34-16 | Pictures at an Exhibition: XIV. The Hut on Chicken's Legs (Baba Yaga) [Orch. Ravel] | — | ||
| 34-17 | Pictures at an Exhibition: XV. The Great Gate of Kiev (Orch. Ravel) | — | ||
| 34-18 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato - Allegro vivace - Moderato | — | ||
| 34-19 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: II. Lento | — | ||
| 34-20 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | — | ||
| 34-21 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio - Presto - Allegretto poco moderato | — | ||
| 35-1 | Piano Concerto no. 2 in F major, op. 102: I. Allegro | — | ||
| 35-2 | Piano Concerto no. 2 in F major, op. 102: II. Andante | — | ||
| 35-3 | Piano Concerto no. 2 in F major, op. 102: III. Allegro | — | ||
| 35-4 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square | — | ||
| 35-5 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. The Ninth of January | — | ||
| 35-6 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam | — | ||
| 35-7 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. The Tocsin | — | ||
| 36-1 | Don Juan, op. 20 | — | ||
| 36-2 | Feuersnot, op. 50: Love Scene. Langsam | — | ||
| 36-3 | Má Vlast, JB 1, 112: II. Vltava (The Moldau) | — | ||
| 36-4 | Má Vlast: no. 4, From Bohemia’s Meadows and Forests | — | ||
| 37-1 | Symphonie fantastique, op. 14, H. 48: I. Rêveries - Passions | — | ||
| 37-2 | Symphonie fantastique, op. 14, H 48: II. Un bal | — | ||
| 37-3 | Symphonie fantastique, op. 14, H. 48: III. Scène aux champs | — | ||
| 37-4 | Symphonie fantastique, op. 14, H 48: IV. Marche au supplice | — | ||
| 37-5 | Symphonie fantastique, op. 14, H. 48: V. Songe d’une nuit de sabbat | — | ||
| 37-6 | Symphony no. 9 in E minor, op. 95, B. 178 “From the New World”: II. Largo | — | ||
| 37-7 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato | — | ||
| 37-8 | Symphony no. 6 in B minor, op. 74, TH. 30, “Pathétique”: III. Allegro molto vivace | — | ||
| 38-1 | Violin Concerto in D major, op. 61: I. Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 38-2 | Violin Concerto in D major, op. 61: II. Larghetto | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 38-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 38-4 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 38-5 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 38-6 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: IV. Saltarello | — | ||
| 38-7 | Serenade in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 38-8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 39-1 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 39-2 | Capriccio espagnol, op. 34: II. Variazioni | — | ||
| 39-3 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 39-4 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 39-5 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 39-6 | In the Steppes of Central Asia | — | ||
| 39-7 | Night on Bald Mountain (Orch. Rimsky‐Korsakov) | — | ||
| 39-8 | La Valse, M. 72 | — | ||
| 39-9 | Faust, Act 5, Ballet: I. Les Nubiennes | — | ||
| 39-10 | Faust, Act 5, Ballet: II. Adagio | — | ||
| 39-11 | Faust, Act 5, Ballet: III. Danse antique | — | ||
| 39-12 | Faust, Act 5, Ballet: IV. Variations de Cléopâtre | — | ||
| 39-13 | Faust, Act 5, Ballet: V. Les Troyennes | — | ||
| 39-14 | Faust, Act 5, Ballet: VI. Variations du miroir | — | ||
| 39-15 | Faust, Act 5, Ballet: VII. Danse de Phryné | — | ||
| 40-1 | Die Meistersinger von Nürnberg, WWV 96: Prelude | — | ||
| 40-2 | Tannhäuser, WWV 70: Overture | — | ||
| 40-3 | Der fliegende Holländer, WWV 63: Overture | — | ||
| 40-4 | Lohengrin, WWV 75, Act 1: Prelude | — | ||
| 40-5 | Lohengrin, Act 3: Prelude | — | ||
| 40-6 | La Damnation de Faust, op. 24, H. 111, Part 1: III. Marche hongroise | — | ||
| 40-7 | La Damnation de Faust, op. 24, H. 111, Part 2: VII. Danse des sylphes | — | ||
| 40-8 | La Damnation de Faust, op. 24, H. 111, Part 3: XII. Menuet des follets | — | ||
| 41-1 | Russian Easter Festival Overture, op. 36 | — | ||
| 41-2 | The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | — | ||
| 41-4 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | — | ||
| 41-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 41-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 42-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 42-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Berliner Philharmoniker, André Cluytens | — | |
| 42-3 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | Berliner Philharmoniker, André Cluytens | — | |
| 42-4 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Berliner Philharmoniker, André Cluytens | — | |
| 42-5 | Fidelio Overture | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 42-6 | Die Ruinen von Athen, op. 113: I. Overtüre | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 43-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 43-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Berliner Philharmoniker, André Cluytens | — | |
| 43-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio | Berliner Philharmoniker, André Cluytens | — | |
| 43-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Berliner Philharmoniker, André Cluytens | — | |
| 43-5 | Die Geschöpfe des Prometheus, op. 43: Ouverture | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 44-1 | Symphony no. 3 in E‐flat major, op. 55, “Eroica”: I. Allegro con brio | — | ||
| 44-2 | Symphony no. 3 in E‐flat major, op. 55, “Eroica”: II. Marcia funebre - Adagio assai | — | ||
| 44-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace - Trio | — | ||
| 44-4 | Symphony no. 3 in E‐flat major, op. 55, “Eroica”: IV. Finale (Allegro molto - Poco andante - Presto) | — | ||
| 45-1 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro molto | — | ||
| 45-2 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | — | ||
| 45-3 | Symphony no. 4 in B‐flat major, op. 60: III. Menuetto. Allegro vivace | — | ||
| 45-4 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 45-5 | Coriolan Overture, op. 62 | — | ||
| 46-1 | Leonore Overture no. 3, op. 72b | — | ||
| 46-2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 46-3 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, André Cluytens | — | |
| 46-4 | Symphony no. 5 in C minor, op. 67: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 46-5 | Symphony no. 5 in C minor, op. 67: IV. Allegro – Presto | Berliner Philharmoniker, André Cluytens | — | |
| 47-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro non troppo | Berliner Philharmoniker, André Cluytens | — | |
| 47-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso | Berliner Philharmoniker, André Cluytens | — | |
| 47-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 47-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 47-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto | Berliner Philharmoniker, André Cluytens | — | |
| 48-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | Berliner Philharmoniker, André Cluytens | — | |
| 48-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Berliner Philharmoniker, André Cluytens | T-314.638.300-4 | |
| 48-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | Berliner Philharmoniker, André Cluytens | T-915.710.750-1 | |
| 48-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 48-5 | Egmont Ouverture, op. 84 | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 49-1 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Berliner Philharmoniker, André Cluytens | — | |
| 49-2 | Symphony no. 8 in F major, op. 93: II. Allegro scherzando | Berliner Philharmoniker, André Cluytens | — | |
| 49-3 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Berliner Philharmoniker, André Cluytens | T-312.439.209-8 | |
| 49-4 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Berliner Philharmoniker, André Cluytens | T-909.821.799-3 | |
| 49-5 | Les préludes, S. 97 | — | ||
| 50-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, André Cluytens | — | |
| 50-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Berliner Philharmoniker, André Cluytens | — | |
| 50-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Berliner Philharmoniker, André Cluytens | — | |
| 50-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro | Gré Brouwenstijn, Chor der St. Hedwigs-Kathedrale Berlin, Nicolai Gedda, Frederick Guthrie, Kerstin Meyer, Berliner Philharmoniker, André Cluytens | — | |
| 51-1 | Symphony no. 8 in B minor, D. 759, “Unfinished”: I. Allegro moderato | — | ||
| 51-2 | Symphony no. 8 in B minor, D. 759, “Unfinished”: II. Andante con moto | — | ||
| 51-3 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 51-4 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 51-5 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 52-1 | Piano Concerto in G major: I. Allegramente | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 52-2 | Piano Concerto in G major: II. Adagio assai | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 52-3 | Piano Concerto in G major: III. Presto | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 52-4 | Concerto for the Left Hand | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 53-1 | Boléro | Marcel Galiègue, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-305.194.527-4 | |
| 53-2 | La Valse | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-305.194.234-4 | |
| 53-3 | Rapsodie espagnole: I. Prélude à la nuit | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 53-4 | Rapsodie espagnole: II. Malaguena | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-335.920.495-4 | |
| 53-5 | Rapsodie espagnole: III. Habanera | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 53-6 | Rapsodie espagnole: IV. Feria | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-1 | Ma Mère L'Oye : Prélude | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-2 | Ma Mère L'Oye : I. Danse du Rouet et scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-3 | Ma Mère L'Oye : II. Pavane de la Belle au bois dormant | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-305.194.384-7 | |
| 54-4 | Ma Mère L'Oye : III. Les entretiens de la Belle et de la Bête | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-5 | Ma Mère L'Oye : IV. Petit Poucet | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-6 | Ma Mère L'Oye : V. Laideronnette, Imperatrice des Pagodes | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-7 | Ma Mère L'Oye : Le jardin féerique | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-1 | Daphnis et Chloé, Part One: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-2 | Daphnis et Chloé, Part One: Danse religeuse | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-3 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-4 | Daphnis et Chloé, Part One: Danse générale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-5 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-6 | Daphnis et Chloé, Part One: Danse grotesque de Dorcon | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-7 | Daphnis et Chloé, Part One: Danse légère et gracieuse de Dapnis | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-8 | Daphnis et Chloé, M. 57, Pt. 1: Scène - Danse de Lyceion - Arrivée des pirates | — | ||
| 55-9 | Daphnis et Chloé, Part One: Nocturne | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-10 | Daphnis et Chloé, Part One: Danse lente et mystérieuse des nymphes | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-11 | Daphnis et Chloé, Part One: Interlude | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-12 | Daphnis et Chloé, Part Two: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-13 | Daphnis et Chloé, Part Two: Danse guerriere | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-14 | Daphnis et Chloé, Part Two: Danse suppliante de Chloé | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-15 | Daphnis et Chloé, Part Three: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-16 | Daphnis et Chloé, Part Three: Lever du jour | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-17 | Daphnis et Chloé, Part Three: Pantomime | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-18 | Daphnis et Chloé, Part Three: Danse génerale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 57-1 | Benvenuto Cellini, op. 23, H. 76: Overture | — | ||
| 57-2 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 57-3 | Le Carnaval romain, op. 9, H. 95: Overture | — | ||
| 57-4 | Le corsaire, op. 21, H 101 | — | ||
| 58-1 | Requiem, op. 48: Introitus & Kyrie | — | ||
| 58-2 | Requiem, op. 48: Offertorium - Domine Jesu Christe | — | ||
| 58-3 | Requiem, op. 48: Sanctus | — | ||
| 58-4 | Requiem, op. 48: IV. Pie Jesu | Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-315.824.737-7 | |
| 58-5 | Requiem, op. 48: Agnus Dei | — | ||
| 58-6 | Requiem, op. 48: Libera me | — | ||
| 58-7 | Requiem, op. 48: VII. In paradisum | — | ||
| 59-1 | Le Chasseur maudit, FWV 44 | — | ||
| 59-2 | Les Éolides, FWV 43 | — | ||
| 59-3 | Les Djinns, FWV 45 | — | ||
| 59-4 | Rédemption, FWV 52: Morceau symphonique | — | ||
| 60-1 | Jeux, CD 133a, L. 126 | — | ||
| 60-2 | Images pour orchestre, L. 118, L. 122, Pt. 1 “Gigues” | — | ||
| 60-3 | Images pour orchestre, CD 118, L. 122, Pt. 2 “Iberia”: I. Par les rues et par les chemins | — | ||
| 60-4 | Images pour orchestre, CD 118, L. 122, Pt. 2 “Iberia”: II. Les Parfums de la nuit | — | ||
| 60-5 | Images pour orchestre, CD 118, L. 122, Pt. 2 “Iberia”: III. Le Matin d’un jour de fête | — | ||
| 60-6 | Images pour orchestre, CD 118, L. 122, Pt. 3 “Rondes de printemps” | — | ||
| 60-7 | Danses sacrée et profane, L. 113a: no. 1 Danse sacrée | — | ||
| 60-8 | Danses sacrée et profane, L. 113a: no. 2 Danse profane | — | ||
| 61-1 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Introduction | — | ||
| 61-2 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Réveil d’Ariane | — | ||
| 61-3 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Bacchus danse seul | — | ||
| 61-4 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Le Baiser | — | ||
| 61-5 | Bacchus et Ariane, op. 43, Ballet suite no. 2: L’Enchantement dionysiaque | — | ||
| 61-6 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Le Thiase défile | — | ||
| 61-7 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Danse d’Ariane | — | ||
| 61-8 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Danse d’Ariane et de Bacchus | — | ||
| 61-9 | Suite no. 2 de Bacchus et Ariane, op. 43: Bacchanale | — | ||
| 61-10 | Le festin de l’araignée, op. 17, Part 1: I. Prélude | — | ||
| 61-11 | Le festin de l’araignée, op. 17, Part 1: II. Entrée des fourmis | — | ||
| 61-12 | Le festin de l’araignée, op. 17, Part 1: III. Danse du papillon | — | ||
| 61-13 | Le festin de l’araignée, op. 17, Part 2: VIII. Eclosion de l’éphémère | — | ||
| 61-14 | Le festin de l’araignée, op. 17, Part 2: IX. Danse de l’éphémère | — | ||
| 61-15 | Le festin de l’araignée, op. 17, Part 2: XII. Funérailles de l’éphémère | — | ||
| 61-16 | Le festin de l’araignée, op. 17: VI. La nuit tombe sur le jardin solitaire | — | ||
| 61-17 | Sinfonietta, op. 52: I. Allegro molto | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 61-18 | Sinfonietta, op. 52, L. 66: II. Andante | — | ||
| 61-19 | Sinfonietta, op. 52, L. 66: III. Allegro | — | ||
| 61-20 | Konzertstück, op. 39: I. Allegro moderato | — | ||
| 61-21 | Konzertstück, op. 39: II. Andante | — | ||
| 61-22 | Konzertstück, op. 39: III. Allegretto scherzando | — | ||
| 62-1 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: I. Prélude | — | ||
| 62-2 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: II. Menuet | — | ||
| 62-3 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: III. Adagietto | — | ||
| 62-4 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: IV. Carillon | — | ||
| 62-5 | L’Arlésienne Suite no. 2, WD 40: I. Pastorale (Arr. Guiraud) | — | ||
| 62-6 | L’Arlésienne Suite no. 2, WD 40: II. Intermezzo (Orch. Guiraud) | — | ||
| 62-7 | L’Arlésienne Suite no. 2, WD 40: III. Minuetto (Orch. Guiraud) | — | ||
| 62-8 | L’Arlésienne Suite no. 2, WD 40: IV. Farandole (Orch. Guiraud) | — | ||
| 62-9 | Carmen Suite no. 1: V. Les toréadors | — | ||
| 62-10 | Carmen Suite no. 1: IV. Les dragons d’Alcala | — | ||
| 62-11 | Carmen Suite no. 1: II. Intermezzo | — | ||
| 62-12 | Carmen Suite no. 1: I. (b) Aragonaise | — | ||
| 63-1 | Symphony no. 3 in G minor, op. 42: I. Allegro vivo | — | ||
| 63-2 | Symphony no. 3 in G minor, op. 42: II. Adagio - Andante | — | ||
| 63-3 | Symphony no. 3 in G minor, op. 42: III. Vivace | — | ||
| 63-4 | Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito | — | ||
| 63-5 | Symphony no. 4 in A major, op. 53: I. Lento - Allegro con brio | — | ||
| 63-6 | Symphony no. 4 in A major, op. 53: II. Lento molto | — | ||
| 63-7 | Symphony no. 4 in A major, op. 53: III. Allegro scherzando | — | ||
| 63-8 | Symphony no. 4 in A major, op. 53: IV. Allegro molto | — | ||
| 64-1 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Dans la crèche, en ce temps, Jésus venait de naître” (Récitant) | — | ||
| 64-2 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: Marche nocturne | — | ||
| 64-3 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Qui vient ?” (Un centurion, Polydorus) | — | ||
| 64-4 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Toujours ce rêve ! Encore cet enfant” (Hérode) | — | ||
| 64-5 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Ô misère des rois !” (Hérode) | — | ||
| 64-6 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Seigneur ! Lâches, tremblez !” (Polydorus, Hérode) | — | ||
| 64-7 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Les sages de Judée, ô roi !” (Hérode, Chœur) | — | ||
| 64-8 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Eh bien ! Par le fer qu’ils périssent” (Hérode, Chœur) | — | ||
| 64-9 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Ô mon cher fils, donne cette herbe tendre” (Marie, Joseph) | — | ||
| 64-10 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Joseph ! Marie !” (Chœur, Marie, Joseph) | — | ||
| 64-11 | L’enfance du Christ, op. 25, H 130, Pt. 2 “La fuite en Égypte”: Ouverture | — | ||
| 64-12 | L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 64-13 | L’enfance du Christ, op. 25, H 130, Pt. 2 “La fuite en Égypte”: “Les pèlerins étant venus” (Récitant, Chœur) | — | ||
| 64-14 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Depuis trois jours, malgré l’ardeur du vent” (Récitant) | — | ||
| 64-15 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Dans cette ville immense” (Marie, Joseph, Chœur) | — | ||
| 64-16 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Entrez, entrez, pauvres Hébreux” (L’Ismaélite, Joseph, Chœur) | — | ||
| 64-17 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Sur vos traits fatigués la tristesse est empreinte” (L’Ismaélite, Joseph, Chœur) | — | ||
| 65-1 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: Trio des enfants ismaélites pour deux flûtes et harpe | — | ||
| 65-2 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Vous pleurez, jeune mère” (L’Ismaélite, Marie, Joseph, Chœur) | — | ||
| 65-3 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Ce fut ainsi que par un infidèle fut sauvé le Seigneur” (Récitant) | — | ||
| 65-4 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Ô mon âme !” (Récitant, Chœur) | — | ||
| 65-5 | Roméo et Juliette, op. 17, H. 79, Act 2: La Reine Mab, ou la Fée des songes | — | ||
| 65-6 | Les Troyens, op. 29, H. 133, Act 4: Chasse royale et orage | — | ||
| 65-7 | Invitation to the Dance, op. 65, J. 260 (Orch. Berlioz) | — |
Identifier Graph
0190295886691 is a Universal Product Code (UPC) assigned to The Complete Orchestral & Concerto Recordings by André Cluytens. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 609 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Valses Nobles et Sentimentales : I. Modéré | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Valses Nobles et Sentimentales : II. Assez lent | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Valses Nobles et Sentimentales : III. Modéré | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Valses Nobles et Sentimentales : IV. Assez animé | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Valses Nobles et Sentimentales : V. Presque lent | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Valses Nobles et Sentimentales : VI. Assez vif | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Valses Nobles et Sentimentales : VII. Moins vif | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Valses Nobles et Sentimentales : VII. Épilogue | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Daphnis et Chloé, Part One: Nocturne | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Symphony no. 8 in F major, op. 93: II. Allegro scherzando | Berliner Philharmoniker, André Cluytens | T-909.821.799-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Orchestral & Concerto Recordings” by André Cluytens is 0190295886691. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Erato. This release contains 609 tracks, each with its own ISRC. Tracks include FR8Z95314714, FRZ111700399, FRZ111700415.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo - Vivace | — | ||
| 4 | Burleske in D minor, TrV 145 | — | ||
| 5 | La Habanera: Prelude | — | ||
| 6 | Patrie, op. 19, WD 41: Overture | — | ||
| 7 | La Princesse jaune, op. 30: Overture | — | ||
| 2-1 | Symphonie espanole in D minor, op. 21: I. Allegro non troppo | — | ||
| 2-2 | Symphonie espanole in D minor, op. 21: II. Scherzando - Allegro molto | — | ||
| 2-3 | Symphonie espanole in D minor, op. 21: IV. Andante | — | ||
| 2-4 | Symphonie espanole in D minor, op. 21: V. Rondo - Allegro | — | ||
| 2-5 | La Dame blanche: Overture | — | ||
| 2-6 | Mireille: Overture | — | ||
| 2-7 | Le Pré aux clercs: Overture | — | ||
| 2-8 | An American in Paris | — | ||
| 3-1 | Don Giovanni, K. 527: Overture | — | ||
| 3-2 | Oberon, J. 306: Overture | — | ||
| 3-3 | Andante spianato et Grande polonaise, op. 22: I. Andante spianato | — | ||
| 3-4 | Andante spianato et Grande polonaise, op. 22: II. Grande polonaise | — | ||
| 3-5 | Ma Mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 3-6 | Ma Mère l'Oye, M. 60: II. Petit Poucet | — | ||
| 3-7 | Ma Mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes | — | ||
| 3-8 | Ma Mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête | — | ||
| 3-9 | Ma Mère l'Oye, M. 60: V. Le jardin féérique | — | ||
| 3-10 | Pavane pour une Infante défunte, M. 19 | — | ||
| 3-11 | El sombrero de tres picos, part 2: I. Los Vecinos | — | ||
| 3-12 | El sombrero de tres picos, part 2: II. Danza del molinero | — | ||
| 3-13 | El sombrero de tres picos, part 2: VII. Danza final (Jota) | — | ||
| 4-1 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": I. Adagio - Allegro | — | ||
| 4-2 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": II. Andante | — | ||
| 4-3 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": III. Menuet - Allegro - Trio - Menuet | — | ||
| 4-4 | Symphony no. 94 in G major, Hob. I, 94, "Surprise": IV. Finale - Vivace | — | ||
| 4-5 | Symphony no. 104 in D major, Hob. I, 104, "London": I. Adagio - Allegro | — | ||
| 4-6 | Symphony no. 104 in D major, Hob. I, 104, "London": II. Andante | — | ||
| 4-7 | Symphony no. 104 in D major, Hob. I, 104, "London": III. Menuet - Allegro - Trio - Menuet | — | ||
| 4-8 | Symphony no. 104 in D major, Hob. I, 104, "London": IV. Finale - Vivace | — | ||
| 4-9 | Cello Concerto no. 3 in A major, Wq. 172: I. Allegro (Arr. Pollain) | — | ||
| 4-10 | Cello Concerto no. 3 in A major, Wq. 172: II. Largo (Arr. Pollain) | — | ||
| 4-11 | Cello Concerto no. 3 in A major, Wq. 172: III. Allegro assai (Arr. Pollain) | — | ||
| 5-1 | In nativitatem Domini canticum, H. 416, Part 1: Nuit | — | ||
| 5-2 | Requiem, op. 48: I. Introitus & Kyrie | — | ||
| 5-3 | Requiem, op. 48: II. Offertorium - Domine Jesu Christe | — | ||
| 5-4 | Requiem, op. 48: III. Sanctus | — | ||
| 5-5 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 5-6 | Requiem, op. 48: V. Agnus Dei | — | ||
| 5-7 | Requiem, op. 48: VI. Libera me | — | ||
| 5-8 | Requiem, op. 48: VII. In paradisum | — | ||
| 5-9 | Ballade op. 19 | — | ||
| 5-10 | Carmen, Suite no. 1, WD 31: Prélude | — | ||
| 5-11 | Carmen, Suite no. 1, WD 31: Entr'acte Act 2 | — | ||
| 5-12 | Carmen, Suite no. 1, WD 31: Entr'acte Act 3 | — | ||
| 5-13 | Carmen, Suite no. 1, WD 31: Entr'acte Act 4 | — | ||
| 6-1 | Semiramide: Overture | — | ||
| 6-2 | The Creatures of Prometheus, op. 43: Overture | — | ||
| 6-3 | Symphony no. 8 in B minor, D. 759, "Unfinished": I. Allegro moderato | — | ||
| 6-4 | Symphony no. 8 in B minor, D. 759, "Unfinished": II. Andante con moto | — | ||
| 6-5 | La Valse, M. 72 | — | ||
| 6-6 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 6-7 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 6-8 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 6-9 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 6-10 | Cydalise et le chèvre-pied, Tableau 1: IV. L'école des Aegipans | — | ||
| 6-11 | Cydalise et le chèvre-pied, Tableau 1: V. La leçon de flûte de Pan | — | ||
| 6-12 | Cydalise et le chèvre-pied, Tableau 1: VI. Marche des élèves nymphes | — | ||
| 6-13 | Cydalise et le chèvre-pied, Tableau 1: VII. La leçon de danse (Excerpt) | — | ||
| 7-1 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Dans la crèche, en ce temps, Jésus venait de naître" (Narrator) | — | ||
| 7-2 | L'Enfance du Christ, op. 25, H. 130, Part 1: Nocturnal March (Orchestra) | — | ||
| 7-3 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Qui vient? ... Rome ... Avancez!" (Chorus) | — | ||
| 7-4 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Toujours ce rêve! Encore cet enfant" (Herod) | — | ||
| 7-5 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Ô misère des rois!" (Herod) | — | ||
| 7-6 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Seigneur! ... Lâches, tremblez!" (Chorus Member, Herod) | — | ||
| 7-7 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Les sages de Judée, ô roi" (Herod, Chorus) | — | ||
| 7-8 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Eh bien! Par le fer qu'ils périssent" (Herod, Chorus) | — | ||
| 7-9 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Ô mon cher fils, donne cette herbe tendre" (Mary, Joseph) | — | ||
| 7-10 | L'Enfance du Christ, op. 25, H. 130, Part 1: "Joseph! Marie!" (Chorus, Mary, Joseph) | — | ||
| 7-11 | L'Enfance du Christ, op. 25, H. 130, Part 2: Overture (Orchestra) | — | ||
| 7-12 | L'Enfance du Christ, op. 25, H. 130, Part 2: "Il s'en va loin de la terre" (Chorus) | — | ||
| 7-13 | L'Enfance du Christ, op. 25, H. 130, Part 2: "Les pèlerins étant venus" (Narrator, Chorus) | — | ||
| 7-14 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Depuis trois jours, malgré l'ardeur du vent" (Narrator) | — | ||
| 7-15 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Dans cette ville immense" (Mary, Joseph, Chorus) | — | ||
| 7-16 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Entrez, entrez, pauvres Hébreux" (Ishmaelite Father, Joseph, Chorus) | — | ||
| 7-17 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Sur vos traits fatigués la tristesse est empreinte" (Ishmaelite Father, Joseph, Chorus) | — | ||
| 8-1 | L'Enfance du Christ, op. 25, H. 130, Part 3: Trio of Ishmaelite Children (Two Flutes and Harp) | — | ||
| 8-2 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Vous pleurez, jeune mère" (Ishmaelite Father, Mary, Joseph, Chorus) | — | ||
| 8-3 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Ce fut ainsi que, par un infidèle" (Narrator) | — | ||
| 8-4 | L'Enfance du Christ, op. 25, H. 130, Part 3: "Ô mon âme!" (Narrator, Chorus) | — | ||
| 8-5 | L'Arlésienne, Suite no. 1: I. Prélude | — | ||
| 8-6 | L'Arlésienne, Suite no. 1: II. Minuetto | — | ||
| 8-7 | L'Arlésienne, Suite no. 1: III. Adagietto | — | ||
| 8-8 | L'Arlésienne, Suite no. 1: IV. Carillon | — | ||
| 8-9 | L'Arlésienne, Suite no. 2, WD 40: I. Pastorale (Arr. Guiraud) | — | ||
| 8-10 | L'Arlésienne, Suite no. 2, WD 40: II. Intermezzo (Arr. Guiraud) | — | ||
| 8-11 | L'Arlésienne, Suite no. 2, WD 40: III. Minuetto (Arr. Guiraud) | — | ||
| 8-12 | L'Arlésienne, Suite no. 2, WD 40: IV. Farandole (Arr. Guiraud) | — | ||
| 8-13 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): I. Prélude | — | ||
| 8-14 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): II. Sérénade | — | ||
| 8-15 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): III. Marche | — | ||
| 8-16 | Scènes bohémiennes, WD 15 (from La jolie fille de Perth): IV. Danse bohémienne | — | ||
| 8-17 | 4 Poèmes hindous: I. Madras | — | ||
| 8-18 | 4 Poèmes hindous: II. Lahore | — | ||
| 8-19 | 4 Poèmes hindous: III. Benares | — | ||
| 8-20 | 4 Poèmes hindous: IV. Jeypur | — | ||
| 8-21 | 3 Chants de la jungle: II. Berceuse phoque | — | ||
| 9-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto espressione | — | ||
| 9-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante simplice - Prestissimo - Tempo I | — | ||
| 9-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 9-4 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | — | ||
| 9-5 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 9-6 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 9-7 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 9-8 | Symphony no. 4 in D minor, op. 120: II. Romanze - Ziemlich langsam | — | ||
| 9-9 | Symphony no. 4 in D minor, op. 120: III. Scherzo - Lebhaft - Etwas zurückhaltend | — | ||
| 9-10 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller - Presto | — | ||
| 10-1 | Piano Concerto in F major: I. Allegro | — | ||
| 10-2 | Piano Concerto in F major: II. Lento | — | ||
| 10-3 | Piano Concerto in F major: III. Allegro | — | ||
| 10-4 | Piano Concerto no. 1: I. Molto moderato | — | ||
| 10-5 | Piano Concerto no. 1: II. Andante affettuoso | — | ||
| 10-6 | Piano Concerto no. 1: III. Vivo | — | ||
| 11-1 | In the Steppes of Central Asia | — | ||
| 11-2 | Night on Bald Mountain (Orch. Rimsky-Korsakov) | — | ||
| 11-3 | Russian Easter Festival Overture, op. 36 | — | ||
| 11-4 | Capriccio espagnol, op. 34: I. Alborada - Vivo e strepitoso | — | ||
| 11-5 | Capriccio espagnol, op. 34: II. Variazioni - Andante con moto | — | ||
| 11-6 | Capriccio espagnol, op. 34: III. Alborada - Vivo e strepitoso | — | ||
| 11-7 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 11-8 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 12-1 | Scheherazade, op. 35: I. The sea and Sinbad's ship | — | ||
| 12-2 | Scheherazade, op. 35: II. The story of the Kalandar prince | — | ||
| 12-3 | Scheherazade, op. 35: III. The young prince and princess | — | ||
| 12-4 | Scheherazade, op. 35: IV. Festival in Baghdad - The sea - Shipwreck - Conclusion | — | ||
| 12-5 | Faust, Ballet Music: I. Les Nubiennes | — | ||
| 12-6 | Faust, Ballet Music: II. Adagio | — | ||
| 12-7 | Faust, Ballet Music: III. Danse antique | — | ||
| 12-8 | Faust, Ballet Music: IV. Variations de Cléopâtre | — | ||
| 12-9 | Faust, Ballet Music: V. Les Troyennes | — | ||
| 12-10 | Faust, Ballet Music: VI. Variations du miroir | — | ||
| 12-11 | Faust, Ballet Music: VII. Danse de Phryné | — | ||
| 13-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio - Cadenza - Tempo I | — | ||
| 13-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 13-3 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo - Molto allegro | — | ||
| 13-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro con brio - Cadenza - Tempo I | — | ||
| 13-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 13-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo - Vivace - Cadenza - Tempo I - Presto | — | ||
| 13-7 | España | — | ||
| 14-1 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 14-2 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 14-3 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 14-4 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 14-5 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | — | ||
| 14-6 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 15-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 15-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 15-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 15-4 | Gaultier Garguille | — | ||
| 15-5 | Madame Bovary, Act 2: "Rodolphe ... Emma ... Tu ne m'attendais pas" (Emma, Rodolphe) | — | ||
| 15-6 | Madame Bovary, Act 3: "Je souffre ... Pourquoi mon amour ... " (Emma, Charles) | — | ||
| 16-1 | Le Tombeau de Couperin, M. 68: I. Prélude | — | ||
| 16-2 | Le Tombeau de Couperin, M. 68: II. Forlane | — | ||
| 16-3 | Le Tombeau de Couperin, M. 68: III. Menuet | — | ||
| 16-4 | Le Tombeau de Couperin, M. 68: IV. Rigaudon | — | ||
| 16-5 | Boléro, M. 81 | — | ||
| 16-6 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 16-7 | Daphnis et Chloé, Suite no. 1, M. 57a: I. Nocturne | — | ||
| 16-8 | Daphnis et Chloé, Suite no. 1, M. 57a: II. Interlude et danse guerrière | — | ||
| 16-9 | Daphnis et Chloé, Suite no. 2, M. 57b: I. Lever du jour | — | ||
| 16-10 | Daphnis et Chloé, Suite no. 2, M. 57b: II. Pantomime | — | ||
| 16-11 | Daphnis et Chloé, Suite no. 2, M. 57b: III. Danse générale | — | ||
| 17-1 | Pavane pour une infant défunte, M. 19 | — | ||
| 17-2 | Menuet antique, M. 7 | — | ||
| 17-3 | Valses nobles et sentimentales, M. 61: I. Modéré | — | ||
| 17-4 | Valses nobles et sentimentales, M. 61: II. Assez lent | — | ||
| 17-5 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 17-6 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 17-7 | Valses nobles et sentimentales, M. 61: V. Presque lent | — | ||
| 17-8 | Valses nobles et sentimentales, M. 61: VI. Assez vif | — | ||
| 17-9 | Valses nobles et sentimentales, M. 61: VII. Moins vif | — | ||
| 17-10 | Valses nobles et sentimentales, M. 61: VIII. Épilogue - Lent | — | ||
| 17-11 | Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 17-12 | Ma mère l'Oye, M. 60: II. Petit Poucet | — | ||
| 17-13 | Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes | — | ||
| 17-14 | Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête | — | ||
| 17-15 | Ma mère l'Oye, M. 60: V. Le jardin féérique | — | ||
| 17-16 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 17-17 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 17-18 | Piano Concerto no. 1 in C major, op. 15: III. Rondo - Allegro scherzando | — | ||
| 18-1 | Variations symphoniques, FWV 46 | — | ||
| 18-2 | Rédemption, FWV 52 | — | ||
| 18-3 | Psyché, FWV 47: I. Le sommeil de Psyché | — | ||
| 18-4 | Psyché, FWV 47: II. Psyché enlevée par les Zéphyrs | — | ||
| 18-5 | Psyché, FWV 47: III. Les jardins d'Eros | — | ||
| 18-6 | Psyché, FWV 47: IV. Psyché et Eros | — | ||
| 18-7 | Le Chasseur maudit, FWV 44 | — | ||
| 18-8 | Le Roi d'Ys: Overture | — | ||
| 19-1 | Symphony in G major, op. 25, "Sur un chant montagnard français": I. Assez lent | — | ||
| 19-2 | Symphony in G major, op. 25, "Sur un chant montagnard français": II. Assez modéré | — | ||
| 19-3 | Symphony in G major, op. 25, "Sur un chant montagnard français": III. Animé | — | ||
| 19-4 | Symphony in C major, WD 33: I. Allegro vivo | — | ||
| 19-5 | Symphony in C major, WD 33: II. Adagio | — | ||
| 19-6 | Symphony in C major, WD 33: III. Scherzo - Allegro | — | ||
| 19-7 | Symphony in C Major, WD 33: IV. Allegro vivace (Finale) | Orchestre National de la R.T.F, André Cluytens | — | |
| 19-8 | Patrie, op. 19, WD 41 | — | ||
| 19-9 | Mireille: Overture | — | ||
| 20-1 | Les Érinnyes, Act 1: No. 1 Prélude | — | ||
| 20-2 | Les Érinnyes, Act 2: No. 7 Scène religieuse | — | ||
| 20-3 | Les Érinnyes, Act 2: No. 8 Invocation | — | ||
| 20-4 | Les Érinnyes, Act 2: No. 6 Entracte | — | ||
| 20-5 | Les Érinnyes, Act 1: No. 4b Danse grecque | — | ||
| 20-6 | Les Érinnyes, Act 1: No. 4b La troyenne regrettant sa patrie perdue | — | ||
| 20-7 | Les Érinnyes, Act 1: No. 4b Final - "Saturnales" | — | ||
| 20-8 | Suite no. 7, "Scènes alsaciennes": I. Dimanche matin | — | ||
| 20-9 | Suite no. 7, "Scènes alsaciennes": II. Au cabaret | — | ||
| 20-10 | Suite no. 7, "Scènes alsaciennes": III. Sous les tilleuls | — | ||
| 20-11 | Suite no. 7, "Scènes alsaciennes": IV. Dimanche soir | — | ||
| 20-12 | Suite no. 4, "Scènes pittoresques": I. Marche | — | ||
| 20-13 | Suite no. 4, "Scènes pittoresques": II. Air de ballet | — | ||
| 20-14 | Suite no. 4, "Scènes pittoresques": III. Angélus | — | ||
| 20-15 | Suite no. 4, "Scènes pittoresques": IV. Fête bohème | — | ||
| 20-16 | Phèdre: Overture | — | ||
| 21-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 21-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 21-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo - Allegro - Presto | — | ||
| 21-4 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 21-5 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo - Adagio | — | ||
| 21-6 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve) | — | ||
| 22-1 | Le Martyre de Saint-Sébastien, L. 130: Nuncius et Prélude | — | ||
| 22-2 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Frères, que serait-il le monde ... " (Les Jumeaux) | — | ||
| 22-3 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Andronique, ils chantent leur hymne" (Les Gentils, Le Préfet, Une voix,... | — | ||
| 22-4 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Seigneur, tu t'es blessé!" (Les Archers d'Émèse, Le Saint, Les Gentils,... | — | ||
| 22-5 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Avez-vous entendu? Tout est souillé, foulé ... " (Les Gentils,... | — | ||
| 22-6 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Vierges, vierges, ne pleurez pas" | — | ||
| 22-7 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Chef, tu ne peux pas!" (Les Archers d'Émèse, Le Saint) | — | ||
| 22-8 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Sébastien! Sébastien!" (Les Archers d'Émèse, Le Saint) | — | ||
| 22-9 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Sois loué par les Chérubins ... " (Une voix, Le Saint) | — | ||
| 22-10 | Le Martyre de Saint-Sébastien, L. 130, Act 1: "Hymnes, toute l'ombre s'efface" (Les Neufs compagnons des Jumeaux,... | — | ||
| 22-11 | Le Martyre de Saint-Sébastien, L. 130, Act 2: Prélude | — | ||
| 22-12 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "A moi, Guddène! A moi, Phlégon!" (Le Saint, Les Magiciennes, Hassub... | — | ||
| 22-13 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Je fauchais l'Épi de froment ... " (La Voix de la Vierge Érigone) | — | ||
| 22-14 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Elle est Érigone, la Vierge" (Hyale, Phoenisse, Atreneste, Le Saint,... | — | ||
| 22-15 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Sébastien, archer du Christ" (Les Esclaves, Les Briseurs d'idoles,... | — | ||
| 22-16 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Arédrôs, tu reviens ... " (La Fille malade des fièvres, Le Saint, La Sainte) | — | ||
| 22-17 | Le Martyre de Saint-Sébastien, L. 130, Act 2: "Qui pleure mon Enfant si doux ... " (Vox Coelestis) | — | ||
| 23-1 | Le Martyre de Saint-Sébastien, L. 130, Act 3: Prélude - Fanfare (Toutes les voix) | — | ||
| 23-2 | Le Martyre de Saint-Sébastien, L. 130, Act 3: Salut, beau jeune homme" (L'Empereur, Le Saint, Toutes les voix,... | — | ||
| 23-3 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Païan, Lyre d'or, Arc d'argent" (Les Citharèdes) | — | ||
| 23-4 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Cessez! Cessez, ô citharèdes ... " (Le Saint, L'Empereur, Les Orphiques,... | — | ||
| 23-5 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Il dit alors - mon âme est triste ... " (Le Saint) | — | ||
| 23-6 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Ah, tu pleures le bien-aimé" (Les Femmes de Byblos, Chorus Syriacus,... | — | ||
| 23-7 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Il est un Dieu, il est un Dieu!" (L'Empereur, Le Saint) | — | ||
| 23-8 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Io! Io! Adoniastes!" (Choeur) | — | ||
| 23-9 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Jésus! Jésus! Jésus à moi!" (Le Saint, L'Empereur) | — | ||
| 23-10 | Le Martyre de Saint-Sébastien, L. 130, Act 3: "Il est mort, le bel Adonis! Pleurez!" (Chorus Syriacus) | — | ||
| 23-11 | Le Martyre de Saint-Sébastien, L. 130, Act 4: Prélude | — | ||
| 23-12 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "Ils sont loin, ils sont déjà loin" (Sanaé, Le Saint, Les Archers d'Émèse) | — | ||
| 23-13 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "O tremblement de mon âme" (Le Saint, Sanaé) | — | ||
| 23-14 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "Des profondeurs, j'appelle votre amour, Archers!" (Le Saint) | — | ||
| 23-15 | Le Martyre de Saint-Sébastien, L. 130, Act 4: "Béni soit le premier! Bénie soit l'étoile première!" (Le Saint, L'Empereur,... | — | ||
| 23-16 | Le Martyre de Saint-Sébastien, L. 130, Act 5: "Gloire! Sous nos armures, flamboyez, ô blessures!" (Choeur des Martyrs,... | — | ||
| 24-1 | Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 24-2 | Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 24-3 | Piano Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 24-4 | La boîte à joujoux, L. 136: Prélude - Le Sommeil de la boîte | — | ||
| 24-5 | La boîte à joujoux, L. 136: I. La Maison des jouets | — | ||
| 24-6 | La boîte à joujoux, L. 136: II. Le Champ de bataille | — | ||
| 24-7 | La boîte à joujoux, L. 136: III. La Bergerie à vendre | — | ||
| 24-8 | La boîte à joujoux, L. 136: IV. Après fortune faite | — | ||
| 24-9 | La boîte à joujoux, L. 136: Épilogue | — | ||
| 24-10 | Children's Corner, L. 119: I. Doctor Gradus ad Parnassum | — | ||
| 24-11 | Children's Corner, L. 119: II. Jimbo's lullaby | — | ||
| 24-12 | Children's Corner, L. 119: III. Serenade for the doll | — | ||
| 24-13 | Children's Corner, L. 119: IV. The snow is dancing | — | ||
| 24-14 | Children's Corner, L. 119: V. The little sherpherd | — | ||
| 24-15 | Children's Corner, L. 119: VI. Golliwog's cake-walk | — | ||
| 25-1 | Perséphone, W 64, Part 1: "Déesse aux mille noms" (Eumolpe, Chorus, Perséphone) | — | ||
| 25-2 | Perséphone, W 64, Part 1: "Jacinthe, anémone, safran" (Eumolpe, Chorus, Perséphone) | — | ||
| 25-3 | Perséphone, W 64, Part 1: "Ne cueille pas cette fleur, Perséphone" (Chorus, Eumolpe, Perséphone) | — | ||
| 25-4 | Perséphone, W 64, Part 2: "Ô peuple douloureux des ombres" (Perséphone, Eumolpe, chorus) | — | ||
| 25-5 | Perséphone, W 64, Part 2: "Attentives sur les rives de l'éternité" (Chorus, Perséphone) | — | ||
| 25-6 | Perséphone, W 64, Part 2: "Tu viens pour dominer" (Chorus, Eumolpe, Perséphone) | — | ||
| 25-7 | Perséphone, W 64, Part 2: "Viens, Mercure !" (Chorus, Eumolpe, Perséphone) | — | ||
| 25-8 | Perséphone, W 64, Part 2: "Si tu contemplais le calice" (Chorus, Perséphone) | — | ||
| 25-9 | Perséphone, W 64, Part 2: "Pauvres ombres" (Eumolpe, Perséphone, Chorus) | — | ||
| 25-10 | Perséphone, W 64, Part 3: "C'est ainsi, nous raconte Homère" (Eumolpe, Chorus) | — | ||
| 25-11 | Perséphone, W 64, Part 3: "Venez à nous, enfants des hommes" (Chorus) | — | ||
| 25-12 | Perséphone, W 64, Part 3: "L'ombre encore t'environne" (Chorus) | — | ||
| 25-13 | Perséphone, W 64, Part 3: "Mère, ta Perséphone à tes voeux s'est rendue" (Perséphone, Eumolpe, Chorus) | — | ||
| 26-1 | Water Music, Suite no. 1 in F major, HWV 348: I. Allegro (Arr. Harty) | — | ||
| 26-2 | Water Music, Suite no. 1 in F major, HWV 348: II. Air - Andante un poco allegretto (Arr. Harty) | — | ||
| 26-3 | Water Music, Suite no. 1 in F major, HWV 348: III. Bourrée - Vivace (Arr. Harty) | — | ||
| 26-4 | Water Music, Suite no. 1 in F major, HWV 348: IV. Hornpipe - Delicato ma con molto brio (Arr. Harty) | — | ||
| 26-5 | Water Music, Suite no. 1 in F major, HWV 348: V. Andante espressivo (Arr. Harty) | — | ||
| 26-6 | Water Music, Suite no. 1 in F major, HWV 348: VI. Allegro deciso (Arr. Harty) | — | ||
| 26-7 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": I. Allegro assai | — | ||
| 26-8 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": II. Adagio | — | ||
| 26-9 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": III. Menuet e Trio - Allegretto | — | ||
| 26-10 | Symphony no. 45 in F-sharp minor, Hob. I, 45, "Farewell": IV. Finale - Presto e adagio | — | ||
| 26-11 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": I. Adagio - Allegro | — | ||
| 26-12 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": II. Andante | — | ||
| 26-13 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": III. Menuet e Trio - Allegretto | — | ||
| 26-14 | Symphony no. 96 in D major, Hob. I, 96, "Miracle": IV. Finale - Vivace | — | ||
| 27-1 | Symphonie fantastique, op. 14, H. 48: I. Rêveries - Passions | — | ||
| 27-2 | Symphonie fantastique, op. 14, H. 48: II. Un bal | — | ||
| 27-3 | Symphonie fantastique, op. 14, H. 48: III. Scène aux champs | — | ||
| 27-4 | Symphonie fantastique, op. 14, H. 48: IV. Marche au supplice | — | ||
| 27-5 | Symphonie fantastique, op. 14, H. 48: V. Songe d'une nuit de sabbat | — | ||
| 27-6 | La Damnation de Faust, op. 24, H. 111, Part 1: III. Marche hongroise | — | ||
| 27-7 | La Damnation de Faust, op. 24, H. 111, Part 2: VII. Danse des sylphes | — | ||
| 27-8 | La Damnation de Faust, op. 24, H. 111, Part 3: XII. Menuet des follets | — | ||
| 28-1 | Symphony no. 6 in F major, op. 68, "Pastoral": I. Awakening of happy feelings on arriving in the country (Allegro non troppo) | — | ||
| 28-2 | Symphony no. 6 in F major, op. 68, "Pastoral": II. Scene by the brook (Andante molto mosso) | — | ||
| 28-3 | Symphony no. 6 in F major, op. 68, "Pastoral": III. Merry gathering of the country folk (Allegro) | — | ||
| 28-4 | Symphony no. 6 in F major, op. 68, "Pastoral": IV. Storm and Tempest (Allegro) | — | ||
| 28-5 | Symphony no. 6 in F major, op. 68, "Pastoral": V. Shepherd's Song - Happy and thankful feelings after the storm (Allegretto) | — | ||
| 28-6 | Symphony no. 3 in C minor, op. 78, "Organ": I. Adagio - Allegro moderato | — | ||
| 28-7 | Symphony no. 3 in C minor, op. 78, "Organ": II. Poco adagio | — | ||
| 28-8 | Symphony no. 3 in C minor, op. 78, "Organ": III. Allegro moderato - Presto | — | ||
| 28-9 | Symphony no. 3 in C minor, op. 78, "Organ": IV. Maestoso - Allegro | — | ||
| 29-1 | Coppélia, Act 1: Prélude | — | ||
| 29-2 | Coppélia, Act 1: no. 3 Mazurka | — | ||
| 29-3 | Coppélia, Act 2: Entr'acte | — | ||
| 29-4 | Coppélia, Act 1: no. 1 Valse | — | ||
| 29-5 | Coppélia, Act 1: no. 5 Ballade de l'Épi | — | ||
| 29-6 | Coppélia, Act 1: no. 6 Thème slave varié | — | ||
| 29-7 | Coppélia, Act 2: no. 14 Valse de la poupée | — | ||
| 29-8 | Coppélia, Act 1: no. 7 Czárdás - Danse hongroise | — | ||
| 29-9 | Sylvia, Act 1: Prélude | — | ||
| 29-10 | Sylvia, Act 1: No. 3 Les Chasseresses (fanfare) | Orchestre de l’Opéra national de Paris, André Cluytens | — | |
| 29-11 | Sylvia, Act 1: no. 4a Intermezzo | — | ||
| 29-12 | Sylvia, Act 1: no. 4b Valse lente | — | ||
| 29-13 | Sylvia, Act 3: no. 16a Pizzicati | — | ||
| 29-14 | Sylvia, Act 3: no. 14 Marche et Cortège de Bacchus | — | ||
| 29-15 | Roméo et Juliette, op. 17, H. 79, Part 2: Roméo seul - Tristesse - Bruits lointains de concert et de bal | — | ||
| 29-16 | Roméo et Juliette, op. 17, H. 79, Part 2: Scène d'amour | — | ||
| 29-17 | Roméo et Juliette, op. 17, H. 79, Part 2: Scherzo - La Reine Mab, ou la Fée des songes | — | ||
| 30-1 | Benvenuto Cellini, op. 23, H. 76: Overture | — | ||
| 30-2 | Le Roi Lear, op. 4, H. 53: Overture | — | ||
| 30-3 | Le Carnaval romain, op. 9, H. 95: Overture | — | ||
| 30-4 | Le Corsaire, op. 21, H. 101: Overture | — | ||
| 30-5 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 31-1 | Manfred, op. 115: Overture | — | ||
| 31-2 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": I. Lebhaft | — | ||
| 31-3 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": II. Scherzo - Sehr mässig | — | ||
| 31-4 | Symphony No. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | Berliner Philharmoniker, André Cluytens | — | |
| 31-5 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": IV. Feierlich | — | ||
| 31-6 | Symphony no. 3 in E-flat major, op. 97, "Rhenish": V. Lebhaft | — | ||
| 31-7 | Miroirs, M. 43 : III. Une Barque sur l'océan | — | ||
| 31-8 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 31-9 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 31-10 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 31-11 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 31-12 | La Valse, M. 72 | — | ||
| 32-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 32-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 32-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | — | ||
| 32-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 32-5 | Egmont Overture, op. 84 | — | ||
| 33-1 | Siegfried Idyll, WWV 103 | — | ||
| 33-2 | Siegfried, WWV 86C, Act 2: Waldweben | — | ||
| 33-3 | Götterdämmerung, WWV 86D, Act 1: Siegfrieds Rheinfahrt (Arr. Humperdinck) | — | ||
| 33-4 | Götterdämmerung, WWV 86D, Act 3: Siegfrieds Trauermarsch | — | ||
| 34-1 | Kamarinskaya | — | ||
| 34-2 | Khovanshchina: Prelude | — | ||
| 34-3 | Pictures at an Exhibition: I. Promenade (Orch. Ravel) | — | ||
| 34-4 | Pictures at an Exhibition: II. Gnomus (Orch. Ravel) | — | ||
| 34-5 | Pictures at an Exhibition: III. Promenade (Orch. Ravel) | — | ||
| 34-6 | Pictures at an Exhibition: IV. Il Vecchio castello (Orch. Ravel) | — | ||
| 34-7 | Pictures at an Exhibition: V. Promenade (Orch. Ravel) | — | ||
| 34-8 | Pictures at an Exhibition: VI. Tuileries (Orch. Ravel) | — | ||
| 34-9 | Pictures at an Exhibition: VII. Býdlo (Orch. Ravel) | — | ||
| 34-10 | Pictures at an Exhibition: VIII. Promenade (Orch. Ravel) | — | ||
| 34-11 | Pictures at an Exhibition: IX. Ballet of the Unhatched Chicks (Orch. Ravel) | — | ||
| 34-12 | Pictures at an Exhibition: X. Samuel Goldenberg & Schmuyle (Orch. Ravel) | — | ||
| 34-13 | Pictures at an Exhibition: XI. Limoges - The Market (Orch. Ravel) | — | ||
| 34-14 | Pictures at an Exhibition: XII. Catacombae - Sepulcrum Romanum (Orch. Ravel) | — | ||
| 34-15 | Pictures at an Exhibition: XIII. Con mortuis in lingua mortua (Orch. Ravel) | — | ||
| 34-16 | Pictures at an Exhibition: XIV. The Hut on Chicken's Legs (Baba Yaga) [Orch. Ravel] | — | ||
| 34-17 | Pictures at an Exhibition: XV. The Great Gate of Kiev (Orch. Ravel) | — | ||
| 34-18 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato - Allegro vivace - Moderato | — | ||
| 34-19 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: II. Lento | — | ||
| 34-20 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | — | ||
| 34-21 | Concerto no. 1 for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio - Presto - Allegretto poco moderato | — | ||
| 35-1 | Piano Concerto no. 2 in F major, op. 102: I. Allegro | — | ||
| 35-2 | Piano Concerto no. 2 in F major, op. 102: II. Andante | — | ||
| 35-3 | Piano Concerto no. 2 in F major, op. 102: III. Allegro | — | ||
| 35-4 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square | — | ||
| 35-5 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. The Ninth of January | — | ||
| 35-6 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam | — | ||
| 35-7 | Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. The Tocsin | — | ||
| 36-1 | Don Juan, op. 20 | — | ||
| 36-2 | Feuersnot, op. 50: Love Scene. Langsam | — | ||
| 36-3 | Má Vlast, JB 1, 112: II. Vltava (The Moldau) | — | ||
| 36-4 | Má Vlast: no. 4, From Bohemia’s Meadows and Forests | — | ||
| 37-1 | Symphonie fantastique, op. 14, H. 48: I. Rêveries - Passions | — | ||
| 37-2 | Symphonie fantastique, op. 14, H 48: II. Un bal | — | ||
| 37-3 | Symphonie fantastique, op. 14, H. 48: III. Scène aux champs | — | ||
| 37-4 | Symphonie fantastique, op. 14, H 48: IV. Marche au supplice | — | ||
| 37-5 | Symphonie fantastique, op. 14, H. 48: V. Songe d’une nuit de sabbat | — | ||
| 37-6 | Symphony no. 9 in E minor, op. 95, B. 178 “From the New World”: II. Largo | — | ||
| 37-7 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato | — | ||
| 37-8 | Symphony no. 6 in B minor, op. 74, TH. 30, “Pathétique”: III. Allegro molto vivace | — | ||
| 38-1 | Violin Concerto in D major, op. 61: I. Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 38-2 | Violin Concerto in D major, op. 61: II. Larghetto | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 38-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 38-4 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 38-5 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 38-6 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: IV. Saltarello | — | ||
| 38-7 | Serenade in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 38-8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 39-1 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 39-2 | Capriccio espagnol, op. 34: II. Variazioni | — | ||
| 39-3 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 39-4 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 39-5 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 39-6 | In the Steppes of Central Asia | — | ||
| 39-7 | Night on Bald Mountain (Orch. Rimsky‐Korsakov) | — | ||
| 39-8 | La Valse, M. 72 | — | ||
| 39-9 | Faust, Act 5, Ballet: I. Les Nubiennes | — | ||
| 39-10 | Faust, Act 5, Ballet: II. Adagio | — | ||
| 39-11 | Faust, Act 5, Ballet: III. Danse antique | — | ||
| 39-12 | Faust, Act 5, Ballet: IV. Variations de Cléopâtre | — | ||
| 39-13 | Faust, Act 5, Ballet: V. Les Troyennes | — | ||
| 39-14 | Faust, Act 5, Ballet: VI. Variations du miroir | — | ||
| 39-15 | Faust, Act 5, Ballet: VII. Danse de Phryné | — | ||
| 40-1 | Die Meistersinger von Nürnberg, WWV 96: Prelude | — | ||
| 40-2 | Tannhäuser, WWV 70: Overture | — | ||
| 40-3 | Der fliegende Holländer, WWV 63: Overture | — | ||
| 40-4 | Lohengrin, WWV 75, Act 1: Prelude | — | ||
| 40-5 | Lohengrin, Act 3: Prelude | — | ||
| 40-6 | La Damnation de Faust, op. 24, H. 111, Part 1: III. Marche hongroise | — | ||
| 40-7 | La Damnation de Faust, op. 24, H. 111, Part 2: VII. Danse des sylphes | — | ||
| 40-8 | La Damnation de Faust, op. 24, H. 111, Part 3: XII. Menuet des follets | — | ||
| 41-1 | Russian Easter Festival Overture, op. 36 | — | ||
| 41-2 | The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | — | ||
| 41-4 | Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato | — | ||
| 41-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 41-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 42-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 42-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Berliner Philharmoniker, André Cluytens | — | |
| 42-3 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | Berliner Philharmoniker, André Cluytens | — | |
| 42-4 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Berliner Philharmoniker, André Cluytens | — | |
| 42-5 | Fidelio Overture | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 42-6 | Die Ruinen von Athen, op. 113: I. Overtüre | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 43-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 43-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Berliner Philharmoniker, André Cluytens | — | |
| 43-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio | Berliner Philharmoniker, André Cluytens | — | |
| 43-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Berliner Philharmoniker, André Cluytens | — | |
| 43-5 | Die Geschöpfe des Prometheus, op. 43: Ouverture | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 44-1 | Symphony no. 3 in E‐flat major, op. 55, “Eroica”: I. Allegro con brio | — | ||
| 44-2 | Symphony no. 3 in E‐flat major, op. 55, “Eroica”: II. Marcia funebre - Adagio assai | — | ||
| 44-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace - Trio | — | ||
| 44-4 | Symphony no. 3 in E‐flat major, op. 55, “Eroica”: IV. Finale (Allegro molto - Poco andante - Presto) | — | ||
| 45-1 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro molto | — | ||
| 45-2 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | — | ||
| 45-3 | Symphony no. 4 in B‐flat major, op. 60: III. Menuetto. Allegro vivace | — | ||
| 45-4 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 45-5 | Coriolan Overture, op. 62 | — | ||
| 46-1 | Leonore Overture no. 3, op. 72b | — | ||
| 46-2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 46-3 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, André Cluytens | — | |
| 46-4 | Symphony no. 5 in C minor, op. 67: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 46-5 | Symphony no. 5 in C minor, op. 67: IV. Allegro – Presto | Berliner Philharmoniker, André Cluytens | — | |
| 47-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro non troppo | Berliner Philharmoniker, André Cluytens | — | |
| 47-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso | Berliner Philharmoniker, André Cluytens | — | |
| 47-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 47-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 47-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto | Berliner Philharmoniker, André Cluytens | — | |
| 48-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | Berliner Philharmoniker, André Cluytens | — | |
| 48-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Berliner Philharmoniker, André Cluytens | T-314.638.300-4 | |
| 48-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | Berliner Philharmoniker, André Cluytens | T-915.710.750-1 | |
| 48-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 48-5 | Egmont Ouverture, op. 84 | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 49-1 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Berliner Philharmoniker, André Cluytens | — | |
| 49-2 | Symphony no. 8 in F major, op. 93: II. Allegro scherzando | Berliner Philharmoniker, André Cluytens | — | |
| 49-3 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Berliner Philharmoniker, André Cluytens | T-312.439.209-8 | |
| 49-4 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Berliner Philharmoniker, André Cluytens | T-909.821.799-3 | |
| 49-5 | Les préludes, S. 97 | — | ||
| 50-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, André Cluytens | — | |
| 50-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Berliner Philharmoniker, André Cluytens | — | |
| 50-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Berliner Philharmoniker, André Cluytens | — | |
| 50-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro | Gré Brouwenstijn, Chor der St. Hedwigs-Kathedrale Berlin, Nicolai Gedda, Frederick Guthrie, Kerstin Meyer, Berliner Philharmoniker, André Cluytens | — | |
| 51-1 | Symphony no. 8 in B minor, D. 759, “Unfinished”: I. Allegro moderato | — | ||
| 51-2 | Symphony no. 8 in B minor, D. 759, “Unfinished”: II. Andante con moto | — | ||
| 51-3 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 51-4 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 51-5 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 52-1 | Piano Concerto in G major: I. Allegramente | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 52-2 | Piano Concerto in G major: II. Adagio assai | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 52-3 | Piano Concerto in G major: III. Presto | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-304.253.616-9 | |
| 52-4 | Concerto for the Left Hand | Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 53-1 | Boléro | Marcel Galiègue, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-305.194.527-4 | |
| 53-2 | La Valse | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-305.194.234-4 | |
| 53-3 | Rapsodie espagnole: I. Prélude à la nuit | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 53-4 | Rapsodie espagnole: II. Malaguena | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-335.920.495-4 | |
| 53-5 | Rapsodie espagnole: III. Habanera | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 53-6 | Rapsodie espagnole: IV. Feria | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-1 | Ma Mère L'Oye : Prélude | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-2 | Ma Mère L'Oye : I. Danse du Rouet et scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-3 | Ma Mère L'Oye : II. Pavane de la Belle au bois dormant | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-305.194.384-7 | |
| 54-4 | Ma Mère L'Oye : III. Les entretiens de la Belle et de la Bête | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-5 | Ma Mère L'Oye : IV. Petit Poucet | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-6 | Ma Mère L'Oye : V. Laideronnette, Imperatrice des Pagodes | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 54-7 | Ma Mère L'Oye : Le jardin féerique | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-1 | Daphnis et Chloé, Part One: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-2 | Daphnis et Chloé, Part One: Danse religeuse | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-3 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-4 | Daphnis et Chloé, Part One: Danse générale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-5 | Daphnis et Chloé, Part One: Scène | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-6 | Daphnis et Chloé, Part One: Danse grotesque de Dorcon | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-7 | Daphnis et Chloé, Part One: Danse légère et gracieuse de Dapnis | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-8 | Daphnis et Chloé, M. 57, Pt. 1: Scène - Danse de Lyceion - Arrivée des pirates | — | ||
| 55-9 | Daphnis et Chloé, Part One: Nocturne | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-10 | Daphnis et Chloé, Part One: Danse lente et mystérieuse des nymphes | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-11 | Daphnis et Chloé, Part One: Interlude | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-12 | Daphnis et Chloé, Part Two: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-13 | Daphnis et Chloé, Part Two: Danse guerriere | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-14 | Daphnis et Chloé, Part Two: Danse suppliante de Chloé | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-15 | Daphnis et Chloé, Part Three: Introduction | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-16 | Daphnis et Chloé, Part Three: Lever du jour | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-17 | Daphnis et Chloé, Part Three: Pantomime | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 55-18 | Daphnis et Chloé, Part Three: Danse génerale | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 57-1 | Benvenuto Cellini, op. 23, H. 76: Overture | — | ||
| 57-2 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 57-3 | Le Carnaval romain, op. 9, H. 95: Overture | — | ||
| 57-4 | Le corsaire, op. 21, H 101 | — | ||
| 58-1 | Requiem, op. 48: Introitus & Kyrie | — | ||
| 58-2 | Requiem, op. 48: Offertorium - Domine Jesu Christe | — | ||
| 58-3 | Requiem, op. 48: Sanctus | — | ||
| 58-4 | Requiem, op. 48: IV. Pie Jesu | Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-315.824.737-7 | |
| 58-5 | Requiem, op. 48: Agnus Dei | — | ||
| 58-6 | Requiem, op. 48: Libera me | — | ||
| 58-7 | Requiem, op. 48: VII. In paradisum | — | ||
| 59-1 | Le Chasseur maudit, FWV 44 | — | ||
| 59-2 | Les Éolides, FWV 43 | — | ||
| 59-3 | Les Djinns, FWV 45 | — | ||
| 59-4 | Rédemption, FWV 52: Morceau symphonique | — | ||
| 60-1 | Jeux, CD 133a, L. 126 | — | ||
| 60-2 | Images pour orchestre, L. 118, L. 122, Pt. 1 “Gigues” | — | ||
| 60-3 | Images pour orchestre, CD 118, L. 122, Pt. 2 “Iberia”: I. Par les rues et par les chemins | — | ||
| 60-4 | Images pour orchestre, CD 118, L. 122, Pt. 2 “Iberia”: II. Les Parfums de la nuit | — | ||
| 60-5 | Images pour orchestre, CD 118, L. 122, Pt. 2 “Iberia”: III. Le Matin d’un jour de fête | — | ||
| 60-6 | Images pour orchestre, CD 118, L. 122, Pt. 3 “Rondes de printemps” | — | ||
| 60-7 | Danses sacrée et profane, L. 113a: no. 1 Danse sacrée | — | ||
| 60-8 | Danses sacrée et profane, L. 113a: no. 2 Danse profane | — | ||
| 61-1 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Introduction | — | ||
| 61-2 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Réveil d’Ariane | — | ||
| 61-3 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Bacchus danse seul | — | ||
| 61-4 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Le Baiser | — | ||
| 61-5 | Bacchus et Ariane, op. 43, Ballet suite no. 2: L’Enchantement dionysiaque | — | ||
| 61-6 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Le Thiase défile | — | ||
| 61-7 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Danse d’Ariane | — | ||
| 61-8 | Bacchus et Ariane, op. 43, Ballet suite no. 2: Danse d’Ariane et de Bacchus | — | ||
| 61-9 | Suite no. 2 de Bacchus et Ariane, op. 43: Bacchanale | — | ||
| 61-10 | Le festin de l’araignée, op. 17, Part 1: I. Prélude | — | ||
| 61-11 | Le festin de l’araignée, op. 17, Part 1: II. Entrée des fourmis | — | ||
| 61-12 | Le festin de l’araignée, op. 17, Part 1: III. Danse du papillon | — | ||
| 61-13 | Le festin de l’araignée, op. 17, Part 2: VIII. Eclosion de l’éphémère | — | ||
| 61-14 | Le festin de l’araignée, op. 17, Part 2: IX. Danse de l’éphémère | — | ||
| 61-15 | Le festin de l’araignée, op. 17, Part 2: XII. Funérailles de l’éphémère | — | ||
| 61-16 | Le festin de l’araignée, op. 17: VI. La nuit tombe sur le jardin solitaire | — | ||
| 61-17 | Sinfonietta, op. 52: I. Allegro molto | Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 61-18 | Sinfonietta, op. 52, L. 66: II. Andante | — | ||
| 61-19 | Sinfonietta, op. 52, L. 66: III. Allegro | — | ||
| 61-20 | Konzertstück, op. 39: I. Allegro moderato | — | ||
| 61-21 | Konzertstück, op. 39: II. Andante | — | ||
| 61-22 | Konzertstück, op. 39: III. Allegretto scherzando | — | ||
| 62-1 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: I. Prélude | — | ||
| 62-2 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: II. Menuet | — | ||
| 62-3 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: III. Adagietto | — | ||
| 62-4 | L’Arlésienne Suite no. 1, op. 23bis, WD 40: IV. Carillon | — | ||
| 62-5 | L’Arlésienne Suite no. 2, WD 40: I. Pastorale (Arr. Guiraud) | — | ||
| 62-6 | L’Arlésienne Suite no. 2, WD 40: II. Intermezzo (Orch. Guiraud) | — | ||
| 62-7 | L’Arlésienne Suite no. 2, WD 40: III. Minuetto (Orch. Guiraud) | — | ||
| 62-8 | L’Arlésienne Suite no. 2, WD 40: IV. Farandole (Orch. Guiraud) | — | ||
| 62-9 | Carmen Suite no. 1: V. Les toréadors | — | ||
| 62-10 | Carmen Suite no. 1: IV. Les dragons d’Alcala | — | ||
| 62-11 | Carmen Suite no. 1: II. Intermezzo | — | ||
| 62-12 | Carmen Suite no. 1: I. (b) Aragonaise | — | ||
| 63-1 | Symphony no. 3 in G minor, op. 42: I. Allegro vivo | — | ||
| 63-2 | Symphony no. 3 in G minor, op. 42: II. Adagio - Andante | — | ||
| 63-3 | Symphony no. 3 in G minor, op. 42: III. Vivace | — | ||
| 63-4 | Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito | — | ||
| 63-5 | Symphony no. 4 in A major, op. 53: I. Lento - Allegro con brio | — | ||
| 63-6 | Symphony no. 4 in A major, op. 53: II. Lento molto | — | ||
| 63-7 | Symphony no. 4 in A major, op. 53: III. Allegro scherzando | — | ||
| 63-8 | Symphony no. 4 in A major, op. 53: IV. Allegro molto | — | ||
| 64-1 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Dans la crèche, en ce temps, Jésus venait de naître” (Récitant) | — | ||
| 64-2 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: Marche nocturne | — | ||
| 64-3 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Qui vient ?” (Un centurion, Polydorus) | — | ||
| 64-4 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Toujours ce rêve ! Encore cet enfant” (Hérode) | — | ||
| 64-5 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Ô misère des rois !” (Hérode) | — | ||
| 64-6 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Seigneur ! Lâches, tremblez !” (Polydorus, Hérode) | — | ||
| 64-7 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Les sages de Judée, ô roi !” (Hérode, Chœur) | — | ||
| 64-8 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Eh bien ! Par le fer qu’ils périssent” (Hérode, Chœur) | — | ||
| 64-9 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Ô mon cher fils, donne cette herbe tendre” (Marie, Joseph) | — | ||
| 64-10 | L’enfance du Christ, op. 25, H 130, Pt. 1 “Le songe d’Hérode”: “Joseph ! Marie !” (Chœur, Marie, Joseph) | — | ||
| 64-11 | L’enfance du Christ, op. 25, H 130, Pt. 2 “La fuite en Égypte”: Ouverture | — | ||
| 64-12 | L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 64-13 | L’enfance du Christ, op. 25, H 130, Pt. 2 “La fuite en Égypte”: “Les pèlerins étant venus” (Récitant, Chœur) | — | ||
| 64-14 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Depuis trois jours, malgré l’ardeur du vent” (Récitant) | — | ||
| 64-15 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Dans cette ville immense” (Marie, Joseph, Chœur) | — | ||
| 64-16 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Entrez, entrez, pauvres Hébreux” (L’Ismaélite, Joseph, Chœur) | — | ||
| 64-17 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Sur vos traits fatigués la tristesse est empreinte” (L’Ismaélite, Joseph, Chœur) | — | ||
| 65-1 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: Trio des enfants ismaélites pour deux flûtes et harpe | — | ||
| 65-2 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Vous pleurez, jeune mère” (L’Ismaélite, Marie, Joseph, Chœur) | — | ||
| 65-3 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Ce fut ainsi que par un infidèle fut sauvé le Seigneur” (Récitant) | — | ||
| 65-4 | L’enfance du Christ, op. 25, H 130, Pt. 3 “L’arrivée à Saïs”: “Ô mon âme !” (Récitant, Chœur) | — | ||
| 65-5 | Roméo et Juliette, op. 17, H. 79, Act 2: La Reine Mab, ou la Fée des songes | — | ||
| 65-6 | Les Troyens, op. 29, H. 133, Act 4: Chasse royale et orage | — | ||
| 65-7 | Invitation to the Dance, op. 65, J. 260 (Orch. Berlioz) | — |
