UPC · Release
Martha Argerich
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0190295948986 is the Universal Product Code (UPC barcode) for the release “The Warner Classics Recordings” by Martha Argerich, released 2016-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 199 tracks, each with its own ISRC. Tracks include GBAYC9900056, GBAYC9900057, GBAYC9900058.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-911.517.582-1 | |
| 4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 | |
| 5 | Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T-918.063.801-1 | |
| 6 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — | |
| 7 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T-918.063.801-1 | |
| 8 | Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306.230.833-8 | |
| 9 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 10 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 2-1 | Partita no. 2 in C minor, BWV 826: I. Sinfonia - Grave. Adagio | Martha Argerich | — | |
| 2-2 | Partita no. 2 in C minor, BWV 826: I. Andante | Martha Argerich | — | |
| 2-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | — | |
| 2-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 2-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 2-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau - VI. Capriccio | Martha Argerich | — | |
| 2-7 | Nocturne no. 13 in C minor, op. 48 no. 1 | Martha Argerich | T-702.884.109-2 | |
| 2-8 | Scherzo no. 3 in C-sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 2-9 | Sonata, Sz. 80: I. Allegro moderato | Martha Argerich | — | |
| 2-10 | Sonata, Sz. 80: II. Sostenuto e pensante | Martha Argerich | — | |
| 2-11 | Sonata, Sz. 80: III. Allegro molto | Martha Argerich | — | |
| 2-12 | Danzas argentinas, op. 2: I. Danza del viejo boyero | Martha Argerich | T-070.038.353-4 | |
| 2-13 | Danzas argentinas, op. 2: II. Danza de la moza donosa | Martha Argerich | T-070.038.353-4 | |
| 2-14 | Danzas argentinas, op. 2: III. Danza del gaucho matrero | Martha Argerich | T-070.038.353-4 | |
| 2-15 | Piano Sonata no. 7 in B-flat, op. 83: I. Allegro inquieto - Andantino | Martha Argerich | — | |
| 2-16 | Piano Sonata no. 7 in B-flat, op. 83: II Andante caloroso | Martha Argerich | — | |
| 2-17 | Piano Sonata no. 7 in B-flat, op. 83: III. Preciptato | Martha Argerich | — | |
| 2-18 | Keyboard Sonata in D minor, Kk. 141 / L. 422 | Martha Argerich | — | |
| 2-19 | Bourée from English Suite no. 2 in A minor, BWV 807 | Martha Argerich | — | |
| 3-1 | Fantasiestücke, op. 12: I. Des Abends | Martha Argerich | — | |
| 3-2 | Fantasiestücke, op. 12: II. Aufschwung | Martha Argerich | — | |
| 3-3 | Fantasiestücke, op. 12: III. Warum? | Martha Argerich | — | |
| 3-4 | Fantasiestücke, op. 12: IV. Grillen | Martha Argerich | — | |
| 3-5 | Fantasiestücke, op. 12: V. In der Nacht | Martha Argerich | — | |
| 3-6 | Fantasiestücke, op. 12: VI. Fabel | Martha Argerich | — | |
| 3-7 | Fantasiestücke, op. 12: VII. Traumeswirren | Martha Argerich | — | |
| 3-8 | Fantasiestücke, op. 12: VIII. Ende von Lied | Martha Argerich | — | |
| 3-9 | Sonatine: I. Modéré | Martha Argerich | — | |
| 3-10 | Sonatine: II. Mouvement de menuet | Martha Argerich | T-003.016.390-6 | |
| 3-11 | Sonatine: III. Animé | Martha Argerich | T-003.016.390-6 | |
| 3-12 | Gaspard de la nuit: I. Ondine (Lent) | Martha Argerich | T-902.777.490-9 | |
| 3-13 | Gaspard de la nuit: II. Le Gibet (Très lent) | Martha Argerich | T-902.777.490-9 | |
| 3-14 | Gaspard de la nuit: III. Scarbo (Modéré - Vif) | Martha Argerich | T-902.777.490-9 | |
| 4-1 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-2 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-3 | Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 5-1 | Cello Sonata in A major: I. Allegretto | Martha Argerich, Mischa Maisky | — | |
| 5-2 | Cello Sonata in A major: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 5-3 | Cello Sonata in A major: III. Recitativo - Fantasia (Ben moderato) | Martha Argerich, Mischa Maisky | — | |
| 5-4 | Cello Sonata in A major: IV. Allegretto poco mosso | Martha Argerich, Mischa Maisky | — | |
| 5-5 | Cello Sonata in D minor: I. Prologue (Lent - Sostenuto e molto risoluto) | Martha Argerich, Mischa Maisky | — | |
| 5-6 | Cello Sonata in D minor: II. Sérénade et Final (Modérément animé - Animé) | Martha Argerich, Mischa Maisky | — | |
| 5-7 | La plus que lente - Valse | Martha Argerich, Mischa Maisky | T-306.482.600-8 | |
| 5-8 | Préludes I : No. 12. Minstrels | Martha Argerich, Mischa Maisky | — | |
| 6-1 | Noches en los jardines de España: En el Generalife | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-2 | Noches en los jardines de España: Danza lejana - En los jardines de la sierra de Córdoba | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-3 | Iberia: Evocation | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-4 | Iberia: El puerto | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-5 | Iberia: El Albaicín | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-6 | Iberia: Fête-Dieu à Séville | Orchestre de Paris, Daniel Barenboim | — | |
| 6-7 | Iberia: Triana | Orchestre de Paris, Daniel Barenboim | — | |
| 7-1 | Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-3 | Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-4 | Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-6 | Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-7 | Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 8-1 | Suite no. 1, op. 5 "Fantaisie-tableaux": I. Barcarolle | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-2 | Suite no. 1, op. 5 "Fantaisie-tableaux": II. La nuit...L'amour | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-3 | Suite no. 1, op. 5 "Fantaisie-tableaux": III. Les larmes | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-4 | Suite no. 1, op. 5 "Fantaisie-tableaux": IV. Pâques | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-5 | Suite no. 2, op. 17: I. Introduction | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-6 | Suite no. 2, op. 17: II. Valse | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-7 | Suite no. 2, op. 17: III. Romance | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-8 | Suite no. 2, op. 17: IV. Tarantella | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-1 | Sonata in D major, KV 448: I. Allegro con spirito | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-2 | Sonata in D major, KV 448: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-3 | Sonata in D major, KV 448: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-4 | Andante and Variations for Piano with 4 Hands in G major, K. 501 | Martha Argerich, Alexandre Rabinovitch | T-902.919.739-5 | |
| 9-5 | Sonata for Piano with 4 Hands in C major, K. 521: I. Allegro | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-6 | Sonata for Piano with 4 Hands in C major, K. 521: II. Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-7 | Sonata for Piano with 4 Hands in C major, K. 521: III. Allegretto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-8 | Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro | Martha Argerich, Alexandre Rabinovitch | T-312.439.079-6 | |
| 9-9 | Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-10 | Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 10-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 11-1 | Variations on a Theme by Joseph Haydn, op. 56b: I. Theme ''Chorale St.Antoni'': Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-2 | Variations on a Theme by Joseph Haydn, op. 56b: II. Variation I: Andante con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-3 | Variations on a Theme by Joseph Haydn, op. 56b: III. Variation II: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-4 | Variations on a Theme by Joseph Haydn, op. 56b: IV. Variation III: Con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-5 | Variations on a Theme by Joseph Haydn, op. 56b: V. Variation IV: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-6 | Variations on a Theme by Joseph Haydn, op. 56b: VI. Variation V: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-7 | Variations on a Theme by Joseph Haydn, op. 56b: VII. Variation VI: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-8 | Variations on a Theme by Joseph Haydn, op. 56b: VIII. Variation VII: Grazioso | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-9 | Variations on a Theme by Joseph Haydn, op. 56b: IX. Variation VIII: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-10 | Variations on a Theme by Joseph Haydn, op. 56b: X. Finale: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-11 | Sonata for two pianos in F minor, op. 34b: I. Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-12 | Sonata for two pianos in F minor, op. 34b: II. Andante, un poco adagio | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-13 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 11-14 | Sonata for two pianos in F minor, op. 34b: IV. Finale: Poco sustenuto - Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-15 | Waltzes, op. 39 no. 1 in B major: Tempo giusto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-16 | Waltzes, op. 39 no. 2 in E major | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-17 | Waltzes, op. 39 no. 3 in B minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-18 | Waltzes, op. 39 no. 4 in G-sharp minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-19 | Waltzes, op. 39 no. 5 In A-flat major | Martha Argerich, Alexandre Rabinovitch | — | |
| 12-1 | Klavierquintett Es-dur, op. 44: I. Allegro brillante | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-2 | Klavierquintett Es-dur, op. 44: II. In modo d'una marcia. Un poco largamente | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-3 | Klavierquintett Es-dur, op. 44: III. Scherzo. Molto vivace | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-4 | Klavierquintett Es-dur, op. 44: IV. Allegro, ma non troppo | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-5 | Andante und Variationen, op. 46: Sostenuto - Andante espressivo - Un poco più animato - Più animato - Più lento - Un poco più lento | — | ||
| 12-6 | Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-7 | Andante und Variationen, op. 46: Doppio movimento - Tempo primo - Più adagio | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-8 | Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Natalia Gutman | — | |
| 12-9 | Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Natalia Gutman | — | |
| 12-10 | Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Natalia Gutman | — | |
| 12-11 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Nobuko Imai | — | |
| 12-12 | Märchenbilder, op. 113: II. Lebhaft | Martha Argerich, Nobuko Imai | — | |
| 12-13 | Märchenbilder, op. 113: III. Rasch | Martha Argerich, Nobuko Imai | — | |
| 12-14 | Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck | Martha Argerich, Nobuko Imai | — | |
| 13-1 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-2 | Concerto for Piano no. 20 in D minor, K. 466: II. Romance | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-4 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-5 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-6 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-7 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: I. Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-8 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: II. Andante | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-9 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: III. Rondeau: Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 14-1 | L’Apprenti sorcier (arr. for 2 pianos by Alexandre Rabinovitch) | — | ||
| 14-2 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – I. Thema. Bewegt – II. Thema. Sehr lebhaft – III. Thema. Ruhig | — | ||
| 14-3 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Scherzo. Munter | — | ||
| 14-4 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Wiegenlied. Mäßig langsam | — | ||
| 14-5 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Adagio. Langsam | — | ||
| 14-6 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Finale. Sehr lebhaft | — | ||
| 14-7 | La Valse (arr. for 2 pianos by the composer) | — | ||
| 15-1 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-2 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-3 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-4 | Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-5 | Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-6 | Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-7 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-8 | Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-9 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 16-1 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | — | ||
| 16-2 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 16-3 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale: Presto | Itzhak Perlman, Martha Argerich | — | |
| 16-4 | Sonata for Violin and Piano in A major: I. Allegretto ben moderato | — | ||
| 16-5 | Sonata for Violin and Piano in A major: II. Allegro | — | ||
| 16-6 | Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato - Molto lento | — | ||
| 16-7 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | — | ||
| 17-1 | Duo, op. 7: I. Allegro serioso, non troppo | — | ||
| 17-2 | Duo, op. 7: II. Adagio – Andante – Tempo I | — | ||
| 17-3 | Duo, op. 7: III. Maestoso e largamente, ma non troppo lento – Presto | — | ||
| 17-4 | Contrasts, Sz111: I. Verbunkos (Recruiting Dance) | — | ||
| 17-5 | Contrasts, Sz111: II. Pihenö (Relaxation) | — | ||
| 17-6 | Contrasts, Sz111: III. Sebes (Fast Dance) | — | ||
| 17-7 | Concerto pathétique in E minor, S258 | — | ||
| 18-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 18-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanze. Larghetto | — | ||
| 18-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 18-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 19-1 | Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam und energisch - Lebhaft | — | ||
| 19-2 | Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | — | ||
| 19-3 | Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach (Etwas lebhafter - Etwas bewegter - Tempo wie vorher) | — | ||
| 19-4 | Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt | — | ||
| 19-5 | Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona | — | ||
| 19-6 | Sonata for Solo Violin, Sz. 117: II. Fuga - Risoluto, non troppo vivo | — | ||
| 19-7 | Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio | — | ||
| 19-8 | Sonata for Solo Violin, Sz. 117: IV. Presto | — | ||
| 20-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 20-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 20-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 20-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 20-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 20-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 20-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 20-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 20-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 20-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 20-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 20-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 20-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 20-14 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: I. Allegro appassionato | — | ||
| 20-15 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: II. Adagio | — | ||
| 20-16 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: III. Allegro | — | ||
| 20-17 | Liebesleid | — | ||
| 20-18 | Schön Rosmarin | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphonic Dances, op. 45: I. Non allegro | Martha Argerich, Alexandre Rabinovitch | — |
| Symphonic Dances, op. 45: II. Andante con moto | Martha Argerich, Alexandre Rabinovitch | — |
| Symphonic Dances, op. 45: III. Lento assai | Martha Argerich, Alexandre Rabinovitch | — |
| Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — |
Musical Works (ISWC)
Identifier Graph
0190295948986 is a Universal Product Code (UPC) assigned to The Warner Classics Recordings by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 199 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0190295948986 is the Universal Product Code (UPC barcode) for the release “The Warner Classics Recordings” by Martha Argerich, released 2016-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 199 tracks, each with its own ISRC. Tracks include GBAYC9900056, GBAYC9900057, GBAYC9900058.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-911.517.582-1 | |
| 4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 | |
| 5 | Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T-918.063.801-1 | |
| 6 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — | |
| 7 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T-918.063.801-1 | |
| 8 | Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306.230.833-8 | |
| 9 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 10 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 2-1 | Partita no. 2 in C minor, BWV 826: I. Sinfonia - Grave. Adagio | Martha Argerich | — | |
| 2-2 | Partita no. 2 in C minor, BWV 826: I. Andante | Martha Argerich | — | |
| 2-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | — | |
| 2-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 2-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 2-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau - VI. Capriccio | Martha Argerich | — | |
| 2-7 | Nocturne no. 13 in C minor, op. 48 no. 1 | Martha Argerich | T-702.884.109-2 | |
| 2-8 | Scherzo no. 3 in C-sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 2-9 | Sonata, Sz. 80: I. Allegro moderato | Martha Argerich | — | |
| 2-10 | Sonata, Sz. 80: II. Sostenuto e pensante | Martha Argerich | — | |
| 2-11 | Sonata, Sz. 80: III. Allegro molto | Martha Argerich | — | |
| 2-12 | Danzas argentinas, op. 2: I. Danza del viejo boyero | Martha Argerich | T-070.038.353-4 | |
| 2-13 | Danzas argentinas, op. 2: II. Danza de la moza donosa | Martha Argerich | T-070.038.353-4 | |
| 2-14 | Danzas argentinas, op. 2: III. Danza del gaucho matrero | Martha Argerich | T-070.038.353-4 | |
| 2-15 | Piano Sonata no. 7 in B-flat, op. 83: I. Allegro inquieto - Andantino | Martha Argerich | — | |
| 2-16 | Piano Sonata no. 7 in B-flat, op. 83: II Andante caloroso | Martha Argerich | — | |
| 2-17 | Piano Sonata no. 7 in B-flat, op. 83: III. Preciptato | Martha Argerich | — | |
| 2-18 | Keyboard Sonata in D minor, Kk. 141 / L. 422 | Martha Argerich | — | |
| 2-19 | Bourée from English Suite no. 2 in A minor, BWV 807 | Martha Argerich | — | |
| 3-1 | Fantasiestücke, op. 12: I. Des Abends | Martha Argerich | — | |
| 3-2 | Fantasiestücke, op. 12: II. Aufschwung | Martha Argerich | — | |
| 3-3 | Fantasiestücke, op. 12: III. Warum? | Martha Argerich | — | |
| 3-4 | Fantasiestücke, op. 12: IV. Grillen | Martha Argerich | — | |
| 3-5 | Fantasiestücke, op. 12: V. In der Nacht | Martha Argerich | — | |
| 3-6 | Fantasiestücke, op. 12: VI. Fabel | Martha Argerich | — | |
| 3-7 | Fantasiestücke, op. 12: VII. Traumeswirren | Martha Argerich | — | |
| 3-8 | Fantasiestücke, op. 12: VIII. Ende von Lied | Martha Argerich | — | |
| 3-9 | Sonatine: I. Modéré | Martha Argerich | — | |
| 3-10 | Sonatine: II. Mouvement de menuet | Martha Argerich | T-003.016.390-6 | |
| 3-11 | Sonatine: III. Animé | Martha Argerich | T-003.016.390-6 | |
| 3-12 | Gaspard de la nuit: I. Ondine (Lent) | Martha Argerich | T-902.777.490-9 | |
| 3-13 | Gaspard de la nuit: II. Le Gibet (Très lent) | Martha Argerich | T-902.777.490-9 | |
| 3-14 | Gaspard de la nuit: III. Scarbo (Modéré - Vif) | Martha Argerich | T-902.777.490-9 | |
| 4-1 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-2 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-3 | Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 5-1 | Cello Sonata in A major: I. Allegretto | Martha Argerich, Mischa Maisky | — | |
| 5-2 | Cello Sonata in A major: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 5-3 | Cello Sonata in A major: III. Recitativo - Fantasia (Ben moderato) | Martha Argerich, Mischa Maisky | — | |
| 5-4 | Cello Sonata in A major: IV. Allegretto poco mosso | Martha Argerich, Mischa Maisky | — | |
| 5-5 | Cello Sonata in D minor: I. Prologue (Lent - Sostenuto e molto risoluto) | Martha Argerich, Mischa Maisky | — | |
| 5-6 | Cello Sonata in D minor: II. Sérénade et Final (Modérément animé - Animé) | Martha Argerich, Mischa Maisky | — | |
| 5-7 | La plus que lente - Valse | Martha Argerich, Mischa Maisky | T-306.482.600-8 | |
| 5-8 | Préludes I : No. 12. Minstrels | Martha Argerich, Mischa Maisky | — | |
| 6-1 | Noches en los jardines de España: En el Generalife | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-2 | Noches en los jardines de España: Danza lejana - En los jardines de la sierra de Córdoba | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-3 | Iberia: Evocation | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-4 | Iberia: El puerto | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-5 | Iberia: El Albaicín | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-6 | Iberia: Fête-Dieu à Séville | Orchestre de Paris, Daniel Barenboim | — | |
| 6-7 | Iberia: Triana | Orchestre de Paris, Daniel Barenboim | — | |
| 7-1 | Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-3 | Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-4 | Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-6 | Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-7 | Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 8-1 | Suite no. 1, op. 5 "Fantaisie-tableaux": I. Barcarolle | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-2 | Suite no. 1, op. 5 "Fantaisie-tableaux": II. La nuit...L'amour | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-3 | Suite no. 1, op. 5 "Fantaisie-tableaux": III. Les larmes | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-4 | Suite no. 1, op. 5 "Fantaisie-tableaux": IV. Pâques | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-5 | Suite no. 2, op. 17: I. Introduction | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-6 | Suite no. 2, op. 17: II. Valse | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-7 | Suite no. 2, op. 17: III. Romance | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-8 | Suite no. 2, op. 17: IV. Tarantella | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-1 | Sonata in D major, KV 448: I. Allegro con spirito | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-2 | Sonata in D major, KV 448: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-3 | Sonata in D major, KV 448: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-4 | Andante and Variations for Piano with 4 Hands in G major, K. 501 | Martha Argerich, Alexandre Rabinovitch | T-902.919.739-5 | |
| 9-5 | Sonata for Piano with 4 Hands in C major, K. 521: I. Allegro | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-6 | Sonata for Piano with 4 Hands in C major, K. 521: II. Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-7 | Sonata for Piano with 4 Hands in C major, K. 521: III. Allegretto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-8 | Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro | Martha Argerich, Alexandre Rabinovitch | T-312.439.079-6 | |
| 9-9 | Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-10 | Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 10-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 11-1 | Variations on a Theme by Joseph Haydn, op. 56b: I. Theme ''Chorale St.Antoni'': Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-2 | Variations on a Theme by Joseph Haydn, op. 56b: II. Variation I: Andante con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-3 | Variations on a Theme by Joseph Haydn, op. 56b: III. Variation II: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-4 | Variations on a Theme by Joseph Haydn, op. 56b: IV. Variation III: Con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-5 | Variations on a Theme by Joseph Haydn, op. 56b: V. Variation IV: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-6 | Variations on a Theme by Joseph Haydn, op. 56b: VI. Variation V: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-7 | Variations on a Theme by Joseph Haydn, op. 56b: VII. Variation VI: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-8 | Variations on a Theme by Joseph Haydn, op. 56b: VIII. Variation VII: Grazioso | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-9 | Variations on a Theme by Joseph Haydn, op. 56b: IX. Variation VIII: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-10 | Variations on a Theme by Joseph Haydn, op. 56b: X. Finale: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-11 | Sonata for two pianos in F minor, op. 34b: I. Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-12 | Sonata for two pianos in F minor, op. 34b: II. Andante, un poco adagio | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-13 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 11-14 | Sonata for two pianos in F minor, op. 34b: IV. Finale: Poco sustenuto - Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-15 | Waltzes, op. 39 no. 1 in B major: Tempo giusto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-16 | Waltzes, op. 39 no. 2 in E major | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-17 | Waltzes, op. 39 no. 3 in B minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-18 | Waltzes, op. 39 no. 4 in G-sharp minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-19 | Waltzes, op. 39 no. 5 In A-flat major | Martha Argerich, Alexandre Rabinovitch | — | |
| 12-1 | Klavierquintett Es-dur, op. 44: I. Allegro brillante | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-2 | Klavierquintett Es-dur, op. 44: II. In modo d'una marcia. Un poco largamente | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-3 | Klavierquintett Es-dur, op. 44: III. Scherzo. Molto vivace | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-4 | Klavierquintett Es-dur, op. 44: IV. Allegro, ma non troppo | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-5 | Andante und Variationen, op. 46: Sostenuto - Andante espressivo - Un poco più animato - Più animato - Più lento - Un poco più lento | — | ||
| 12-6 | Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-7 | Andante und Variationen, op. 46: Doppio movimento - Tempo primo - Più adagio | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-8 | Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Natalia Gutman | — | |
| 12-9 | Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Natalia Gutman | — | |
| 12-10 | Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Natalia Gutman | — | |
| 12-11 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Nobuko Imai | — | |
| 12-12 | Märchenbilder, op. 113: II. Lebhaft | Martha Argerich, Nobuko Imai | — | |
| 12-13 | Märchenbilder, op. 113: III. Rasch | Martha Argerich, Nobuko Imai | — | |
| 12-14 | Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck | Martha Argerich, Nobuko Imai | — | |
| 13-1 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-2 | Concerto for Piano no. 20 in D minor, K. 466: II. Romance | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-4 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-5 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-6 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-7 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: I. Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-8 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: II. Andante | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-9 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: III. Rondeau: Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 14-1 | L’Apprenti sorcier (arr. for 2 pianos by Alexandre Rabinovitch) | — | ||
| 14-2 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – I. Thema. Bewegt – II. Thema. Sehr lebhaft – III. Thema. Ruhig | — | ||
| 14-3 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Scherzo. Munter | — | ||
| 14-4 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Wiegenlied. Mäßig langsam | — | ||
| 14-5 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Adagio. Langsam | — | ||
| 14-6 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Finale. Sehr lebhaft | — | ||
| 14-7 | La Valse (arr. for 2 pianos by the composer) | — | ||
| 15-1 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-2 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-3 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-4 | Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-5 | Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-6 | Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-7 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-8 | Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-9 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 16-1 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | — | ||
| 16-2 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 16-3 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale: Presto | Itzhak Perlman, Martha Argerich | — | |
| 16-4 | Sonata for Violin and Piano in A major: I. Allegretto ben moderato | — | ||
| 16-5 | Sonata for Violin and Piano in A major: II. Allegro | — | ||
| 16-6 | Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato - Molto lento | — | ||
| 16-7 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | — | ||
| 17-1 | Duo, op. 7: I. Allegro serioso, non troppo | — | ||
| 17-2 | Duo, op. 7: II. Adagio – Andante – Tempo I | — | ||
| 17-3 | Duo, op. 7: III. Maestoso e largamente, ma non troppo lento – Presto | — | ||
| 17-4 | Contrasts, Sz111: I. Verbunkos (Recruiting Dance) | — | ||
| 17-5 | Contrasts, Sz111: II. Pihenö (Relaxation) | — | ||
| 17-6 | Contrasts, Sz111: III. Sebes (Fast Dance) | — | ||
| 17-7 | Concerto pathétique in E minor, S258 | — | ||
| 18-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 18-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanze. Larghetto | — | ||
| 18-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 18-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 19-1 | Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam und energisch - Lebhaft | — | ||
| 19-2 | Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | — | ||
| 19-3 | Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach (Etwas lebhafter - Etwas bewegter - Tempo wie vorher) | — | ||
| 19-4 | Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt | — | ||
| 19-5 | Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona | — | ||
| 19-6 | Sonata for Solo Violin, Sz. 117: II. Fuga - Risoluto, non troppo vivo | — | ||
| 19-7 | Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio | — | ||
| 19-8 | Sonata for Solo Violin, Sz. 117: IV. Presto | — | ||
| 20-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 20-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 20-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 20-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 20-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 20-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 20-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 20-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 20-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 20-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 20-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 20-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 20-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 20-14 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: I. Allegro appassionato | — | ||
| 20-15 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: II. Adagio | — | ||
| 20-16 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: III. Allegro | — | ||
| 20-17 | Liebesleid | — | ||
| 20-18 | Schön Rosmarin | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphonic Dances, op. 45: I. Non allegro | Martha Argerich, Alexandre Rabinovitch | — |
| Symphonic Dances, op. 45: II. Andante con moto | Martha Argerich, Alexandre Rabinovitch | — |
| Symphonic Dances, op. 45: III. Lento assai | Martha Argerich, Alexandre Rabinovitch | — |
| Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — |
