UPC · Release
The Early Years: 1965–1972
Pink Floyd
0190295950255
345 tracksReleased 2016-01-01Pink Floyd Records
Last verified:
0190295950255 is the Universal Product Code (UPC barcode) for the release “The Early Years: 1965–1972” by Pink Floyd, released 2016-01-01 on Pink Floyd Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 345 tracks, each with its own ISRC. Tracks include GBN9Y1500021, GBN9Y1500022, GBN9Y1500023.
Format
019GS1 prefix
0295Company prefix
95025Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Early Years: 1965–1972
ISRC148 recordings
ISWC112 works
IPI3 songwriters
Track List (345)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lucy Leave | Pink Floyd | — | |
| 2 | Double O Bo | Pink Floyd | T-910.216.438-5 | |
| 3 | Remember Me | Pink Floyd | T-910.216.445-4 | |
| 4 | Walk With Me Sydney | Pink Floyd | T-917.455.703-0 | |
| 5 | Butterfly | Pink Floyd | T-910.216.436-3 | |
| 6 | I’m a King Bee | Pink Floyd | T-070.240.728-0 | |
| 7 | Arnold Layne | Pink Floyd | T-010.163.433-6 | |
| 8 | See Emily Play | Pink Floyd | T-010.076.657-1 | |
| 9 | Apples and Oranges | Pink Floyd | T-010.166.543-3 | |
| 10 | Candy and a Currant Bun | Pink Floyd | T-010.165.344-4 | |
| 11 | Paintbox | Pink Floyd | T-010.164.830-9 | |
| 2-1 | Introduction | Pink Floyd | — | |
| 2-2 | Reaction in G | Pink Floyd | T-327.901.947-1 | |
| 2-3 | Matilda Mother | Pink Floyd | T-010.168.622-9 | |
| 2-4 | Pow R. Toc H. | — | ||
| 2-5 | Scream Thy Last Scream | Pink Floyd | T-010.187.628-1 | |
| 2-6 | Set the Controls for the Heart of the Sun | Pink Floyd | T-010.134.572-5 | |
| 2-7 | See Emily Play | Pink Floyd | T-010.076.657-1 | |
| 2-8 | Interstellar Overdrive | Pink Floyd | T-010.163.176-8 | |
| 3-1 | Chapter 24 | — | ||
| 3-2 | Nick’s Boogie | — | ||
| 3-3 | Interstellar Overdrive | Pink Floyd | T-010.163.176-8 | |
| 3-4 | Arnold Layne | Pink Floyd | T-010.163.433-6 | |
| 3-5 | Pow R. Toc H. / Astronomy Domine | — | ||
| 3-6 | The Scarecrow | — | ||
| 3-7 | Jugband Blues | — | ||
| 3-8 | Apples and Oranges | Pink Floyd | T-010.166.543-3 | |
| 3-9 | Instrumental Improvisation | — | ||
| 3-10 | Instrumental Improvisation | — | ||
| 3-11 | See Emily Play | Pink Floyd | T-010.076.657-1 | |
| 3-12 | The Scarecrow (outtakes) | — | ||
| 4-1 | [opening title] | — | ||
| 4-2 | Chapter 24 | — | ||
| 4-3 | Nick’s Boogie | — | ||
| 4-4 | Interstellar Overdrive | — | ||
| 4-5 | Arnold Layne | Pink Floyd | T-010.163.433-6 | |
| 4-6 | Pow R. Toc H. / Astronomy Domine | — | ||
| 4-7 | The Scarecrow | — | ||
| 4-8 | Jugband Blues | — | ||
| 4-9 | Apples and Oranges | Pink Floyd | T-010.166.543-3 | |
| 4-10 | Instrumental Improvisation | — | ||
| 4-11 | Instrumental Improvisation | — | ||
| 4-12 | See Emily Play | Pink Floyd | T-010.076.657-1 | |
| 4-13 | The Scarecrow (outtakes) | — | ||
| 4-14 | Interstellar Overdrive | — | ||
| 5-1 | Point Me at the Sky | Pink Floyd | T-010.434.961-2 | |
| 5-2 | It Would Be So Nice | Pink Floyd | T-010.441.495-0 | |
| 5-3 | Julia Dream | Pink Floyd | T-010.167.098-7 | |
| 5-4 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 5-5 | Song 1 | Pink Floyd | T-921.340.970-2 | |
| 5-6 | Roger’s Boogie | Pink Floyd | — | |
| 5-7 | Murderotic Woman | Pink Floyd | T-010.099.089-3 | |
| 5-8 | Massed Gadgets of Hercules | Pink Floyd | T-010.163.421-2 | |
| 5-9 | Let There Be More Light | Pink Floyd | — | |
| 5-12 | The Embryo | Pink Floyd | — | |
| 5-13 | Interstellar Overdrive | Pink Floyd | T-010.163.176-8 | |
| 6-1 | Astronomy Domine | — | ||
| 6-2 | The Scarecrow | — | ||
| 6-3 | Corporal Clegg | — | ||
| 6-4 | Paintbox | Pink Floyd | T-010.164.830-9 | |
| 6-5 | Set the Controls for the Heart of the Sun | Pink Floyd | T-010.134.572-5 | |
| 6-6 | See Emily Play | Pink Floyd | T-010.076.657-1 | |
| 6-7 | Bike | — | ||
| 6-8 | Apples and Oranges | Pink Floyd | T-010.166.543-3 | |
| 6-9 | Astronomy Domine | — | ||
| 6-10 | Flaming | Pink Floyd | T-010.168.623-0 | |
| 6-12 | Let There Be More Light | Pink Floyd | — | |
| 6-14 | Instrumental Improvisation | — | ||
| 6-15 | Set the Controls for the Heart of the Sun | — | ||
| 6-16 | It Would Be So Nice (excerpt) | — | ||
| 6-17 | Interstellar Overdrive | — | ||
| 6-18 | Astronomy Domine | — | ||
| 6-19 | Roger Waters interview | — | ||
| 6-20 | Let There Be More Light | Pink Floyd | — | |
| 6-21 | Remember a Day | — | ||
| 6-22 | Let There Be More Light | — | ||
| 6-23 | Let There Be More Light | — | ||
| 6-24 | Flaming | — | ||
| 6-25 | Let There Be More Light | — | ||
| 6-26 | Point Me at the Sky | Pink Floyd | T-010.434.961-2 | |
| 7-1 | [opening title] | — | ||
| 7-2 | Astronomy Domine | — | ||
| 7-3 | The Scarecrow | — | ||
| 7-4 | Corporal Clegg | — | ||
| 7-5 | Paintbox | Pink Floyd | T-010.164.830-9 | |
| 7-6 | Set the Controls for the Heart of the Sun | — | ||
| 7-7 | See Emily Play | Pink Floyd | T-010.076.657-1 | |
| 7-8 | Bike | — | ||
| 7-9 | Apples and Oranges | — | ||
| 7-10 | Astronomy Domine | — | ||
| 7-11 | Flaming | — | ||
| 7-12 | Set the Controls for the Heart of the Sun | — | ||
| 7-13 | Let There Be More Light | — | ||
| 7-15 | Instrumental Improvisation | — | ||
| 7-16 | Set the Controls for the Heart of the Sun | — | ||
| 7-17 | It Would Be So Nice (excerpt) | — | ||
| 7-18 | Interstellar Overdrive | — | ||
| 7-19 | Astronomy Domine | — | ||
| 7-20 | Roger Waters interview | — | ||
| 7-21 | Let There Be More Light | — | ||
| 7-22 | Remember a Day | — | ||
| 7-23 | Let There Be More Light | — | ||
| 7-24 | Let There Be More Light | — | ||
| 7-25 | Flaming | — | ||
| 7-26 | Let There Be More Light | — | ||
| 7-27 | Point Me at the Sky | Pink Floyd | T-010.434.961-2 | |
| 8-1 | Hollywood | Pink Floyd | — | |
| 8-4 | Seabirds (instrumental) (non‐album track) | Pink Floyd | — | |
| 8-5 | Embryo | Pink Floyd | — | |
| 8-6 | Daybreak | Pink Floyd | T-010.765.619-8 | |
| 8-7 | Nightmare | Pink Floyd | T-010.165.546-2 | |
| 8-8 | The Narrow Way | Pink Floyd | T-316.368.276-2 | |
| 8-9 | Green Is the Colour | Pink Floyd | — | |
| 8-10 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 8-11 | Interstellar Overdrive | Pink Floyd | T-010.163.176-8 | |
| 8-12 | Set the Controls for the Heart of the Sun | Pink Floyd | T-010.134.572-5 | |
| 8-14 | A Saucerful of Secrets | Pink Floyd | T-010.163.421-2 | |
| 9-1 | Daybreak | Pink Floyd | T-010.765.619-8 | |
| 9-2 | Work | Pink Floyd | T-010.448.851-8 | |
| 9-3 | Afternoon | Pink Floyd | T-010.448.851-8 | |
| 9-4 | Doing It | Pink Floyd | T-010.448.851-8 | |
| 9-5 | Sleeping | Pink Floyd | T-010.448.851-8 | |
| 9-6 | Nightmare | Pink Floyd | T-010.448.851-8 | |
| 9-7 | Labyrinth | Pink Floyd | T-010.448.851-8 | |
| 9-8 | The Beginning | Pink Floyd | — | |
| 9-9 | Beset by Creatures of the Deep | Pink Floyd | T-010.099.089-3 | |
| 9-10 | The Narrow Way, Part 3 | Pink Floyd | T-316.368.276-2 | |
| 9-11 | The Pink Jungle | Pink Floyd | T-010.169.838-7 | |
| 9-12 | The Labyrinths of Auximines | Pink Floyd | — | |
| 9-13 | Footsteps/Doors | Pink Floyd | T-913.397.033-9 | |
| 9-14 | Behold!... The Temple of Light | Pink Floyd | — | |
| 9-15 | The End of the Beginning | Pink Floyd | — | |
| 10-1 | Set the Controls for the Heart of the Sun | — | ||
| 10-2 | David Gilmour interview | — | ||
| 10-3 | A Saucerful of Secrets | Pink Floyd | T-010.163.421-2 | |
| 10-4 | Afternoon (Biding My Time) | — | ||
| 10-5 | The Beginning (Green Is the Colour) | — | ||
| 10-6 | Cymbaline | — | ||
| 10-7 | Beset by Creatures of the Deep | — | ||
| 10-8 | The End of the Beginning (A Saucerful of Secrets) | — | ||
| 10-9 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 10-10 | A Saucerful of Secrets | — | ||
| 10-11 | Green Is the Colour | Pink Floyd | — | |
| 10-13 | Set the Controls for the Heart of the Sun | — | ||
| 10-14 | Interstellar Overdrive | — | ||
| 11-1 | [opening title] | — | ||
| 11-2 | Set the Controls for the Heart of the Sun | — | ||
| 11-3 | David Gilmour interview | — | ||
| 11-4 | A Saucerful of Secrets | — | ||
| 11-5 | Afternoon (Biding My Time) | — | ||
| 11-6 | The Beginning (Green Is the Colour) | — | ||
| 11-7 | Cymbaline | — | ||
| 11-8 | Beset by Creatures of the Deep | — | ||
| 11-9 | The End of the Beginning (A Saucerful of Secrets) | — | ||
| 11-10 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 11-11 | A Saucerful of Secrets | — | ||
| 11-12 | Green Is the Colour | Pink Floyd | — | |
| 11-14 | Set the Controls for the Heart of the Sun | — | ||
| 11-15 | Interstellar Overdrive | — | ||
| 12-1 | Atom Heart Mother | Pink Floyd | T-010.445.830-1 | |
| 12-2 | Embryo | Pink Floyd | — | |
| 12-3 | Fat Old Sun | Pink Floyd | T-010.149.894-5 | |
| 12-4 | Green Is the Colour | Pink Floyd | — | |
| 12-5 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 12-6 | If | Pink Floyd | T-900.101.048-6 | |
| 12-7 | Atom Heart Mother (with choir, cello & brass ensemble) | Pink Floyd | T-010.445.830-1 | |
| 13-1 | On the Highway (Zabriskie Point remix) | Pink Floyd | T-010.315.914-3 | |
| 13-4 | Aeroplane | Pink Floyd | — | |
| 13-5 | Explosion | Pink Floyd | — | |
| 13-6 | The Riot Scene (Zabriskie Point remix) | Pink Floyd | — | |
| 13-7 | Looking at Map (Zabriskie Point remix) | Pink Floyd | T-929.814.327-8 | |
| 13-10 | Take Off (Zabriskie Point remix) | Pink Floyd | T-301.196.739-4 | |
| 13-13 | Love Scene (take 1) | Pink Floyd | — | |
| 13-14 | Unknown Song (take 1) | Pink Floyd | — | |
| 13-15 | Love Scene (take 2) | Pink Floyd | — | |
| 13-16 | Crumbling Land (take 1) | Pink Floyd | T-010.439.797-8 | |
| 14-1 | Atom Heart Mother | Pink Floyd | T-010.445.830-1 | |
| 14-2 | Cymbaline | — | ||
| 14-3 | Grantchester Meadows | — | ||
| 14-4 | Green Is the Colour | Pink Floyd | — | |
| 14-5 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 14-6 | Set the Controls for the Heart of the Sun | — | ||
| 14-7 | Atom Heart Mother | — | ||
| 14-8 | If | Pink Floyd | T-900.101.048-6 | |
| 14-9 | Summer ’68 | — | ||
| 14-10 | Fat Old Sun | Pink Floyd | T-010.149.894-5 | |
| 14-11 | Alan’s Psychedelic Breakfast | — | ||
| 15-1 | [intro] (soundcheck) | — | ||
| 15-2 | Cymbaline (soundcheck) | — | ||
| 15-3 | Atom Heart Mother | — | ||
| 15-4 | Embryo | Pink Floyd | — | |
| 15-5 | Green Is the Colour | — | ||
| 15-6 | Careful With That Axe, Eugene | — | ||
| 15-7 | Set the Controls for the Heart of the Sun | — | ||
| 15-8 | Instrumental Improvisations 1, 2, 3 (live in the studio) | — | ||
| 15-9 | Embryo | Pink Floyd | — | |
| 15-10 | Atom Heart Mother | — | ||
| 16-1 | [opening title] | — | ||
| 16-2 | Atom Heart Mother | — | ||
| 16-3 | Cymbaline | — | ||
| 16-4 | Grantchester Meadows | — | ||
| 16-5 | Green Is the Colour | — | ||
| 16-6 | Careful With That Axe, Eugene | — | ||
| 16-7 | Set the Controls for the Heart of the Sun | — | ||
| 16-8 | Cymbaline (soundcheck) | — | ||
| 16-9 | Atom Heart Mother | — | ||
| 16-10 | Embryo | — | ||
| 16-11 | Green Is the Colour | — | ||
| 16-12 | Careful With That Axe, Eugene | — | ||
| 16-13 | Set the Controls for the Heart of the Sun | — | ||
| 16-14 | Instrumental Improvisations 1, 2, 3 (live in the studio) | — | ||
| 16-15 | Embryo | — | ||
| 16-16 | Atom Heart Mother | — | ||
| 16-17 | Atom Heart Mother | — | ||
| 16-18 | If | — | ||
| 16-19 | Summer ’68 | — | ||
| 16-20 | Fat Old Sun | Pink Floyd | T-010.149.894-5 | |
| 16-21 | Alan’s Psychedelic Breakfast | — | ||
| 17-1 | Nothing, Part 14 | Pink Floyd | T-970.098.976-0 | |
| 17-2 | Fat Old Sun | Pink Floyd | T-010.149.894-5 | |
| 17-3 | One of These Days | Pink Floyd | T-011.025.904-5 | |
| 17-4 | The Embryo | Pink Floyd | — | |
| 17-5 | Echoes | Pink Floyd | T-900.040.260-8 | |
| 18-1 | Atom Heart Mother (extracts & interview) | — | ||
| 18-2 | A Saucerful of Secrets (extract & interview) | — | ||
| 18-3 | Set the Controls for the Heart of the Sun | — | ||
| 18-4 | Cymbaline | — | ||
| 18-5 | Atom Heart Mother (extract) | — | ||
| 18-6 | Careful With That Axe, Eugene | — | ||
| 18-7 | Band interview | — | ||
| 18-8 | 24 Hours - Bootleg Records | — | ||
| 18-9 | Review | — | ||
| 18-10 | One of These Days (‘French Windows’) | — | ||
| 18-11 | Atom Heart Mother (extract, in colour) | — | ||
| 18-12 | Atom Heart Mother (’71 Hakone Aphrodite) | — | ||
| 19-1 | [opening title] | — | ||
| 19-2 | Atom Heart Mother (extracts & interview) | — | ||
| 19-3 | A Saucerful of Secrets (extract & interview) | — | ||
| 19-4 | Set the Controls for the Heart of the Sun | — | ||
| 19-5 | Cymbaline | — | ||
| 19-6 | Atom Heart Mother (extract) | — | ||
| 19-7 | Careful With That Axe, Eugene | — | ||
| 19-8 | Band interview | — | ||
| 19-9 | 24 Hours - Bootleg Records | — | ||
| 19-10 | Review | — | ||
| 19-11 | One of These Days (‘French Windows’) | — | ||
| 19-12 | Atom Heart Mother (extract, in colour) | — | ||
| 19-13 | Atom Heart Mother (’71 Hakone Aphrodite) | — | ||
| 20-1 | Obscured by Clouds | Pink Floyd | T-010.452.598-5 | |
| 20-2 | When You’re In | Pink Floyd | T-010.452.800-8 | |
| 20-3 | Burning Bridges | Pink Floyd | T-010.452.597-4 | |
| 20-4 | The Gold It’s in The… | Pink Floyd | T-901.062.326-4 | |
| 20-5 | Wot’s… Uh the Deal | Pink Floyd | T-010.452.434-6 | |
| 20-6 | Mudmen | Pink Floyd | T-900.013.962-8 | |
| 20-7 | Childhood’s End | Pink Floyd | T-010.172.612-8 | |
| 20-8 | Free Four | Pink Floyd | T-010.452.484-6 | |
| 20-9 | Stay | Pink Floyd | T-010.452.482-4 | |
| 20-10 | Absolutely Curtains | Pink Floyd | T-010.452.069-5 | |
| 21-1 | Wot’s… Uh the Deal | Pink Floyd | T-010.452.434-6 | |
| 21-2 | Pop Deux | — | ||
| 21-3 | Set the Controls for the Heart of the Sun | — | ||
| 21-4 | Careful With That Axe, Eugene | — | ||
| 21-5 | Actualités Méditerranée, Marseille, 22 November 1972 | — | ||
| 21-6 | JT Nuit – Les Pink Floyd, Marseille, 26 November 1972 | — | ||
| 21-7 | JT 20 H – Pink Floyd, Paris, 12 January 1973 | — | ||
| 21-8 | Journal de Paris – Les Pink Floyd, Paris, 12 January 1973 | — | ||
| 21-9 | Poitiers – autour du passage des Pink Floyd | — | ||
| 21-10 | Careful With That Axe, Eugene | — | ||
| 21-11 | A Saucerful of Secrets | — | ||
| 21-12 | One of These Days | Pink Floyd | T-011.025.904-5 | |
| 21-13 | Set the Controls for the Heart of the Sun | — | ||
| 21-14 | Echoes | Pink Floyd | T-900.040.260-8 | |
| 22-1 | [opening title] | — | ||
| 22-2 | Wot’s… Uh the Deal | — | ||
| 22-3 | Pop Deux | — | ||
| 22-4 | Set the Controls for the Heart of the Sun | — | ||
| 22-5 | Careful With That Axe, Eugene | — | ||
| 22-6 | Actualités Méditerranée, Marseille, 22 November 1972 | — | ||
| 22-7 | JT Nuit – Les Pink Floyd, Marseille, 26 November 1972 | — | ||
| 22-8 | JT 20 H – Pink Floyd, Paris, 12 January 1973 | — | ||
| 22-9 | Journal de Paris – Les Pink Floyd, Paris, 12 January 1973 | — | ||
| 22-10 | Poitiers – autour du passage des Pink Floyd | — | ||
| 22-11 | Careful With That Axe, Eugene | — | ||
| 22-12 | A Saucerful of Secrets | — | ||
| 22-13 | One of These Days | — | ||
| 22-14 | Set the Controls for the Heart of the Sun | — | ||
| 22-15 | Echoes | — | ||
| 23-1 | Flaming | Pink Floyd | T-010.168.623-0 | |
| 23-2 | The Scarecrow (Top Gear, Playhouse Theatre, London) | Pink Floyd | T-010.273.361-8 | |
| 23-3 | The Gnome | Pink Floyd | T-010.163.001-6 | |
| 23-4 | Mathilda Mother | Pink Floyd | T-010.168.622-9 | |
| 23-5 | Reaction in G | Pink Floyd | — | |
| 23-6 | Set the Controls for the Heart of the Sun | — | ||
| 23-7 | Scream Thy Last Scream | Pink Floyd | T-010.187.628-1 | |
| 23-8 | Vegetable Man | Pink Floyd | T-010.034.655-1 | |
| 23-9 | Pow R. Toc H. | — | ||
| 23-10 | Jugband Blues | Pink Floyd | T-010.168.289-6 | |
| 23-11 | Baby Blue Shuffle in D Major | Pink Floyd | T-921.078.288-0 | |
| 23-12 | Blues | — | ||
| 23-13 | Ummagumma Radio Ad (Capitol US) | Pink Floyd | — | |
| 23-14 | Music From the Committee, No. 1 | — | ||
| 23-15 | Music From the Committee, No. 2 | — | ||
| 23-16 | Moonhead | Pink Floyd | — | |
| 23-17 | Echoes (live at Wembley 1974) | — | ||
| 24-2 | Corporal Clegg | — | ||
| 24-3 | Band interview | — | ||
| 24-4 | A Saucerful of Secrets | — | ||
| 24-5 | Atom Heart Mother | — | ||
| 24-6 | Set the Controls for the Heart of the Sun | — | ||
| 24-7 | A Saucerful of Secrets | — | ||
| 24-8 | Atom Heart Mother | — | ||
| 24-9 | Careful With That Axe, Eugene | — | ||
| 24-10 | A Saucerful of Secrets | — | ||
| 24-11 | The Committee | — | ||
| 25-1 | More (feature film) | — | ||
| 25-2 | La Vallée (feature film) | — | ||
| 26-1 | [blank title] | — | ||
| 26-3 | Corporal Clegg | — | ||
| 26-4 | Band interview | — | ||
| 26-5 | A Saucerful of Secrets | — | ||
| 26-6 | Atom Heart Mother | — | ||
| 26-7 | Set the Controls for the Heart of the Sun | — | ||
| 26-8 | A Saucerful of Secrets | — | ||
| 26-9 | Atom Heart Mother | — | ||
| 26-10 | Careful With That Axe, Eugene | — | ||
| 26-11 | A Saucerful of Secrets | — | ||
| 26-12 | The Committee (feature film) | — | ||
| 27-1 | More (feature film) | — | ||
| 27-2 | La Vallée (feature film) | — | ||
| 28-1 | Arnold Layne | Pink Floyd | T-010.163.433-6 | |
| 28-2 | Candy and a Currant Bun | Pink Floyd | T-010.165.344-4 | |
| 29-1 | See Emily Play | Pink Floyd | T-010.076.657-1 | |
| 29-2 | Scarecrow | Pink Floyd | T-010.273.361-8 | |
| 30-1 | Apples and Oranges | Pink Floyd | T-010.166.543-3 | |
| 30-2 | Paintbox | Pink Floyd | T-010.164.830-9 | |
| 31-1 | It Would Be So Nice | Pink Floyd | T-010.441.495-0 | |
| 31-2 | Julia Dream | Pink Floyd | T-010.167.098-7 | |
| 32-1 | Point Me at the Sky | Pink Floyd | T-010.434.961-2 | |
| 32-2 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 33-1 | Careful With That Axe, Eugene | Pink Floyd | T-010.099.089-3 | |
| 33-2 | Set the Controls for the Heart of the Sun | Pink Floyd | T-010.134.572-5 | |
| 33-3 | One of These Days | Pink Floyd | T-011.025.904-5 | |
| 33-4 | A Saucerful of Secrets | Pink Floyd | T-010.163.421-2 | |
| 33-5 | Echoes | Pink Floyd | T-900.040.260-8 | |
| 33-6 | Careful With That Axe, Eugene (alternate take) | Pink Floyd | T-010.099.089-3 |
Lucy Leave
Pink Floyd
—
Introduction
Pink Floyd
—
Pow R. Toc H.
—
Chapter 24
—
Nick’s Boogie
—
Pow R. Toc H. / Astronomy Domine
—
The Scarecrow
—
Jugband Blues
—
Instrumental Improvisation
—
Instrumental Improvisation
—
The Scarecrow (outtakes)
—
[opening title]
—
Chapter 24
—
Nick’s Boogie
—
Interstellar Overdrive
—
Pow R. Toc H. / Astronomy Domine
—
The Scarecrow
—
Jugband Blues
—
Instrumental Improvisation
—
Instrumental Improvisation
—
The Scarecrow (outtakes)
—
Interstellar Overdrive
—
Roger’s Boogie
Pink Floyd
—
Let There Be More Light
Pink Floyd
—
The Embryo
Pink Floyd
—
Astronomy Domine
—
The Scarecrow
—
Corporal Clegg
—
Bike
—
Astronomy Domine
—
Let There Be More Light
Pink Floyd
—
Instrumental Improvisation
—
Set the Controls for the Heart of the Sun
—
It Would Be So Nice (excerpt)
—
Interstellar Overdrive
—
Astronomy Domine
—
Roger Waters interview
—
Let There Be More Light
Pink Floyd
—
Remember a Day
—
Let There Be More Light
—
Let There Be More Light
—
Flaming
—
Let There Be More Light
—
[opening title]
—
Astronomy Domine
—
The Scarecrow
—
Corporal Clegg
—
Set the Controls for the Heart of the Sun
—
Bike
—
Apples and Oranges
—
Astronomy Domine
—
Flaming
—
Set the Controls for the Heart of the Sun
—
Let There Be More Light
—
Instrumental Improvisation
—
Set the Controls for the Heart of the Sun
—
It Would Be So Nice (excerpt)
—
Interstellar Overdrive
—
Astronomy Domine
—
Roger Waters interview
—
Let There Be More Light
—
Remember a Day
—
Let There Be More Light
—
Let There Be More Light
—
Flaming
—
Let There Be More Light
—
Hollywood
Pink Floyd
—
Seabirds (instrumental) (non‐album track)
Pink Floyd
—
Embryo
Pink Floyd
—
Green Is the Colour
Pink Floyd
—
The Beginning
Pink Floyd
—
The Labyrinths of Auximines
Pink Floyd
—
Behold!... The Temple of Light
Pink Floyd
—
The End of the Beginning
Pink Floyd
—
Set the Controls for the Heart of the Sun
—
David Gilmour interview
—
Afternoon (Biding My Time)
—
The Beginning (Green Is the Colour)
—
Cymbaline
—
Beset by Creatures of the Deep
—
The End of the Beginning (A Saucerful of Secrets)
—
A Saucerful of Secrets
—
Green Is the Colour
Pink Floyd
—
Set the Controls for the Heart of the Sun
—
Interstellar Overdrive
—
[opening title]
—
Set the Controls for the Heart of the Sun
—
David Gilmour interview
—
A Saucerful of Secrets
—
Afternoon (Biding My Time)
—
The Beginning (Green Is the Colour)
—
Cymbaline
—
Beset by Creatures of the Deep
—
The End of the Beginning (A Saucerful of Secrets)
—
A Saucerful of Secrets
—
Green Is the Colour
Pink Floyd
—
Set the Controls for the Heart of the Sun
—
Interstellar Overdrive
—
Embryo
Pink Floyd
—
Green Is the Colour
Pink Floyd
—
Aeroplane
Pink Floyd
—
Explosion
Pink Floyd
—
The Riot Scene (Zabriskie Point remix)
Pink Floyd
—
Love Scene (take 1)
Pink Floyd
—
Unknown Song (take 1)
Pink Floyd
—
Love Scene (take 2)
Pink Floyd
—
Cymbaline
—
Grantchester Meadows
—
Green Is the Colour
Pink Floyd
—
Set the Controls for the Heart of the Sun
—
Atom Heart Mother
—
Summer ’68
—
Alan’s Psychedelic Breakfast
—
[intro] (soundcheck)
—
Cymbaline (soundcheck)
—
Atom Heart Mother
—
Embryo
Pink Floyd
—
Green Is the Colour
—
Careful With That Axe, Eugene
—
Set the Controls for the Heart of the Sun
—
Instrumental Improvisations 1, 2, 3 (live in the studio)
—
Embryo
Pink Floyd
—
Atom Heart Mother
—
[opening title]
—
Atom Heart Mother
—
Cymbaline
—
Grantchester Meadows
—
Green Is the Colour
—
Careful With That Axe, Eugene
—
Set the Controls for the Heart of the Sun
—
Cymbaline (soundcheck)
—
Atom Heart Mother
—
Embryo
—
Green Is the Colour
—
Careful With That Axe, Eugene
—
Set the Controls for the Heart of the Sun
—
Instrumental Improvisations 1, 2, 3 (live in the studio)
—
Embryo
—
Atom Heart Mother
—
Atom Heart Mother
—
If
—
Summer ’68
—
Alan’s Psychedelic Breakfast
—
The Embryo
Pink Floyd
—
Atom Heart Mother (extracts & interview)
—
A Saucerful of Secrets (extract & interview)
—
Set the Controls for the Heart of the Sun
—
Cymbaline
—
Atom Heart Mother (extract)
—
Careful With That Axe, Eugene
—
Band interview
—
24 Hours - Bootleg Records
—
Review
—
One of These Days (‘French Windows’)
—
Atom Heart Mother (extract, in colour)
—
Atom Heart Mother (’71 Hakone Aphrodite)
—
[opening title]
—
Atom Heart Mother (extracts & interview)
—
A Saucerful of Secrets (extract & interview)
—
Set the Controls for the Heart of the Sun
—
Cymbaline
—
Atom Heart Mother (extract)
—
Careful With That Axe, Eugene
—
Band interview
—
24 Hours - Bootleg Records
—
Review
—
One of These Days (‘French Windows’)
—
Atom Heart Mother (extract, in colour)
—
Atom Heart Mother (’71 Hakone Aphrodite)
—
Pop Deux
—
Set the Controls for the Heart of the Sun
—
Careful With That Axe, Eugene
—
Actualités Méditerranée, Marseille, 22 November 1972
—
JT Nuit – Les Pink Floyd, Marseille, 26 November 1972
—
JT 20 H – Pink Floyd, Paris, 12 January 1973
—
Journal de Paris – Les Pink Floyd, Paris, 12 January 1973
—
Poitiers – autour du passage des Pink Floyd
—
Careful With That Axe, Eugene
—
A Saucerful of Secrets
—
Set the Controls for the Heart of the Sun
—
[opening title]
—
Wot’s… Uh the Deal
—
Pop Deux
—
Set the Controls for the Heart of the Sun
—
Careful With That Axe, Eugene
—
Actualités Méditerranée, Marseille, 22 November 1972
—
JT Nuit – Les Pink Floyd, Marseille, 26 November 1972
—
JT 20 H – Pink Floyd, Paris, 12 January 1973
—
Journal de Paris – Les Pink Floyd, Paris, 12 January 1973
—
Poitiers – autour du passage des Pink Floyd
—
Careful With That Axe, Eugene
—
A Saucerful of Secrets
—
One of These Days
—
Set the Controls for the Heart of the Sun
—
Echoes
—
Reaction in G
Pink Floyd
—
Set the Controls for the Heart of the Sun
—
Pow R. Toc H.
—
Blues
—
Ummagumma Radio Ad (Capitol US)
Pink Floyd
—
Music From the Committee, No. 1
—
Music From the Committee, No. 2
—
Moonhead
Pink Floyd
—
Echoes (live at Wembley 1974)
—
Corporal Clegg
—
Band interview
—
A Saucerful of Secrets
—
Atom Heart Mother
—
Set the Controls for the Heart of the Sun
—
A Saucerful of Secrets
—
Atom Heart Mother
—
Careful With That Axe, Eugene
—
A Saucerful of Secrets
—
The Committee
—
More (feature film)
—
La Vallée (feature film)
—
[blank title]
—
Corporal Clegg
—
Band interview
—
A Saucerful of Secrets
—
Atom Heart Mother
—
Set the Controls for the Heart of the Sun
—
A Saucerful of Secrets
—
Atom Heart Mother
—
Careful With That Axe, Eugene
—
A Saucerful of Secrets
—
The Committee (feature film)
—
More (feature film)
—
La Vallée (feature film)
—
Additional database matches (69)
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
In the Beechwoods (2010 mix)
Pink Floyd
—
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
More Blues (alternative version)
Pink Floyd
—
Pink Floyd
Love Scene (version 7)
Pink Floyd
—
Love Scene (version 1)
Pink Floyd
—
Pink Floyd
Love Scene (version 2)
Pink Floyd
—
In the Beechwoods (2010 mix)
Pink Floyd
—
On the Highway (Zabriskie Point remix)
Pink Floyd
—
Auto Scene, Version 2 (Zabriskie Point remix)
Pink Floyd
—
The Riot Scene (Zabriskie Point remix)
Pink Floyd
—
Looking at Map (Zabriskie Point remix)
Pink Floyd
—
Take Off (Zabriskie Point remix)
Pink Floyd
—
Lucy Leave
Pink Floyd
—
Introduction
Pink Floyd
—
Reaction in G
Pink Floyd
—
Pink Floyd
John Latham (version 3)
Pink Floyd
—
Pink Floyd
Pink Floyd
John Latham (version 8)
Pink Floyd
—
Roger’s Boogie
Pink Floyd
—
The Embryo
Pink Floyd
—
Aeroplane
Pink Floyd
—
Explosion
Pink Floyd
—
Love Scene (version 7)
Pink Floyd
—
Love Scene (version 1)
Pink Floyd
—
Take Off (version 2)
Pink Floyd
—
Love Scene (version 2)
Pink Floyd
—
Love Scene (take 1)
Pink Floyd
—
Unknown Song (take 1)
Pink Floyd
—
Love Scene (take 2)
Pink Floyd
—
Atom Heart Mother (early studio version, band only)
Pink Floyd
—
The Embryo
Pink Floyd
—
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
Pink Floyd
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.034.655-1T-010.076.657-1T-010.099.089-3T-010.134.572-5T-010.149.894-5T-010.163.001-6T-010.163.176-8T-010.163.421-2T-010.163.433-6T-010.164.830-9
+102 more
T-010.165.344-4T-010.166.543-3T-010.167.098-7T-010.168.289-6T-010.168.622-9T-010.168.623-0T-010.169.838-7T-010.172.612-8T-010.187.628-1T-010.273.361-8T-010.434.961-2T-010.439.797-8T-010.441.495-0T-010.448.851-8T-010.452.069-5T-010.452.434-6T-010.452.482-4T-010.452.484-6T-010.452.597-4T-010.452.598-5T-010.452.800-8T-010.765.619-8T-010.034.655-1T-010.076.657-1T-010.099.089-3T-010.134.572-5T-010.149.894-5T-010.161.008-5T-010.163.001-6T-010.163.176-8T-010.163.421-2T-010.163.433-6T-010.164.401-2T-010.164.830-9T-010.165.344-4T-010.166.543-3T-010.167.098-7T-010.168.289-6T-010.168.622-9T-010.168.623-0T-010.168.624-1T-010.168.625-2T-010.169.838-7T-010.172.612-8T-010.187.628-1T-010.247.389-1T-010.273.361-8T-010.434.961-2T-010.439.797-8T-010.441.495-0T-010.448.851-8T-010.448.867-6T-010.449.507-9T-010.452.069-5T-010.452.434-6T-010.452.482-4T-010.452.484-6T-010.452.597-4T-010.452.598-5T-010.452.800-8T-010.461.758-4T-010.765.619-8T-011.025.904-5T-011.025.904-5T-070.240.728-0T-070.240.728-0T-316.368.276-2T-316.368.276-2T-900.013.962-8T-900.040.260-8T-900.094.339-5T-900.101.048-6T-900.009.495-1T-900.013.962-8T-900.040.260-8T-900.063.309-0T-900.076.798-6T-900.094.339-5T-900.101.048-6T-901.062.326-4T-910.216.436-3T-910.216.438-5T-910.216.445-4T-917.455.703-0T-921.078.288-0T-921.340.970-2T-921.438.252-2T-921.438.254-4T-921.438.359-2T-010.165.546-2T-010.315.914-3T-010.445.830-1T-010.448.851-8T-327.901.947-1T-913.397.033-9T-921.438.252-2T-921.438.254-4T-925.492.093-9T-925.492.095-1T-925.492.096-2T-925.492.097-3T-970.098.976-0
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Creative Contributors (ISNI)
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What is UPC 0190295950255?
0190295950255 is a Universal Product Code (UPC) assigned to The Early Years: 1965–1972 by Pink Floyd. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 345 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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