UPC · Release
Renaissance Music: England, Italy, Spain, Mexico
The Hilliard Ensemble
0190295974916
97 tracks
Last verified:
0190295974916 is the Universal Product Code (UPC barcode) for the release “Renaissance Music: England, Italy, Spain, Mexico” by The Hilliard Ensemble. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBAYC1600517, GBAYC1600518, GBAYC1600519.
Format
019GS1 prefix
0295Company prefix
97491Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCRenaissance Music: England, Italy, Spain, Mexico
ISRC19 recordings
ISWC1 work
Track List (97)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantiam lieti cantiamo | — | ||
| 2 | E d'un bel matin d'amore | — | ||
| 3 | Quella bella e biancha mano | — | ||
| 4 | Una leggiadra nimpha | — | ||
| 5 | Venite amanti insieme | — | ||
| 6 | Divini occhi sereni | — | ||
| 7 | Con l'angelico riso | — | ||
| 8 | Madonna, il tuo bel viso | — | ||
| 9 | Fuggi, fuggi, cor mio | — | ||
| 10 | Si liet' e grata morte | — | ||
| 11 | Se la dura durezza, S. 2 No. 52 | — | ||
| 12 | Ahimè, ahimè, dov'è 'l bel viso, S. 2 No. 1 | — | ||
| 13 | Madonna, s'io v'offendo, S. 2 No. 31 | — | ||
| 14 | Il bianco e dolce cigno, S. 2 No. 18 | — | ||
| 15 | Donne, venète al ballo | — | ||
| 16 | Morir non può il mio cuore | — | ||
| 17 | Il primo libro de madrigali: Se la mia vita | — | ||
| 18 | Il secondo libro di madrigali: Mia benigna fortuna | — | ||
| 19 | Anchor che col partire | — | ||
| 20 | Il secondo libro di madrigali: O sonno | — | ||
| 21 | Chi la gagliarda | — | ||
| 22 | Canzone villanesche alla napolitana: Madonna mia famme | — | ||
| 23 | Medici noi siamo | — | ||
| 24 | Quando sarà mai quel zorno | — | ||
| 25 | Matona, mia cara, S. x/93 | — | ||
| 26 | Tri ciechi siamo | — | ||
| 2-1 | O Grief Even on the Bud | — | ||
| 2-2 | When Lo by Break of Morning | — | ||
| 2-3 | The First Booke of Ayres: Aprill Is in My Mistress' Face | — | ||
| 2-4 | Thule, the Period of Cosmography. The First Part | — | ||
| 2-5 | Thule, the Period of Cosmography. The Second Part | — | ||
| 2-6 | Sweet Nimph Come to Thy Lover | — | ||
| 2-7 | The Second Set of Madrigales: Sweet Hony Sucking Bees. The First Part | — | ||
| 2-8 | The Second Set of Madrigales: Sweet Hony Sucking Bees. The Second Part | — | ||
| 2-9 | Miraculous Love's Wounding | — | ||
| 2-10 | Madrigals for Four Voices: Adieu Sweet Amarillis | — | ||
| 2-11 | Weep, O Mine Eyes | — | ||
| 2-12 | The Silver Swan | — | ||
| 2-13 | O Care Thou Wilt Dispatch Me. The First Part | — | ||
| 2-14 | O Care Thou Wilt Dispatch Me. The Second Part | — | ||
| 2-15 | Since Robin Hood | — | ||
| 2-16 | Fire and Lightning | — | ||
| 2-17 | Strike It Up, Tabor | — | ||
| 2-18 | See, See, the Shepherds' Queen | — | ||
| 2-19 | Come, Sable Night | — | ||
| 2-20 | Sweet Suffolk Owl | — | ||
| 2-21 | In Nets of Golden Wires | — | ||
| 2-22 | Madrigals for Six Voices: Draw On, Sweet Night | — | ||
| 3-1 | Ave rex noster | — | ||
| 3-2 | Inter vestibulum et altare | — | ||
| 3-3 | Magnificat | — | ||
| 3-4 | Tierra i çielos se quexavan | — | ||
| 3-5 | Vox dilecti mei | — | ||
| 3-6 | Di, por que mueres en cruz | — | ||
| 3-7 | Clamabat autem mulier | — | ||
| 3-8 | Stabat mater | — | ||
| 3-9 | Triste España sin ventura | — | ||
| 3-10 | Dindirin, dindirin | — | ||
| 3-11 | Passame por Dios, barquero | — | ||
| 3-12 | Si la noche haze escura | — | ||
| 3-13 | Mas vale trocar | — | ||
| 3-14 | A la caça, sus, a caça | — | ||
| 3-15 | Nunca fue pena mayor | — | ||
| 3-16 | O dulce y triste memoria | — | ||
| 3-17 | Cucu, cucu | — | ||
| 3-18 | La tricotera | — | ||
| 3-19 | Oy comamos y bebamos | — | ||
| 4-1 | In ihuicac cihuapille | — | ||
| 4-2 | Salve regina | — | ||
| 4-3 | Pater noster / Ave Maria | — | ||
| 4-4 | Parce mihi, Domine | — | ||
| 4-5 | Magnificat | — | ||
| 4-6 | Mementio mei, Deus | — | ||
| 4-7 | O quam suavis est, Domine | — | ||
| 4-8 | Ave Virgio sanctissima | — | ||
| 4-9 | Transfige, dulcissme Domine | — | ||
| 4-10 | Salve regina | — | ||
| 4-11 | Dios itlazu nantzine | — | ||
| 5-1 | Mass for 4 Voices: I. Kyrie | The Hilliard Ensemble, Paul Hillier | — | |
| 5-2 | Mass for 4 Voices: II. Gloria | The Hilliard Ensemble, Paul Hillier | T-000.009.650-3 | |
| 5-3 | Mass for 4 Voices: III. Credo | The Hilliard Ensemble, Paul Hillier | — | |
| 5-4 | Mass for 4 Voices: IV. Sanctus – Benedictus | The Hilliard Ensemble, Paul Hillier | — | |
| 5-5 | Mass for 4 Voices: V. Agnus Dei | The Hilliard Ensemble, Paul Hillier | — | |
| 5-6 | Mass for 3 Voices: I. Kyrie | The Hilliard Ensemble, Paul Hillier | — | |
| 5-7 | Mass for 3 Voices: II. Gloria | The Hilliard Ensemble, Paul Hillier | T-000.009.650-3 | |
| 5-8 | Mass for 3 Voices: III. Credo | The Hilliard Ensemble, Paul Hillier | — | |
| 5-9 | Mass for 3 Voices: IV. Sanctus – Benedictus | The Hilliard Ensemble, Paul Hillier | — | |
| 5-10 | Mass for 3 Voices: V. Agnus Dei | The Hilliard Ensemble, Paul Hillier | — | |
| 6-1 | Mass for 5 Voices: I. Kyrie | The Hilliard Ensemble, Paul Hillier | — | |
| 6-2 | Mass for 5 Voices: II. Gloria | The Hilliard Ensemble, Paul Hillier | T-000.009.650-3 | |
| 6-3 | Mass for 5 Voices: III. Credo | The Hilliard Ensemble, Paul Hillier | — | |
| 6-4 | Mass for 5 Voices: IV. Sanctus – Benedictus | The Hilliard Ensemble, Paul Hillier | — | |
| 6-5 | Mass for 5 Voices: V. Agnus Dei | The Hilliard Ensemble, Paul Hillier | — | |
| 6-6 | De Lamentatione Hieremiae | The Hilliard Ensemble | — | |
| 6-7 | Christe Qui Es Et Dies - Precamur | The Hilliard Ensemble | — | |
| 6-8 | Laetentur Coeli | The Hilliard Ensemble | — | |
| 6-9 | Ave verum corpus a 4 | The Hilliard Ensemble, Paul Hillier | — |
Cantiam lieti cantiamo
—
E d'un bel matin d'amore
—
Quella bella e biancha mano
—
Una leggiadra nimpha
—
Venite amanti insieme
—
Divini occhi sereni
—
Con l'angelico riso
—
Madonna, il tuo bel viso
—
Fuggi, fuggi, cor mio
—
Si liet' e grata morte
—
Se la dura durezza, S. 2 No. 52
—
Ahimè, ahimè, dov'è 'l bel viso, S. 2 No. 1
—
Madonna, s'io v'offendo, S. 2 No. 31
—
Il bianco e dolce cigno, S. 2 No. 18
—
Donne, venète al ballo
—
Morir non può il mio cuore
—
Il primo libro de madrigali: Se la mia vita
—
Il secondo libro di madrigali: Mia benigna fortuna
—
Anchor che col partire
—
Il secondo libro di madrigali: O sonno
—
Chi la gagliarda
—
Canzone villanesche alla napolitana: Madonna mia famme
—
Medici noi siamo
—
Quando sarà mai quel zorno
—
Matona, mia cara, S. x/93
—
Tri ciechi siamo
—
O Grief Even on the Bud
—
When Lo by Break of Morning
—
The First Booke of Ayres: Aprill Is in My Mistress' Face
—
Thule, the Period of Cosmography. The First Part
—
Thule, the Period of Cosmography. The Second Part
—
Sweet Nimph Come to Thy Lover
—
The Second Set of Madrigales: Sweet Hony Sucking Bees. The First Part
—
The Second Set of Madrigales: Sweet Hony Sucking Bees. The Second Part
—
Miraculous Love's Wounding
—
Madrigals for Four Voices: Adieu Sweet Amarillis
—
Weep, O Mine Eyes
—
The Silver Swan
—
O Care Thou Wilt Dispatch Me. The First Part
—
O Care Thou Wilt Dispatch Me. The Second Part
—
Since Robin Hood
—
Fire and Lightning
—
Strike It Up, Tabor
—
See, See, the Shepherds' Queen
—
Come, Sable Night
—
Sweet Suffolk Owl
—
In Nets of Golden Wires
—
Madrigals for Six Voices: Draw On, Sweet Night
—
Ave rex noster
—
Inter vestibulum et altare
—
Magnificat
—
Tierra i çielos se quexavan
—
Vox dilecti mei
—
Di, por que mueres en cruz
—
Clamabat autem mulier
—
Stabat mater
—
Triste España sin ventura
—
Dindirin, dindirin
—
Passame por Dios, barquero
—
Si la noche haze escura
—
Mas vale trocar
—
A la caça, sus, a caça
—
Nunca fue pena mayor
—
O dulce y triste memoria
—
Cucu, cucu
—
La tricotera
—
Oy comamos y bebamos
—
In ihuicac cihuapille
—
Salve regina
—
Pater noster / Ave Maria
—
Parce mihi, Domine
—
Magnificat
—
Mementio mei, Deus
—
O quam suavis est, Domine
—
Ave Virgio sanctissima
—
Transfige, dulcissme Domine
—
Salve regina
—
Dios itlazu nantzine
—
Mass for 4 Voices: I. Kyrie
The Hilliard Ensemble, Paul Hillier
—
Mass for 4 Voices: III. Credo
The Hilliard Ensemble, Paul Hillier
—
Mass for 4 Voices: IV. Sanctus – Benedictus
The Hilliard Ensemble, Paul Hillier
—
Mass for 4 Voices: V. Agnus Dei
The Hilliard Ensemble, Paul Hillier
—
Mass for 3 Voices: I. Kyrie
The Hilliard Ensemble, Paul Hillier
—
Mass for 3 Voices: III. Credo
The Hilliard Ensemble, Paul Hillier
—
Mass for 3 Voices: IV. Sanctus – Benedictus
The Hilliard Ensemble, Paul Hillier
—
Mass for 3 Voices: V. Agnus Dei
The Hilliard Ensemble, Paul Hillier
—
Mass for 5 Voices: I. Kyrie
The Hilliard Ensemble, Paul Hillier
—
Mass for 5 Voices: III. Credo
The Hilliard Ensemble, Paul Hillier
—
Mass for 5 Voices: IV. Sanctus – Benedictus
The Hilliard Ensemble, Paul Hillier
—
Mass for 5 Voices: V. Agnus Dei
The Hilliard Ensemble, Paul Hillier
—
De Lamentatione Hieremiae
The Hilliard Ensemble
—
Christe Qui Es Et Dies - Precamur
The Hilliard Ensemble
—
Laetentur Coeli
The Hilliard Ensemble
—
Ave verum corpus a 4
The Hilliard Ensemble, Paul Hillier
—
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What is UPC 0190295974916?
0190295974916 is a Universal Product Code (UPC) assigned to Renaissance Music: England, Italy, Spain, Mexico by The Hilliard Ensemble. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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