UPC · Release
Jacqueline du Pré
Last verified:
The UPC for “The Complete Warner Recordings” by Jacqueline du Pré is 0190296611384. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-06-03. This release contains 276 tracks, each with its own ISRC. Tracks include GBPFX0700646, GBPFX0700647, GBPFX0700648.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Suite no. 1 in G, BWV 1007: I. Prélude | Jacqueline du Pré | — | |
| 2 | Cello Suite no. 1 in G, BWV 1007: II. Allemande | Jacqueline du Pré | — | |
| 3 | Cello Suite no. 1 in G, BWV 1007: III. Courante | Jacqueline du Pré | — | |
| 4 | Cello Suite no. 1 in G, BWV 1007: IV. Sarabande | Jacqueline du Pré | — | |
| 5 | Cello Suite no. 1 in G, BWV 1007: V. Menuetto I & II | Jacqueline du Pré | — | |
| 6 | Cello Suite no. 1 in G, BWV 1007: VI. Gigue | Jacqueline du Pré | — | |
| 7 | Cello Suite no. 2 in D, BWV 1008: I. Prélude | Jacqueline du Pré | — | |
| 8 | Cello Suite no. 2 in D, BWV 1008: II. Allemande | Jacqueline du Pré | — | |
| 9 | Cello Suite no. 2 in D, BWV 1008: III. Courante | Jacqueline du Pré | — | |
| 10 | Cello Suite no. 2 in D, BWV 1008: IV. Sarabande | Jacqueline du Pré | — | |
| 11 | Cello Suite no. 2 in D, BWV 1008: V. Menuetto I & II | Jacqueline du Pré | — | |
| 12 | Cello Suite no. 2 in D, BWV 1008: VI. Gigue | Jacqueline du Pré | — | |
| 13 | Cello Sonata in C, op. 65: II. Scherzo (Pizzicato) | — | ||
| 14 | Cello Sonata in C, op. 65: IV. Marcia | — | ||
| 15 | Suite populaire espagnole: I. El paño moruno | — | ||
| 16 | Suite populaire espagnole: II. Asturiana | — | ||
| 17 | Suite populaire espagnole: III. Jota | — | ||
| 18 | Suite populaire espagnole: IV. Nana | — | ||
| 19 | Suite populaire espagnole: V. Canción | — | ||
| 20 | Suite populaire espagnole: VI. Polo | — | ||
| 2-1 | Cello Sonata No. 2 in F major, Op. 99: I. Allegro vivace | — | ||
| 2-2 | Cello Sonata No. 2 in F major, Op. 99: II. Adagio affettuoso | — | ||
| 2-3 | Cello Sonata No. 2 in F major, Op. 99: III. Allegro appassionato | — | ||
| 2-4 | Cello Sonata No. 2 in F major, Op. 99: IV. Allegro molto | — | ||
| 2-5 | Les Goût-réunis: Treizième Concert in G major: I. Prélude | — | ||
| 2-6 | Les Goût-réunis: Treizième Concert in G major: II. Air | — | ||
| 2-7 | Les Goût-réunis: Treizième Concert in G major: III. Sarabande | — | ||
| 2-8 | Les Goût-réunis: Treizième Concert in G major: IV. Chaconne légère | — | ||
| 2-9 | Les Goût-réunis: Treizième Concert in G major: V. Le Je-ne-scay-quoy (Gayement) | — | ||
| 2-10 | Cello Sonata in G minor, HWV 287: I. Grave | Ernest Lush, Jacqueline du Pré | — | |
| 2-11 | Cello Sonata in G minor, HWV 287: II. Allegro | Ernest Lush, Jacqueline du Pré | — | |
| 2-12 | Cello Sonata in G minor, HWV 287: III. Sarabande (Largo) | Ernest Lush, Jacqueline du Pré | — | |
| 2-13 | Cello Sonata in G minor, HWV 287: IV. Allegro | Ernest Lush, Jacqueline du Pré | — | |
| 3-1 | Adagio From Sonata in C Major for Viola Da Gamba | — | ||
| 3-2 | Fantasia on Greensleeves | — | ||
| 3-3 | Orientale (No 9 of Kaleidoscope Opus 50) | — | ||
| 3-4 | Hungarian Dance No 17 | — | ||
| 3-5 | Ave Maria | — | ||
| 3-6 | Galop from Suite for Viola and Piano | — | ||
| 3-7 | Adagio and Allegro from Sonata in D Major | — | ||
| 3-8 | Adagio in Toccata in C Major | — | ||
| 3-9 | La Cynge ( From Les Carnival Des Animaux ) | — | ||
| 3-10 | Jota from Suite Populaire Espagnole | — | ||
| 3-11 | Kol Nidreo Opus 47 | — | ||
| 4-1 | Sicilienne | Jacqueline du Pré, Gerald Moore | T-314.495.592-6 | |
| 4-2 | Three Fantasy Pieces, op. 73: I. Zart mit Ausdruck | Gerald Moore, Jacqueline du Pré | — | |
| 4-3 | Fantasiestücke, op. 73: II. Lebhaft, leicht - Coda: Nach und nach ruhiger | Gerald Moore, Jacqueline du Pré | — | |
| 4-4 | Fantasiestücke, op. 73: III. Rasch und mit Feuer - Code: Schneller | Gerald Moore, Jacqueline du Pré | — | |
| 4-5 | Song without Words in D, op. 109 | Jacqueline du Pré, Gerald Moore | T-304.767.973-8 | |
| 4-6 | Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — | |
| 4-7 | Sonata for Viola da Gamba No. 2 in D Major, BWV 1028: I. Adagio - II. Allegro | — | ||
| 4-8 | Toccata, Adagio & Fugue in C, BWV 564: Adagio | Roy Jesson, Jacqueline du Pré | T-308.826.494-8 | |
| 4-9 | The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — | |
| 4-10 | Suite populaire espagnole: Jota | John Williams, Jacqueline du Pré | — | |
| 4-11 | Kol nidrei, op. 47 | Jacqueline du Pré, Gerald Moore | — | |
| 4-12 | Sicilienne in E-Flat Major (Arr. Dushkin for Cello and Piano) [Alternate Take] | — | ||
| 4-13 | Fantasiestücke, Op. 73: No. 1, Zart und mit Ausdruck (Alternate Take) | — | ||
| 4-14 | Fantasiestücke, Op. 73: No. 2, Lebhaft, leicht (Alternate Take) | — | ||
| 4-15 | Fantasiestücke, Op. 73: No. 3, Rasch und mit Feuer (Alternate Take) | — | ||
| 5-1 | Songs of Farewell: I. How Sweet the Silent Backward Tracings! (Quieto, molto tranquillo) | — | ||
| 5-2 | Songs of Farewell: II. I Stand as on Some Mighty Eagle's Beak (Lento molto) | — | ||
| 5-3 | Songs of Farewell: III. Passage to You! (Andante tranquillo) | — | ||
| 5-4 | Songs of Farewell: IV. Joy, Shipmate, Joy! (Maestoso) | — | ||
| 5-5 | Songs of Farewell: V. Now Finale to the Shore (Moderato con moto) | — | ||
| 5-6 | A Song Before Sunrise | — | ||
| 5-7 | Cello Concerto, RT vii/7: Lento | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-8 | Cello Concerto, RT vii/7: Con moto tranquillo | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-9 | Cello Concerto, RT vii/7: Lento | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-10 | Cello Concerto, RT vii/7: Con moto tranquillo | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-11 | Cello Concerto, RT vii/7: Allegramente | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 6-1 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 6-2 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 6-3 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 6-4 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 6-5 | Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-6 | Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-7 | Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-8 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-9 | Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 7-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | Stephen Bishop-Kovacevich, Jacqueline du Pré | T-318.567.058-6 | |
| 7-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo (Allegro molto) | Stephen Bishop-Kovacevich, Jacqueline du Pré | — | |
| 7-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | Jacqueline du Pré, Stephen Bishop-Kovacevich | — | |
| 7-4 | Cello Sonata no. 3 in A major, op. 69: IV. Allegro vivace | Jacqueline du Pré, Stephen Bishop-Kovacevich | — | |
| 7-5 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Stephen Bishop-Kovacevich, Jacqueline du Pré | — | |
| 7-6 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | Jacqueline du Pré, Stephen Bishop-Kovacevich | — | |
| 7-7 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | Stephen Bishop-Kovacevich, Jacqueline du Pré | — | |
| 8-1 | Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-2 | Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-3 | Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-4 | Cello Concerto in B flat: I. Allegro moderato - Cadenza | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-5 | Cello Concerto in B flat: II. Adagio non troppo | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-6 | Cello Concerto in B flat: III. Rondo (Allegro) - Cadenza | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 9-1 | Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-2 | Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-3 | Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo: Allegro | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-4 | Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-5 | Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-6 | Cello Concerto in G minor: III. Allegro non tanto | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 10-1 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-2 | Cello Concerto in A minor, op. 129: II. Langsam - Etwas lebhafter - Schneller | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-4 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-5 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-6 | Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 11-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-4 | Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-5 | Cello Sonata no. 2 in F, op. 99: II. Adagio Affettuoso | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-6 | Cello Sonata no. 2 in F, op. 99: III. Allegro Passionato | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-7 | Cello Sonata no. 2 in F, op. 99: IV. Allegro Molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-8 | Kol Nidrei | Jacqueline du Pré, Israel Philharmonic Orchestra, Daniel Barenboim | — | |
| 12-1 | Don Quixote, Op 35: Introduction: Don Quixote Sinks into Madness | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-2 | Don Quixote, Op 35: Theme: Don Quixote and Sancho Panza | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-3 | Don Quixote, Op 35: Variation I: The Adventure with the Windmills | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-4 | Don Quixote, Op 35: Variation II: The Battle with the Sheep | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-5 | Don Quixote, Op 35: Variation III: Discourse between Knight and Squire | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-6 | Don Quixote, Op 35: Variation IV: The Adventure with the Pilgrims | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-7 | Don Quixote, Op 35: Variation V: The Knight's Vigil | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-8 | Don Quixote, Op 35: Variation VI: The Meeting with Dulcinea | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-9 | Don Quixote, Op 35: Variation VII: The Ride through the Air | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-10 | Don Quixote, Op 35: Variation VIII: The Voyage in the Enchanted Boat | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-11 | Don Quixote, Op 35: Variation IX: The Combat with the two Magicians | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-12 | Don Quixote, Op 35: Variation X: The Defeat of Don Quixote | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-13 | Don Quixote, Op 35: Finale: Don Quixote's Death | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-14 | Cello Concerto in D Minor: I. Prélude. Lento - Allegro maestoso (Live) | — | ||
| 12-15 | Cello Concerto in D Minor: II. Intermezzo. Andantino con moto (Live) | — | ||
| 12-16 | Cello Concerto in D Minor: III. Introduction. Andante - Allegro vivace (Live) | — | ||
| 13-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | Daniel Barenboim, Jacqueline du Pré | T-902.764.002-4 | |
| 13-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto & Trio | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-4 | Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-5 | Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-6 | Cello Sonata no. 2 in F, op. 99: III. Allegro passionato | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-7 | Cello Sonata no. 2 in F, op. 99: IV. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-1 | Clarinet Trio in A minor, op. 114: I. Allegro | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-2 | Clarinet Trio in A minor, op. 114: II. Adagio | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-3 | Clarinet Trio in A minor, op. 114: III. Andantino grazioso | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-4 | Clarinet Trio in A minor, op. 114: IV. Allegro | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-5 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 14-6 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 14-7 | Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | — | ||
| 15-1 | Piano Trio no. 1 in E-flat, op. 1 no. 1: I. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-2 | Piano Trio no. 1 in E-flat, op. 1 no. 1: II. Adagio cantabile | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-3 | Piano Trio no. 1 in E-flat, op. 1 no. 1: III. Scherzo. Allegro assai - Trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-4 | Piano Trio no. 1 in E-flat, op. 1 no. 1: IV. Finale. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-5 | Piano Trio no. 2 in G, op. 1 no. 2: I. Adagio - Allegro vivace | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-6 | Piano Trio no. 2 in G, op. 1 no. 2: II. Largo con espressione | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-7 | Piano Trio no. 2 in G, op. 1 no. 2: III. Scherzo. Allegro - Trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-8 | Piano Trio no. 2 in G, op. 1 no. 2: IV. Finale. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-1 | Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-2 | Piano Trio no. 3 in C minor, op. 1 no. 3: II. Adagio cantabile con variazioni | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-3 | Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-4 | Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-5 | Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: I. Allegro con brio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — | |
| 16-6 | Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: II. Adagio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — | |
| 16-7 | Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: III. Allegretto | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — | |
| 16-8 | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-9 | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-10 | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | T-914.769.259-9 | |
| 17-1 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: I. Poco sostenuto – Allegro ma non troppo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-2 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: II. Allegretto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-3 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: III. Allegretto ma non troppo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-4 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: IV. Finale. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-5 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": I. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-6 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": II. Scherzo. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-7 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": III. Andante cantabile ma però con moto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-8 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": IV. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 18-1 | Piano Trio in E-flat major, WoO 38: I. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 18-2 | Piano Trio in E-flat major, WoO 38: II. Scherzo: Allegro ma non troppo and trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | T-070.077.112-5 | |
| 18-3 | Piano Trio in E-flat major, WoO 38: III. Finale: Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | T-070.243.847-8 | |
| 18-4 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Tema. Andante | — | ||
| 18-5 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation I | — | ||
| 18-6 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation II | — | ||
| 18-7 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation III | — | ||
| 18-8 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation IV | — | ||
| 18-9 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation V | — | ||
| 18-10 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation VI | — | ||
| 18-11 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation VII | — | ||
| 18-12 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation VIII | — | ||
| 18-13 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation IX | — | ||
| 18-14 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation X | — | ||
| 18-15 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XI | — | ||
| 18-16 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XII | — | ||
| 18-17 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XIII | — | ||
| 18-18 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XIV | — | ||
| 18-19 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Coda. Andante - Presto | — | ||
| 18-20 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Introduction. Adagio assai | — | ||
| 18-21 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Tema. Allegretto | — | ||
| 18-22 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation I | — | ||
| 18-23 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation II | — | ||
| 18-24 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation III | — | ||
| 18-25 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation IV | — | ||
| 18-26 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation V | — | ||
| 18-27 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation VI | — | ||
| 18-28 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation VII | — | ||
| 18-29 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation VIII | — | ||
| 18-30 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation IX | — | ||
| 18-31 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation X | — | ||
| 18-32 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Coda. Allegretto | — | ||
| 18-33 | Allegretto in B-flat, WoO 39 | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 18-34 | Allegretto in E-flat, H. 48 | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 19-1 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-2 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | Daniel Barenboim, Jacqueline du Pré | T-070.161.055-0 | |
| 19-3 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-070.161.055-0 | |
| 19-4 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-5 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Allegro molto più tosto presto | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-6 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-7 | Cello Sonata no. 3 in A major, op. 69: I. Allegro, ma non tanto | Daniel Barenboim, Jacqueline du Pré | T-318.567.058-6 | |
| 19-8 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-9 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile / IV. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-700.095.171-5 | |
| 20-1 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-070.161.055-0 | |
| 20-2 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Adagio - Tempo d'Andante - Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-3 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-4 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-5 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-6 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Theme. Allegretto (Live) | — | ||
| 20-7 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation I (Live) | — | ||
| 20-8 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation II (Live) | — | ||
| 20-9 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation III (Live) | — | ||
| 20-10 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation IV (Live) | — | ||
| 20-11 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation V (Live) | — | ||
| 20-12 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation VI (Live) | — | ||
| 20-13 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation VII (Live) | — | ||
| 20-14 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation VIII (Live) | — | ||
| 20-15 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation IX (Live) | — | ||
| 20-16 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation X (Live) | — | ||
| 20-17 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation XI (Live) | — | ||
| 20-18 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation XII (Live) | — | ||
| 20-19 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Theme. Andante (Live) | — | ||
| 20-20 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation I (Live) | — | ||
| 20-21 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation II (Live) | — | ||
| 20-22 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation III (Live) | — | ||
| 20-23 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation IV (Live) | — | ||
| 20-24 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation V (Live) | — | ||
| 20-25 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation VI (Live) | — | ||
| 20-26 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation VII - Coda (Live) | — | ||
| 20-27 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Thema. Allegretto (Live) | — | ||
| 20-28 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation I (Live) | — | ||
| 20-29 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation II (Live) | — | ||
| 20-30 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation III (Live) | — | ||
| 20-31 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation IV (Live) | — | ||
| 20-32 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation V (Live) | — | ||
| 20-33 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation VI (Live) | — | ||
| 20-34 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation VII (Live) | — | ||
| 20-35 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation VIII (Live) | — | ||
| 20-36 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation IX (Live) | — | ||
| 20-37 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation X (Live) | — | ||
| 20-38 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation XI (Live) | — | ||
| 20-39 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation XII (Live) | — | ||
| 21-1 | Cello Concerto in B minor, op. 104, B. 191: I. Allegro | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 21-2 | Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 21-3 | Cello Concerto in B minor, op. 104, B. 191: III. Finale. Allegro moderato | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 21-4 | Silent Woods, op. 68 no. 5, B. 182 | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 22-1 | Cello Sonata in G minor, op. 65: I. Allegro moderato | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-2 | Cello Sonata in G minor, op. 65: II. Scherzo: Allegro con brio | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-3 | Cello Sonata in G minor, op. 65: III. Largo | Jacqueline du Pré, Daniel Barenboim | T-921.564.632-5 | |
| 22-4 | Cello Sonata in G minor, op. 65: IV. Finale: Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-5 | Cello Sonata in A major: I. Allegro ben moderato | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-6 | Cello Sonata in A major: II. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-7 | Cello Sonata in A major: III. Recitativo – Fantasia: molto lento | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-8 | Cello Sonata in A major: IV. Allegretto poco mosso | Daniel Barenboim, Jacqueline du Pré | — | |
| 23-1 | Piano Trio in A minor, Op. 50 "In Memory of a Great Artist": I. Pezzo elegiaco: Moderato assai – Allegro giusto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 23-2 | Piano Trio in A Minor, Op. 50: II. (a) Tema con variazioni | — | ||
| 23-3 | Piano Trio in A Minor, Op. 50: II. (b) Variation I | — | ||
| 23-4 | Piano Trio in A Minor, Op. 50: II. (c) Variation II | — | ||
| 23-5 | Piano Trio in A Minor, Op. 50: II. (d) Variation III | — | ||
| 23-6 | Piano Trio in A Minor, Op. 50: II. (e) Variation IV | — | ||
| 23-7 | Piano Trio in A Minor, Op. 50: II. (f) Variation V | — | ||
| 23-8 | Piano Trio in A Minor, Op. 50: II. (g) Variation VI | — | ||
| 23-9 | Piano Trio in A Minor, Op. 50: II. (h) Variation VII | — | ||
| 23-10 | Piano Trio in A Minor, Op. 50: II. (i) Variation VIII | — | ||
| 23-11 | Piano Trio in A Minor, Op. 50: II. (j) Variation IX | — | ||
| 23-12 | Piano Trio in A Minor, Op. 50: II. (k) Variation X | — | ||
| 23-13 | Piano Trio in A Minor, Op. 50: II. (l) Variation XI | — | ||
| 23-14 | Piano Trio in A Minor, Op. 50: II. (m) Variation XII - Finale & coda | — |
Identifier Graph
0190296611384 is a Universal Product Code (UPC) assigned to The Complete Warner Recordings by Jacqueline du Pré. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 276 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in G minor: III. Allegro non tanto | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-317.671.333-6 |
| Suite populaire espagnole: Jota | John Williams, Jacqueline du Pré | — |
| Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — |
| Cello Concerto in A minor, op. 129: II. Langsam - Etwas lebhafter - Schneller | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — |
| Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — |
| Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto & Trio | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 1 in E minor, op. 38: III. Allegro | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: III. Allegro passionato | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: IV. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata in G minor, op. 65: III. Largo | Jacqueline du Pré, Daniel Barenboim | — |
| Song without Words in D, op. 109 | Jacqueline du Pré, Gerald Moore | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Silent Woods, op. 68 no. 5, B. 182 | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: I. Allegro con brio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: II. Adagio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: III. Allegretto | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Toccata, Adagio & Fugue in C, BWV 564: Adagio | Roy Jesson, Jacqueline du Pré | T-001.439.586-8 |
| Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | T-905.750.680-6 |
| Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — |
| Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — |
| Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo: Allegro | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto in B flat: I. Allegro moderato - Cadenza | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — |
| Cello Concerto in B flat: II. Adagio non troppo | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — |
| Cello Concerto in B flat: III. Rondo (Allegro) - Cadenza | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — |
| Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Stephen Bishop-Kovacevich, Jacqueline du Pré | — |
| Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | Jacqueline du Pré, Stephen Bishop-Kovacevich | — |
| Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | Stephen Bishop-Kovacevich, Jacqueline du Pré | — |
| Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | Jacqueline du Pré, Stephen Bishop-Kovacevich | — |
| Cello Sonata in A major: IV. Allegretto poco mosso | Daniel Barenboim, Jacqueline du Pré | — |
| Piano Trio no. 7 in B-flat, op. 92 "Archduke": I. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-322.186.546-5 |
| Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — |
| Cello Concerto in A minor, op. 129: II. Langsam - Etwas lebhafter - Schneller | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — |
| Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Suite populaire espagnole: Jota | John Williams, Jacqueline du Pré | — |
| Song without Words in D, op. 109 | Jacqueline du Pré, Gerald Moore | T-321.286.830-5 |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | T-004.976.716-9 |
| Three Fantasy Pieces, op. 73: I. Zart mit Ausdruck | Gerald Moore, Jacqueline du Pré | — |
| Kol nidrei, op. 47 | Jacqueline du Pré, Gerald Moore | — |
| Cello Concerto in B minor, op. 104, B. 191: I. Allegro | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — |
| Cello Concerto in B minor, op. 104, B. 191: III. Finale. Allegro moderato | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — |
| Don Quixote, Op 35: Introduction: Don Quixote Sinks into Madness | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Theme: Don Quixote and Sancho Panza | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation I: The Adventure with the Windmills | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation II: The Battle with the Sheep | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation III: Discourse between Knight and Squire | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation IV: The Adventure with the Pilgrims | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation V: The Knight's Vigil | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation VI: The Meeting with Dulcinea | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation VII: The Ride through the Air | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation VIII: The Voyage in the Enchanted Boat | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation IX: The Combat with the two Magicians | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Variation X: The Defeat of Don Quixote | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Don Quixote, Op 35: Finale: Don Quixote's Death | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Cello Concerto, RT vii/7: Lento | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — |
| Cello Concerto, RT vii/7: Con moto tranquillo | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — |
| Cello Concerto, RT vii/7: Lento | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — |
| Cello Concerto, RT vii/7: Con moto tranquillo | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — |
| Cello Concerto, RT vii/7: Allegramente | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — |
| Kol Nidrei | Jacqueline du Pré, Israel Philharmonic Orchestra, Daniel Barenboim | — |
| Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: II. Adagio Affettuoso | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: III. Allegro Passionato | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 2 in F, op. 99: IV. Allegro Molto | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | Daniel Barenboim, Jacqueline du Pré | — |
| Cello Sonata no. 1 in E minor, op. 38: III. Allegro | Daniel Barenboim, Jacqueline du Pré | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Warner Recordings” by Jacqueline du Pré is 0190296611384. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-06-03. This release contains 276 tracks, each with its own ISRC. Tracks include GBPFX0700646, GBPFX0700647, GBPFX0700648.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Suite no. 1 in G, BWV 1007: I. Prélude | Jacqueline du Pré | — | |
| 2 | Cello Suite no. 1 in G, BWV 1007: II. Allemande | Jacqueline du Pré | — | |
| 3 | Cello Suite no. 1 in G, BWV 1007: III. Courante | Jacqueline du Pré | — | |
| 4 | Cello Suite no. 1 in G, BWV 1007: IV. Sarabande | Jacqueline du Pré | — | |
| 5 | Cello Suite no. 1 in G, BWV 1007: V. Menuetto I & II | Jacqueline du Pré | — | |
| 6 | Cello Suite no. 1 in G, BWV 1007: VI. Gigue | Jacqueline du Pré | — | |
| 7 | Cello Suite no. 2 in D, BWV 1008: I. Prélude | Jacqueline du Pré | — | |
| 8 | Cello Suite no. 2 in D, BWV 1008: II. Allemande | Jacqueline du Pré | — | |
| 9 | Cello Suite no. 2 in D, BWV 1008: III. Courante | Jacqueline du Pré | — | |
| 10 | Cello Suite no. 2 in D, BWV 1008: IV. Sarabande | Jacqueline du Pré | — | |
| 11 | Cello Suite no. 2 in D, BWV 1008: V. Menuetto I & II | Jacqueline du Pré | — | |
| 12 | Cello Suite no. 2 in D, BWV 1008: VI. Gigue | Jacqueline du Pré | — | |
| 13 | Cello Sonata in C, op. 65: II. Scherzo (Pizzicato) | — | ||
| 14 | Cello Sonata in C, op. 65: IV. Marcia | — | ||
| 15 | Suite populaire espagnole: I. El paño moruno | — | ||
| 16 | Suite populaire espagnole: II. Asturiana | — | ||
| 17 | Suite populaire espagnole: III. Jota | — | ||
| 18 | Suite populaire espagnole: IV. Nana | — | ||
| 19 | Suite populaire espagnole: V. Canción | — | ||
| 20 | Suite populaire espagnole: VI. Polo | — | ||
| 2-1 | Cello Sonata No. 2 in F major, Op. 99: I. Allegro vivace | — | ||
| 2-2 | Cello Sonata No. 2 in F major, Op. 99: II. Adagio affettuoso | — | ||
| 2-3 | Cello Sonata No. 2 in F major, Op. 99: III. Allegro appassionato | — | ||
| 2-4 | Cello Sonata No. 2 in F major, Op. 99: IV. Allegro molto | — | ||
| 2-5 | Les Goût-réunis: Treizième Concert in G major: I. Prélude | — | ||
| 2-6 | Les Goût-réunis: Treizième Concert in G major: II. Air | — | ||
| 2-7 | Les Goût-réunis: Treizième Concert in G major: III. Sarabande | — | ||
| 2-8 | Les Goût-réunis: Treizième Concert in G major: IV. Chaconne légère | — | ||
| 2-9 | Les Goût-réunis: Treizième Concert in G major: V. Le Je-ne-scay-quoy (Gayement) | — | ||
| 2-10 | Cello Sonata in G minor, HWV 287: I. Grave | Ernest Lush, Jacqueline du Pré | — | |
| 2-11 | Cello Sonata in G minor, HWV 287: II. Allegro | Ernest Lush, Jacqueline du Pré | — | |
| 2-12 | Cello Sonata in G minor, HWV 287: III. Sarabande (Largo) | Ernest Lush, Jacqueline du Pré | — | |
| 2-13 | Cello Sonata in G minor, HWV 287: IV. Allegro | Ernest Lush, Jacqueline du Pré | — | |
| 3-1 | Adagio From Sonata in C Major for Viola Da Gamba | — | ||
| 3-2 | Fantasia on Greensleeves | — | ||
| 3-3 | Orientale (No 9 of Kaleidoscope Opus 50) | — | ||
| 3-4 | Hungarian Dance No 17 | — | ||
| 3-5 | Ave Maria | — | ||
| 3-6 | Galop from Suite for Viola and Piano | — | ||
| 3-7 | Adagio and Allegro from Sonata in D Major | — | ||
| 3-8 | Adagio in Toccata in C Major | — | ||
| 3-9 | La Cynge ( From Les Carnival Des Animaux ) | — | ||
| 3-10 | Jota from Suite Populaire Espagnole | — | ||
| 3-11 | Kol Nidreo Opus 47 | — | ||
| 4-1 | Sicilienne | Jacqueline du Pré, Gerald Moore | T-314.495.592-6 | |
| 4-2 | Three Fantasy Pieces, op. 73: I. Zart mit Ausdruck | Gerald Moore, Jacqueline du Pré | — | |
| 4-3 | Fantasiestücke, op. 73: II. Lebhaft, leicht - Coda: Nach und nach ruhiger | Gerald Moore, Jacqueline du Pré | — | |
| 4-4 | Fantasiestücke, op. 73: III. Rasch und mit Feuer - Code: Schneller | Gerald Moore, Jacqueline du Pré | — | |
| 4-5 | Song without Words in D, op. 109 | Jacqueline du Pré, Gerald Moore | T-304.767.973-8 | |
| 4-6 | Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — | |
| 4-7 | Sonata for Viola da Gamba No. 2 in D Major, BWV 1028: I. Adagio - II. Allegro | — | ||
| 4-8 | Toccata, Adagio & Fugue in C, BWV 564: Adagio | Roy Jesson, Jacqueline du Pré | T-308.826.494-8 | |
| 4-9 | The Carnival of the Animals: The Swan | Jacqueline du Pré, Osian Ellis | — | |
| 4-10 | Suite populaire espagnole: Jota | John Williams, Jacqueline du Pré | — | |
| 4-11 | Kol nidrei, op. 47 | Jacqueline du Pré, Gerald Moore | — | |
| 4-12 | Sicilienne in E-Flat Major (Arr. Dushkin for Cello and Piano) [Alternate Take] | — | ||
| 4-13 | Fantasiestücke, Op. 73: No. 1, Zart und mit Ausdruck (Alternate Take) | — | ||
| 4-14 | Fantasiestücke, Op. 73: No. 2, Lebhaft, leicht (Alternate Take) | — | ||
| 4-15 | Fantasiestücke, Op. 73: No. 3, Rasch und mit Feuer (Alternate Take) | — | ||
| 5-1 | Songs of Farewell: I. How Sweet the Silent Backward Tracings! (Quieto, molto tranquillo) | — | ||
| 5-2 | Songs of Farewell: II. I Stand as on Some Mighty Eagle's Beak (Lento molto) | — | ||
| 5-3 | Songs of Farewell: III. Passage to You! (Andante tranquillo) | — | ||
| 5-4 | Songs of Farewell: IV. Joy, Shipmate, Joy! (Maestoso) | — | ||
| 5-5 | Songs of Farewell: V. Now Finale to the Shore (Moderato con moto) | — | ||
| 5-6 | A Song Before Sunrise | — | ||
| 5-7 | Cello Concerto, RT vii/7: Lento | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-8 | Cello Concerto, RT vii/7: Con moto tranquillo | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-9 | Cello Concerto, RT vii/7: Lento | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-10 | Cello Concerto, RT vii/7: Con moto tranquillo | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 5-11 | Cello Concerto, RT vii/7: Allegramente | Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent | — | |
| 6-1 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 6-2 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 6-3 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 6-4 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 6-5 | Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-6 | Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-7 | Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-8 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6-9 | Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 7-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | Stephen Bishop-Kovacevich, Jacqueline du Pré | T-318.567.058-6 | |
| 7-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo (Allegro molto) | Stephen Bishop-Kovacevich, Jacqueline du Pré | — | |
| 7-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | Jacqueline du Pré, Stephen Bishop-Kovacevich | — | |
| 7-4 | Cello Sonata no. 3 in A major, op. 69: IV. Allegro vivace | Jacqueline du Pré, Stephen Bishop-Kovacevich | — | |
| 7-5 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Stephen Bishop-Kovacevich, Jacqueline du Pré | — | |
| 7-6 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | Jacqueline du Pré, Stephen Bishop-Kovacevich | — | |
| 7-7 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | Stephen Bishop-Kovacevich, Jacqueline du Pré | — | |
| 8-1 | Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-2 | Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-3 | Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-4 | Cello Concerto in B flat: I. Allegro moderato - Cadenza | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-5 | Cello Concerto in B flat: II. Adagio non troppo | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 8-6 | Cello Concerto in B flat: III. Rondo (Allegro) - Cadenza | Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | — | |
| 9-1 | Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-2 | Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-3 | Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo: Allegro | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-4 | Cello Concerto in G minor: I. Allegro | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-5 | Cello Concerto in G minor: II. Adagio | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9-6 | Cello Concerto in G minor: III. Allegro non tanto | Valda Aveling, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 10-1 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-2 | Cello Concerto in A minor, op. 129: II. Langsam - Etwas lebhafter - Schneller | Jacqueline du Pré, Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-4 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-5 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 10-6 | Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo | Jacqueline du Pré, New Philharmonia Orchestra, Daniel Barenboim | — | |
| 11-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-4 | Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-5 | Cello Sonata no. 2 in F, op. 99: II. Adagio Affettuoso | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-6 | Cello Sonata no. 2 in F, op. 99: III. Allegro Passionato | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-7 | Cello Sonata no. 2 in F, op. 99: IV. Allegro Molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 11-8 | Kol Nidrei | Jacqueline du Pré, Israel Philharmonic Orchestra, Daniel Barenboim | — | |
| 12-1 | Don Quixote, Op 35: Introduction: Don Quixote Sinks into Madness | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-2 | Don Quixote, Op 35: Theme: Don Quixote and Sancho Panza | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-3 | Don Quixote, Op 35: Variation I: The Adventure with the Windmills | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-4 | Don Quixote, Op 35: Variation II: The Battle with the Sheep | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-5 | Don Quixote, Op 35: Variation III: Discourse between Knight and Squire | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-6 | Don Quixote, Op 35: Variation IV: The Adventure with the Pilgrims | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-7 | Don Quixote, Op 35: Variation V: The Knight's Vigil | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-8 | Don Quixote, Op 35: Variation VI: The Meeting with Dulcinea | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-9 | Don Quixote, Op 35: Variation VII: The Ride through the Air | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-10 | Don Quixote, Op 35: Variation VIII: The Voyage in the Enchanted Boat | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-11 | Don Quixote, Op 35: Variation IX: The Combat with the two Magicians | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-12 | Don Quixote, Op 35: Variation X: The Defeat of Don Quixote | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-13 | Don Quixote, Op 35: Finale: Don Quixote's Death | Jacqueline du Pré, Herbert Downes, Desmond Bradley, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 12-14 | Cello Concerto in D Minor: I. Prélude. Lento - Allegro maestoso (Live) | — | ||
| 12-15 | Cello Concerto in D Minor: II. Intermezzo. Andantino con moto (Live) | — | ||
| 12-16 | Cello Concerto in D Minor: III. Introduction. Andante - Allegro vivace (Live) | — | ||
| 13-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | Daniel Barenboim, Jacqueline du Pré | T-902.764.002-4 | |
| 13-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto & Trio | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-4 | Cello Sonata no. 2 in F, op. 99: I. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-5 | Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-6 | Cello Sonata no. 2 in F, op. 99: III. Allegro passionato | Daniel Barenboim, Jacqueline du Pré | — | |
| 13-7 | Cello Sonata no. 2 in F, op. 99: IV. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 14-1 | Clarinet Trio in A minor, op. 114: I. Allegro | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-2 | Clarinet Trio in A minor, op. 114: II. Adagio | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-3 | Clarinet Trio in A minor, op. 114: III. Andantino grazioso | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-4 | Clarinet Trio in A minor, op. 114: IV. Allegro | Jacqueline du Pré, Daniel Barenboim, Gervase De Peyer | — | |
| 14-5 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 14-6 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 14-7 | Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | — | ||
| 15-1 | Piano Trio no. 1 in E-flat, op. 1 no. 1: I. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-2 | Piano Trio no. 1 in E-flat, op. 1 no. 1: II. Adagio cantabile | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-3 | Piano Trio no. 1 in E-flat, op. 1 no. 1: III. Scherzo. Allegro assai - Trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-4 | Piano Trio no. 1 in E-flat, op. 1 no. 1: IV. Finale. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-5 | Piano Trio no. 2 in G, op. 1 no. 2: I. Adagio - Allegro vivace | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-6 | Piano Trio no. 2 in G, op. 1 no. 2: II. Largo con espressione | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-7 | Piano Trio no. 2 in G, op. 1 no. 2: III. Scherzo. Allegro - Trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 15-8 | Piano Trio no. 2 in G, op. 1 no. 2: IV. Finale. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-1 | Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-2 | Piano Trio no. 3 in C minor, op. 1 no. 3: II. Adagio cantabile con variazioni | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-3 | Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-4 | Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-5 | Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: I. Allegro con brio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — | |
| 16-6 | Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: II. Adagio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — | |
| 16-7 | Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: III. Allegretto | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — | |
| 16-8 | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-9 | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 16-10 | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | T-914.769.259-9 | |
| 17-1 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: I. Poco sostenuto – Allegro ma non troppo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-2 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: II. Allegretto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-3 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: III. Allegretto ma non troppo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-4 | Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: IV. Finale. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-5 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": I. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-6 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": II. Scherzo. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-7 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": III. Andante cantabile ma però con moto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 17-8 | Piano Trio no. 7 in B-flat, op. 92 "Archduke": IV. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 18-1 | Piano Trio in E-flat major, WoO 38: I. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 18-2 | Piano Trio in E-flat major, WoO 38: II. Scherzo: Allegro ma non troppo and trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | T-070.077.112-5 | |
| 18-3 | Piano Trio in E-flat major, WoO 38: III. Finale: Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | T-070.243.847-8 | |
| 18-4 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Tema. Andante | — | ||
| 18-5 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation I | — | ||
| 18-6 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation II | — | ||
| 18-7 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation III | — | ||
| 18-8 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation IV | — | ||
| 18-9 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation V | — | ||
| 18-10 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation VI | — | ||
| 18-11 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation VII | — | ||
| 18-12 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation VIII | — | ||
| 18-13 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation IX | — | ||
| 18-14 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation X | — | ||
| 18-15 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XI | — | ||
| 18-16 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XII | — | ||
| 18-17 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XIII | — | ||
| 18-18 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Variation XIV | — | ||
| 18-19 | 14 Variations on an Original Theme in E-Flat Major, Op. 44: Coda. Andante - Presto | — | ||
| 18-20 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Introduction. Adagio assai | — | ||
| 18-21 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Tema. Allegretto | — | ||
| 18-22 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation I | — | ||
| 18-23 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation II | — | ||
| 18-24 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation III | — | ||
| 18-25 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation IV | — | ||
| 18-26 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation V | — | ||
| 18-27 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation VI | — | ||
| 18-28 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation VII | — | ||
| 18-29 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation VIII | — | ||
| 18-30 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation IX | — | ||
| 18-31 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Variation X | — | ||
| 18-32 | 10 Variations on "Ich bin der Schneider Kakadu" in G Major, Op. 121a: Coda. Allegretto | — | ||
| 18-33 | Allegretto in B-flat, WoO 39 | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 18-34 | Allegretto in E-flat, H. 48 | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 19-1 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-2 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | Daniel Barenboim, Jacqueline du Pré | T-070.161.055-0 | |
| 19-3 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-070.161.055-0 | |
| 19-4 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-5 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Allegro molto più tosto presto | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-6 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-7 | Cello Sonata no. 3 in A major, op. 69: I. Allegro, ma non tanto | Daniel Barenboim, Jacqueline du Pré | T-318.567.058-6 | |
| 19-8 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | Daniel Barenboim, Jacqueline du Pré | — | |
| 19-9 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile / IV. Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-700.095.171-5 | |
| 20-1 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace | Daniel Barenboim, Jacqueline du Pré | T-070.161.055-0 | |
| 20-2 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Adagio - Tempo d'Andante - Allegro vivace | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-3 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-4 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-5 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | Daniel Barenboim, Jacqueline du Pré | — | |
| 20-6 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Theme. Allegretto (Live) | — | ||
| 20-7 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation I (Live) | — | ||
| 20-8 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation II (Live) | — | ||
| 20-9 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation III (Live) | — | ||
| 20-10 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation IV (Live) | — | ||
| 20-11 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation V (Live) | — | ||
| 20-12 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation VI (Live) | — | ||
| 20-13 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation VII (Live) | — | ||
| 20-14 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation VIII (Live) | — | ||
| 20-15 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation IX (Live) | — | ||
| 20-16 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation X (Live) | — | ||
| 20-17 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation XI (Live) | — | ||
| 20-18 | 12 Variations on “See, the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus in G Major, WoO 45: Variation XII (Live) | — | ||
| 20-19 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Theme. Andante (Live) | — | ||
| 20-20 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation I (Live) | — | ||
| 20-21 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation II (Live) | — | ||
| 20-22 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation III (Live) | — | ||
| 20-23 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation IV (Live) | — | ||
| 20-24 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation V (Live) | — | ||
| 20-25 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation VI (Live) | — | ||
| 20-26 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte in E‐Flat Major, WoO 46: Variation VII - Coda (Live) | — | ||
| 20-27 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Thema. Allegretto (Live) | — | ||
| 20-28 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation I (Live) | — | ||
| 20-29 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation II (Live) | — | ||
| 20-30 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation III (Live) | — | ||
| 20-31 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation IV (Live) | — | ||
| 20-32 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation V (Live) | — | ||
| 20-33 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation VI (Live) | — | ||
| 20-34 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation VII (Live) | — | ||
| 20-35 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation VIII (Live) | — | ||
| 20-36 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation IX (Live) | — | ||
| 20-37 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation X (Live) | — | ||
| 20-38 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation XI (Live) | — | ||
| 20-39 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte in F Major, Op. 66: Variation XII (Live) | — | ||
| 21-1 | Cello Concerto in B minor, op. 104, B. 191: I. Allegro | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 21-2 | Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 21-3 | Cello Concerto in B minor, op. 104, B. 191: III. Finale. Allegro moderato | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 21-4 | Silent Woods, op. 68 no. 5, B. 182 | Jacqueline du Pré, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 22-1 | Cello Sonata in G minor, op. 65: I. Allegro moderato | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-2 | Cello Sonata in G minor, op. 65: II. Scherzo: Allegro con brio | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-3 | Cello Sonata in G minor, op. 65: III. Largo | Jacqueline du Pré, Daniel Barenboim | T-921.564.632-5 | |
| 22-4 | Cello Sonata in G minor, op. 65: IV. Finale: Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-5 | Cello Sonata in A major: I. Allegro ben moderato | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-6 | Cello Sonata in A major: II. Allegro | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-7 | Cello Sonata in A major: III. Recitativo – Fantasia: molto lento | Daniel Barenboim, Jacqueline du Pré | — | |
| 22-8 | Cello Sonata in A major: IV. Allegretto poco mosso | Daniel Barenboim, Jacqueline du Pré | — | |
| 23-1 | Piano Trio in A minor, Op. 50 "In Memory of a Great Artist": I. Pezzo elegiaco: Moderato assai – Allegro giusto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — | |
| 23-2 | Piano Trio in A Minor, Op. 50: II. (a) Tema con variazioni | — | ||
| 23-3 | Piano Trio in A Minor, Op. 50: II. (b) Variation I | — | ||
| 23-4 | Piano Trio in A Minor, Op. 50: II. (c) Variation II | — | ||
| 23-5 | Piano Trio in A Minor, Op. 50: II. (d) Variation III | — | ||
| 23-6 | Piano Trio in A Minor, Op. 50: II. (e) Variation IV | — | ||
| 23-7 | Piano Trio in A Minor, Op. 50: II. (f) Variation V | — | ||
| 23-8 | Piano Trio in A Minor, Op. 50: II. (g) Variation VI | — | ||
| 23-9 | Piano Trio in A Minor, Op. 50: II. (h) Variation VII | — | ||
| 23-10 | Piano Trio in A Minor, Op. 50: II. (i) Variation VIII | — | ||
| 23-11 | Piano Trio in A Minor, Op. 50: II. (j) Variation IX | — | ||
| 23-12 | Piano Trio in A Minor, Op. 50: II. (k) Variation X | — | ||
| 23-13 | Piano Trio in A Minor, Op. 50: II. (l) Variation XI | — | ||
| 23-14 | Piano Trio in A Minor, Op. 50: II. (m) Variation XII - Finale & coda | — |
