UPC · Release
Kurt Masur
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The UPC for “Kurt Masur The Complete Warner Classics Edition” by Kurt Masur is 0190296611551. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-01-01. Label: Warner Classics. This release contains 571 tracks, each with its own ISRC. Tracks include GBAYC8804560, GBAYC9800705, GBAYC9800706.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto No. 1 in D-flat major, Op. 10: I. Allegro brioso | — | ||
| 2 | Piano Concerto No. 1 in D-flat major, Op. 10: II. Andante assai | — | ||
| 3 | Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando | — | ||
| 4 | Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto | — | ||
| 5 | Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace | — | ||
| 6 | Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato | — | ||
| 7 | Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestuoso | — | ||
| 8 | Overture on Hebrew Themes in C minor | — | ||
| 2-1 | Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-2 | Piano Concerto No. 3 in C major, Op. 26: II. Thème et variations | — | ||
| 2-3 | Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo | — | ||
| 2-4 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": I. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-5 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": II. Andante | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-6 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": III. Moderato | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-7 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": IV. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-8 | Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio | — | ||
| 2-9 | Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato | — | ||
| 2-10 | Piano Concerto No. 5 in G major, Op. 55: III. Toccata. Allegro con fuocco | — | ||
| 2-11 | Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto | — | ||
| 2-12 | Piano Concerto No. 5 in G major, Op. 55: V. Vivo | — | ||
| 3-1 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro maestoso - | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 3-2 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Quasi Adagio - | — | ||
| 3-3 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegretto Vivace-Allegro Animato - | — | ||
| 3-4 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Marziale Animato | — | ||
| 3-5 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio Sostenuto Assai- | — | ||
| 3-6 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Agitato Assai - | — | ||
| 3-7 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Moderato - | — | ||
| 3-8 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Deciso - | — | ||
| 3-9 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Marziale Un Poco Meno Allegro - | — | ||
| 3-10 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Animato | — | ||
| 3-11 | Schubert: Wanderer-Fantasie, D760 (Transcr. Liszt c.1852), S366 | — | ||
| 3-12 | Weber: Polonaise Brillante «L'Hilarité», J268 (Transcr. Liszt c.1851), S367 | — | ||
| 4-1 | Fantasie Hongroise pour piano et orchestre | — | ||
| 4-2 | Fantasie pour piano et orchestre sur des thèmes des "Ruines d'Athènes", op. 113 de Beethoven | — | ||
| 4-3 | Grande Fantaisie Symphonique Sur Des Thèmes De «Lélio» De Berlioz (1834), S120 | — | ||
| 4-4 | Malédiction (1833), S121 | — | ||
| 4-5 | Totentanz, Paraphrase Über "Dies Irae" (1849), S126 | — | ||
| 5-1 | Ce qu'on entend sur la montage (1848-9) After Hugo, S. 95 | — | ||
| 5-2 | Tasso: Lamento e trionfo (1849) After Byron, S. 96 | — | ||
| 5-3 | Les Préludes (1848) After Lamartine, S. 97 | — | ||
| 5-4 | Orpheus (1853-4), S. 98 | — | ||
| 6-1 | No. 5: Prometheus (1850), S. 99 | — | ||
| 6-2 | No. 6: Mazeppa (1851) After Hugo, S. 100 | — | ||
| 6-3 | No. 7: Festklänge (1853), S. 101 | — | ||
| 6-4 | No. 8: Héroïde Funèbre (1849-50), S. 102 | — | ||
| 6-5 | Mephisto Waltz No.2 (1880-81), S. 111 | — | ||
| 7-1 | No. 9: Hungaria (1854), S. 103 | — | ||
| 7-2 | No. 10: Hamlet (1858) After Shakespeare, S. 104 | — | ||
| 7-3 | No. 11: Hunnenschlacht (1856-57) After Kaulbach, S. 105 | — | ||
| 7-4 | No. 12: Die Ideale (1857) After Schiller, S. 106 | — | ||
| 8-1 | No. 13, Von der Wiege bis zur Bahre: I. Die Wiege | — | ||
| 8-2 | No. 13, Von der Wiege bis zur Bahre: Der Kampf Um's Dasein | — | ||
| 8-3 | No. 13, Von der Wiege bis zur Bahre: Zum Grabe (Die Wiege Des Zukünftigen Lebens) | — | ||
| 8-4 | Eine Faust-Symphonie, S. 108: I. Faust (Lento assai - Allegro impetuoso - Allegro agitato ed apassionato assai) | — | ||
| 8-5 | Eine Faust-Symphonie, S. 108: II. Gretchen (Andante soave) | — | ||
| 8-6 | Eine Faust-Symphonie, S. 108: III. Mephistopheles (Andante mistico) | — | ||
| 9-1 | Zwei Episoden aus Lenaus Faust, S. 110: I. Der nächtliche Zug | — | ||
| 9-2 | Zwei Episoden aus Lenaus Faust, S. 110: II. Der Tanz in Der Dorfschenke (Mephisto Waltz No.1) | — | ||
| 9-3 | A Dante Symphony, S. 109: I. Inferno | — | ||
| 9-4 | A Dante Symphony, S. 109: II. Purgatorio | — | ||
| 10-1 | Violin Concerto in D major, Op. 61: I. Allegro, Ma Non Troppo | — | ||
| 10-2 | Violin Concerto in D Major, Op. 61: II. Larghetto | — | ||
| 10-3 | Violin Concerto in D Major, Op. 61: III. Rondo (Allegro) | — | ||
| 11-1 | Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: I. Allegro | — | ||
| 11-2 | Triple Concerto for Piano, Violin & Cello in C, op. 56: II. Largo - attacca | Ulf Hoelscher, Heinrich Schiff, Christian Zacharias, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 11-3 | Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: III. Rondo alla polacca | — | ||
| 11-4 | Violin Romance No. 1 in G Major, Op. 40 | — | ||
| 11-5 | Violin Romance No. 2 in F Major, Op. 50 | — | ||
| 12-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Thomas Zehetmair, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Thomas Zehetmair, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-3 | Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Thomas Zehetmair, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-4 | Finlandia, op. 26 | Gewandhausorchester Leipzig, Kurt Masur | T-910.256.702-2 | |
| 12-5 | The Swan of Tuonela, op. 22 no. 2 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-6 | Karelia Overture, op. 10 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 13-1 | Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto – Moderato con anima | — | ||
| 13-2 | Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzona | — | ||
| 13-3 | Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato – Allegro | — | ||
| 13-4 | Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco | — | ||
| 14-1 | Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo | — | ||
| 14-2 | Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 14-3 | Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 14-4 | Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Leipzig Gewandhaus Orchestra, Kurt Masur | — | |
| 15-1 | Symphony No. 5 in E minor, Op. 64: I. Andante – Allegro con anima | — | ||
| 15-2 | Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 15-3 | Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato | — | ||
| 15-4 | Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 16-1 | Symphony No. 3 in A Minor, Op. 56, "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato Andante come prima | — | ||
| 16-2 | Symphony No. 3 in A Minor, Op. 56, "Scottish": II. Vivace non troppo | — | ||
| 16-3 | Symphony No. 3 in A Minor, Op. 56, "Scottish": III. Adagio | — | ||
| 16-4 | Symphony No. 3 in A Minor, Op. 56, "Scottish": IV. Allegro vivacissimo | — | ||
| 16-5 | Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace | — | ||
| 16-6 | Symphony No. 4 in A Major, Op. 90, "Italian": II. Andante con moto | — | ||
| 16-7 | Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato | — | ||
| 16-8 | Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | — | ||
| 17-1 | Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco | — | ||
| 17-2 | Piano Concerto No. 1 in G minor, Op. 25: II. Andante | — | ||
| 17-3 | Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro vivace | Cyprien Katsaris, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 17-4 | Capriccio billant in B minor for piano and orchestra, Op. 40 | — | ||
| 17-5 | Piano Concerto No. 2 in D minor, Op. 40: I. Allegro appassionato | — | ||
| 17-6 | Piano Concerto No. 2 in D minor, Op. 40: II. Adagio | — | ||
| 17-7 | Piano Concerto No. 2 in D minor, Op. 40: III. Finale: Presto scherzando | — | ||
| 18-1 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace | — | ||
| 18-2 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 18-3 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 18-4 | Piano Sonata no. 1 in G major, op. 37: I. Moderato e risoluto | — | ||
| 18-5 | Piano Sonata no. 1 in G major, op. 37: II. Andante non troppo quasi moderato | — | ||
| 18-6 | Piano Sonata no. 1 in G major, op. 37: III. Scherzo. Allegro giocoso | — | ||
| 18-7 | Piano Sonata no. 1 in G major, op. 37: IV. Finale. Allegro vivace | — | ||
| 19-1 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ia. Maestoso con moto - Allegro - Maestoso con moto come I | — | ||
| 19-2 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ib. Allegretto un poco agitato | — | ||
| 19-3 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ic. Adagio religioso | — | ||
| 19-4 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor) | — | ||
| 19-5 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor) | — | ||
| 19-6 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor) | — | ||
| 19-7 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor) | — | ||
| 19-8 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IV. Chor. A tempo moderato (Chor) | — | ||
| 19-9 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor) | — | ||
| 19-10 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran) | — | ||
| 19-11 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace (Chor) | — | ||
| 19-12 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VIII. Andante con moto (Chor) | — | ||
| 19-13 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran) | — | ||
| 19-14 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": X. Allegro non troppo (Chor) | — | ||
| 20-1 | Symphony No. 1 in C minor op. 11: I. Allegro di molto | — | ||
| 20-2 | Symphony No. 1 in C minor op. 11: II. Andante | — | ||
| 20-3 | Symphony No. 1 in C minor op. 11: III. Menuetto. Allegro molto - Trio | — | ||
| 20-4 | Symphony No. 1 in C minor op. 11: IV. Allegro con fuoco | — | ||
| 20-5 | Symphony No. 5 in D Major, op. 107: I. Andante - Allegro con fuoco | — | ||
| 20-6 | Symphony No. 5 in D Major, op. 107: II. Allegro vivace | — | ||
| 20-7 | Symphony No. 5 in D Major, op. 107: III. Andante | — | ||
| 20-8 | Symphony No. 5 in D Major, op. 107: IV. Choral: Ein feste Burg ist unser Gott! Andante con moto - Allegro vivace - Allegro maestoso | — | ||
| 21-1 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": I. Allegro tranquillo | — | ||
| 21-2 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": II. Adagio cantabile ma non tanto | — | ||
| 21-3 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": III. Scherzo. Allegro scherzando giocoso | — | ||
| 21-4 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": IV. Finale. Andante lugubre – Allegro moderato – Allegro maestoso | — | ||
| 21-5 | Francesca da Rimini, Op. 32, Orchestral fantasy after Dante | — | ||
| 22-1 | Piano Concerto no. 1 in B-flat minor, op. 23: Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 22-2 | Piano Concerto no. 1 in B-flat minor, op. 23: Andantino semplice - Prestissimo - Tempo I | — | ||
| 22-3 | Piano Concerto no. 1 in B-flat minor, op. 23: Allegro con fuoco | — | ||
| 22-4 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso - Andante Espressivo | — | ||
| 22-5 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 22-6 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 23-1 | Symphony No. 1 B flat major op. 38: I. Andante un poco maestoso | — | ||
| 23-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto | London Philharmonic Orchestra, Kurt Masur | — | |
| 23-3 | Symphony No. 1 B flat major op. 38: III. Scherzo - Molto vivace | — | ||
| 23-4 | Symphony No. 1 B flat major op. 38: IV. Allegro animato e grazioso | — | ||
| 23-5 | Symphony No. 4 d minor op. 120: Andante con moto - vivace | — | ||
| 23-6 | Symphony No. 4 d minor op. 120: Andante | — | ||
| 23-7 | Symphony No. 4 d minor op. 120: Scherzo - Presto | — | ||
| 23-8 | Symphony No. 4 d minor op. 120: Largo - Allegro vivace - Presto | — | ||
| 24-1 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | — | ||
| 24-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marziale, quasi moderato | — | ||
| 24-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo (Allegro molto vivace) | — | ||
| 24-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale (Moderato assai) | — | ||
| 24-5 | Romeo and Juliet, TH 42, fantasy overture | — | ||
| 25-1 | Symphonie No. 2 C-dur, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo | — | ||
| 25-2 | Symphonie No. 2 C-dur, Op. 61: II. Scherzo: Allegro vivace | — | ||
| 25-3 | Symphonie No. 2 C-dur, Op. 61: III. Adagio espressivo | — | ||
| 25-4 | Symphonie No. 2 C-dur, Op. 61: IV. Allegro molto vivace | — | ||
| 25-5 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": I. Lebhaft | — | ||
| 25-6 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": II. Scherzo: Sehr mäßig | — | ||
| 25-7 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": III. Nicht schnell | — | ||
| 25-8 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": IV. Feierlich | — | ||
| 25-9 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": V. Lebhaft | — | ||
| 26-1 | Ein Sommernachtstraum, op. 61: Overtüre, op. 21 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 26-2 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Hier ist das Blatt" | — | ||
| 26-3 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 1 Scherzo | — | ||
| 26-4 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 2 Melodram "Über Täler und Höh'n" | — | ||
| 26-5 | Ein Sommernachtstraum, Op. 61, MWV M13: Elfenmarsch | — | ||
| 26-6 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 3 Lied mit Chor "Kommt! Einen Ringel" | — | ||
| 26-7 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 4 Melodram "Was du wirst erwachend seh'n" | — | ||
| 26-8 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 5 Intermezzo | — | ||
| 26-9 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 6 Melodram. "Welch hausgebackenes Volk" | — | ||
| 26-10 | A Midsummer Night's Dream, op. 61: Nr. 7 Notturno | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 26-11 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Nun, toller Geist" - No. 8 "Melodram als wäre nichts geschehen" | — | ||
| 26-12 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 9 Hochzeitsmarsch | — | ||
| 26-13 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Nun kommt!" - No.10 Melodram "Was das bedeuten soll" | — | ||
| 26-14 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Beliebt es Euer Hoheit" | — | ||
| 26-15 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 11 Ein Tanz von Rüpeln | — | ||
| 26-16 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Zu Bett geliebte Freunde!" | — | ||
| 26-17 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 12 Melodram "Jetzt beheult der Wolf den Mond" | — | ||
| 26-18 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 13 Finale "Bei des Feuers mattem Flimmern" | — | ||
| 27-1 | Pictures at an Exhibition: Promenade | London Philharmonic Orchestra, Kurt Masur | — | |
| 27-2 | Pictures at an Exhibition: 1. Gnomus | — | ||
| 27-3 | Pictures at an Exhibition: Promenade | — | ||
| 27-4 | Pictures at an Exhibition: 2. Il vecchio castello | — | ||
| 27-5 | Pictures at an Exhibition: Promenade | — | ||
| 27-6 | Pictures at an Exhibition: 3. Tuileries | — | ||
| 27-7 | Pictures at an Exhibition: 4. Bydlo | — | ||
| 27-8 | Pictures at an Exhibition: Promenade | — | ||
| 27-9 | Pictures at an Exhibition: 5. Ballet of the Unhatched Chickens | London Philharmonic Orchestra, Kurt Masur | — | |
| 27-10 | Pictures at an Exhibition: 6. Samuel Goldenberg and Schmuyle | — | ||
| 27-11 | Pictures at an Exhibition: Promenade | — | ||
| 27-12 | Pictures at an Exhibition: 7. Limoges | — | ||
| 27-13 | Pictures at an Exhibition: 8. Catacombae. Sepulchrum romanum | — | ||
| 27-14 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 27-15 | Pictures at an Exhibition: 9. The Hut on Hen's Legs (Baba-Yaga) | — | ||
| 27-16 | Pictures at an Exhibition: 10. The Great Gate of Kiev | — | ||
| 27-17 | Symphony No. 1 in D major: I. Allegro | — | ||
| 27-18 | Symphony No. 1 in D major: II. Larghetto | — | ||
| 27-19 | Symphony No. 1 in D major: III. Non troppo allegro. Gavotte | — | ||
| 27-20 | Symphony No. 1 in D major: IV. Molto vivace. Finale | — | ||
| 28-1 | Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke | — | ||
| 28-2 | Alexander Nevsky, Op. 78: Song About Alexander Nevsky | — | ||
| 28-3 | Alexander Nevsky, Op. 78: The Crusaders in Pskov | — | ||
| 28-4 | Alexander Nevsky, Op. 78: Arise, Ye Russian People | — | ||
| 28-5 | Alexander Nevsky, op. 78: The Battle on the Ice | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 28-6 | Alexander Nevsky, Op. 78: The Field of the Dead | — | ||
| 28-7 | Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov | — | ||
| 28-8 | Scythian Suite, Op. 20: The Adoration of Weles and Ala | — | ||
| 28-9 | Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness | — | ||
| 28-10 | Scythian Suite, Op. 20: The Night | — | ||
| 28-11 | Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun | — | ||
| 29-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante | — | ||
| 29-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | — | ||
| 29-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | — | ||
| 29-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | — | ||
| 30-1 | Cello Concerto in A minor, op. 129: 1. Nicht zu schnell | — | ||
| 30-2 | Cello Concerto in A minor, op. 129: 2. Langsam - Etwas labhafter - Schneller | — | ||
| 30-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Natalia Gutman, London Philharmonic Orchestra, Kurt Masur | — | |
| 30-4 | Cello Concerto no. 1: 1. Pesante - Moderato | — | ||
| 30-5 | Cello Concerto no. 1: 2. Largo | — | ||
| 30-6 | Cello Concerto no. 1: 3. Allegro vivace | — | ||
| 30-7 | Cello Concerto no. 1: 4. Largo | — | ||
| 31-1 | Symphony no. 3 in D major, Op. 29 "Polish": I. Introduzione e Allegro Moderato assai | — | ||
| 31-2 | Symphony no. 3 in D major, Op. 29 "Polish": II. Alla tedesca | — | ||
| 31-3 | Symphony no. 3 in D major, Op. 29 "Polish": III. Andante elegiaco | — | ||
| 31-4 | Symphony no. 3 in D major, Op. 29 "Polish": IV. Scherzo. Allegro vivo – Trio | — | ||
| 31-5 | Symphony no. 3 in D major, Op. 29 "Polish": V. Finale. Allegro con fuoco | — | ||
| 31-6 | Mazeppa: Gopak (Act 1), TH 7 | — | ||
| 31-7 | Festival Coronation March in D Major, Op. 49 | — | ||
| 32-1 | Symphony no. 7: I. Allegro Moderato | — | ||
| 32-2 | Symphony no. 7: II. Adagio - Sehr feierlich und sehr langsam | — | ||
| 32-3 | Symphony no. 7: III. Scherzo - Sehr Schnell | — | ||
| 32-4 | Symphony no. 7: IV. Finale - Bewegt, doch nicht schnell | — | ||
| 33-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio, Allegro molto | — | ||
| 33-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | New York Philharmonic Orchestra, Kurt Masur | — | |
| 33-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace | — | ||
| 33-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 33-5 | Slavonic Dances no. 2 in E minor, op. 72: Dumka | New York Philharmonic, Kurt Masur | — | |
| 33-6 | Slavonic Dances no. 6 in B-flat major, op. 46: Sousedská | — | ||
| 33-7 | Slavonic Dances no. 8 in G minor, op. 46: Furiant | — | ||
| 34-1 | Variations on "America": Theme | — | ||
| 34-2 | Variations on "America": Variation 1 | — | ||
| 34-3 | Variations on "America": Variation 2 | — | ||
| 34-4 | Variations on "America": Interlude | — | ||
| 34-5 | Variations on "America": Variation 3 | — | ||
| 34-6 | Variations on "America": Variation 4 | — | ||
| 34-7 | Variations on "America": Interlude | — | ||
| 34-8 | Variations on "America": Variation 5 | — | ||
| 34-9 | Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante | — | ||
| 34-10 | Variations on a Theme by Joseph Haydn, op. 56a: Var. I. Poco più animato | — | ||
| 34-11 | Variations on a Theme by Joseph Haydn, op. 56a: Var. II. Più vivace | — | ||
| 34-12 | Variations on a Theme by Joseph Haydn, op. 56a: Var. III. Con moto | — | ||
| 34-13 | Variations on a Theme by Joseph Haydn, op. 56a: Var. IV. Andante con moto | — | ||
| 34-14 | Variations on a Theme by Joseph Haydn, op. 56a: Var. V. Vivace | — | ||
| 34-15 | Variations on a Theme by Joseph Haydn, op. 56a: Var. VI. Vivace | — | ||
| 34-16 | Variations on a Theme by Joseph Haydn, op. 56a: Var. VII. Grazioso | — | ||
| 34-17 | Variations on a Theme by Joseph Haydn, op. 56a: Var. VIII. Presto non trope | — | ||
| 34-18 | Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante | — | ||
| 34-19 | Variations and Fugue on a Theme by Mozart, op. 132: Andante grazioso | — | ||
| 34-20 | Variations and Fugue on a Theme by Mozart, op. 132: Variation I. L'istesso tempo | — | ||
| 34-21 | Variations and Fugue on a Theme by Mozart, op. 132: Variation II. Poco agitato | — | ||
| 34-22 | Variations and Fugue on a Theme by Mozart, op. 132: Variation III. Con moto | — | ||
| 34-23 | Variations and Fugue on a Theme by Mozart, op. 132: Variation IV. Vivace | — | ||
| 34-24 | Variations and Fugue on a Theme by Mozart, op. 132: Variation V. Quasi presto | — | ||
| 34-25 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VI. Sostenuto | — | ||
| 34-26 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VII. Andante grazioso | — | ||
| 34-27 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VIII. Molto sostenuto | — | ||
| 34-28 | Variations and Fugue on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) | — | ||
| 35-1 | Elias, Op. 70: Einleitung. "So wahr der Herr, der Gott Israels lebet" | — | ||
| 35-2 | Elias, Op. 70: Ouvertüre | — | ||
| 35-3 | Elias, Op. 70: Chor. "Hilf, Herr!" | — | ||
| 35-4 | Elias, Op. 70: Duett im Chor. "Herr, höre unser Gebet" | — | ||
| 35-5 | Elias, Op. 70: Rezitativ. "Zerreisset eure Herzen" | — | ||
| 35-6 | Elias, Op. 70: Arie. "So ihr mich von ganzem Herzen suchet" | — | ||
| 35-7 | Elias, Op. 70: Chor. "Aber der Herr sieht es nicht" | — | ||
| 35-8 | Elias, Op. 70: Rezitativ. "Elias, gehe weg von hinnen!" | — | ||
| 35-9 | Elias, Op. 70: Doppelquartett. "Denn er hat seinen Engeln befohlen" | — | ||
| 35-10 | Elias, Op. 70: Rezitativ. "Nun auch der Bach vertrocknet ist" | — | ||
| 35-11 | Elias, Op. 70: Rezitativ, "Arie und Duett. Was hast du an mir getan" | — | ||
| 35-12 | Elias, Op. 70: Chor. "Wohl dem, der den Herrn fürchtet" | — | ||
| 35-13 | Elias, Op. 70: Rezitativ mit Chor. "So wahr der Herr Zebaoth lebet" | — | ||
| 35-14 | Elias, Op. 70: Chor. "Baal, erhöre uns!" | — | ||
| 35-15 | Elias, Op. 70: Rezitativ mit Chor. "Rufet lauter!" | — | ||
| 35-16 | Elias, Op. 70: Rezitativ mit Chor. "Rufet lauter! Er hört euch nicht" | — | ||
| 35-17 | Elias, Op. 70: "Kommt her, alles Volk" | — | ||
| 35-18 | Elias, Op. 70: Quartett. "Wirf dein Anliegen auf den Herrn" | — | ||
| 35-19 | Elias, Op. 70: Rezitativ mit Chor. "Der du deine Diener machst zu Geistern" | — | ||
| 35-20 | Elias, Op. 70: Arie. "Ist nicht der Herrn Wort wie ein Feuer" | — | ||
| 35-21 | Elias, Op. 70: Arioso. "Weh ihnen, dass sie von mir weichen!" | — | ||
| 35-22 | Elias, Op. 70: Rezitativ mit Chor. "Hilf deinem Volk, du Mann Gottes!" | — | ||
| 35-23 | Elias, Op. 70: Chor. "Dank sei dir Gott" | — | ||
| 36-1 | Elias, Op. 70: Arie. "Höre, Israel höre des Herrn Stimme" | — | ||
| 36-2 | Elias, Op. 70: "So spricht der Herr: Ich bin euer Tröster" | — | ||
| 36-3 | Elias, Op. 70: Chor. "Fürchte dich nicht, spricht unser Gott" | — | ||
| 36-4 | Elias, Op. 70: Rezitativ mit Chor. "Der Herr hat dich erhoben" | — | ||
| 36-5 | Elias, Op. 70: Chor. "Wehe ihm, er muss sterben!" | — | ||
| 36-6 | Elias, Op. 70: Rezitativ. "Du Mann Gottes" | — | ||
| 36-7 | Elias, Op. 70: Arie. "Es ist genug!" | — | ||
| 36-8 | Elias, Op. 70: Rezitativ. "Siehe, er schläft" | — | ||
| 36-9 | Elias, Op. 70: Terzett. "Hebe deine Augen auf zu den Bergen" | — | ||
| 36-10 | Elias, Op. 70: Chor. "Siehe, der Hüter Israels" | — | ||
| 36-11 | Elias, Op. 70: Rezitativ. "Stehe auf, Elias" | — | ||
| 36-12 | Elias, Op. 70: Arie. "Sei stille dem Herrn" | — | ||
| 36-13 | Elias, Op. 70: Chor. "Wer bis an das Ende beharrt" | — | ||
| 36-14 | Elias, Op. 70: Rezitativ. "Herr, es wird Nacht um mich" | — | ||
| 36-15 | Elias, Op. 70: Chor. "Der Herr ging vorüber" | — | ||
| 36-16 | Elias, Op. 70: Rezitativ. "Seraphim standen über ihm" | — | ||
| 36-17 | Elias, Op. 70: Quartett mit Chor. "Heilig ist Gott der Herr" | — | ||
| 36-18 | Elias, Op. 70: Chor-Rezitativ. "Gehe wiederum hinab!" | — | ||
| 36-19 | Elias, Op. 70: Arioso. "Ja, es sollen wohl Berge weichen" | — | ||
| 36-20 | Elias, Op. 70: Chor. "Und der Prophet Elias brach hervor" | — | ||
| 36-21 | Elias, Op. 70: Arie. "Dann werden die Gerechten leuchten" | — | ||
| 36-22 | Elias, Op. 70: Rezitativ. "Darum ward gesendet der Prophet Elias" | — | ||
| 36-23 | Elias, Op. 70: Chor. "Aber einer erwacht von Mitternacht" | — | ||
| 36-24 | Elias, Op. 70: Quartett. "Wohlan, alle, die ihr durstig seid" | — | ||
| 36-25 | Elias, Op. 70: Chor. "Alsdann wird euer Licht hervorbrechen" | — | ||
| 37-1 | Symphony in D minor: I. Lento - Allegro non troppo | — | ||
| 37-2 | Symphony in D minor: II. Allegretto | — | ||
| 37-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 37-4 | Les Eolides (Symphonic poem) | — | ||
| 38-1 | Symphony No. 2 in D Major, Op. 73: I. Allegro Non Troppo | — | ||
| 38-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | New York Philharmonic, Kurt Masur | T-329.366.758-6 | |
| 38-3 | Symphony No. 2 in D Major, Op. 73: III: Allegretto Grazioso - Presto Ma Non Assai | — | ||
| 38-4 | Symphony No. 2 in D Major, Op. 73: IV. Allegro Con Sprito | — | ||
| 38-5 | Academic Festival Overture, Op. 80 | — | ||
| 39-1 | Symphony no. 1 in D major "Titan": Langsam - Schleppend - Wie ein Naturlaut | — | ||
| 39-2 | Symphony no. 1 in D major "Titan": Kräftig bewegt, doch nicht zu schnell | — | ||
| 39-3 | Symphony no. 1 in D major "Titan": Feierlich und gemessen, ohne zu schleppen | — | ||
| 39-4 | Symphony no. 1 in D major "Titan": Stürmisch bewegt | — | ||
| 39-5 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 39-6 | Lieder eines fahrenden Gesellen: Ging heut' Morgen übers Feld | — | ||
| 39-7 | Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer | — | ||
| 39-8 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen | — | ||
| 40-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 40-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 40-3 | Symphony No. 5 in C minor, Op. 67: III. Allegro | — | ||
| 40-4 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 40-5 | Egmont, Op. 84: Ouverture | New York Philharmonic, Kurt Masur | T-900.190.066-9 | |
| 40-6 | Egmont, Op. 84: Lied "Die Trommel gerühret!" (Klärchen) | — | ||
| 40-7 | Egmont, Op. 84: Zwischenakt I | — | ||
| 40-8 | Egmont, Op. 84: Zwischenakt II | — | ||
| 40-9 | Egmont, Op. 84: Lied "Freudvoll und leidvoll" (Klärchen) | — | ||
| 40-10 | Egmont, Op. 84: Zwischenakt III | — | ||
| 40-11 | Egmont, Op. 84: Zwischenakt IV | — | ||
| 40-12 | Egmont, Op. 84: Musik, Klärchens Tod bezeichnend | — | ||
| 40-13 | Egmont, Op. 84: Melodrama "Süßer Schlaf" | — | ||
| 40-14 | Egmont, Op. 84: Siegessymphonie | — | ||
| 41-1 | Mazeppa, S. 100: Symphonic poem after Victor Hugo | — | ||
| 41-2 | Mephisto Waltz No. 1, S110: "Der Tanz in der Dorfschenke" | — | ||
| 41-3 | Theatre Overture | — | ||
| 41-4 | Háry János, Suite: I. Prelude The Fairy tale begins | — | ||
| 41-5 | Háry János, Suite: II. Viennese Musical Clock | — | ||
| 41-6 | Háry János, Suite: III. Song | — | ||
| 41-7 | Háry János, Suite: IV. The battle and defeat of Napoleon | — | ||
| 41-8 | Háry János, Suite: V. Intermezzo | — | ||
| 41-9 | Háry János, Suite: VI. Entrance of the emperor and his court | — | ||
| 42-1 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace | — | ||
| 42-2 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 42-3 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 42-4 | Piano Concerto no. 3 in E-flat major, op. posth.75: Allegro brillante | — | ||
| 43-1 | Babi Yar (recitation) | — | ||
| 43-2 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": I. Babi Yar: Adagio | — | ||
| 43-3 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": II. Humour: Allegretto | — | ||
| 43-4 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": III. In the Store: Adagio | — | ||
| 43-5 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": IV. Fears: Largo | — | ||
| 43-6 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": V. Career: Allegretto | — | ||
| 43-7 | The Loss (recitation) | — | ||
| 44-1 | Symphony No. 8 in G, Op. 88: I. Allegro con brio | — | ||
| 44-2 | Symphony No. 8 in G, Op. 88: II. Adagio | — | ||
| 44-3 | Symphony No. 8 in G, Op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 44-4 | Symphony No. 8 in G, Op. 88: IV. Allegro ma non troppo | — | ||
| 44-5 | Sinfonietta: I. Allegretto | — | ||
| 44-6 | Sinfonietta: II. Andante | — | ||
| 44-7 | Sinfonietta: III. Moderato | — | ||
| 44-8 | Sinfonietta: IV. Allegretto | — | ||
| 44-9 | Sinfonietta: V. Andante con moto | — | ||
| 45-1 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio | — | ||
| 45-2 | Symphony No. 3 in F major, Op. 90: II. Andante | — | ||
| 45-3 | Symphony No. 3 in F major, Op. 90: III Poco allegretto | — | ||
| 45-4 | Symphony No. 3 in F major, Op. 90: IV. Allegro | — | ||
| 45-5 | Nature, Life and Love: In Nature's Realm, Op. 91 | — | ||
| 45-6 | Nature, Life and Love: Carnival, Op. 92 | — | ||
| 45-7 | Nature, Life and Love: Othello, Op. 93 | — | ||
| 46-1 | Prélude à l’après-midi d’un faune | — | ||
| 46-2 | Rapsodie pour orchestre et saxophone | — | ||
| 46-3 | La Mer: De l’Aube à midi sur la mer | — | ||
| 46-4 | La Mer: Jeux de vagues | — | ||
| 46-5 | La Mer: Dialogue du vent et de la mer | — | ||
| 46-6 | La Valse | New York Philharmonic, Kurt Masur | T-305.194.234-4 | |
| 46-7 | Boléro | New York Philharmonic, Kurt Masur | T-003.006.377-4 | |
| 47-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato | — | ||
| 47-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 47-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | — | ||
| 47-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Maxim Vengerov, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 47-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 47-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo · Allegro molto vivace | — | ||
| 48-1 | Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 48-2 | Symphony no. 4 in E-flat major "Romantic": II. Andante, quasi allegretto | — | ||
| 48-3 | Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt | — | ||
| 48-4 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 49-1 | Die sieben Todsünden: Prolog | — | ||
| 49-2 | Die sieben Todsünden: I. Faulheit | — | ||
| 49-3 | Die sieben Todsünden: II. Stolz | — | ||
| 49-4 | Die sieben Todsünden: III. Zorn | — | ||
| 49-5 | Die sieben Todsünden: IV. Völlerei | — | ||
| 49-6 | Die sieben Todsünden: V. Unzucht | — | ||
| 49-7 | Die sieben Todsünden: VI. Habsucht | — | ||
| 49-8 | Die sieben Todsünden: VII. Neid | — | ||
| 49-9 | Die sieben Todsünden: Epilog | — | ||
| 49-10 | Lulu Suite: I. Rondo. Andante und Hymne | — | ||
| 49-11 | Lulu Suite: II. Ostinato. Allegro | — | ||
| 49-12 | Lulu Suite: III. Lied der Lulu. Comodo | — | ||
| 49-13 | Lulu Suite: IV. Variationen. Moderato | — | ||
| 49-14 | Lulu Suite: V. Adagio. Sostenuto lento grave | — | ||
| 50-1 | Piano Concerto No. 2 in B-flat major, Op.83: I. Allegro non troppo | — | ||
| 50-2 | Piano Concerto No. 2 in B-flat major, Op.83: II. Allegro appassionato | — | ||
| 50-3 | Piano Concerto No. 2 in B-flat major, Op.83: III. Andante | — | ||
| 50-4 | Piano Concerto No. 2 in B-flat major, Op.83: IV. Allegretto grazioso | — | ||
| 51-1 | Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro | — | ||
| 51-2 | Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto | — | ||
| 51-3 | Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso | — | ||
| 51-4 | Symphony No. 1 in C minor, Op. 68: I. Adagio - Più andante - Allegro non troppo, ma con brio | — | ||
| 51-5 | Tragic Overture, Op. 81 | — | ||
| 52-1 | Symphony no. 9 in D major: Andante comodo | — | ||
| 52-2 | Symphony no. 9 in D major: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 52-3 | Symphony no. 9 in D major: Rondo-Burleske: Allegro assai. Sehr trotzig | — | ||
| 52-4 | Symphony no. 9 in D major: Adagio | — | ||
| 53-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 53-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 53-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 53-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 53-5 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: The Montagues and the Capulets | New York Philharmonic, Kurt Masur | — | |
| 53-6 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Juliet the Young Girl | — | ||
| 53-7 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Masks | — | ||
| 53-8 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Romeo and Juliet | — | ||
| 53-9 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Tybalt's Death | — | ||
| 53-10 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Romeo at Juliet's Grave | — | ||
| 54-1 | Swan Lake: Act 3, No. 17 Entrance and Waltz of the Special Guests | — | ||
| 54-2 | Swan Lake: Act 3, No. 1, No. 2 Waltz | — | ||
| 54-3 | Eugene Onegin: Vals | New York Philharmonic, Kurt Masur | — | |
| 54-4 | The Sleeping Beauty: Act 1, No. 7 Waltz | — | ||
| 54-5 | Hamlet: Interlude Waltz | — | ||
| 54-6 | The Nutcracker: Act 1, No. 9 Waltz of the Snowflakes | — | ||
| 54-7 | The Nutcracker Suite (Waltz of the Flowers) | Kurt Masur, New York Philharmonic | — | |
| 54-8 | The Nutcracker: Act 2, No. 15 Final Waltz and Apotheosis | — | ||
| 54-9 | Symphony Nr. 5, Op. 64: III. Valse (Allegro Moderato) | — | ||
| 54-10 | Symphony Nr. 6, Op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 54-11 | Serenade for strings, Op. 48: II. Moderato (Tempo Di Valse) | — | ||
| 55-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Elisabeth Leonskaja, New York Philharmonic, Kurt Masur | — | |
| 55-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | — | ||
| 55-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 55-4 | Concert Fantasia in G major, op. 56: I. Quasi rondo. Andante mosso | — | ||
| 55-5 | Concert Fantasia in G major, op. 56: II. Contrastes. Andante cantabile - Molto vivace | — | ||
| 56-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | — | ||
| 56-2 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | — | ||
| 56-3 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo (Allegro scherzando) | — | ||
| 56-4 | Piano Concerto no. 23 in A major, K488: I. Allegro | — | ||
| 56-5 | Piano Concerto no. 23 in A major, K488: II. Adagio | — | ||
| 56-6 | Piano Concerto no. 23 in A major, K488: III. Allegro assai | — | ||
| 57-1 | Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | — | ||
| 57-2 | Symphony No. 4 in E minor, Op. 98: II. Andante moderato | — | ||
| 57-3 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso | — | ||
| 57-4 | Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato | — | ||
| 57-5 | Schicksalslied, Op. 54 | — | ||
| 58-1 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: I. Selig sind, die da Leid tragen | — | ||
| 58-2 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: II. Denn alles Fleish, es ist wie Gras | — | ||
| 58-3 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: III. Herr, lehre doch mich | — | ||
| 58-4 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: IV. Wie lieblich sind Deine Wohnungen, Herr Zebaoth | — | ||
| 58-5 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: V. Ihr habt nun Traurigkeit | — | ||
| 58-6 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: VI. Denn wir haben hie keine bleibende Statt | — | ||
| 58-7 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: Selig sind die Toten, die in dem Herren sterben | — | ||
| 59-1 | Violin Concerto in A minor, op. 53: I. Allegro ma non troppo | Maxim Vengerov, New York Philharmonic, Kurt Masur | — | |
| 59-2 | Violin Concerto in A minor, op. 53: II. Adagio ma non troppo | Maxim Vengerov, New York Philharmonic, Kurt Masur | — | |
| 59-3 | Violin Concerto in A minor, op. 53: III. Finale : Allegro giocoso, ma non troppo | Maxim Vengerov, New York Philharmonic, Kurt Masur | — | |
| 59-4 | Sonata for Violin and Piano in E minor, op. 82: I. Allegro | Maxim Vengerov, Revital Chachamov | — | |
| 59-5 | Sonata for Violin and Piano in E minor, op. 82: II. Andante | Maxim Vengerov, Revital Chachamov | T-011.065.239-5 | |
| 59-6 | Sonata for Violin and Piano in E minor, op. 82: III. Allegro non troppo | Maxim Vengerov, Revital Chachamov | — | |
| 60-1 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Allegro | — | ||
| 60-2 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Adagio, ma non troppo | — | ||
| 60-3 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Rondo - allegretto | — | ||
| 60-4 | Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Allegro | — | ||
| 60-5 | Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Andante con moto | — | ||
| 60-6 | Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Alla polacca | — | ||
| 60-7 | Grand Duo Concertant for Clarinet and Piano, op. 48: Allegro con fuego | — | ||
| 60-8 | Grand Duo Concertant for Clarinet and Piano, op. 48: Andante con moto | — | ||
| 60-9 | Grand Duo Concertant for Clarinet and Piano, op. 48: Rondo | — | ||
| 61-1 | Piano Concerto No. 21 in C major, K 467: I. Allegro maestoso | — | ||
| 61-2 | Piano Concerto No. 21 in C major, K 467: II. Andante | Kurt Masur | T-010.194.871-3 | |
| 61-3 | Piano Concerto No. 21 in C major, K 467: III. Allegro vivace assai | — | ||
| 61-4 | Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco | — | ||
| 61-5 | Piano Concerto No. 1 in G minor, Op. 25: II. Andante | — | ||
| 61-6 | Piano Concerto No. 1 in G minor, Op. 25: III. Presto - Molto allegro vivace | — | ||
| 61-7 | Capriccio brilliant in B minor, Op. 22 | — | ||
| 62-1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam Te decet hymnus | — | ||
| 62-2 | War Requiem, op. 66: I. Requiem aeternam: What passing-bells for these who die as cattle? Kyrie eleison | — | ||
| 62-3 | War Requiem, op. 66: II. Dies irae: Dies irae, dies illa | — | ||
| 62-4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | — | ||
| 62-5 | War Requiem, op. 66: II. Dies irae: Liber scriptus profertur | — | ||
| 62-6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | — | ||
| 62-7 | War Requiem, op. 66: II. Dies irae: Recordae, Jesu pie | — | ||
| 62-8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | — | ||
| 62-9 | War Requiem, op. 66: II. Dies irae: Dies irae, dies illa | — | ||
| 62-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | — | ||
| 62-11 | War Requiem, op. 66: II. Dies irae: Move him into the sun, Pie Jesu, Domine | — | ||
| 62-12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe Sed signifer scantus Michael | — | ||
| 62-13 | War Requiem, op. 66: III. Offertorium: So Abram rose, Hostais et preces tibi, Quam olim Abrahae promisisti | — | ||
| 63-1 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus. Pleni sunt coeli et terra. Benedictus | — | ||
| 63-2 | War Requiem, op. 66: IV. Sanctus: After the blast of lightening from the East | — | ||
| 63-3 | War Requiem, op. 66: V. Agnus dei: One ever hangs where shelled roads part/Agnus dei Agnus Dei/Dona nobis pacem | — | ||
| 63-4 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | — | ||
| 63-5 | War Requiem, op. 66: VI. Libera me: It seemed that out of the battle I escaped | — | ||
| 63-6 | War Requiem, op. 66: VI. Libera me: Let us sleep now/ In paradisum | — | ||
| 64-1 | Flight of the Bumble Bee (From the opera The Tale of Tsar Saltan) | New York Philharmonic, Kurt Masur | — | |
| 64-2 | Scheherazade. Symphonic Suite, op. 35: I. The Sea and Sindbad’s Ship | — | ||
| 64-3 | Scheherazade. Symphonic Suite, op. 35: II. The Story of the Kalandar Prince | Glenn Dicterow, New York Philharmonic, Kurt Masur | — | |
| 64-4 | Scheherazade. Symphonic Suite, op. 35: III. The Young Prince and Princess | — | ||
| 64-5 | Scheherazade. Symphonic Suite, op. 35: IV. Festival in Baghdad - The Sea - The ship breaks up against a cliff surmounted by a bronze horseman - Conclusion | — | ||
| 64-6 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 64-7 | Capriccio espagnol, op. 34: II. Variazioni | New York Philharmonic, Kurt Masur | — | |
| 64-8 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 64-9 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 64-10 | Capriccio espagnol, op. 34: V. Fandango Asturiano | — | ||
| 65-1 | Symphony no. 3 in D major, D200: I. Adagio maestoso – Allegro con brio | — | ||
| 65-2 | Symphony no. 3 in D major, D200: II. Allegretto | — | ||
| 65-3 | Symphony no. 3 in D major, D200: III. Menuetto: Vivace | — | ||
| 65-4 | Symphony no. 3 in D major, D200: IV. Presto vivace | — | ||
| 65-5 | Fantasy in C major, D760 “Wanderer-Fantasie” | — | ||
| 65-6 | Symphony no. 8 in B minor, D759 “Unfinished”: I. Allegro moderato | — | ||
| 65-7 | Symphony no. 8 in B minor, D759 “Unfinished”: II. Andante con moto | — | ||
| 66-1 | Symphony no. 7 "Leningrad": Allegretto | — | ||
| 66-2 | Symphony no. 7 "Leningrad": Moderato (Poco allegretto) | — | ||
| 66-3 | Symphony no. 7 "Leningrad": Adagio | — | ||
| 66-4 | Symphony no. 7 "Leningrad": Allegro non troppo | — | ||
| 67-1 | Don Juan, Op. 20 | — | ||
| 67-2 | Tod und Verklärung, Op. 24 | — | ||
| 67-3 | Vier Letzte Lieder, op. 150: Frühling | — | ||
| 67-4 | Vier Letzte Lieder, op. 150: September | — | ||
| 67-5 | Vier Letzte Lieder, op. 150: Beim Schlafengehen | — | ||
| 67-6 | Vier Letzte Lieder, op. 150: Im Abendrot | — | ||
| 68-1 | I Got Plenty O' Nuttin' | — | ||
| 68-2 | Summertime (I) | — | ||
| 68-3 | Summertime (II) | — | ||
| 68-4 | It Ain't Necessarily So | — | ||
| 68-5 | Rhapsody in Blue | Fazıl Say, New York Philharmonic, Kurt Masur | T-010.244.926-2 | |
| 68-6 | Rialto Ripples (Rag) | — | ||
| 68-7 | Impromptu in Two Keys | — | ||
| 68-8 | Merry Andrew | — | ||
| 68-9 | Three-Quarter Blues | — | ||
| 68-10 | Promenade | — | ||
| 68-11 | "I Got Rhythm" Variations | — | ||
| 68-13 | Novelette in Fourths | — | ||
| 68-14 | Rubato | — | ||
| 68-15 | Prelude I | — | ||
| 68-16 | Blue Lullaby | — | ||
| 68-17 | Spanish Prelude | — | ||
| 69-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) | Hélène Grimaud, New York Philharmonic, Kurt Masur | — | |
| 69-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Hélène Grimaud, New York Philharmonic, Kurt Masur | — | |
| 69-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) | Hélène Grimaud, New York Philharmonic, Kurt Masur | — | |
| 69-4 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo | Hélène Grimaud | — | |
| 69-5 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Hélène Grimaud | — | |
| 69-6 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Hélène Grimaud | — | |
| 69-7 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Hélène Grimaud | — | |
| 69-8 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Hélène Grimaud | — | |
| 69-9 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | Hélène Grimaud | — | |
| 70-1 | Violin Concerto no. 1 in G minor op. 26: I. Vorspiel : allegro moderato | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-2 | BRUCH VIOLIN CONCERTO NO 1 IN G MINOR OP 26 II ADAGIO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-3 | III. FINALE. ALLEGRO ENERGICO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-4 | I. ALLEGRO NON TROPPO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-5 | VIOLIN CONCERTO IN D OP.77: II: ADAGIO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-6 | BRAHMS: VIOLIN CONCERTO IN D MAJOR, OP. 77: III. ALLEGRO GIOCOSO MA NON TROPPO VIVACE | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — |
Identifier Graph
0190296611551 is a Universal Product Code (UPC) assigned to Kurt Masur The Complete Warner Classics Edition by Kurt Masur. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 571 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
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Creative Contributors (ISNI)
The UPC for “Kurt Masur The Complete Warner Classics Edition” by Kurt Masur is 0190296611551. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-01-01. Label: Warner Classics. This release contains 571 tracks, each with its own ISRC. Tracks include GBAYC8804560, GBAYC9800705, GBAYC9800706.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto No. 1 in D-flat major, Op. 10: I. Allegro brioso | — | ||
| 2 | Piano Concerto No. 1 in D-flat major, Op. 10: II. Andante assai | — | ||
| 3 | Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando | — | ||
| 4 | Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto | — | ||
| 5 | Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace | — | ||
| 6 | Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato | — | ||
| 7 | Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestuoso | — | ||
| 8 | Overture on Hebrew Themes in C minor | — | ||
| 2-1 | Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-2 | Piano Concerto No. 3 in C major, Op. 26: II. Thème et variations | — | ||
| 2-3 | Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo | — | ||
| 2-4 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": I. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-5 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": II. Andante | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-6 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": III. Moderato | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-7 | Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": IV. Vivace | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-8 | Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio | — | ||
| 2-9 | Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato | — | ||
| 2-10 | Piano Concerto No. 5 in G major, Op. 55: III. Toccata. Allegro con fuocco | — | ||
| 2-11 | Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto | — | ||
| 2-12 | Piano Concerto No. 5 in G major, Op. 55: V. Vivo | — | ||
| 3-1 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro maestoso - | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 3-2 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Quasi Adagio - | — | ||
| 3-3 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegretto Vivace-Allegro Animato - | — | ||
| 3-4 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Marziale Animato | — | ||
| 3-5 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio Sostenuto Assai- | — | ||
| 3-6 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Agitato Assai - | — | ||
| 3-7 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Moderato - | — | ||
| 3-8 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Deciso - | — | ||
| 3-9 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Marziale Un Poco Meno Allegro - | — | ||
| 3-10 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Animato | — | ||
| 3-11 | Schubert: Wanderer-Fantasie, D760 (Transcr. Liszt c.1852), S366 | — | ||
| 3-12 | Weber: Polonaise Brillante «L'Hilarité», J268 (Transcr. Liszt c.1851), S367 | — | ||
| 4-1 | Fantasie Hongroise pour piano et orchestre | — | ||
| 4-2 | Fantasie pour piano et orchestre sur des thèmes des "Ruines d'Athènes", op. 113 de Beethoven | — | ||
| 4-3 | Grande Fantaisie Symphonique Sur Des Thèmes De «Lélio» De Berlioz (1834), S120 | — | ||
| 4-4 | Malédiction (1833), S121 | — | ||
| 4-5 | Totentanz, Paraphrase Über "Dies Irae" (1849), S126 | — | ||
| 5-1 | Ce qu'on entend sur la montage (1848-9) After Hugo, S. 95 | — | ||
| 5-2 | Tasso: Lamento e trionfo (1849) After Byron, S. 96 | — | ||
| 5-3 | Les Préludes (1848) After Lamartine, S. 97 | — | ||
| 5-4 | Orpheus (1853-4), S. 98 | — | ||
| 6-1 | No. 5: Prometheus (1850), S. 99 | — | ||
| 6-2 | No. 6: Mazeppa (1851) After Hugo, S. 100 | — | ||
| 6-3 | No. 7: Festklänge (1853), S. 101 | — | ||
| 6-4 | No. 8: Héroïde Funèbre (1849-50), S. 102 | — | ||
| 6-5 | Mephisto Waltz No.2 (1880-81), S. 111 | — | ||
| 7-1 | No. 9: Hungaria (1854), S. 103 | — | ||
| 7-2 | No. 10: Hamlet (1858) After Shakespeare, S. 104 | — | ||
| 7-3 | No. 11: Hunnenschlacht (1856-57) After Kaulbach, S. 105 | — | ||
| 7-4 | No. 12: Die Ideale (1857) After Schiller, S. 106 | — | ||
| 8-1 | No. 13, Von der Wiege bis zur Bahre: I. Die Wiege | — | ||
| 8-2 | No. 13, Von der Wiege bis zur Bahre: Der Kampf Um's Dasein | — | ||
| 8-3 | No. 13, Von der Wiege bis zur Bahre: Zum Grabe (Die Wiege Des Zukünftigen Lebens) | — | ||
| 8-4 | Eine Faust-Symphonie, S. 108: I. Faust (Lento assai - Allegro impetuoso - Allegro agitato ed apassionato assai) | — | ||
| 8-5 | Eine Faust-Symphonie, S. 108: II. Gretchen (Andante soave) | — | ||
| 8-6 | Eine Faust-Symphonie, S. 108: III. Mephistopheles (Andante mistico) | — | ||
| 9-1 | Zwei Episoden aus Lenaus Faust, S. 110: I. Der nächtliche Zug | — | ||
| 9-2 | Zwei Episoden aus Lenaus Faust, S. 110: II. Der Tanz in Der Dorfschenke (Mephisto Waltz No.1) | — | ||
| 9-3 | A Dante Symphony, S. 109: I. Inferno | — | ||
| 9-4 | A Dante Symphony, S. 109: II. Purgatorio | — | ||
| 10-1 | Violin Concerto in D major, Op. 61: I. Allegro, Ma Non Troppo | — | ||
| 10-2 | Violin Concerto in D Major, Op. 61: II. Larghetto | — | ||
| 10-3 | Violin Concerto in D Major, Op. 61: III. Rondo (Allegro) | — | ||
| 11-1 | Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: I. Allegro | — | ||
| 11-2 | Triple Concerto for Piano, Violin & Cello in C, op. 56: II. Largo - attacca | Ulf Hoelscher, Heinrich Schiff, Christian Zacharias, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 11-3 | Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: III. Rondo alla polacca | — | ||
| 11-4 | Violin Romance No. 1 in G Major, Op. 40 | — | ||
| 11-5 | Violin Romance No. 2 in F Major, Op. 50 | — | ||
| 12-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Thomas Zehetmair, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Thomas Zehetmair, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-3 | Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Thomas Zehetmair, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-4 | Finlandia, op. 26 | Gewandhausorchester Leipzig, Kurt Masur | T-910.256.702-2 | |
| 12-5 | The Swan of Tuonela, op. 22 no. 2 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12-6 | Karelia Overture, op. 10 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 13-1 | Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto – Moderato con anima | — | ||
| 13-2 | Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzona | — | ||
| 13-3 | Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato – Allegro | — | ||
| 13-4 | Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco | — | ||
| 14-1 | Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo | — | ||
| 14-2 | Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 14-3 | Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 14-4 | Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Leipzig Gewandhaus Orchestra, Kurt Masur | — | |
| 15-1 | Symphony No. 5 in E minor, Op. 64: I. Andante – Allegro con anima | — | ||
| 15-2 | Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 15-3 | Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato | — | ||
| 15-4 | Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace | — | ||
| 16-1 | Symphony No. 3 in A Minor, Op. 56, "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato Andante come prima | — | ||
| 16-2 | Symphony No. 3 in A Minor, Op. 56, "Scottish": II. Vivace non troppo | — | ||
| 16-3 | Symphony No. 3 in A Minor, Op. 56, "Scottish": III. Adagio | — | ||
| 16-4 | Symphony No. 3 in A Minor, Op. 56, "Scottish": IV. Allegro vivacissimo | — | ||
| 16-5 | Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace | — | ||
| 16-6 | Symphony No. 4 in A Major, Op. 90, "Italian": II. Andante con moto | — | ||
| 16-7 | Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato | — | ||
| 16-8 | Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | — | ||
| 17-1 | Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco | — | ||
| 17-2 | Piano Concerto No. 1 in G minor, Op. 25: II. Andante | — | ||
| 17-3 | Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro vivace | Cyprien Katsaris, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 17-4 | Capriccio billant in B minor for piano and orchestra, Op. 40 | — | ||
| 17-5 | Piano Concerto No. 2 in D minor, Op. 40: I. Allegro appassionato | — | ||
| 17-6 | Piano Concerto No. 2 in D minor, Op. 40: II. Adagio | — | ||
| 17-7 | Piano Concerto No. 2 in D minor, Op. 40: III. Finale: Presto scherzando | — | ||
| 18-1 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace | — | ||
| 18-2 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 18-3 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 18-4 | Piano Sonata no. 1 in G major, op. 37: I. Moderato e risoluto | — | ||
| 18-5 | Piano Sonata no. 1 in G major, op. 37: II. Andante non troppo quasi moderato | — | ||
| 18-6 | Piano Sonata no. 1 in G major, op. 37: III. Scherzo. Allegro giocoso | — | ||
| 18-7 | Piano Sonata no. 1 in G major, op. 37: IV. Finale. Allegro vivace | — | ||
| 19-1 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ia. Maestoso con moto - Allegro - Maestoso con moto come I | — | ||
| 19-2 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ib. Allegretto un poco agitato | — | ||
| 19-3 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ic. Adagio religioso | — | ||
| 19-4 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor) | — | ||
| 19-5 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor) | — | ||
| 19-6 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor) | — | ||
| 19-7 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor) | — | ||
| 19-8 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IV. Chor. A tempo moderato (Chor) | — | ||
| 19-9 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor) | — | ||
| 19-10 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran) | — | ||
| 19-11 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace (Chor) | — | ||
| 19-12 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VIII. Andante con moto (Chor) | — | ||
| 19-13 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran) | — | ||
| 19-14 | Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": X. Allegro non troppo (Chor) | — | ||
| 20-1 | Symphony No. 1 in C minor op. 11: I. Allegro di molto | — | ||
| 20-2 | Symphony No. 1 in C minor op. 11: II. Andante | — | ||
| 20-3 | Symphony No. 1 in C minor op. 11: III. Menuetto. Allegro molto - Trio | — | ||
| 20-4 | Symphony No. 1 in C minor op. 11: IV. Allegro con fuoco | — | ||
| 20-5 | Symphony No. 5 in D Major, op. 107: I. Andante - Allegro con fuoco | — | ||
| 20-6 | Symphony No. 5 in D Major, op. 107: II. Allegro vivace | — | ||
| 20-7 | Symphony No. 5 in D Major, op. 107: III. Andante | — | ||
| 20-8 | Symphony No. 5 in D Major, op. 107: IV. Choral: Ein feste Burg ist unser Gott! Andante con moto - Allegro vivace - Allegro maestoso | — | ||
| 21-1 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": I. Allegro tranquillo | — | ||
| 21-2 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": II. Adagio cantabile ma non tanto | — | ||
| 21-3 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": III. Scherzo. Allegro scherzando giocoso | — | ||
| 21-4 | Symphony No. 1 in G minor, Op. 13 "Winter Dreams": IV. Finale. Andante lugubre – Allegro moderato – Allegro maestoso | — | ||
| 21-5 | Francesca da Rimini, Op. 32, Orchestral fantasy after Dante | — | ||
| 22-1 | Piano Concerto no. 1 in B-flat minor, op. 23: Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 22-2 | Piano Concerto no. 1 in B-flat minor, op. 23: Andantino semplice - Prestissimo - Tempo I | — | ||
| 22-3 | Piano Concerto no. 1 in B-flat minor, op. 23: Allegro con fuoco | — | ||
| 22-4 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso - Andante Espressivo | — | ||
| 22-5 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 22-6 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 23-1 | Symphony No. 1 B flat major op. 38: I. Andante un poco maestoso | — | ||
| 23-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto | London Philharmonic Orchestra, Kurt Masur | — | |
| 23-3 | Symphony No. 1 B flat major op. 38: III. Scherzo - Molto vivace | — | ||
| 23-4 | Symphony No. 1 B flat major op. 38: IV. Allegro animato e grazioso | — | ||
| 23-5 | Symphony No. 4 d minor op. 120: Andante con moto - vivace | — | ||
| 23-6 | Symphony No. 4 d minor op. 120: Andante | — | ||
| 23-7 | Symphony No. 4 d minor op. 120: Scherzo - Presto | — | ||
| 23-8 | Symphony No. 4 d minor op. 120: Largo - Allegro vivace - Presto | — | ||
| 24-1 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | — | ||
| 24-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marziale, quasi moderato | — | ||
| 24-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo (Allegro molto vivace) | — | ||
| 24-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale (Moderato assai) | — | ||
| 24-5 | Romeo and Juliet, TH 42, fantasy overture | — | ||
| 25-1 | Symphonie No. 2 C-dur, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo | — | ||
| 25-2 | Symphonie No. 2 C-dur, Op. 61: II. Scherzo: Allegro vivace | — | ||
| 25-3 | Symphonie No. 2 C-dur, Op. 61: III. Adagio espressivo | — | ||
| 25-4 | Symphonie No. 2 C-dur, Op. 61: IV. Allegro molto vivace | — | ||
| 25-5 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": I. Lebhaft | — | ||
| 25-6 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": II. Scherzo: Sehr mäßig | — | ||
| 25-7 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": III. Nicht schnell | — | ||
| 25-8 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": IV. Feierlich | — | ||
| 25-9 | Symphonie No. 3 Es-dur, Op. 97 "Rheinische": V. Lebhaft | — | ||
| 26-1 | Ein Sommernachtstraum, op. 61: Overtüre, op. 21 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 26-2 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Hier ist das Blatt" | — | ||
| 26-3 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 1 Scherzo | — | ||
| 26-4 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 2 Melodram "Über Täler und Höh'n" | — | ||
| 26-5 | Ein Sommernachtstraum, Op. 61, MWV M13: Elfenmarsch | — | ||
| 26-6 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 3 Lied mit Chor "Kommt! Einen Ringel" | — | ||
| 26-7 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 4 Melodram "Was du wirst erwachend seh'n" | — | ||
| 26-8 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 5 Intermezzo | — | ||
| 26-9 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 6 Melodram. "Welch hausgebackenes Volk" | — | ||
| 26-10 | A Midsummer Night's Dream, op. 61: Nr. 7 Notturno | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 26-11 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Nun, toller Geist" - No. 8 "Melodram als wäre nichts geschehen" | — | ||
| 26-12 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 9 Hochzeitsmarsch | — | ||
| 26-13 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Nun kommt!" - No.10 Melodram "Was das bedeuten soll" | — | ||
| 26-14 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Beliebt es Euer Hoheit" | — | ||
| 26-15 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 11 Ein Tanz von Rüpeln | — | ||
| 26-16 | Ein Sommernachtstraum, Op. 61, MWV M13: Text "Zu Bett geliebte Freunde!" | — | ||
| 26-17 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 12 Melodram "Jetzt beheult der Wolf den Mond" | — | ||
| 26-18 | Ein Sommernachtstraum, Op. 61, MWV M13: No. 13 Finale "Bei des Feuers mattem Flimmern" | — | ||
| 27-1 | Pictures at an Exhibition: Promenade | London Philharmonic Orchestra, Kurt Masur | — | |
| 27-2 | Pictures at an Exhibition: 1. Gnomus | — | ||
| 27-3 | Pictures at an Exhibition: Promenade | — | ||
| 27-4 | Pictures at an Exhibition: 2. Il vecchio castello | — | ||
| 27-5 | Pictures at an Exhibition: Promenade | — | ||
| 27-6 | Pictures at an Exhibition: 3. Tuileries | — | ||
| 27-7 | Pictures at an Exhibition: 4. Bydlo | — | ||
| 27-8 | Pictures at an Exhibition: Promenade | — | ||
| 27-9 | Pictures at an Exhibition: 5. Ballet of the Unhatched Chickens | London Philharmonic Orchestra, Kurt Masur | — | |
| 27-10 | Pictures at an Exhibition: 6. Samuel Goldenberg and Schmuyle | — | ||
| 27-11 | Pictures at an Exhibition: Promenade | — | ||
| 27-12 | Pictures at an Exhibition: 7. Limoges | — | ||
| 27-13 | Pictures at an Exhibition: 8. Catacombae. Sepulchrum romanum | — | ||
| 27-14 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 27-15 | Pictures at an Exhibition: 9. The Hut on Hen's Legs (Baba-Yaga) | — | ||
| 27-16 | Pictures at an Exhibition: 10. The Great Gate of Kiev | — | ||
| 27-17 | Symphony No. 1 in D major: I. Allegro | — | ||
| 27-18 | Symphony No. 1 in D major: II. Larghetto | — | ||
| 27-19 | Symphony No. 1 in D major: III. Non troppo allegro. Gavotte | — | ||
| 27-20 | Symphony No. 1 in D major: IV. Molto vivace. Finale | — | ||
| 28-1 | Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke | — | ||
| 28-2 | Alexander Nevsky, Op. 78: Song About Alexander Nevsky | — | ||
| 28-3 | Alexander Nevsky, Op. 78: The Crusaders in Pskov | — | ||
| 28-4 | Alexander Nevsky, Op. 78: Arise, Ye Russian People | — | ||
| 28-5 | Alexander Nevsky, op. 78: The Battle on the Ice | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 28-6 | Alexander Nevsky, Op. 78: The Field of the Dead | — | ||
| 28-7 | Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov | — | ||
| 28-8 | Scythian Suite, Op. 20: The Adoration of Weles and Ala | — | ||
| 28-9 | Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness | — | ||
| 28-10 | Scythian Suite, Op. 20: The Night | — | ||
| 28-11 | Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun | — | ||
| 29-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante | — | ||
| 29-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | — | ||
| 29-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | — | ||
| 29-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | — | ||
| 30-1 | Cello Concerto in A minor, op. 129: 1. Nicht zu schnell | — | ||
| 30-2 | Cello Concerto in A minor, op. 129: 2. Langsam - Etwas labhafter - Schneller | — | ||
| 30-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | Natalia Gutman, London Philharmonic Orchestra, Kurt Masur | — | |
| 30-4 | Cello Concerto no. 1: 1. Pesante - Moderato | — | ||
| 30-5 | Cello Concerto no. 1: 2. Largo | — | ||
| 30-6 | Cello Concerto no. 1: 3. Allegro vivace | — | ||
| 30-7 | Cello Concerto no. 1: 4. Largo | — | ||
| 31-1 | Symphony no. 3 in D major, Op. 29 "Polish": I. Introduzione e Allegro Moderato assai | — | ||
| 31-2 | Symphony no. 3 in D major, Op. 29 "Polish": II. Alla tedesca | — | ||
| 31-3 | Symphony no. 3 in D major, Op. 29 "Polish": III. Andante elegiaco | — | ||
| 31-4 | Symphony no. 3 in D major, Op. 29 "Polish": IV. Scherzo. Allegro vivo – Trio | — | ||
| 31-5 | Symphony no. 3 in D major, Op. 29 "Polish": V. Finale. Allegro con fuoco | — | ||
| 31-6 | Mazeppa: Gopak (Act 1), TH 7 | — | ||
| 31-7 | Festival Coronation March in D Major, Op. 49 | — | ||
| 32-1 | Symphony no. 7: I. Allegro Moderato | — | ||
| 32-2 | Symphony no. 7: II. Adagio - Sehr feierlich und sehr langsam | — | ||
| 32-3 | Symphony no. 7: III. Scherzo - Sehr Schnell | — | ||
| 32-4 | Symphony no. 7: IV. Finale - Bewegt, doch nicht schnell | — | ||
| 33-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio, Allegro molto | — | ||
| 33-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | New York Philharmonic Orchestra, Kurt Masur | — | |
| 33-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace | — | ||
| 33-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 33-5 | Slavonic Dances no. 2 in E minor, op. 72: Dumka | New York Philharmonic, Kurt Masur | — | |
| 33-6 | Slavonic Dances no. 6 in B-flat major, op. 46: Sousedská | — | ||
| 33-7 | Slavonic Dances no. 8 in G minor, op. 46: Furiant | — | ||
| 34-1 | Variations on "America": Theme | — | ||
| 34-2 | Variations on "America": Variation 1 | — | ||
| 34-3 | Variations on "America": Variation 2 | — | ||
| 34-4 | Variations on "America": Interlude | — | ||
| 34-5 | Variations on "America": Variation 3 | — | ||
| 34-6 | Variations on "America": Variation 4 | — | ||
| 34-7 | Variations on "America": Interlude | — | ||
| 34-8 | Variations on "America": Variation 5 | — | ||
| 34-9 | Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante | — | ||
| 34-10 | Variations on a Theme by Joseph Haydn, op. 56a: Var. I. Poco più animato | — | ||
| 34-11 | Variations on a Theme by Joseph Haydn, op. 56a: Var. II. Più vivace | — | ||
| 34-12 | Variations on a Theme by Joseph Haydn, op. 56a: Var. III. Con moto | — | ||
| 34-13 | Variations on a Theme by Joseph Haydn, op. 56a: Var. IV. Andante con moto | — | ||
| 34-14 | Variations on a Theme by Joseph Haydn, op. 56a: Var. V. Vivace | — | ||
| 34-15 | Variations on a Theme by Joseph Haydn, op. 56a: Var. VI. Vivace | — | ||
| 34-16 | Variations on a Theme by Joseph Haydn, op. 56a: Var. VII. Grazioso | — | ||
| 34-17 | Variations on a Theme by Joseph Haydn, op. 56a: Var. VIII. Presto non trope | — | ||
| 34-18 | Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante | — | ||
| 34-19 | Variations and Fugue on a Theme by Mozart, op. 132: Andante grazioso | — | ||
| 34-20 | Variations and Fugue on a Theme by Mozart, op. 132: Variation I. L'istesso tempo | — | ||
| 34-21 | Variations and Fugue on a Theme by Mozart, op. 132: Variation II. Poco agitato | — | ||
| 34-22 | Variations and Fugue on a Theme by Mozart, op. 132: Variation III. Con moto | — | ||
| 34-23 | Variations and Fugue on a Theme by Mozart, op. 132: Variation IV. Vivace | — | ||
| 34-24 | Variations and Fugue on a Theme by Mozart, op. 132: Variation V. Quasi presto | — | ||
| 34-25 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VI. Sostenuto | — | ||
| 34-26 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VII. Andante grazioso | — | ||
| 34-27 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VIII. Molto sostenuto | — | ||
| 34-28 | Variations and Fugue on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) | — | ||
| 35-1 | Elias, Op. 70: Einleitung. "So wahr der Herr, der Gott Israels lebet" | — | ||
| 35-2 | Elias, Op. 70: Ouvertüre | — | ||
| 35-3 | Elias, Op. 70: Chor. "Hilf, Herr!" | — | ||
| 35-4 | Elias, Op. 70: Duett im Chor. "Herr, höre unser Gebet" | — | ||
| 35-5 | Elias, Op. 70: Rezitativ. "Zerreisset eure Herzen" | — | ||
| 35-6 | Elias, Op. 70: Arie. "So ihr mich von ganzem Herzen suchet" | — | ||
| 35-7 | Elias, Op. 70: Chor. "Aber der Herr sieht es nicht" | — | ||
| 35-8 | Elias, Op. 70: Rezitativ. "Elias, gehe weg von hinnen!" | — | ||
| 35-9 | Elias, Op. 70: Doppelquartett. "Denn er hat seinen Engeln befohlen" | — | ||
| 35-10 | Elias, Op. 70: Rezitativ. "Nun auch der Bach vertrocknet ist" | — | ||
| 35-11 | Elias, Op. 70: Rezitativ, "Arie und Duett. Was hast du an mir getan" | — | ||
| 35-12 | Elias, Op. 70: Chor. "Wohl dem, der den Herrn fürchtet" | — | ||
| 35-13 | Elias, Op. 70: Rezitativ mit Chor. "So wahr der Herr Zebaoth lebet" | — | ||
| 35-14 | Elias, Op. 70: Chor. "Baal, erhöre uns!" | — | ||
| 35-15 | Elias, Op. 70: Rezitativ mit Chor. "Rufet lauter!" | — | ||
| 35-16 | Elias, Op. 70: Rezitativ mit Chor. "Rufet lauter! Er hört euch nicht" | — | ||
| 35-17 | Elias, Op. 70: "Kommt her, alles Volk" | — | ||
| 35-18 | Elias, Op. 70: Quartett. "Wirf dein Anliegen auf den Herrn" | — | ||
| 35-19 | Elias, Op. 70: Rezitativ mit Chor. "Der du deine Diener machst zu Geistern" | — | ||
| 35-20 | Elias, Op. 70: Arie. "Ist nicht der Herrn Wort wie ein Feuer" | — | ||
| 35-21 | Elias, Op. 70: Arioso. "Weh ihnen, dass sie von mir weichen!" | — | ||
| 35-22 | Elias, Op. 70: Rezitativ mit Chor. "Hilf deinem Volk, du Mann Gottes!" | — | ||
| 35-23 | Elias, Op. 70: Chor. "Dank sei dir Gott" | — | ||
| 36-1 | Elias, Op. 70: Arie. "Höre, Israel höre des Herrn Stimme" | — | ||
| 36-2 | Elias, Op. 70: "So spricht der Herr: Ich bin euer Tröster" | — | ||
| 36-3 | Elias, Op. 70: Chor. "Fürchte dich nicht, spricht unser Gott" | — | ||
| 36-4 | Elias, Op. 70: Rezitativ mit Chor. "Der Herr hat dich erhoben" | — | ||
| 36-5 | Elias, Op. 70: Chor. "Wehe ihm, er muss sterben!" | — | ||
| 36-6 | Elias, Op. 70: Rezitativ. "Du Mann Gottes" | — | ||
| 36-7 | Elias, Op. 70: Arie. "Es ist genug!" | — | ||
| 36-8 | Elias, Op. 70: Rezitativ. "Siehe, er schläft" | — | ||
| 36-9 | Elias, Op. 70: Terzett. "Hebe deine Augen auf zu den Bergen" | — | ||
| 36-10 | Elias, Op. 70: Chor. "Siehe, der Hüter Israels" | — | ||
| 36-11 | Elias, Op. 70: Rezitativ. "Stehe auf, Elias" | — | ||
| 36-12 | Elias, Op. 70: Arie. "Sei stille dem Herrn" | — | ||
| 36-13 | Elias, Op. 70: Chor. "Wer bis an das Ende beharrt" | — | ||
| 36-14 | Elias, Op. 70: Rezitativ. "Herr, es wird Nacht um mich" | — | ||
| 36-15 | Elias, Op. 70: Chor. "Der Herr ging vorüber" | — | ||
| 36-16 | Elias, Op. 70: Rezitativ. "Seraphim standen über ihm" | — | ||
| 36-17 | Elias, Op. 70: Quartett mit Chor. "Heilig ist Gott der Herr" | — | ||
| 36-18 | Elias, Op. 70: Chor-Rezitativ. "Gehe wiederum hinab!" | — | ||
| 36-19 | Elias, Op. 70: Arioso. "Ja, es sollen wohl Berge weichen" | — | ||
| 36-20 | Elias, Op. 70: Chor. "Und der Prophet Elias brach hervor" | — | ||
| 36-21 | Elias, Op. 70: Arie. "Dann werden die Gerechten leuchten" | — | ||
| 36-22 | Elias, Op. 70: Rezitativ. "Darum ward gesendet der Prophet Elias" | — | ||
| 36-23 | Elias, Op. 70: Chor. "Aber einer erwacht von Mitternacht" | — | ||
| 36-24 | Elias, Op. 70: Quartett. "Wohlan, alle, die ihr durstig seid" | — | ||
| 36-25 | Elias, Op. 70: Chor. "Alsdann wird euer Licht hervorbrechen" | — | ||
| 37-1 | Symphony in D minor: I. Lento - Allegro non troppo | — | ||
| 37-2 | Symphony in D minor: II. Allegretto | — | ||
| 37-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 37-4 | Les Eolides (Symphonic poem) | — | ||
| 38-1 | Symphony No. 2 in D Major, Op. 73: I. Allegro Non Troppo | — | ||
| 38-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | New York Philharmonic, Kurt Masur | T-329.366.758-6 | |
| 38-3 | Symphony No. 2 in D Major, Op. 73: III: Allegretto Grazioso - Presto Ma Non Assai | — | ||
| 38-4 | Symphony No. 2 in D Major, Op. 73: IV. Allegro Con Sprito | — | ||
| 38-5 | Academic Festival Overture, Op. 80 | — | ||
| 39-1 | Symphony no. 1 in D major "Titan": Langsam - Schleppend - Wie ein Naturlaut | — | ||
| 39-2 | Symphony no. 1 in D major "Titan": Kräftig bewegt, doch nicht zu schnell | — | ||
| 39-3 | Symphony no. 1 in D major "Titan": Feierlich und gemessen, ohne zu schleppen | — | ||
| 39-4 | Symphony no. 1 in D major "Titan": Stürmisch bewegt | — | ||
| 39-5 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 39-6 | Lieder eines fahrenden Gesellen: Ging heut' Morgen übers Feld | — | ||
| 39-7 | Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer | — | ||
| 39-8 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen | — | ||
| 40-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 40-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 40-3 | Symphony No. 5 in C minor, Op. 67: III. Allegro | — | ||
| 40-4 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 40-5 | Egmont, Op. 84: Ouverture | New York Philharmonic, Kurt Masur | T-900.190.066-9 | |
| 40-6 | Egmont, Op. 84: Lied "Die Trommel gerühret!" (Klärchen) | — | ||
| 40-7 | Egmont, Op. 84: Zwischenakt I | — | ||
| 40-8 | Egmont, Op. 84: Zwischenakt II | — | ||
| 40-9 | Egmont, Op. 84: Lied "Freudvoll und leidvoll" (Klärchen) | — | ||
| 40-10 | Egmont, Op. 84: Zwischenakt III | — | ||
| 40-11 | Egmont, Op. 84: Zwischenakt IV | — | ||
| 40-12 | Egmont, Op. 84: Musik, Klärchens Tod bezeichnend | — | ||
| 40-13 | Egmont, Op. 84: Melodrama "Süßer Schlaf" | — | ||
| 40-14 | Egmont, Op. 84: Siegessymphonie | — | ||
| 41-1 | Mazeppa, S. 100: Symphonic poem after Victor Hugo | — | ||
| 41-2 | Mephisto Waltz No. 1, S110: "Der Tanz in der Dorfschenke" | — | ||
| 41-3 | Theatre Overture | — | ||
| 41-4 | Háry János, Suite: I. Prelude The Fairy tale begins | — | ||
| 41-5 | Háry János, Suite: II. Viennese Musical Clock | — | ||
| 41-6 | Háry János, Suite: III. Song | — | ||
| 41-7 | Háry János, Suite: IV. The battle and defeat of Napoleon | — | ||
| 41-8 | Háry János, Suite: V. Intermezzo | — | ||
| 41-9 | Háry János, Suite: VI. Entrance of the emperor and his court | — | ||
| 42-1 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace | — | ||
| 42-2 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 42-3 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 42-4 | Piano Concerto no. 3 in E-flat major, op. posth.75: Allegro brillante | — | ||
| 43-1 | Babi Yar (recitation) | — | ||
| 43-2 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": I. Babi Yar: Adagio | — | ||
| 43-3 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": II. Humour: Allegretto | — | ||
| 43-4 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": III. In the Store: Adagio | — | ||
| 43-5 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": IV. Fears: Largo | — | ||
| 43-6 | Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": V. Career: Allegretto | — | ||
| 43-7 | The Loss (recitation) | — | ||
| 44-1 | Symphony No. 8 in G, Op. 88: I. Allegro con brio | — | ||
| 44-2 | Symphony No. 8 in G, Op. 88: II. Adagio | — | ||
| 44-3 | Symphony No. 8 in G, Op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 44-4 | Symphony No. 8 in G, Op. 88: IV. Allegro ma non troppo | — | ||
| 44-5 | Sinfonietta: I. Allegretto | — | ||
| 44-6 | Sinfonietta: II. Andante | — | ||
| 44-7 | Sinfonietta: III. Moderato | — | ||
| 44-8 | Sinfonietta: IV. Allegretto | — | ||
| 44-9 | Sinfonietta: V. Andante con moto | — | ||
| 45-1 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio | — | ||
| 45-2 | Symphony No. 3 in F major, Op. 90: II. Andante | — | ||
| 45-3 | Symphony No. 3 in F major, Op. 90: III Poco allegretto | — | ||
| 45-4 | Symphony No. 3 in F major, Op. 90: IV. Allegro | — | ||
| 45-5 | Nature, Life and Love: In Nature's Realm, Op. 91 | — | ||
| 45-6 | Nature, Life and Love: Carnival, Op. 92 | — | ||
| 45-7 | Nature, Life and Love: Othello, Op. 93 | — | ||
| 46-1 | Prélude à l’après-midi d’un faune | — | ||
| 46-2 | Rapsodie pour orchestre et saxophone | — | ||
| 46-3 | La Mer: De l’Aube à midi sur la mer | — | ||
| 46-4 | La Mer: Jeux de vagues | — | ||
| 46-5 | La Mer: Dialogue du vent et de la mer | — | ||
| 46-6 | La Valse | New York Philharmonic, Kurt Masur | T-305.194.234-4 | |
| 46-7 | Boléro | New York Philharmonic, Kurt Masur | T-003.006.377-4 | |
| 47-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato | — | ||
| 47-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 47-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | — | ||
| 47-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Maxim Vengerov, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 47-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 47-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo · Allegro molto vivace | — | ||
| 48-1 | Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 48-2 | Symphony no. 4 in E-flat major "Romantic": II. Andante, quasi allegretto | — | ||
| 48-3 | Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt | — | ||
| 48-4 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 49-1 | Die sieben Todsünden: Prolog | — | ||
| 49-2 | Die sieben Todsünden: I. Faulheit | — | ||
| 49-3 | Die sieben Todsünden: II. Stolz | — | ||
| 49-4 | Die sieben Todsünden: III. Zorn | — | ||
| 49-5 | Die sieben Todsünden: IV. Völlerei | — | ||
| 49-6 | Die sieben Todsünden: V. Unzucht | — | ||
| 49-7 | Die sieben Todsünden: VI. Habsucht | — | ||
| 49-8 | Die sieben Todsünden: VII. Neid | — | ||
| 49-9 | Die sieben Todsünden: Epilog | — | ||
| 49-10 | Lulu Suite: I. Rondo. Andante und Hymne | — | ||
| 49-11 | Lulu Suite: II. Ostinato. Allegro | — | ||
| 49-12 | Lulu Suite: III. Lied der Lulu. Comodo | — | ||
| 49-13 | Lulu Suite: IV. Variationen. Moderato | — | ||
| 49-14 | Lulu Suite: V. Adagio. Sostenuto lento grave | — | ||
| 50-1 | Piano Concerto No. 2 in B-flat major, Op.83: I. Allegro non troppo | — | ||
| 50-2 | Piano Concerto No. 2 in B-flat major, Op.83: II. Allegro appassionato | — | ||
| 50-3 | Piano Concerto No. 2 in B-flat major, Op.83: III. Andante | — | ||
| 50-4 | Piano Concerto No. 2 in B-flat major, Op.83: IV. Allegretto grazioso | — | ||
| 51-1 | Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro | — | ||
| 51-2 | Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto | — | ||
| 51-3 | Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso | — | ||
| 51-4 | Symphony No. 1 in C minor, Op. 68: I. Adagio - Più andante - Allegro non troppo, ma con brio | — | ||
| 51-5 | Tragic Overture, Op. 81 | — | ||
| 52-1 | Symphony no. 9 in D major: Andante comodo | — | ||
| 52-2 | Symphony no. 9 in D major: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 52-3 | Symphony no. 9 in D major: Rondo-Burleske: Allegro assai. Sehr trotzig | — | ||
| 52-4 | Symphony no. 9 in D major: Adagio | — | ||
| 53-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 53-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 53-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 53-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 53-5 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: The Montagues and the Capulets | New York Philharmonic, Kurt Masur | — | |
| 53-6 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Juliet the Young Girl | — | ||
| 53-7 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Masks | — | ||
| 53-8 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Romeo and Juliet | — | ||
| 53-9 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Tybalt's Death | — | ||
| 53-10 | Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Romeo at Juliet's Grave | — | ||
| 54-1 | Swan Lake: Act 3, No. 17 Entrance and Waltz of the Special Guests | — | ||
| 54-2 | Swan Lake: Act 3, No. 1, No. 2 Waltz | — | ||
| 54-3 | Eugene Onegin: Vals | New York Philharmonic, Kurt Masur | — | |
| 54-4 | The Sleeping Beauty: Act 1, No. 7 Waltz | — | ||
| 54-5 | Hamlet: Interlude Waltz | — | ||
| 54-6 | The Nutcracker: Act 1, No. 9 Waltz of the Snowflakes | — | ||
| 54-7 | The Nutcracker Suite (Waltz of the Flowers) | Kurt Masur, New York Philharmonic | — | |
| 54-8 | The Nutcracker: Act 2, No. 15 Final Waltz and Apotheosis | — | ||
| 54-9 | Symphony Nr. 5, Op. 64: III. Valse (Allegro Moderato) | — | ||
| 54-10 | Symphony Nr. 6, Op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 54-11 | Serenade for strings, Op. 48: II. Moderato (Tempo Di Valse) | — | ||
| 55-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Elisabeth Leonskaja, New York Philharmonic, Kurt Masur | — | |
| 55-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | — | ||
| 55-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 55-4 | Concert Fantasia in G major, op. 56: I. Quasi rondo. Andante mosso | — | ||
| 55-5 | Concert Fantasia in G major, op. 56: II. Contrastes. Andante cantabile - Molto vivace | — | ||
| 56-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | — | ||
| 56-2 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | — | ||
| 56-3 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo (Allegro scherzando) | — | ||
| 56-4 | Piano Concerto no. 23 in A major, K488: I. Allegro | — | ||
| 56-5 | Piano Concerto no. 23 in A major, K488: II. Adagio | — | ||
| 56-6 | Piano Concerto no. 23 in A major, K488: III. Allegro assai | — | ||
| 57-1 | Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | — | ||
| 57-2 | Symphony No. 4 in E minor, Op. 98: II. Andante moderato | — | ||
| 57-3 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso | — | ||
| 57-4 | Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato | — | ||
| 57-5 | Schicksalslied, Op. 54 | — | ||
| 58-1 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: I. Selig sind, die da Leid tragen | — | ||
| 58-2 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: II. Denn alles Fleish, es ist wie Gras | — | ||
| 58-3 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: III. Herr, lehre doch mich | — | ||
| 58-4 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: IV. Wie lieblich sind Deine Wohnungen, Herr Zebaoth | — | ||
| 58-5 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: V. Ihr habt nun Traurigkeit | — | ||
| 58-6 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: VI. Denn wir haben hie keine bleibende Statt | — | ||
| 58-7 | Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: Selig sind die Toten, die in dem Herren sterben | — | ||
| 59-1 | Violin Concerto in A minor, op. 53: I. Allegro ma non troppo | Maxim Vengerov, New York Philharmonic, Kurt Masur | — | |
| 59-2 | Violin Concerto in A minor, op. 53: II. Adagio ma non troppo | Maxim Vengerov, New York Philharmonic, Kurt Masur | — | |
| 59-3 | Violin Concerto in A minor, op. 53: III. Finale : Allegro giocoso, ma non troppo | Maxim Vengerov, New York Philharmonic, Kurt Masur | — | |
| 59-4 | Sonata for Violin and Piano in E minor, op. 82: I. Allegro | Maxim Vengerov, Revital Chachamov | — | |
| 59-5 | Sonata for Violin and Piano in E minor, op. 82: II. Andante | Maxim Vengerov, Revital Chachamov | T-011.065.239-5 | |
| 59-6 | Sonata for Violin and Piano in E minor, op. 82: III. Allegro non troppo | Maxim Vengerov, Revital Chachamov | — | |
| 60-1 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Allegro | — | ||
| 60-2 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Adagio, ma non troppo | — | ||
| 60-3 | Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Rondo - allegretto | — | ||
| 60-4 | Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Allegro | — | ||
| 60-5 | Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Andante con moto | — | ||
| 60-6 | Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Alla polacca | — | ||
| 60-7 | Grand Duo Concertant for Clarinet and Piano, op. 48: Allegro con fuego | — | ||
| 60-8 | Grand Duo Concertant for Clarinet and Piano, op. 48: Andante con moto | — | ||
| 60-9 | Grand Duo Concertant for Clarinet and Piano, op. 48: Rondo | — | ||
| 61-1 | Piano Concerto No. 21 in C major, K 467: I. Allegro maestoso | — | ||
| 61-2 | Piano Concerto No. 21 in C major, K 467: II. Andante | Kurt Masur | T-010.194.871-3 | |
| 61-3 | Piano Concerto No. 21 in C major, K 467: III. Allegro vivace assai | — | ||
| 61-4 | Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco | — | ||
| 61-5 | Piano Concerto No. 1 in G minor, Op. 25: II. Andante | — | ||
| 61-6 | Piano Concerto No. 1 in G minor, Op. 25: III. Presto - Molto allegro vivace | — | ||
| 61-7 | Capriccio brilliant in B minor, Op. 22 | — | ||
| 62-1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam Te decet hymnus | — | ||
| 62-2 | War Requiem, op. 66: I. Requiem aeternam: What passing-bells for these who die as cattle? Kyrie eleison | — | ||
| 62-3 | War Requiem, op. 66: II. Dies irae: Dies irae, dies illa | — | ||
| 62-4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | — | ||
| 62-5 | War Requiem, op. 66: II. Dies irae: Liber scriptus profertur | — | ||
| 62-6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | — | ||
| 62-7 | War Requiem, op. 66: II. Dies irae: Recordae, Jesu pie | — | ||
| 62-8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | — | ||
| 62-9 | War Requiem, op. 66: II. Dies irae: Dies irae, dies illa | — | ||
| 62-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | — | ||
| 62-11 | War Requiem, op. 66: II. Dies irae: Move him into the sun, Pie Jesu, Domine | — | ||
| 62-12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe Sed signifer scantus Michael | — | ||
| 62-13 | War Requiem, op. 66: III. Offertorium: So Abram rose, Hostais et preces tibi, Quam olim Abrahae promisisti | — | ||
| 63-1 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus. Pleni sunt coeli et terra. Benedictus | — | ||
| 63-2 | War Requiem, op. 66: IV. Sanctus: After the blast of lightening from the East | — | ||
| 63-3 | War Requiem, op. 66: V. Agnus dei: One ever hangs where shelled roads part/Agnus dei Agnus Dei/Dona nobis pacem | — | ||
| 63-4 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | — | ||
| 63-5 | War Requiem, op. 66: VI. Libera me: It seemed that out of the battle I escaped | — | ||
| 63-6 | War Requiem, op. 66: VI. Libera me: Let us sleep now/ In paradisum | — | ||
| 64-1 | Flight of the Bumble Bee (From the opera The Tale of Tsar Saltan) | New York Philharmonic, Kurt Masur | — | |
| 64-2 | Scheherazade. Symphonic Suite, op. 35: I. The Sea and Sindbad’s Ship | — | ||
| 64-3 | Scheherazade. Symphonic Suite, op. 35: II. The Story of the Kalandar Prince | Glenn Dicterow, New York Philharmonic, Kurt Masur | — | |
| 64-4 | Scheherazade. Symphonic Suite, op. 35: III. The Young Prince and Princess | — | ||
| 64-5 | Scheherazade. Symphonic Suite, op. 35: IV. Festival in Baghdad - The Sea - The ship breaks up against a cliff surmounted by a bronze horseman - Conclusion | — | ||
| 64-6 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 64-7 | Capriccio espagnol, op. 34: II. Variazioni | New York Philharmonic, Kurt Masur | — | |
| 64-8 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 64-9 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 64-10 | Capriccio espagnol, op. 34: V. Fandango Asturiano | — | ||
| 65-1 | Symphony no. 3 in D major, D200: I. Adagio maestoso – Allegro con brio | — | ||
| 65-2 | Symphony no. 3 in D major, D200: II. Allegretto | — | ||
| 65-3 | Symphony no. 3 in D major, D200: III. Menuetto: Vivace | — | ||
| 65-4 | Symphony no. 3 in D major, D200: IV. Presto vivace | — | ||
| 65-5 | Fantasy in C major, D760 “Wanderer-Fantasie” | — | ||
| 65-6 | Symphony no. 8 in B minor, D759 “Unfinished”: I. Allegro moderato | — | ||
| 65-7 | Symphony no. 8 in B minor, D759 “Unfinished”: II. Andante con moto | — | ||
| 66-1 | Symphony no. 7 "Leningrad": Allegretto | — | ||
| 66-2 | Symphony no. 7 "Leningrad": Moderato (Poco allegretto) | — | ||
| 66-3 | Symphony no. 7 "Leningrad": Adagio | — | ||
| 66-4 | Symphony no. 7 "Leningrad": Allegro non troppo | — | ||
| 67-1 | Don Juan, Op. 20 | — | ||
| 67-2 | Tod und Verklärung, Op. 24 | — | ||
| 67-3 | Vier Letzte Lieder, op. 150: Frühling | — | ||
| 67-4 | Vier Letzte Lieder, op. 150: September | — | ||
| 67-5 | Vier Letzte Lieder, op. 150: Beim Schlafengehen | — | ||
| 67-6 | Vier Letzte Lieder, op. 150: Im Abendrot | — | ||
| 68-1 | I Got Plenty O' Nuttin' | — | ||
| 68-2 | Summertime (I) | — | ||
| 68-3 | Summertime (II) | — | ||
| 68-4 | It Ain't Necessarily So | — | ||
| 68-5 | Rhapsody in Blue | Fazıl Say, New York Philharmonic, Kurt Masur | T-010.244.926-2 | |
| 68-6 | Rialto Ripples (Rag) | — | ||
| 68-7 | Impromptu in Two Keys | — | ||
| 68-8 | Merry Andrew | — | ||
| 68-9 | Three-Quarter Blues | — | ||
| 68-10 | Promenade | — | ||
| 68-11 | "I Got Rhythm" Variations | — | ||
| 68-13 | Novelette in Fourths | — | ||
| 68-14 | Rubato | — | ||
| 68-15 | Prelude I | — | ||
| 68-16 | Blue Lullaby | — | ||
| 68-17 | Spanish Prelude | — | ||
| 69-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) | Hélène Grimaud, New York Philharmonic, Kurt Masur | — | |
| 69-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Hélène Grimaud, New York Philharmonic, Kurt Masur | — | |
| 69-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) | Hélène Grimaud, New York Philharmonic, Kurt Masur | — | |
| 69-4 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo | Hélène Grimaud | — | |
| 69-5 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Hélène Grimaud | — | |
| 69-6 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Hélène Grimaud | — | |
| 69-7 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Hélène Grimaud | — | |
| 69-8 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Hélène Grimaud | — | |
| 69-9 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | Hélène Grimaud | — | |
| 70-1 | Violin Concerto no. 1 in G minor op. 26: I. Vorspiel : allegro moderato | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-2 | BRUCH VIOLIN CONCERTO NO 1 IN G MINOR OP 26 II ADAGIO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-3 | III. FINALE. ALLEGRO ENERGICO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-4 | I. ALLEGRO NON TROPPO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-5 | VIOLIN CONCERTO IN D OP.77: II: ADAGIO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 70-6 | BRAHMS: VIOLIN CONCERTO IN D MAJOR, OP. 77: III. ALLEGRO GIOCOSO MA NON TROPPO VIVACE | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — |
