UPC · Release
Various Artists
Last verified:
The UPC for “Josquin & the Franco-Flemish School” by Various Artists is 0190296730849. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-07-09. This release contains 498 tracks, each with its own ISRC. Tracks include GBAYC8800319, GBAYC8800320, GBAYC8800321.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Triste plaisir et douleureuse joie (rondeau) | — | ||
| 2 | Amours mercy de trespout non pooir (ballade) | — | ||
| 3 | Je me recommande humblement (rondeau) | — | ||
| 4 | En regardent vostre tres doulx maintiens (rondeau) | — | ||
| 5 | Se la belle n'a le voloir (rondeau) | — | ||
| 6 | Je vous salue (ballade) | — | ||
| 7 | Adieu mes tres belles amours (rondeau) | — | ||
| 8 | De plus en plus se renouvelle (rondeau) | — | ||
| 9 | Lune tres belle (rondeau) | — | ||
| 10 | Les tres doulx yeux du viaire ma dame (rondeau) | — | ||
| 11 | Amoreux suy et me vient toute joye (rondeau) | — | ||
| 12 | Adieu, adieu mon joieulx souvenir (rondeau) | — | ||
| 13 | Jamais tant que je vous revoye (rondeau) | — | ||
| 14 | Adieu m'amour et ma maistresse (rondeau) | — | ||
| 15 | Dueil angoisseus rage demeseurée (ballade) | — | ||
| 16 | Pour prison ne pour maladie (rondeau) | — | ||
| 17 | Filles a marier (combinative chanson) | — | ||
| 2-1 | Et c'est assez (instrumental duet) | — | ||
| 2-2 | Adieu ma très belle maistresse (vocal with instrumental accompaniment) | — | ||
| 2-3 | Une foys avant que morir (4-part instrumental) | — | ||
| 2-4 | Wilhelmus Legrant (organ solo) | — | ||
| 2-5 | Ave regina celorum (3-part vocal) | — | ||
| 2-6 | Au chant de l'alowette (cornemuse solo) | — | ||
| 2-7 | Je ne vis onques la pareille (vocal duet) | — | ||
| 2-8 | Ave regina celorum (3 flutes) | — | ||
| 2-9 | Vostre très doulx regart | — | ||
| 2-10 | Gloria, laus et honor (4-part vocal) | — | ||
| 2-11 | Je ne requier de ma dame (2 flutes) | — | ||
| 2-12 | Je me complains pitieusement (3-part vocal) | — | ||
| 2-13 | Ellend du hast (organ solo) | — | ||
| 2-14 | Chanson (3 vielles) | — | ||
| 2-15 | Pour vous tenir (vocal duet with instrumental accompaniment) | — | ||
| 2-16 | Du cuer je soupire (2 flutes) | — | ||
| 2-17 | Seule esgaree (vocal duet with instrumental accompaniment) | — | ||
| 2-18 | Venise (flute, harp) | — | ||
| 2-19 | Il m'est si grief (vocal duet with instrumental accompaniment) | — | ||
| 2-20 | Preambulum super re (organ solo) | — | ||
| 2-21 | Deo gracias (4-part vocal) | — | ||
| 3-1 | Ce moys de may (rondeau) | — | ||
| 3-2 | La belle se siet (ballade) | — | ||
| 3-3 | Je ne fai tousjours que penser (rondeau) | — | ||
| 3-4 | Files a marier (chanson) | — | ||
| 3-5 | Amoreux suy et me vient toute joye (rondeau) | — | ||
| 3-6 | Je loe Amours et ma dame mercye (ballade) | — | ||
| 3-7 | Navré je sui d'un dart penetraitif (rondeau) | — | ||
| 3-8 | Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae: O tres piteulx – Omnes amici (motet) | — | ||
| 3-9 | La Spagna (basse danse I) | — | ||
| 3-10 | Par droit je puis bien complaindre (rondeau) | — | ||
| 3-11 | Donnés l'assault (rondeau) | — | ||
| 3-12 | Vostre trés doulx regart (rondeau) | — | ||
| 3-13 | Helas, mon dueil (virelai) | — | ||
| 3-14 | Bien puist (rondeau) | — | ||
| 3-15 | Vergine bella (stropha) | — | ||
| 3-16 | La Spagna (basse danse II) | — | ||
| 4-1 | Gloria ad modum tubae | — | ||
| 4-2 | Chanson “Se la face ay pale” | — | ||
| 4-3 | Missa “Se la face ay pale”: Kyrie | — | ||
| 4-4 | Missa “Se la face ay pale”: Gloria | — | ||
| 4-5 | Missa “Se la face ay pale”: Credo | — | ||
| 4-6 | Missa “Se la face ay pale”: Sanctus | — | ||
| 4-7 | Missa “Se la face ay pale”: Agnus Dei | — | ||
| 5-1 | Bon jour, bon moys | — | ||
| 5-2 | Helas mon dueil | — | ||
| 5-3 | Pour l'amour de ma doulce amye | — | ||
| 5-4 | Ce moys de may | — | ||
| 5-5 | Se la face ay pale | — | ||
| 5-6 | J'atendray tant | — | ||
| 5-7 | Craindre vous vueil | — | ||
| 5-8 | Ce jour de l'an | — | ||
| 5-9 | Adieu m'amour | — | ||
| 5-10 | Vergene belle | — | ||
| 5-11 | Quel fronte, signorille in paradiso | — | ||
| 5-12 | Mirandas parit haec urbs florentina puellas | — | ||
| 5-13 | Magnanimae gentis | — | ||
| 5-14 | O gemma, lux et speculum | — | ||
| 5-15 | Christe, redemptor omnium | — | ||
| 6-1 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: I. Introitus | — | ||
| 6-2 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: II. Kyrie | — | ||
| 6-3 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: III. Gloria | — | ||
| 6-4 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: IV. Collecta | — | ||
| 6-5 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: V. Epistola | — | ||
| 6-6 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VI. Graduale | — | ||
| 6-7 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VII. Alleluia | — | ||
| 6-8 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VIII. Evangelium | — | ||
| 6-9 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: IX. Credo | — | ||
| 6-10 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: X. Offertorium | — | ||
| 6-11 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XI. Sanctus | — | ||
| 6-12 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XII. Agnus Dei | — | ||
| 6-13 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XIII. Communio | — | ||
| 7-1 | Missa “L'Homme armé”: I. Kyrie | — | ||
| 7-2 | Missa “L'Homme armé”: II. Gloria | — | ||
| 7-3 | Missa “L'Homme armé”: III. Credo | — | ||
| 7-4 | Missa “L'Homme armé”: IV. Sanctus | — | ||
| 7-5 | Missa “L'Homme armé”: V. Agnus Dei | — | ||
| 7-6 | Nuper rosarum flores (4-part isorhythmic motet) | — | ||
| 7-7 | Ecclesiae militantis (5-part isorhythmic motet) | — | ||
| 7-8 | Alma redemptoris mater (3-part Marian antiphon) | — | ||
| 7-9 | O sancte Sebastiane (4-part isorhythmic motet) | — | ||
| 7-10 | Salve flos Tuscae gentis (4-part isorhythmic motet) | — | ||
| 8-1 | Ave virgo | — | ||
| 8-2 | Kyrie | — | ||
| 8-3 | Gloria | — | ||
| 8-4 | Credo | — | ||
| 8-5 | Sanctus | — | ||
| 8-6 | O flos fragans | — | ||
| 8-7 | Gloria | — | ||
| 8-8 | Sanctus | — | ||
| 8-9 | Ecclesiae militantis | — | ||
| 8-10 | Moribus et genere Christo coniuncte Johannes | — | ||
| 8-11 | Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae | — | ||
| 8-12 | Veni creator spiritus | — | ||
| 8-13 | Qui latuit | — | ||
| 8-14 | Beata mater | — | ||
| 8-15 | Gloria, laus et honor | — | ||
| 8-16 | Musicorum decus et species | — | ||
| 9-1 | Armes, Amours | — | ||
| 9-2 | Kere dame | — | ||
| 9-3 | Fumeux fume | — | ||
| 9-4 | Puisque je sui fumeux | — | ||
| 9-5 | Bonté biauté | — | ||
| 9-6 | Dueil angoisseus | — | ||
| 9-7 | La plus jolie et la plus belle | — | ||
| 9-8 | Puisque je voy | — | ||
| 9-9 | La perontina | — | ||
| 9-10 | Bon jour, bon mois | — | ||
| 9-11 | Je vous pri | — | ||
| 9-12 | C'bien raison | — | ||
| 9-13 | Mon chier amy | — | ||
| 9-14 | Bien veignes vous | — | ||
| 9-15 | Helas mon dueil | — | ||
| 9-16 | J'ay mis mon cuer et ma pensée | — | ||
| 9-17 | La dolce vista | — | ||
| 9-18 | Dona i ardenti ray | — | ||
| 9-19 | L'alta belleza tua | — | ||
| 10-1 | Missa pro defunctis: I. Requiem aeternam | — | ||
| 10-2 | Missa pro defunctis: II. Kyrie | — | ||
| 10-3 | Missa pro defunctis: III. Graduale | — | ||
| 10-4 | Missa pro defunctis: IV. Tractus | — | ||
| 10-5 | Missa pro defunctis: V. Offertorium | — | ||
| 10-6 | Missa pro defunctis: VI. Sanctus & Benedictus | — | ||
| 10-7 | Missa pro defunctis: VII. Agnus Dei | — | ||
| 10-8 | Missa pro defunctis: VIII. Communio | — | ||
| 10-9 | Missa pro defunctis: IX. Postcommunio | — | ||
| 10-10 | Missa “Mi-mi”: I. Kyrie | — | ||
| 10-11 | Missa “Mi-mi”: II. Gloria | — | ||
| 10-12 | Missa “Mi-mi”: III. Credo | — | ||
| 10-13 | Missa “Mi-mi”: IV. Sanctus & Benedictus | — | ||
| 10-14 | Missa “Mi-mi”: V. Agnus Dei | — | ||
| 11-1 | Missa prolationum: I. Kyrie. Kyrie eleison I | The Hilliard Ensemble | — | |
| 11-2 | Missa prolationum: I. Kyrie. Christe eleison | The Hilliard Ensemble | — | |
| 11-3 | Missa prolationum: I. Kyrie. Kyrie eleison II | The Hilliard Ensemble | — | |
| 11-4 | Missa prolationum: II. Gloria | The Hilliard Ensemble | — | |
| 11-5 | Missa prolationum: III. Credo | The Hilliard Ensemble | — | |
| 11-6 | Missa prolationum: IV. Sanctus. Sanctus | The Hilliard Ensemble | — | |
| 11-7 | Missa prolationum: IV. Sanctus. Pleni sunt coeli | The Hilliard Ensemble | — | |
| 11-8 | Missa prolationum: IV. Sanctus - Osanna | The Hilliard Ensemble | — | |
| 11-9 | Missa prolationum: V. Benedictus | The Hilliard Ensemble | — | |
| 11-10 | Missa prolationum: VI. Agnus Dei. Agnus Dei I | The Hilliard Ensemble | — | |
| 11-11 | Missa prolationum: VI. Agnus Dei. Agnus Dei II & III | The Hilliard Ensemble | — | |
| 11-12 | Alma Redemptoris mater | The Hilliard Ensemble | — | |
| 11-13 | Salve Regina | The Hilliard Ensemble | — | |
| 11-14 | Intemerata Dei mater | The Hilliard Ensemble | — | |
| 11-15 | Ave Maria | The Hilliard Ensemble | — | |
| 11-16 | Salve Regina | The Hilliard Ensemble | — | |
| 12-1 | Ave Maria, virgo serena | — | ||
| 12-2 | Stabat Mater dolorosa | — | ||
| 12-3 | Alma Redemptoris Mater | — | ||
| 12-4 | Benedicta es, caelorum regina | — | ||
| 12-5 | Ave Christe, immolate | — | ||
| 12-6 | Ave verum, corpus natum | — | ||
| 12-7 | Plaxit autem David | — | ||
| 13-1 | Missa “Pange lingua”: I. Kyrie eleison | — | ||
| 13-2 | Missa “Pange lingua”: II. Gloria | — | ||
| 13-3 | Missa “Pange lingua”: III. Credo | — | ||
| 13-4 | Missa “Pange lingua”: IV. Sanctus | — | ||
| 13-5 | Missa “Pange lingua”: V. Agnus Dei | — | ||
| 13-6 | Miserere mei, Deus I. Miserere mei, Deus | — | ||
| 13-7 | Miserere mei, Deus II. Auditui meo dabis gaudium | — | ||
| 13-8 | Miserere mei, Deus III. Domine, labia mea aperis | — | ||
| 14-1 | Motet: Ave Maria... Virgo serena (a 4) | The Hilliard Ensemble, Paul Hillier | — | |
| 14-2 | Motet: Absalon, fili mi (a 4) | The Hilliard Ensemble, Paul Hillier | T-900.140.981-0 | |
| 14-3 | Veni Sancte Spiritus | — | ||
| 14-4 | De profundis clamavi | — | ||
| 14-5 | Scaramella va alla guerra / Scaramella fa la galla | — | ||
| 14-6 | In te Domine speravi, per trovar pietà | — | ||
| 14-7 | El grillo | — | ||
| 14-8 | Chanson: Milles regretz (a 4) | The Hilliard Ensemble, Paul Hillier | T-309.112.174-9 | |
| 14-9 | Petite camusette | — | ||
| 14-10 | Je me complains | — | ||
| 14-11 | Chanson: En l'ombre d'ung buissonet (a 3) | The Hilliard Ensemble, Paul Hillier | — | |
| 14-12 | Je ne me puis tenir d'aimer | — | ||
| 14-13 | La déploration sur la mort de Johannes Ockeghem: ‘Nymphes de bois’ | The Hilliard Ensemble | — | |
| 15-1 | Illibata Dei Virgo nutrix | — | ||
| 15-2 | Adieu mes amours | — | ||
| 15-3 | Plaine de dueil | — | ||
| 15-4 | Je n'ose plus | — | ||
| 15-5 | Que vous ma dame | — | ||
| 15-6 | In te Domine speravi | — | ||
| 15-7 | Regretz sans fin | — | ||
| 15-8 | Ave maris stella | — | ||
| 15-9 | Missa “Ave Maris Stella”: Kyrie | — | ||
| 15-10 | Missa “Ave Maris Stella”: Gloria | — | ||
| 15-11 | Missa “Ave Maris Stella”: Letabundus | — | ||
| 15-12 | Missa “Ave Maris Stella”: Credo | — | ||
| 15-13 | Missa “Ave Maris Stella”: Sanctus | — | ||
| 15-14 | Missa “Ave Maris Stella”: [Benedictus] | — | ||
| 15-15 | Missa “Ave Maris Stella”: Agnus Dei | — | ||
| 15-16 | Gaude Virgo, Mater Christi | — | ||
| 15-17 | Salve Regina | — | ||
| 16-1 | Missa “Hercules Dux Ferrariae”: I. Kyrie | The Hilliard Ensemble, Paul Hillier | — | |
| 16-2 | Missa “Hercules Dux Ferrariae”: II. Gloria | The Hilliard Ensemble, Paul Hillier | — | |
| 16-3 | Missa “Hercules Dux Ferrariae”: III. Credo | The Hilliard Ensemble, Paul Hillier | — | |
| 16-4 | Missa “Hercules Dux Ferrariae”: IV. Sanctus | The Hilliard Ensemble, Paul Hillier | — | |
| 16-5 | Missa “Hercules Dux Ferrariae”: V. Benedictus | The Hilliard Ensemble, Paul Hillier | — | |
| 16-6 | Missa “Hercules Dux Ferrariae”: VI. Agnus Dei | The Hilliard Ensemble, Paul Hillier | — | |
| 16-7 | Pater noster / Ave Maria | The Hilliard Ensemble, Paul Hillier | T-902.757.288-9 | |
| 16-8 | Lugebat David Absalon | The Hilliard Ensemble, Paul Hillier | — | |
| 16-9 | Miserere mei, Deus: I. Miserere mei, Deus | — | ||
| 16-10 | Miserere mei, Deus: II. Auditui meo dabis gaudium | — | ||
| 16-11 | Miserere mei, Deus: III. Domine, labia mea aperis | — | ||
| 16-12 | Tu solus qui facis mirabilia | The Hilliard Ensemble, Paul Hillier | — | |
| 17-1 | La lune est coustumiere de naistre tous les mois | — | ||
| 17-2 | Quand j'estois libre I | — | ||
| 17-3 | Revecy venir du Printans | — | ||
| 17-4 | Que n'est-elle auprés de moy | — | ||
| 17-5 | La plus des plus | — | ||
| 17-6 | Il viendra le jour desiré | — | ||
| 17-7 | La nuict froide et sombre | — | ||
| 17-8 | Quand je congneu en ma pensée | — | ||
| 17-9 | Quand j'estois libre II | — | ||
| 17-10 | Jouyssance vous donneray | — | ||
| 17-11 | O doulx regard, o parler | — | ||
| 17-12 | Amour, Amour donne moy paix ou trêve | — | ||
| 17-13 | Hélas, ma dame, faites-lui quelque bien | — | ||
| 17-14 | Fiere cruelle en amour | — | ||
| 17-15 | J'en ay dueil | — | ||
| 17-16 | Mon cœur se recommande à vous | — | ||
| 17-17 | L'un apreste la glu | — | ||
| 17-18 | Quand j'estois libre III | — | ||
| 17-19 | Secoures moy ma dame par amours | — | ||
| 17-20 | Se congié prens | — | ||
| 17-21 | Cueurs desolez de toutes | — | ||
| 18-1 | Scaramella va alla guerra (villotta) | — | ||
| 18-2 | Allegez moy, doulce plaisant brunette (original 6-part chanson) | — | ||
| 18-3 | Allegez moy, doulce plaisant brunette (lute duet) 2.9 | — | ||
| 18-4 | El grillo è buon cantore (frottola) | — | ||
| 18-5 | Donna di dentro della tua casa (quodlibet) | — | ||
| 18-6 | De tous biens plaine (rondeau, original 3-part chanson with additional si placet from Ottaviano Petrucci’s Harmonice musices odhecaton A, Venice, 1501) | — | ||
| 18-10 | Du tout plongiet – Fors seulement I'attente (rondeau) | — | ||
| 18-11 | Mijn morken gaf mij een jonck wijff (quodlibet) | — | ||
| 18-12 | Ghy syt die werste boven al | — | ||
| 18-13 | Ein Frohlich wesen (original 3-part chanson) | — | ||
| 18-15 | Ein Frohlich wesen (4-part chanson) | — | ||
| 18-16 | Prenez sur moi vostre exemple amoureux (canon a 3) | — | ||
| 18-17 | Ma bouche rit (virelai) | — | ||
| 18-18 | Guillaume se va chaufer | — | ||
| 18-19 | Adieu mes amours (original 4-part chanson from Ottaviano Petrucci’s Harmonice musices odhecaton A, Venice, 1501) | — | ||
| 18-21 | Fortuna desperata (original 3-part chanson) | — | ||
| 18-24 | Heth sold ein meisken garn om win | — | ||
| 18-25 | A la battaglia | — | ||
| 18-26 | T'Andernaken | — | ||
| 18-27 | A la audienche | — | ||
| 18-28 | Vray Dieu d'amours | — | ||
| 18-29 | 2 lute dances | — | ||
| 18-30 | La guercia | — | ||
| 18-31 | Comme femme desconfortee | — | ||
| 19-1 | Vive le roy | — | ||
| 19-2 | La Spagna | — | ||
| 19-3 | Tsaat een meskin | — | ||
| 19-4 | Est-il conclu par un arrêt d'amour ? | — | ||
| 19-5 | La Bernadina (instrumental tricinium) | — | ||
| 19-6 | La Bernadina (lute duet) | — | ||
| 19-7 | Missa sine nomine: Kyrie | — | ||
| 19-8 | Missa “Et ecce terrae motus”: Gloria | — | ||
| 19-9 | Credo super “De tous biens” | — | ||
| 19-10 | Missa “Ave sanctissima Maria”: Sanctus | — | ||
| 19-11 | Missa “La bassadanza”: Agnus Dei | — | ||
| 19-12 | Haec Deum caeli | — | ||
| 19-13 | O bone Jesu | — | ||
| 19-14 | De profundis a 5 | — | ||
| 19-15 | Benedicta es caelorum regina | — | ||
| 19-16 | Nesciens mater virgo virum | — | ||
| 19-17 | Inviolata integra et casta es Maria | — | ||
| 19-18 | Intemerata Dei mater | — | ||
| 19-19 | Laudemus nunc Dominum | — | ||
| 19-20 | Ave sanctissima Maria | — | ||
| 20-1 | Missa super “O praeclara”: I. Kyrie - Christe - Kyrie | — | ||
| 20-2 | Missa super “O praeclara”: II. Gloria | — | ||
| 20-3 | Missa super “O praeclara”: III. Credo | — | ||
| 20-4 | Missa super “O praeclara”: IV. Sanctus | — | ||
| 20-5 | Missa super “O praeclara”: V. Agnus Dei | — | ||
| 20-6 | La mi la sol (instrumental) | — | ||
| 20-7 | Tota pulchra Es | — | ||
| 20-8 | Illumina oculos meos | — | ||
| 20-9 | Maria, Jungfrau hochgeborn | — | ||
| 20-10 | Carmen (instrumental) | — | ||
| 20-11 | Es het ein Baur ein Töchterlein | — | ||
| 20-12 | Donna di dentro dalla tua casa | — | ||
| 21-1 | Commune festorum beatae Mariae Virginis (Introitus. Salve, Sancta Parens) | — | ||
| 21-2 | Missa Paschale: I. Kyrie | — | ||
| 21-3 | Missa Paschale: II. Gloria | — | ||
| 21-4 | Missa Paschale: III. Sanctus | — | ||
| 21-5 | Missa Paschale: IV. Agnus Dei | — | ||
| 21-6 | Quis Dabit pacem populo timenti | — | ||
| 21-7 | Es het ein Baur ein Töchterlein | — | ||
| 21-8 | Es wollt ein meydlein grasen gan | — | ||
| 21-9 | Greiner, zancker, schnöpffitzer | — | ||
| 21-10 | J'ay pris amours | — | ||
| 21-11 | Fammi una gratia, amore | — | ||
| 21-12 | La Mora | — | ||
| 21-13 | Ne più bella di queste | — | ||
| 22-1 | O suavitas et dulcedo (8-part motet) | — | ||
| 22-2 | Parce mihi, Domine: Peccavi | The Hilliard Ensemble, Kees Boeke Consort | T-001.620.876-6 | |
| 22-3 | Dolce mio caro (4-part madrigal, in two parts, part 2: Qui trar del petto) | — | ||
| 22-4 | Comme la tourterelle (5-part chanson) | — | ||
| 22-5 | Comme la tourterelle (intabulation for lute from “Pratum musicum… per Em. Hadrianum, Antverpiensem, Pierre Phalèse, Antwerpen 1584”) | — | ||
| 22-6 | La Déesse Vénus (five-part chanson, in four parts) | — | ||
| 22-7 | La dolce vista (six-part madrigal) | — | ||
| 22-8 | Missa 8 vocum “La dolce vista”: I. Kyrie | — | ||
| 22-9 | Missa 8 vocum “La dolce vista”: II. Gloria | — | ||
| 22-10 | Missa 8 vocum “La dolce vista”: III. Credo | — | ||
| 22-11 | Missa 8 vocum “La dolce vista”: IV. Sanctus | — | ||
| 22-12 | Missa 8 vocum “La dolce vista”: V. Benedictus | — | ||
| 22-13 | Missa 8 vocum “La dolce vista”: VI. Agnus Dei | — | ||
| 23-1 | Missa pro defunctis: I. Introitus: Requiem aeternam | — | ||
| 23-2 | Missa pro defunctis: II. Kyrie eleison | — | ||
| 23-3 | Missa pro defunctis: III. Psalmus: Sicut cervus desiderat | — | ||
| 23-4 | Missa pro defunctis: IV. Offertorium: Domine Jesu Christe | — | ||
| 23-5 | Missa pro defunctis: V. Sanctus | — | ||
| 23-6 | Missa pro defunctis: VI. Agnus Dei | — | ||
| 23-7 | Missa pro defunctis: VII. Communio: Lux aeterna | — | ||
| 23-8 | O domine Jesu Christe | — | ||
| 23-9 | O mors inevitabilis | — | ||
| 23-10 | Musae Jovis ter Maximi | — | ||
| 23-11 | Continuo lacrimas | — | ||
| 23-12 | Quis dabit oculis nostris | — | ||
| 23-13 | Non moriar sed vivam | — | ||
| 24-1 | Gaude virgo | — | ||
| 24-2 | Vexilla Regis / Passio Domini | — | ||
| 24-3 | Plorer, gemier / Requiem | — | ||
| 24-4 | Considera Israel | — | ||
| 24-5 | Missa “Cum iocunditate”: I. Kyrie | — | ||
| 24-6 | Missa “Cum iocunditate”: II. Gloria | — | ||
| 24-7 | Missa “Cum iocunditate”: III. Credo | — | ||
| 24-8 | Missa “Cum iocunditate”: IV. Sanctus | — | ||
| 24-9 | Missa “Cum iocunditate”: V. Agnus Dei | — | ||
| 24-10 | O salutaris hostia | — | ||
| 24-11 | Ave Regina celorum | — | ||
| 24-12 | Delicta juventutis | — | ||
| 25-1 | Ung gay bergier | — | ||
| 25-2 | Ung gay bergiere (lute) | — | ||
| 25-3 | Je ne fais riens que plaindre et soupirer | — | ||
| 25-4 | Grant heur seroit | — | ||
| 25-5 | Quand me souvient ung triste cœur | — | ||
| 25-6 | Si des haulx cieulx | — | ||
| 25-7 | Dedens tournay | — | ||
| 25-8 | A vous en est | — | ||
| 25-9 | Fortune hellas que tu peult profiter | — | ||
| 25-10 | Pour ung plaisir (lute) | — | ||
| 25-11 | Au monde n'est plus grant soulas | — | ||
| 25-12 | Ye pre[n]s en grey | — | ||
| 25-13 | Factus est repente de celo sonus | — | ||
| 25-14 | Por un plaisir | — | ||
| 25-15 | Servus tuus ego sum | — | ||
| 25-16 | Declaratio sermonum tuorum illuminat | — | ||
| 25-17 | Prenes pitie | — | ||
| 25-18 | Virgo gloriosa | — | ||
| 25-19 | Domine Jesu Christe | — | ||
| 26-1 | Psalmi Davidis poenitentiales: I. Domine ne in furore tuo… Miserere (ensemble, consort) | — | ||
| 26-2 | Psalmi Davidis poenitentiales: II. Beati quorum remissae sunt (ensemble) | — | ||
| 26-3 | Psalmi Davidis poenitentiales: III. Domine ne in furore tuo… Quoniam (ensemble, consort) | — | ||
| 27-1 | Psalmi Davidis poenitentiales: IV. Miserere mei Deus (ensemble, consort) | — | ||
| 27-2 | Psalmi Davidis poenitentiales: V. Domine exaudi orationem meam: et clamor meus (ensemble, consort) | — | ||
| 27-3 | Psalmi Davidis poenitentiales: VI. De profundis clamavi ad te Domine (ensemble) | — | ||
| 27-4 | Psalmi Davidis poenitentiales: VII. Domine exaudi orationem meam: auribus percipe (ensemble, consort) | — | ||
| 28-1 | Stabat Mater | — | ||
| 28-2 | In monte Oliveti | — | ||
| 28-3 | Cum natus esset Jesus | — | ||
| 28-4 | Bon jour mon cœur | — | ||
| 28-5 | Fleur de quinze ans | — | ||
| 28-6 | Susanne ung jour | — | ||
| 28-7 | J’ayme la pierre précieuse | — | ||
| 28-8 | Margot labourez les vignes | — | ||
| 28-9 | La nuict froide et sombre | — | ||
| 28-10 | Susanne ung jour | — | ||
| 28-11 | Pour courir en poste a la ville | — | ||
| 29-1 | Bon jour et puis quelles nouvelles ? | — | ||
| 29-2 | Bon jour mon cœur | — | ||
| 29-3 | Dessus le marché d’Arras | — | ||
| 29-4 | Il était une religieuse | — | ||
| 29-5 | Au feu, au feu, venez-moi secourir | — | ||
| 29-6 | Paisible domaine | — | ||
| 29-7 | O vin en vigne | — | ||
| 29-8 | Vignon, vignon | — | ||
| 29-9 | La nuit froide et sombre | — | ||
| 29-10 | Quand mon mari vient de dehors | — | ||
| 29-11 | Toutes les nuits | — | ||
| 29-12 | Musica, dei donum optimi | — | ||
| 29-13 | Matona mia cara | — | ||
| 29-14 | Come la notte ogni fiamella | — | ||
| 29-15 | Chi chilichi? | — | ||
| 29-16 | Cantai hor piango | — | ||
| 29-17 | Ardo si, ma non t’amo | — | ||
| 29-18 | Hört zu ein news gedicht | — | ||
| 29-19 | Ein guten Rat | — | ||
| 29-20 | Im mayen | — | ||
| 29-21 | Omnia tempus habent | — | ||
| 30-1 | Domine Dominus Noster | — | ||
| 30-2 | Adoramus te Christe | — | ||
| 30-3 | In pace, in idipsum | — | ||
| 30-4 | In hora ultima | — | ||
| 30-5 | Ad te levavi oculos meos | — | ||
| 30-6 | Te Deum laudamus | — | ||
| 30-7 | Praeter rerum seriem (plainchant) | — | ||
| 30-8 | Praeter rerum seriem (motet) | — | ||
| 30-9 | Resonet in laudibus | — | ||
| 30-10 | Pelli meae consumptis carnibus | — | ||
| 30-11 | Christus resurgens ex mortuis | — | ||
| 30-12 | Tibi laus, tibi gloria | — | ||
| 30-13 | Magnificat: Praeter rerum seriem | — | ||
| 31-1 | Al dolce suon’ | — | ||
| 31-2 | Ben convenne, madonna Solo n'andrò | — | ||
| 31-3 | Ove d'altra montagna ombra non tocchi | — | ||
| 31-4 | Spent'è d'amor… Ma che morta | — | ||
| 31-5 | Lucescit jam o socii… Nunc bibamus non segniter | — | ||
| 31-6 | Voir est beacoup | — | ||
| 31-7 | Domine, quando veneris | — | ||
| 31-8 | Beati pauperes spiritu | — | ||
| 31-9 | Beati pacifici | — | ||
| 31-10 | Da pacem Domine | — | ||
| 31-11 | Gloria patri et filio | — | ||
| 31-12 | Praesidium, Sara | — | ||
| 31-13 | Bestia curvafia pulices | — | ||
| 32-1 | Sorgi, e rischiara | — | ||
| 32-2 | Misera, che farò | — | ||
| 32-3 | Donna, se ben le chiome | — | ||
| 32-4 | Vive doglioso il core | — | ||
| 32-5 | Vani e schiocchi | — | ||
| 32-6 | Vaghi boschetti | — | ||
| 32-7 | Io mi vivea del mio languir | — | ||
| 32-8 | Solo e pensoso | — | ||
| 32-9 | Giunto alla tomba | — | ||
| 32-10 | Voi volete ch'io muoia | — | ||
| 32-11 | Grazie ch'a pochi il ciel | — | ||
| 32-12 | Tirsi morir volea | — | ||
| 32-13 | In qual parte sì ratto | — | ||
| 33-1 | O salutaris hostia | — | ||
| 33-2 | O domine Jesu Christe | — | ||
| 33-3 | Ricercare | — | ||
| 33-4 | O Thoma, laus et gloria | — | ||
| 33-5 | Flete oculi | — | ||
| 33-6 | O dominicis diebus in quadragesima, ad vesperas, hymnus | — | ||
| 33-7 | Dessus le marché Darras | — | ||
| 33-8 | Un giorno mi prego | — | ||
| 33-9 | O bene mio | — | ||
| 33-10 | Madonn'io non lo so | — | ||
| 33-13 | Lasso, ch'io ardo | — | ||
| 33-14 | Zoia zentil | — | ||
| 33-15 | Giunto m'ha amor, nulla posso levar | — | ||
| 34-1 | Vergene Bella | — | ||
| 34-2 | Tante láfano | — | ||
| 34-3 | Helas le bon temps | — | ||
| 34-4 | Ma bouche rit | — | ||
| 34-5 | Si je perdu mon amy | — | ||
| 34-6 | Benedictus | — | ||
| 34-7 | Si je perdu mon amy | — | ||
| 34-8 | Barises moy | — | ||
| 34-9 | Vray dieu d'amours | — | ||
| 34-10 | Malor me bat | — | ||
| 34-11 | Si je perdu mon amy | — | ||
| 34-12 | Stat ein meskin was junck | — | ||
| 34-13 | T'Andernaken | — | ||
| 34-14 | N'esse pas ung grant desplaisir | — | ||
| 34-15 | Entre je suis | — | ||
| 34-16 | De tous biens playne | — | ||
| 34-17 | Ma bouche rit | — | ||
| 34-18 | T'Andernaken | — | ||
| 34-19 | Entre du fol | — | ||
| 34-20 | Bergerette | — | ||
| 34-21 | Bergeret sans roch | — | ||
| 34-22 | La Bataille | — | ||
| 34-23 | Je pers espoir | — | ||
| 34-24 | Fortune helas | — | ||
| 34-25 | Si me tenez | — | ||
| 34-26 | Se dire ie losoye | — | ||
| 34-27 | The Danserye: I. La Mourisque | — | ||
| 34-28 | The Danserye: II. Branle Quatre – Bransles | — | ||
| 34-29 | The Danserye: III. Ronde & Salterelle | — | ||
| 34-30 | The Danserye: IV. Ronde Mon Amy | — | ||
| 34-31 | The Danserye: IV. Allemaigne & Recoupe | — | ||
| 34-32 | The Danserye: V. Pavane “Mille regretz” | — | ||
| 34-33 | The Danserye: VII. Basse danse Bergeret sans Roch & Reprise | — | ||
| 34-34 | The Danserye: VIII. Danse du Roy | — | ||
| 34-35 | The Danserye: IX. Ronde | — | ||
| 34-36 | The Danserye: X. Passe et Medio | — | ||
| 34-37 | The Danserye: XI. Reprise “Le Pingue” | — | ||
| 34-38 | The Danserye: XII. Ronde | — | ||
| 34-39 | The Danserye: XII. Pavane “La Bataille” | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0190296730849 is a Universal Product Code (UPC) assigned to Josquin & the Franco-Flemish School by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 498 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Josquin & the Franco-Flemish School” by Various Artists is 0190296730849. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-07-09. This release contains 498 tracks, each with its own ISRC. Tracks include GBAYC8800319, GBAYC8800320, GBAYC8800321.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Triste plaisir et douleureuse joie (rondeau) | — | ||
| 2 | Amours mercy de trespout non pooir (ballade) | — | ||
| 3 | Je me recommande humblement (rondeau) | — | ||
| 4 | En regardent vostre tres doulx maintiens (rondeau) | — | ||
| 5 | Se la belle n'a le voloir (rondeau) | — | ||
| 6 | Je vous salue (ballade) | — | ||
| 7 | Adieu mes tres belles amours (rondeau) | — | ||
| 8 | De plus en plus se renouvelle (rondeau) | — | ||
| 9 | Lune tres belle (rondeau) | — | ||
| 10 | Les tres doulx yeux du viaire ma dame (rondeau) | — | ||
| 11 | Amoreux suy et me vient toute joye (rondeau) | — | ||
| 12 | Adieu, adieu mon joieulx souvenir (rondeau) | — | ||
| 13 | Jamais tant que je vous revoye (rondeau) | — | ||
| 14 | Adieu m'amour et ma maistresse (rondeau) | — | ||
| 15 | Dueil angoisseus rage demeseurée (ballade) | — | ||
| 16 | Pour prison ne pour maladie (rondeau) | — | ||
| 17 | Filles a marier (combinative chanson) | — | ||
| 2-1 | Et c'est assez (instrumental duet) | — | ||
| 2-2 | Adieu ma très belle maistresse (vocal with instrumental accompaniment) | — | ||
| 2-3 | Une foys avant que morir (4-part instrumental) | — | ||
| 2-4 | Wilhelmus Legrant (organ solo) | — | ||
| 2-5 | Ave regina celorum (3-part vocal) | — | ||
| 2-6 | Au chant de l'alowette (cornemuse solo) | — | ||
| 2-7 | Je ne vis onques la pareille (vocal duet) | — | ||
| 2-8 | Ave regina celorum (3 flutes) | — | ||
| 2-9 | Vostre très doulx regart | — | ||
| 2-10 | Gloria, laus et honor (4-part vocal) | — | ||
| 2-11 | Je ne requier de ma dame (2 flutes) | — | ||
| 2-12 | Je me complains pitieusement (3-part vocal) | — | ||
| 2-13 | Ellend du hast (organ solo) | — | ||
| 2-14 | Chanson (3 vielles) | — | ||
| 2-15 | Pour vous tenir (vocal duet with instrumental accompaniment) | — | ||
| 2-16 | Du cuer je soupire (2 flutes) | — | ||
| 2-17 | Seule esgaree (vocal duet with instrumental accompaniment) | — | ||
| 2-18 | Venise (flute, harp) | — | ||
| 2-19 | Il m'est si grief (vocal duet with instrumental accompaniment) | — | ||
| 2-20 | Preambulum super re (organ solo) | — | ||
| 2-21 | Deo gracias (4-part vocal) | — | ||
| 3-1 | Ce moys de may (rondeau) | — | ||
| 3-2 | La belle se siet (ballade) | — | ||
| 3-3 | Je ne fai tousjours que penser (rondeau) | — | ||
| 3-4 | Files a marier (chanson) | — | ||
| 3-5 | Amoreux suy et me vient toute joye (rondeau) | — | ||
| 3-6 | Je loe Amours et ma dame mercye (ballade) | — | ||
| 3-7 | Navré je sui d'un dart penetraitif (rondeau) | — | ||
| 3-8 | Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae: O tres piteulx – Omnes amici (motet) | — | ||
| 3-9 | La Spagna (basse danse I) | — | ||
| 3-10 | Par droit je puis bien complaindre (rondeau) | — | ||
| 3-11 | Donnés l'assault (rondeau) | — | ||
| 3-12 | Vostre trés doulx regart (rondeau) | — | ||
| 3-13 | Helas, mon dueil (virelai) | — | ||
| 3-14 | Bien puist (rondeau) | — | ||
| 3-15 | Vergine bella (stropha) | — | ||
| 3-16 | La Spagna (basse danse II) | — | ||
| 4-1 | Gloria ad modum tubae | — | ||
| 4-2 | Chanson “Se la face ay pale” | — | ||
| 4-3 | Missa “Se la face ay pale”: Kyrie | — | ||
| 4-4 | Missa “Se la face ay pale”: Gloria | — | ||
| 4-5 | Missa “Se la face ay pale”: Credo | — | ||
| 4-6 | Missa “Se la face ay pale”: Sanctus | — | ||
| 4-7 | Missa “Se la face ay pale”: Agnus Dei | — | ||
| 5-1 | Bon jour, bon moys | — | ||
| 5-2 | Helas mon dueil | — | ||
| 5-3 | Pour l'amour de ma doulce amye | — | ||
| 5-4 | Ce moys de may | — | ||
| 5-5 | Se la face ay pale | — | ||
| 5-6 | J'atendray tant | — | ||
| 5-7 | Craindre vous vueil | — | ||
| 5-8 | Ce jour de l'an | — | ||
| 5-9 | Adieu m'amour | — | ||
| 5-10 | Vergene belle | — | ||
| 5-11 | Quel fronte, signorille in paradiso | — | ||
| 5-12 | Mirandas parit haec urbs florentina puellas | — | ||
| 5-13 | Magnanimae gentis | — | ||
| 5-14 | O gemma, lux et speculum | — | ||
| 5-15 | Christe, redemptor omnium | — | ||
| 6-1 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: I. Introitus | — | ||
| 6-2 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: II. Kyrie | — | ||
| 6-3 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: III. Gloria | — | ||
| 6-4 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: IV. Collecta | — | ||
| 6-5 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: V. Epistola | — | ||
| 6-6 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VI. Graduale | — | ||
| 6-7 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VII. Alleluia | — | ||
| 6-8 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VIII. Evangelium | — | ||
| 6-9 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: IX. Credo | — | ||
| 6-10 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: X. Offertorium | — | ||
| 6-11 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XI. Sanctus | — | ||
| 6-12 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XII. Agnus Dei | — | ||
| 6-13 | Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XIII. Communio | — | ||
| 7-1 | Missa “L'Homme armé”: I. Kyrie | — | ||
| 7-2 | Missa “L'Homme armé”: II. Gloria | — | ||
| 7-3 | Missa “L'Homme armé”: III. Credo | — | ||
| 7-4 | Missa “L'Homme armé”: IV. Sanctus | — | ||
| 7-5 | Missa “L'Homme armé”: V. Agnus Dei | — | ||
| 7-6 | Nuper rosarum flores (4-part isorhythmic motet) | — | ||
| 7-7 | Ecclesiae militantis (5-part isorhythmic motet) | — | ||
| 7-8 | Alma redemptoris mater (3-part Marian antiphon) | — | ||
| 7-9 | O sancte Sebastiane (4-part isorhythmic motet) | — | ||
| 7-10 | Salve flos Tuscae gentis (4-part isorhythmic motet) | — | ||
| 8-1 | Ave virgo | — | ||
| 8-2 | Kyrie | — | ||
| 8-3 | Gloria | — | ||
| 8-4 | Credo | — | ||
| 8-5 | Sanctus | — | ||
| 8-6 | O flos fragans | — | ||
| 8-7 | Gloria | — | ||
| 8-8 | Sanctus | — | ||
| 8-9 | Ecclesiae militantis | — | ||
| 8-10 | Moribus et genere Christo coniuncte Johannes | — | ||
| 8-11 | Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae | — | ||
| 8-12 | Veni creator spiritus | — | ||
| 8-13 | Qui latuit | — | ||
| 8-14 | Beata mater | — | ||
| 8-15 | Gloria, laus et honor | — | ||
| 8-16 | Musicorum decus et species | — | ||
| 9-1 | Armes, Amours | — | ||
| 9-2 | Kere dame | — | ||
| 9-3 | Fumeux fume | — | ||
| 9-4 | Puisque je sui fumeux | — | ||
| 9-5 | Bonté biauté | — | ||
| 9-6 | Dueil angoisseus | — | ||
| 9-7 | La plus jolie et la plus belle | — | ||
| 9-8 | Puisque je voy | — | ||
| 9-9 | La perontina | — | ||
| 9-10 | Bon jour, bon mois | — | ||
| 9-11 | Je vous pri | — | ||
| 9-12 | C'bien raison | — | ||
| 9-13 | Mon chier amy | — | ||
| 9-14 | Bien veignes vous | — | ||
| 9-15 | Helas mon dueil | — | ||
| 9-16 | J'ay mis mon cuer et ma pensée | — | ||
| 9-17 | La dolce vista | — | ||
| 9-18 | Dona i ardenti ray | — | ||
| 9-19 | L'alta belleza tua | — | ||
| 10-1 | Missa pro defunctis: I. Requiem aeternam | — | ||
| 10-2 | Missa pro defunctis: II. Kyrie | — | ||
| 10-3 | Missa pro defunctis: III. Graduale | — | ||
| 10-4 | Missa pro defunctis: IV. Tractus | — | ||
| 10-5 | Missa pro defunctis: V. Offertorium | — | ||
| 10-6 | Missa pro defunctis: VI. Sanctus & Benedictus | — | ||
| 10-7 | Missa pro defunctis: VII. Agnus Dei | — | ||
| 10-8 | Missa pro defunctis: VIII. Communio | — | ||
| 10-9 | Missa pro defunctis: IX. Postcommunio | — | ||
| 10-10 | Missa “Mi-mi”: I. Kyrie | — | ||
| 10-11 | Missa “Mi-mi”: II. Gloria | — | ||
| 10-12 | Missa “Mi-mi”: III. Credo | — | ||
| 10-13 | Missa “Mi-mi”: IV. Sanctus & Benedictus | — | ||
| 10-14 | Missa “Mi-mi”: V. Agnus Dei | — | ||
| 11-1 | Missa prolationum: I. Kyrie. Kyrie eleison I | The Hilliard Ensemble | — | |
| 11-2 | Missa prolationum: I. Kyrie. Christe eleison | The Hilliard Ensemble | — | |
| 11-3 | Missa prolationum: I. Kyrie. Kyrie eleison II | The Hilliard Ensemble | — | |
| 11-4 | Missa prolationum: II. Gloria | The Hilliard Ensemble | — | |
| 11-5 | Missa prolationum: III. Credo | The Hilliard Ensemble | — | |
| 11-6 | Missa prolationum: IV. Sanctus. Sanctus | The Hilliard Ensemble | — | |
| 11-7 | Missa prolationum: IV. Sanctus. Pleni sunt coeli | The Hilliard Ensemble | — | |
| 11-8 | Missa prolationum: IV. Sanctus - Osanna | The Hilliard Ensemble | — | |
| 11-9 | Missa prolationum: V. Benedictus | The Hilliard Ensemble | — | |
| 11-10 | Missa prolationum: VI. Agnus Dei. Agnus Dei I | The Hilliard Ensemble | — | |
| 11-11 | Missa prolationum: VI. Agnus Dei. Agnus Dei II & III | The Hilliard Ensemble | — | |
| 11-12 | Alma Redemptoris mater | The Hilliard Ensemble | — | |
| 11-13 | Salve Regina | The Hilliard Ensemble | — | |
| 11-14 | Intemerata Dei mater | The Hilliard Ensemble | — | |
| 11-15 | Ave Maria | The Hilliard Ensemble | — | |
| 11-16 | Salve Regina | The Hilliard Ensemble | — | |
| 12-1 | Ave Maria, virgo serena | — | ||
| 12-2 | Stabat Mater dolorosa | — | ||
| 12-3 | Alma Redemptoris Mater | — | ||
| 12-4 | Benedicta es, caelorum regina | — | ||
| 12-5 | Ave Christe, immolate | — | ||
| 12-6 | Ave verum, corpus natum | — | ||
| 12-7 | Plaxit autem David | — | ||
| 13-1 | Missa “Pange lingua”: I. Kyrie eleison | — | ||
| 13-2 | Missa “Pange lingua”: II. Gloria | — | ||
| 13-3 | Missa “Pange lingua”: III. Credo | — | ||
| 13-4 | Missa “Pange lingua”: IV. Sanctus | — | ||
| 13-5 | Missa “Pange lingua”: V. Agnus Dei | — | ||
| 13-6 | Miserere mei, Deus I. Miserere mei, Deus | — | ||
| 13-7 | Miserere mei, Deus II. Auditui meo dabis gaudium | — | ||
| 13-8 | Miserere mei, Deus III. Domine, labia mea aperis | — | ||
| 14-1 | Motet: Ave Maria... Virgo serena (a 4) | The Hilliard Ensemble, Paul Hillier | — | |
| 14-2 | Motet: Absalon, fili mi (a 4) | The Hilliard Ensemble, Paul Hillier | T-900.140.981-0 | |
| 14-3 | Veni Sancte Spiritus | — | ||
| 14-4 | De profundis clamavi | — | ||
| 14-5 | Scaramella va alla guerra / Scaramella fa la galla | — | ||
| 14-6 | In te Domine speravi, per trovar pietà | — | ||
| 14-7 | El grillo | — | ||
| 14-8 | Chanson: Milles regretz (a 4) | The Hilliard Ensemble, Paul Hillier | T-309.112.174-9 | |
| 14-9 | Petite camusette | — | ||
| 14-10 | Je me complains | — | ||
| 14-11 | Chanson: En l'ombre d'ung buissonet (a 3) | The Hilliard Ensemble, Paul Hillier | — | |
| 14-12 | Je ne me puis tenir d'aimer | — | ||
| 14-13 | La déploration sur la mort de Johannes Ockeghem: ‘Nymphes de bois’ | The Hilliard Ensemble | — | |
| 15-1 | Illibata Dei Virgo nutrix | — | ||
| 15-2 | Adieu mes amours | — | ||
| 15-3 | Plaine de dueil | — | ||
| 15-4 | Je n'ose plus | — | ||
| 15-5 | Que vous ma dame | — | ||
| 15-6 | In te Domine speravi | — | ||
| 15-7 | Regretz sans fin | — | ||
| 15-8 | Ave maris stella | — | ||
| 15-9 | Missa “Ave Maris Stella”: Kyrie | — | ||
| 15-10 | Missa “Ave Maris Stella”: Gloria | — | ||
| 15-11 | Missa “Ave Maris Stella”: Letabundus | — | ||
| 15-12 | Missa “Ave Maris Stella”: Credo | — | ||
| 15-13 | Missa “Ave Maris Stella”: Sanctus | — | ||
| 15-14 | Missa “Ave Maris Stella”: [Benedictus] | — | ||
| 15-15 | Missa “Ave Maris Stella”: Agnus Dei | — | ||
| 15-16 | Gaude Virgo, Mater Christi | — | ||
| 15-17 | Salve Regina | — | ||
| 16-1 | Missa “Hercules Dux Ferrariae”: I. Kyrie | The Hilliard Ensemble, Paul Hillier | — | |
| 16-2 | Missa “Hercules Dux Ferrariae”: II. Gloria | The Hilliard Ensemble, Paul Hillier | — | |
| 16-3 | Missa “Hercules Dux Ferrariae”: III. Credo | The Hilliard Ensemble, Paul Hillier | — | |
| 16-4 | Missa “Hercules Dux Ferrariae”: IV. Sanctus | The Hilliard Ensemble, Paul Hillier | — | |
| 16-5 | Missa “Hercules Dux Ferrariae”: V. Benedictus | The Hilliard Ensemble, Paul Hillier | — | |
| 16-6 | Missa “Hercules Dux Ferrariae”: VI. Agnus Dei | The Hilliard Ensemble, Paul Hillier | — | |
| 16-7 | Pater noster / Ave Maria | The Hilliard Ensemble, Paul Hillier | T-902.757.288-9 | |
| 16-8 | Lugebat David Absalon | The Hilliard Ensemble, Paul Hillier | — | |
| 16-9 | Miserere mei, Deus: I. Miserere mei, Deus | — | ||
| 16-10 | Miserere mei, Deus: II. Auditui meo dabis gaudium | — | ||
| 16-11 | Miserere mei, Deus: III. Domine, labia mea aperis | — | ||
| 16-12 | Tu solus qui facis mirabilia | The Hilliard Ensemble, Paul Hillier | — | |
| 17-1 | La lune est coustumiere de naistre tous les mois | — | ||
| 17-2 | Quand j'estois libre I | — | ||
| 17-3 | Revecy venir du Printans | — | ||
| 17-4 | Que n'est-elle auprés de moy | — | ||
| 17-5 | La plus des plus | — | ||
| 17-6 | Il viendra le jour desiré | — | ||
| 17-7 | La nuict froide et sombre | — | ||
| 17-8 | Quand je congneu en ma pensée | — | ||
| 17-9 | Quand j'estois libre II | — | ||
| 17-10 | Jouyssance vous donneray | — | ||
| 17-11 | O doulx regard, o parler | — | ||
| 17-12 | Amour, Amour donne moy paix ou trêve | — | ||
| 17-13 | Hélas, ma dame, faites-lui quelque bien | — | ||
| 17-14 | Fiere cruelle en amour | — | ||
| 17-15 | J'en ay dueil | — | ||
| 17-16 | Mon cœur se recommande à vous | — | ||
| 17-17 | L'un apreste la glu | — | ||
| 17-18 | Quand j'estois libre III | — | ||
| 17-19 | Secoures moy ma dame par amours | — | ||
| 17-20 | Se congié prens | — | ||
| 17-21 | Cueurs desolez de toutes | — | ||
| 18-1 | Scaramella va alla guerra (villotta) | — | ||
| 18-2 | Allegez moy, doulce plaisant brunette (original 6-part chanson) | — | ||
| 18-3 | Allegez moy, doulce plaisant brunette (lute duet) 2.9 | — | ||
| 18-4 | El grillo è buon cantore (frottola) | — | ||
| 18-5 | Donna di dentro della tua casa (quodlibet) | — | ||
| 18-6 | De tous biens plaine (rondeau, original 3-part chanson with additional si placet from Ottaviano Petrucci’s Harmonice musices odhecaton A, Venice, 1501) | — | ||
| 18-10 | Du tout plongiet – Fors seulement I'attente (rondeau) | — | ||
| 18-11 | Mijn morken gaf mij een jonck wijff (quodlibet) | — | ||
| 18-12 | Ghy syt die werste boven al | — | ||
| 18-13 | Ein Frohlich wesen (original 3-part chanson) | — | ||
| 18-15 | Ein Frohlich wesen (4-part chanson) | — | ||
| 18-16 | Prenez sur moi vostre exemple amoureux (canon a 3) | — | ||
| 18-17 | Ma bouche rit (virelai) | — | ||
| 18-18 | Guillaume se va chaufer | — | ||
| 18-19 | Adieu mes amours (original 4-part chanson from Ottaviano Petrucci’s Harmonice musices odhecaton A, Venice, 1501) | — | ||
| 18-21 | Fortuna desperata (original 3-part chanson) | — | ||
| 18-24 | Heth sold ein meisken garn om win | — | ||
| 18-25 | A la battaglia | — | ||
| 18-26 | T'Andernaken | — | ||
| 18-27 | A la audienche | — | ||
| 18-28 | Vray Dieu d'amours | — | ||
| 18-29 | 2 lute dances | — | ||
| 18-30 | La guercia | — | ||
| 18-31 | Comme femme desconfortee | — | ||
| 19-1 | Vive le roy | — | ||
| 19-2 | La Spagna | — | ||
| 19-3 | Tsaat een meskin | — | ||
| 19-4 | Est-il conclu par un arrêt d'amour ? | — | ||
| 19-5 | La Bernadina (instrumental tricinium) | — | ||
| 19-6 | La Bernadina (lute duet) | — | ||
| 19-7 | Missa sine nomine: Kyrie | — | ||
| 19-8 | Missa “Et ecce terrae motus”: Gloria | — | ||
| 19-9 | Credo super “De tous biens” | — | ||
| 19-10 | Missa “Ave sanctissima Maria”: Sanctus | — | ||
| 19-11 | Missa “La bassadanza”: Agnus Dei | — | ||
| 19-12 | Haec Deum caeli | — | ||
| 19-13 | O bone Jesu | — | ||
| 19-14 | De profundis a 5 | — | ||
| 19-15 | Benedicta es caelorum regina | — | ||
| 19-16 | Nesciens mater virgo virum | — | ||
| 19-17 | Inviolata integra et casta es Maria | — | ||
| 19-18 | Intemerata Dei mater | — | ||
| 19-19 | Laudemus nunc Dominum | — | ||
| 19-20 | Ave sanctissima Maria | — | ||
| 20-1 | Missa super “O praeclara”: I. Kyrie - Christe - Kyrie | — | ||
| 20-2 | Missa super “O praeclara”: II. Gloria | — | ||
| 20-3 | Missa super “O praeclara”: III. Credo | — | ||
| 20-4 | Missa super “O praeclara”: IV. Sanctus | — | ||
| 20-5 | Missa super “O praeclara”: V. Agnus Dei | — | ||
| 20-6 | La mi la sol (instrumental) | — | ||
| 20-7 | Tota pulchra Es | — | ||
| 20-8 | Illumina oculos meos | — | ||
| 20-9 | Maria, Jungfrau hochgeborn | — | ||
| 20-10 | Carmen (instrumental) | — | ||
| 20-11 | Es het ein Baur ein Töchterlein | — | ||
| 20-12 | Donna di dentro dalla tua casa | — | ||
| 21-1 | Commune festorum beatae Mariae Virginis (Introitus. Salve, Sancta Parens) | — | ||
| 21-2 | Missa Paschale: I. Kyrie | — | ||
| 21-3 | Missa Paschale: II. Gloria | — | ||
| 21-4 | Missa Paschale: III. Sanctus | — | ||
| 21-5 | Missa Paschale: IV. Agnus Dei | — | ||
| 21-6 | Quis Dabit pacem populo timenti | — | ||
| 21-7 | Es het ein Baur ein Töchterlein | — | ||
| 21-8 | Es wollt ein meydlein grasen gan | — | ||
| 21-9 | Greiner, zancker, schnöpffitzer | — | ||
| 21-10 | J'ay pris amours | — | ||
| 21-11 | Fammi una gratia, amore | — | ||
| 21-12 | La Mora | — | ||
| 21-13 | Ne più bella di queste | — | ||
| 22-1 | O suavitas et dulcedo (8-part motet) | — | ||
| 22-2 | Parce mihi, Domine: Peccavi | The Hilliard Ensemble, Kees Boeke Consort | T-001.620.876-6 | |
| 22-3 | Dolce mio caro (4-part madrigal, in two parts, part 2: Qui trar del petto) | — | ||
| 22-4 | Comme la tourterelle (5-part chanson) | — | ||
| 22-5 | Comme la tourterelle (intabulation for lute from “Pratum musicum… per Em. Hadrianum, Antverpiensem, Pierre Phalèse, Antwerpen 1584”) | — | ||
| 22-6 | La Déesse Vénus (five-part chanson, in four parts) | — | ||
| 22-7 | La dolce vista (six-part madrigal) | — | ||
| 22-8 | Missa 8 vocum “La dolce vista”: I. Kyrie | — | ||
| 22-9 | Missa 8 vocum “La dolce vista”: II. Gloria | — | ||
| 22-10 | Missa 8 vocum “La dolce vista”: III. Credo | — | ||
| 22-11 | Missa 8 vocum “La dolce vista”: IV. Sanctus | — | ||
| 22-12 | Missa 8 vocum “La dolce vista”: V. Benedictus | — | ||
| 22-13 | Missa 8 vocum “La dolce vista”: VI. Agnus Dei | — | ||
| 23-1 | Missa pro defunctis: I. Introitus: Requiem aeternam | — | ||
| 23-2 | Missa pro defunctis: II. Kyrie eleison | — | ||
| 23-3 | Missa pro defunctis: III. Psalmus: Sicut cervus desiderat | — | ||
| 23-4 | Missa pro defunctis: IV. Offertorium: Domine Jesu Christe | — | ||
| 23-5 | Missa pro defunctis: V. Sanctus | — | ||
| 23-6 | Missa pro defunctis: VI. Agnus Dei | — | ||
| 23-7 | Missa pro defunctis: VII. Communio: Lux aeterna | — | ||
| 23-8 | O domine Jesu Christe | — | ||
| 23-9 | O mors inevitabilis | — | ||
| 23-10 | Musae Jovis ter Maximi | — | ||
| 23-11 | Continuo lacrimas | — | ||
| 23-12 | Quis dabit oculis nostris | — | ||
| 23-13 | Non moriar sed vivam | — | ||
| 24-1 | Gaude virgo | — | ||
| 24-2 | Vexilla Regis / Passio Domini | — | ||
| 24-3 | Plorer, gemier / Requiem | — | ||
| 24-4 | Considera Israel | — | ||
| 24-5 | Missa “Cum iocunditate”: I. Kyrie | — | ||
| 24-6 | Missa “Cum iocunditate”: II. Gloria | — | ||
| 24-7 | Missa “Cum iocunditate”: III. Credo | — | ||
| 24-8 | Missa “Cum iocunditate”: IV. Sanctus | — | ||
| 24-9 | Missa “Cum iocunditate”: V. Agnus Dei | — | ||
| 24-10 | O salutaris hostia | — | ||
| 24-11 | Ave Regina celorum | — | ||
| 24-12 | Delicta juventutis | — | ||
| 25-1 | Ung gay bergier | — | ||
| 25-2 | Ung gay bergiere (lute) | — | ||
| 25-3 | Je ne fais riens que plaindre et soupirer | — | ||
| 25-4 | Grant heur seroit | — | ||
| 25-5 | Quand me souvient ung triste cœur | — | ||
| 25-6 | Si des haulx cieulx | — | ||
| 25-7 | Dedens tournay | — | ||
| 25-8 | A vous en est | — | ||
| 25-9 | Fortune hellas que tu peult profiter | — | ||
| 25-10 | Pour ung plaisir (lute) | — | ||
| 25-11 | Au monde n'est plus grant soulas | — | ||
| 25-12 | Ye pre[n]s en grey | — | ||
| 25-13 | Factus est repente de celo sonus | — | ||
| 25-14 | Por un plaisir | — | ||
| 25-15 | Servus tuus ego sum | — | ||
| 25-16 | Declaratio sermonum tuorum illuminat | — | ||
| 25-17 | Prenes pitie | — | ||
| 25-18 | Virgo gloriosa | — | ||
| 25-19 | Domine Jesu Christe | — | ||
| 26-1 | Psalmi Davidis poenitentiales: I. Domine ne in furore tuo… Miserere (ensemble, consort) | — | ||
| 26-2 | Psalmi Davidis poenitentiales: II. Beati quorum remissae sunt (ensemble) | — | ||
| 26-3 | Psalmi Davidis poenitentiales: III. Domine ne in furore tuo… Quoniam (ensemble, consort) | — | ||
| 27-1 | Psalmi Davidis poenitentiales: IV. Miserere mei Deus (ensemble, consort) | — | ||
| 27-2 | Psalmi Davidis poenitentiales: V. Domine exaudi orationem meam: et clamor meus (ensemble, consort) | — | ||
| 27-3 | Psalmi Davidis poenitentiales: VI. De profundis clamavi ad te Domine (ensemble) | — | ||
| 27-4 | Psalmi Davidis poenitentiales: VII. Domine exaudi orationem meam: auribus percipe (ensemble, consort) | — | ||
| 28-1 | Stabat Mater | — | ||
| 28-2 | In monte Oliveti | — | ||
| 28-3 | Cum natus esset Jesus | — | ||
| 28-4 | Bon jour mon cœur | — | ||
| 28-5 | Fleur de quinze ans | — | ||
| 28-6 | Susanne ung jour | — | ||
| 28-7 | J’ayme la pierre précieuse | — | ||
| 28-8 | Margot labourez les vignes | — | ||
| 28-9 | La nuict froide et sombre | — | ||
| 28-10 | Susanne ung jour | — | ||
| 28-11 | Pour courir en poste a la ville | — | ||
| 29-1 | Bon jour et puis quelles nouvelles ? | — | ||
| 29-2 | Bon jour mon cœur | — | ||
| 29-3 | Dessus le marché d’Arras | — | ||
| 29-4 | Il était une religieuse | — | ||
| 29-5 | Au feu, au feu, venez-moi secourir | — | ||
| 29-6 | Paisible domaine | — | ||
| 29-7 | O vin en vigne | — | ||
| 29-8 | Vignon, vignon | — | ||
| 29-9 | La nuit froide et sombre | — | ||
| 29-10 | Quand mon mari vient de dehors | — | ||
| 29-11 | Toutes les nuits | — | ||
| 29-12 | Musica, dei donum optimi | — | ||
| 29-13 | Matona mia cara | — | ||
| 29-14 | Come la notte ogni fiamella | — | ||
| 29-15 | Chi chilichi? | — | ||
| 29-16 | Cantai hor piango | — | ||
| 29-17 | Ardo si, ma non t’amo | — | ||
| 29-18 | Hört zu ein news gedicht | — | ||
| 29-19 | Ein guten Rat | — | ||
| 29-20 | Im mayen | — | ||
| 29-21 | Omnia tempus habent | — | ||
| 30-1 | Domine Dominus Noster | — | ||
| 30-2 | Adoramus te Christe | — | ||
| 30-3 | In pace, in idipsum | — | ||
| 30-4 | In hora ultima | — | ||
| 30-5 | Ad te levavi oculos meos | — | ||
| 30-6 | Te Deum laudamus | — | ||
| 30-7 | Praeter rerum seriem (plainchant) | — | ||
| 30-8 | Praeter rerum seriem (motet) | — | ||
| 30-9 | Resonet in laudibus | — | ||
| 30-10 | Pelli meae consumptis carnibus | — | ||
| 30-11 | Christus resurgens ex mortuis | — | ||
| 30-12 | Tibi laus, tibi gloria | — | ||
| 30-13 | Magnificat: Praeter rerum seriem | — | ||
| 31-1 | Al dolce suon’ | — | ||
| 31-2 | Ben convenne, madonna Solo n'andrò | — | ||
| 31-3 | Ove d'altra montagna ombra non tocchi | — | ||
| 31-4 | Spent'è d'amor… Ma che morta | — | ||
| 31-5 | Lucescit jam o socii… Nunc bibamus non segniter | — | ||
| 31-6 | Voir est beacoup | — | ||
| 31-7 | Domine, quando veneris | — | ||
| 31-8 | Beati pauperes spiritu | — | ||
| 31-9 | Beati pacifici | — | ||
| 31-10 | Da pacem Domine | — | ||
| 31-11 | Gloria patri et filio | — | ||
| 31-12 | Praesidium, Sara | — | ||
| 31-13 | Bestia curvafia pulices | — | ||
| 32-1 | Sorgi, e rischiara | — | ||
| 32-2 | Misera, che farò | — | ||
| 32-3 | Donna, se ben le chiome | — | ||
| 32-4 | Vive doglioso il core | — | ||
| 32-5 | Vani e schiocchi | — | ||
| 32-6 | Vaghi boschetti | — | ||
| 32-7 | Io mi vivea del mio languir | — | ||
| 32-8 | Solo e pensoso | — | ||
| 32-9 | Giunto alla tomba | — | ||
| 32-10 | Voi volete ch'io muoia | — | ||
| 32-11 | Grazie ch'a pochi il ciel | — | ||
| 32-12 | Tirsi morir volea | — | ||
| 32-13 | In qual parte sì ratto | — | ||
| 33-1 | O salutaris hostia | — | ||
| 33-2 | O domine Jesu Christe | — | ||
| 33-3 | Ricercare | — | ||
| 33-4 | O Thoma, laus et gloria | — | ||
| 33-5 | Flete oculi | — | ||
| 33-6 | O dominicis diebus in quadragesima, ad vesperas, hymnus | — | ||
| 33-7 | Dessus le marché Darras | — | ||
| 33-8 | Un giorno mi prego | — | ||
| 33-9 | O bene mio | — | ||
| 33-10 | Madonn'io non lo so | — | ||
| 33-13 | Lasso, ch'io ardo | — | ||
| 33-14 | Zoia zentil | — | ||
| 33-15 | Giunto m'ha amor, nulla posso levar | — | ||
| 34-1 | Vergene Bella | — | ||
| 34-2 | Tante láfano | — | ||
| 34-3 | Helas le bon temps | — | ||
| 34-4 | Ma bouche rit | — | ||
| 34-5 | Si je perdu mon amy | — | ||
| 34-6 | Benedictus | — | ||
| 34-7 | Si je perdu mon amy | — | ||
| 34-8 | Barises moy | — | ||
| 34-9 | Vray dieu d'amours | — | ||
| 34-10 | Malor me bat | — | ||
| 34-11 | Si je perdu mon amy | — | ||
| 34-12 | Stat ein meskin was junck | — | ||
| 34-13 | T'Andernaken | — | ||
| 34-14 | N'esse pas ung grant desplaisir | — | ||
| 34-15 | Entre je suis | — | ||
| 34-16 | De tous biens playne | — | ||
| 34-17 | Ma bouche rit | — | ||
| 34-18 | T'Andernaken | — | ||
| 34-19 | Entre du fol | — | ||
| 34-20 | Bergerette | — | ||
| 34-21 | Bergeret sans roch | — | ||
| 34-22 | La Bataille | — | ||
| 34-23 | Je pers espoir | — | ||
| 34-24 | Fortune helas | — | ||
| 34-25 | Si me tenez | — | ||
| 34-26 | Se dire ie losoye | — | ||
| 34-27 | The Danserye: I. La Mourisque | — | ||
| 34-28 | The Danserye: II. Branle Quatre – Bransles | — | ||
| 34-29 | The Danserye: III. Ronde & Salterelle | — | ||
| 34-30 | The Danserye: IV. Ronde Mon Amy | — | ||
| 34-31 | The Danserye: IV. Allemaigne & Recoupe | — | ||
| 34-32 | The Danserye: V. Pavane “Mille regretz” | — | ||
| 34-33 | The Danserye: VII. Basse danse Bergeret sans Roch & Reprise | — | ||
| 34-34 | The Danserye: VIII. Danse du Roy | — | ||
| 34-35 | The Danserye: IX. Ronde | — | ||
| 34-36 | The Danserye: X. Passe et Medio | — | ||
| 34-37 | The Danserye: XI. Reprise “Le Pingue” | — | ||
| 34-38 | The Danserye: XII. Ronde | — | ||
| 34-39 | The Danserye: XII. Pavane “La Bataille” | — |
