UPC · Release
Pavements
Pavement, Kathryn Gallagher, Michael Esper, Zoe Lister-Jones
Last verified:
0191401215329 is the Universal Product Code (UPC barcode) for the release “Pavements” by Pavement, Kathryn Gallagher, Michael Esper, Zoe Lister-Jones, released 2025-01-01 on Matador. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro for a Major Motion Picture | — | ||
| 2 | Our Singer (LA rehearsal session) | — | ||
| 3 | Joe Keery Screen Test (Movie Clip) | — | ||
| 4 | Angel Carver Blues/Mellow Jazz Docent (live at Cirkus, Stockholm) | — | ||
| 5 | You're Killing Me / My Radio / Nothing Ever Happens (Jukebox Musical Versions) | — | ||
| 6 | Spizzle Trunk (Portland rehearsal session) | — | ||
| 7 | It's What I Want (Movie Clip) | — | ||
| 8 | In the Mouth a Desert (live at Le Grand Rex, Paris) | — | ||
| 9 | Priceless Art (Movie Clip) | — | ||
| 10 | Fame Throwa (LA rehearsal session) | — | ||
| 11 | Song Is Sacred (Movie Clip) | — | ||
| 12 | Here (Jukebox Musical version) | — | ||
| 13 | Zürich Is Stained (live at Cirkus, Stockholm) | — | ||
| 14 | When Songs Are Bought (Movie Clip) | — | ||
| 15 | Witchitai-To (LA rehearsal session) | — | ||
| 16 | Don't Fuck With My Rolls Man (Movie Clip) | — | ||
| 17 | Two States (live at Cirkus, Stockholm) | — | ||
| 18 | I Can't Play Billy Joel / "Range Life" Theme (Movie Clips) | — | ||
| 19 | Joe Keery Sings Range Life at Fake Lollapalooza (Deleted Scene) | — | ||
| 20 | Serpentine Pad (LA rehearsal session) | — | ||
| 21 | Stairwell Scene (Movie Clip) | — | ||
| 22 | Fillmore Jive (Portland rehearsal session) | — | ||
| 23 | Circa 1762 (John Peel session) | — | ||
| 2-1 | We Dance (Jukebox Musical version) | — | ||
| 2-2 | Unfair (live at Cirkus, Stockholm) | — | ||
| 2-3 | Harness Your Hopes (live at Cirkus, Stockholm) | — | ||
| 2-4 | Still Waiting on That Gold Record (Spiral Interview) | — | ||
| 2-5 | Shoot the Singer (Snail Mail live From the Pavement Museum in NYC) | — | ||
| 2-6 | Endless Loop of Songs (Deleted Scene) | — | ||
| 2-7 | No More Absolutes / So Mind Blowing (Movie Clips) | — | ||
| 2-8 | Grounded (live at the Fonda Theater, Los Angeles) | — | ||
| 2-9 | Fight This Generation (Mud Throwa Musical - live mix) | — | ||
| 2-10 | The Band That Ruined Lollapalooza (Movie Clip) | — | ||
| 2-11 | The Infrastructure Rots (Movie Clip/Jukebox Musical version) | — | ||
| 2-12 | Type Slowly (live at Cirkus, Stockholm) | — | ||
| 2-13 | Slanted! Enchanted! Tryouts! (Movie Clip) | — | ||
| 2-14 | Grave Architecture (Portland rehearsal session) | — | ||
| 2-15 | I Heard Pavement for the First Time Six Weeks Ago (Movie Clip) | — | ||
| 2-16 | Give It a Day (Jukebox Musical version) | — | ||
| 2-17 | I Just Saw a Ghost (Movie Clip) | — | ||
| 2-18 | Slanted! Enchanted! Finale! (Jukebox Musical version) | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 0191401215329?
0191401215329 is a Universal Product Code (UPC) assigned to Pavements by Pavement, Kathryn Gallagher, Michael Esper, Zoe Lister-Jones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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