UPC · Release
Me, My Guitar and the Blues
Chris Thomas King
Last verified:
019148506428 is the Universal Product Code (UPC barcode) for the release “Me, My Guitar and the Blues” by Chris Thomas King, released 1999-01-01 on 21st Century Blues Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (11)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Why Blues | — | ||
| 2 | Like Father, Like Son | — | ||
| 3 | Superstitious Blues | — | ||
| 4 | Cain | — | ||
| 5 | Stay Just as You Are | — | ||
| 6 | Born Under a Bad Sign | — | ||
| 7 | Gambling Woman | — | ||
| 8 | Me, My Guitar and the Blues | — | ||
| 9 | Bourbon Street Blues | — | ||
| 10 | Stones in My Passway | — | ||
| 11 | Your Are My Heaven | — |
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Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 019148506428?
019148506428 is a Universal Product Code (UPC) assigned to Me, My Guitar and the Blues by Chris Thomas King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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