UPC · Release
Various Artists
Last verified:
The UPC for “Top 40 Hitdossier 60s” by Various Artists is 0194397246124. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Sony Music. This release contains 117 tracks, each with its own ISRC. Tracks include GBF076700190, FR26V2057690, USSM16500019.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Green Green Grass of Home | Tom Jones | T-070.881.928-6 | |
| 2 | San Francisco (Be Sure to Wear Flowers in Your Hair) | — | ||
| 3 | Dedicated Follower of Fashion | — | ||
| 4 | Je t’aime moi non plus | Serge Gainsbourg, Jane Birkin | T-003.024.051-7 | |
| 5 | This Strange Effect | — | ||
| 6 | Mr. Tambourine Man | The Byrds | T-042.625.833-4 | |
| 7 | Lea | — | ||
| 8 | Het land van Maas en Waal | — | ||
| 9 | La Danse de Zorba | — | ||
| 10 | Hello Josephine | — | ||
| 11 | Sloop John B | — | ||
| 12 | This Is My Song | — | ||
| 13 | Monday, Monday | — | ||
| 14 | You’ve Got Your Troubles | — | ||
| 15 | The French Song (Quand le soleil…) | — | ||
| 16 | The Birds and the Bees | — | ||
| 17 | Sophietje | — | ||
| 18 | Dear Mrs. Applebee | — | ||
| 19 | Hair | — | ||
| 20 | Big Bamboo | — | ||
| 21 | Wooly Bully | — | ||
| 22 | Delilah | — | ||
| 23 | Ich bau dir ein Schloss | — | ||
| 24 | Il Silenzio | — | ||
| 2-1 | In the Ghetto | — | ||
| 2-2 | Michelle | — | ||
| 2-3 | Lazy Sunday | — | ||
| 2-4 | Nights in White Satin | The Moody Blues | T-010.164.170-6 | |
| 2-5 | Eloise | — | ||
| 2-6 | Ain’t Got No – I Got Life (from “Hair”) | — | ||
| 2-7 | Friday on My Mind | — | ||
| 2-8 | Goodnight | — | ||
| 2-9 | Dong‐Dong‐Di‐Ki‐Di‐Gi‐Dong | — | ||
| 2-10 | Need Your Love So Bad | — | ||
| 2-11 | In the Year 2525 | Zager & Evans | T-070.919.160-5 | |
| 2-12 | Goodbye My Love | — | ||
| 2-13 | Pastorale | — | ||
| 2-14 | My Little Lady | — | ||
| 2-15 | Cha‐La‐La, I Need You | — | ||
| 2-16 | Venus | Shocking Blue | T-030.275.121-8 | |
| 2-17 | Young Girl | — | ||
| 2-18 | A Whiter Shade of Pale | — | ||
| 2-19 | Black Is Black | Los Bravos | T-010.433.486-2 | |
| 2-20 | The Pied Piper | — | ||
| 2-21 | Homeward Bound | — | ||
| 2-22 | Guantanamera | — | ||
| 2-23 | Battle Hymn of the Republic | — | ||
| 3-1 | Albatross | Fleetwood Mac | T-010.162.847-0 | |
| 3-2 | The Letter | The Box Tops | T-071.000.720-7 | |
| 3-3 | The Happening | — | ||
| 3-4 | Ob‐La‐Di Ob‐La‐Da | — | ||
| 3-5 | Israelites | — | ||
| 3-6 | Son of a Preacher Man | Dusty Springfield | T-070.243.820-7 | |
| 3-7 | Rainy Day Women # 12 & 35 | — | ||
| 3-8 | Pictures of a Matchstick Men | — | ||
| 3-9 | Oh Happy Day | — | ||
| 3-10 | From the Underworld | — | ||
| 3-11 | Deep Water | — | ||
| 3-12 | If I Were a Rich Man | Roger Whittaker | T-072.911.566-5 | |
| 3-13 | Russian Spy and I | — | ||
| 3-14 | The Ballad of Bonnie and Clyde | — | ||
| 3-15 | Lara’s Theme (Somewhere, My Love) (from “Doctor Zhivago”) | — | ||
| 3-16 | Sunshine Superman | — | ||
| 3-17 | Angel of the Morning | Merrilee Rush and the Turnabouts | T-070.880.640-9 | |
| 3-18 | Suspicious Minds | — | ||
| 3-19 | Hush | — | ||
| 3-20 | Brand New Cadillac | — | ||
| 3-21 | Cupid | — | ||
| 3-22 | Daydream | — | ||
| 3-23 | Baldheaded Woman | — | ||
| 3-24 | Goldfinger | — | ||
| 4-1 | A Boy Named Sue (at San Quentin) | — | ||
| 4-2 | Aquarius/Let the Sunshine In | — | ||
| 4-3 | Beautiful People | — | ||
| 4-4 | Everlasting Love | — | ||
| 4-5 | The Windmills of Your Mind | — | ||
| 4-6 | La Bambola | — | ||
| 4-7 | Green Tambourine | The Lemon Pipers | T-070.234.360-9 | |
| 4-8 | The Hurdy Gurdy Man | — | ||
| 4-9 | Goodbye to Love | Margie Ball | — | |
| 4-10 | Chewy Chewy | — | ||
| 4-11 | Let Me | — | ||
| 4-12 | To Love Somebody | — | ||
| 4-13 | Les Champs‐Élysées | — | ||
| 4-14 | The Son of Hickory Holler's Tramp | O.C. Smith | T-070.243.824-1 | |
| 4-15 | Simon Says | 1910 Fruitgum Company | T-070.140.581-3 | |
| 4-16 | Träume der Liebe | — | ||
| 4-17 | Little Girl | — | ||
| 4-18 | The Good, the Bad and the Ugly | — | ||
| 4-19 | Hang On Sloopy | The McCoys | T-070.918.635-5 | |
| 4-20 | I Threw It All Away | — | ||
| 4-21 | Captain of Your Ship | — | ||
| 4-22 | I’m Gonna Make You Mine | — | ||
| 4-23 | The ‘In’ Crowd | — | ||
| 5-1 | Everybody’s Talkin’ (from “Midnight Cowboy”) | — | ||
| 5-2 | Thanks | — | ||
| 5-3 | Eight Miles High | — | ||
| 5-4 | Race With the Devil | — | ||
| 5-5 | Ik heb genoeg van jou | — | ||
| 5-6 | Das war mein schönster Tanz | — | ||
| 5-7 | I’d Rather Go Blind | — | ||
| 5-8 | De Toeteraar | — | ||
| 5-9 | Tomorrow | — | ||
| 5-10 | Mit 17 hat man noch Träume | Peggy March | T-800.698.278-2 | |
| 5-11 | Spinning Wheel | — | ||
| 5-12 | Michaela | — | ||
| 5-13 | Concrete and Clay | — | ||
| 5-14 | Ringo | — | ||
| 5-15 | Maria Elena | — | ||
| 5-16 | Alle leuke jongens willen vrijen | — | ||
| 5-17 | Tallyman | — | ||
| 5-18 | The Ballad of the Green Berets | — | ||
| 5-19 | Jezebel | — | ||
| 5-20 | Il Mondo | — | ||
| 5-21 | Küsse unter'm Regenbogen | Manuela | T-800.163.702-2 | |
| 5-22 | De Bostella | — | ||
| 5-23 | Take Five | — |
Identifier Graph
0194397246124 is a Universal Product Code (UPC) assigned to Top 40 Hitdossier 60s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Top 40 Hitdossier 60s” by Various Artists is 0194397246124. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Sony Music. This release contains 117 tracks, each with its own ISRC. Tracks include GBF076700190, FR26V2057690, USSM16500019.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Green Green Grass of Home | Tom Jones | T-070.881.928-6 | |
| 2 | San Francisco (Be Sure to Wear Flowers in Your Hair) | — | ||
| 3 | Dedicated Follower of Fashion | — | ||
| 4 | Je t’aime moi non plus | Serge Gainsbourg, Jane Birkin | T-003.024.051-7 | |
| 5 | This Strange Effect | — | ||
| 6 | Mr. Tambourine Man | The Byrds | T-042.625.833-4 | |
| 7 | Lea | — | ||
| 8 | Het land van Maas en Waal | — | ||
| 9 | La Danse de Zorba | — | ||
| 10 | Hello Josephine | — | ||
| 11 | Sloop John B | — | ||
| 12 | This Is My Song | — | ||
| 13 | Monday, Monday | — | ||
| 14 | You’ve Got Your Troubles | — | ||
| 15 | The French Song (Quand le soleil…) | — | ||
| 16 | The Birds and the Bees | — | ||
| 17 | Sophietje | — | ||
| 18 | Dear Mrs. Applebee | — | ||
| 19 | Hair | — | ||
| 20 | Big Bamboo | — | ||
| 21 | Wooly Bully | — | ||
| 22 | Delilah | — | ||
| 23 | Ich bau dir ein Schloss | — | ||
| 24 | Il Silenzio | — | ||
| 2-1 | In the Ghetto | — | ||
| 2-2 | Michelle | — | ||
| 2-3 | Lazy Sunday | — | ||
| 2-4 | Nights in White Satin | The Moody Blues | T-010.164.170-6 | |
| 2-5 | Eloise | — | ||
| 2-6 | Ain’t Got No – I Got Life (from “Hair”) | — | ||
| 2-7 | Friday on My Mind | — | ||
| 2-8 | Goodnight | — | ||
| 2-9 | Dong‐Dong‐Di‐Ki‐Di‐Gi‐Dong | — | ||
| 2-10 | Need Your Love So Bad | — | ||
| 2-11 | In the Year 2525 | Zager & Evans | T-070.919.160-5 | |
| 2-12 | Goodbye My Love | — | ||
| 2-13 | Pastorale | — | ||
| 2-14 | My Little Lady | — | ||
| 2-15 | Cha‐La‐La, I Need You | — | ||
| 2-16 | Venus | Shocking Blue | T-030.275.121-8 | |
| 2-17 | Young Girl | — | ||
| 2-18 | A Whiter Shade of Pale | — | ||
| 2-19 | Black Is Black | Los Bravos | T-010.433.486-2 | |
| 2-20 | The Pied Piper | — | ||
| 2-21 | Homeward Bound | — | ||
| 2-22 | Guantanamera | — | ||
| 2-23 | Battle Hymn of the Republic | — | ||
| 3-1 | Albatross | Fleetwood Mac | T-010.162.847-0 | |
| 3-2 | The Letter | The Box Tops | T-071.000.720-7 | |
| 3-3 | The Happening | — | ||
| 3-4 | Ob‐La‐Di Ob‐La‐Da | — | ||
| 3-5 | Israelites | — | ||
| 3-6 | Son of a Preacher Man | Dusty Springfield | T-070.243.820-7 | |
| 3-7 | Rainy Day Women # 12 & 35 | — | ||
| 3-8 | Pictures of a Matchstick Men | — | ||
| 3-9 | Oh Happy Day | — | ||
| 3-10 | From the Underworld | — | ||
| 3-11 | Deep Water | — | ||
| 3-12 | If I Were a Rich Man | Roger Whittaker | T-072.911.566-5 | |
| 3-13 | Russian Spy and I | — | ||
| 3-14 | The Ballad of Bonnie and Clyde | — | ||
| 3-15 | Lara’s Theme (Somewhere, My Love) (from “Doctor Zhivago”) | — | ||
| 3-16 | Sunshine Superman | — | ||
| 3-17 | Angel of the Morning | Merrilee Rush and the Turnabouts | T-070.880.640-9 | |
| 3-18 | Suspicious Minds | — | ||
| 3-19 | Hush | — | ||
| 3-20 | Brand New Cadillac | — | ||
| 3-21 | Cupid | — | ||
| 3-22 | Daydream | — | ||
| 3-23 | Baldheaded Woman | — | ||
| 3-24 | Goldfinger | — | ||
| 4-1 | A Boy Named Sue (at San Quentin) | — | ||
| 4-2 | Aquarius/Let the Sunshine In | — | ||
| 4-3 | Beautiful People | — | ||
| 4-4 | Everlasting Love | — | ||
| 4-5 | The Windmills of Your Mind | — | ||
| 4-6 | La Bambola | — | ||
| 4-7 | Green Tambourine | The Lemon Pipers | T-070.234.360-9 | |
| 4-8 | The Hurdy Gurdy Man | — | ||
| 4-9 | Goodbye to Love | Margie Ball | — | |
| 4-10 | Chewy Chewy | — | ||
| 4-11 | Let Me | — | ||
| 4-12 | To Love Somebody | — | ||
| 4-13 | Les Champs‐Élysées | — | ||
| 4-14 | The Son of Hickory Holler's Tramp | O.C. Smith | T-070.243.824-1 | |
| 4-15 | Simon Says | 1910 Fruitgum Company | T-070.140.581-3 | |
| 4-16 | Träume der Liebe | — | ||
| 4-17 | Little Girl | — | ||
| 4-18 | The Good, the Bad and the Ugly | — | ||
| 4-19 | Hang On Sloopy | The McCoys | T-070.918.635-5 | |
| 4-20 | I Threw It All Away | — | ||
| 4-21 | Captain of Your Ship | — | ||
| 4-22 | I’m Gonna Make You Mine | — | ||
| 4-23 | The ‘In’ Crowd | — | ||
| 5-1 | Everybody’s Talkin’ (from “Midnight Cowboy”) | — | ||
| 5-2 | Thanks | — | ||
| 5-3 | Eight Miles High | — | ||
| 5-4 | Race With the Devil | — | ||
| 5-5 | Ik heb genoeg van jou | — | ||
| 5-6 | Das war mein schönster Tanz | — | ||
| 5-7 | I’d Rather Go Blind | — | ||
| 5-8 | De Toeteraar | — | ||
| 5-9 | Tomorrow | — | ||
| 5-10 | Mit 17 hat man noch Träume | Peggy March | T-800.698.278-2 | |
| 5-11 | Spinning Wheel | — | ||
| 5-12 | Michaela | — | ||
| 5-13 | Concrete and Clay | — | ||
| 5-14 | Ringo | — | ||
| 5-15 | Maria Elena | — | ||
| 5-16 | Alle leuke jongens willen vrijen | — | ||
| 5-17 | Tallyman | — | ||
| 5-18 | The Ballad of the Green Berets | — | ||
| 5-19 | Jezebel | — | ||
| 5-20 | Il Mondo | — | ||
| 5-21 | Küsse unter'm Regenbogen | Manuela | T-800.163.702-2 | |
| 5-22 | De Bostella | — | ||
| 5-23 | Take Five | — |
