UPC · Release
The Audience As Whipping Boy
Lydia Lunch, Willing Victim
Last verified:
022891443698 is the Universal Product Code (UPC barcode) for the release “The Audience As Whipping Boy” by Lydia Lunch, Willing Victim, released 2005-01-01 on Atavistic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orphans | — | ||
| 2 | Gospel Singer | — | ||
| 3 | Run Through the Jungle | — | ||
| 4 | Psychic Anthropology | — | ||
| 5 | Twisted | — | ||
| 6 | Itch | — | ||
| 7 | The Need to Feed | — | ||
| 8 | Meltdown | — | ||
| 9 | The Void | — | ||
| 10 | Lock Your Door | — | ||
| 11 | Stinkfist | — | ||
| 12 | Black Juju | — | ||
| 13 | No Excuses | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 022891443698?
022891443698 is a Universal Product Code (UPC) assigned to The Audience As Whipping Boy by Lydia Lunch, Willing Victim. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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