UPC · Release
The Complete Debut Recordings
Charles Mingus
Last verified:
025218440226 is the Universal Product Code (UPC barcode) for the release “The Complete Debut Recordings” by Charles Mingus, released 1998-01-01 on Debut Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 169 tracks, each with its own ISRC. Tracks include DEU240460140, DEU240812196, GBSUW1410372.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (169)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | What Is This Thing Called Love? | — | ||
| 2 | Darn That Dream | — | ||
| 3 | Yesterdays | — | ||
| 4 | Body and Soul | — | ||
| 5 | Blue Moon | — | ||
| 6 | Blue Tide | — | ||
| 7 | Darn That Dream (alternate take) | — | ||
| 8 | Jeepers Creepers (take 1) | — | ||
| 9 | Jeepers Creepers (take 2) | — | ||
| 10 | Portrait (take 1) (alternate take) | — | ||
| 11 | Portrait (take 2) | — | ||
| 12 | I've Lost My Love (take 1) | — | ||
| 13 | I've Lost My Love (take 2) | — | ||
| 14 | Extrasensory Perception | — | ||
| 15 | Extrasensory Perception (alternate take) | — | ||
| 16 | Precognition | — | ||
| 17 | Make Believe | — | ||
| 18 | Paris in Blue | — | ||
| 19 | Montage | — | ||
| 20 | Day Dream (take 1) | — | ||
| 21 | Day Dream (take 2) | — | ||
| 22 | Theme From "Rhapsody in Blue" (take 1) | — | ||
| 23 | Theme From "Rhapsody in Blue" (take 2) | — | ||
| 2-1 | Jet (take 1) | — | ||
| 2-2 | Jet (take 2) | — | ||
| 2-3 | Medley: You Go to My Head | — | ||
| 2-4 | Can You Blame Me | — | ||
| 2-5 | You and Me | — | ||
| 2-6 | Bebopper | — | ||
| 2-7 | Cupid | — | ||
| 2-8 | Drum Conversation | — | ||
| 2-9 | I've Got You Under My Skin | — | ||
| 2-10 | Embraceable You | — | ||
| 2-11 | Sure Thing | — | ||
| 2-12 | Cherokee | — | ||
| 2-13 | Hallelujah (a.k.a. Jubilee) | Charles Mingus, Bud Powell, Max Roach | — | |
| 2-14 | Lullaby of Birdland | — | ||
| 2-15 | Wee (Allen's Alley) | — | ||
| 2-16 | Hot House | — | ||
| 2-17 | A Night in Tunisia | — | ||
| 3-1 | Perdido | — | ||
| 3-2 | Salt Peanuts | — | ||
| 3-3 | All the Things You Are | — | ||
| 3-4 | 52nd Street Theme | — | ||
| 3-5 | Perdido | The Quintet | T-072.279.636-2 | |
| 3-6 | Salt Peanuts | — | ||
| 3-7 | All the Things You Are | — | ||
| 3-8 | 52nd Street Theme | — | ||
| 3-9 | Wee | Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach | T-070.941.339-7 | |
| 3-10 | Hot House | — | ||
| 3-11 | A Night in Tunisia | — | ||
| 4-1 | Bass-ically Speaking (take 1) | — | ||
| 4-2 | Bass-ically Speaking (take 2) | — | ||
| 4-3 | Bass-ically Speaking (take 3) | — | ||
| 4-4 | Bass-ically Speaking | — | ||
| 4-5 | [untitled blues] | — | ||
| 4-6 | Wee Dot (Blues for Some Bones) | — | ||
| 4-7 | Stardust | — | ||
| 4-8 | Move | — | ||
| 4-9 | I'll Remember April | — | ||
| 4-10 | Now's the Time | — | ||
| 5-1 | Trombosphere | — | ||
| 5-2 | Ow! | — | ||
| 5-3 | Chazzanova (false start of Yesterdays) | — | ||
| 5-4 | Yesterdays | — | ||
| 5-5 | Kai's Day | — | ||
| 5-6 | Pink Topsy | — | ||
| 5-7 | Miss Blues | — | ||
| 5-8 | Blue Tide | — | ||
| 5-9 | Pink Topsy (alternate take) | — | ||
| 5-10 | Eclipse (alternate take) | — | ||
| 5-11 | Eclipse | — | ||
| 5-12 | Opus One (alternate take) | — | ||
| 5-13 | Opus One | — | ||
| 5-14 | (Teapot) Walkin' | — | ||
| 6-1 | Like Someone in Love | — | ||
| 6-2 | I Can't Get Started | — | ||
| 6-3 | Spontaneous Combustion | — | ||
| 6-4 | The Theme | — | ||
| 6-5 | Split Kick | — | ||
| 6-6 | This Time the Dream's on Me | — | ||
| 6-7 | Zootcase | — | ||
| 6-8 | Santa Claus Is Coming to Town | — | ||
| 6-9 | The Pendulum at Falcon's Lair | — | ||
| 6-10 | Jack the Fieldstalker | — | ||
| 6-11 | Stockholm Sweetnin' | — | ||
| 6-12 | Low and Behold | — | ||
| 6-13 | Bitty Ditty | — | ||
| 6-14 | Chazzanova | — | ||
| 6-15 | I'll Remember April | — | ||
| 6-16 | Elusive (Illusive) | — | ||
| 6-17 | Sombre Intrusion | — | ||
| 6-18 | You Don't Know What Love Is | — | ||
| 7-1 | Like Someone in Love | — | ||
| 7-2 | Peace of Mind | — | ||
| 7-3 | Lament | — | ||
| 7-4 | The Jeep Is Jumpin' | — | ||
| 7-5 | Git Up From There | — | ||
| 7-6 | A Foggy Day | — | ||
| 7-7 | Mountain Greenery | — | ||
| 7-8 | Git Up From There (alternate take) | — | ||
| 7-9 | Lament (alternate take) | — | ||
| 7-10 | One More | — | ||
| 7-11 | I Can't Get Started | — | ||
| 7-12 | More of the Same | — | ||
| 7-13 | Get Out of Town | — | ||
| 7-14 | One More (alternate take) | — | ||
| 8-1 | Get Out of Town (alternate take) | — | ||
| 8-2 | Ensenada | — | ||
| 8-3 | Machajo | — | ||
| 8-4 | Cherokee | — | ||
| 8-5 | Seven Moons | — | ||
| 8-6 | Seven Moons (alternate take) | — | ||
| 8-7 | All the Things You Are (take 1) | — | ||
| 8-8 | All the Things You Are (take 2) | — | ||
| 8-9 | Cherokee (alternate take) | — | ||
| 8-10 | Nature Boy | — | ||
| 8-11 | Alone Together | — | ||
| 8-12 | There's No You | — | ||
| 8-13 | Easy Living | — | ||
| 9-1 | The Edge of Love | — | ||
| 9-2 | Makin' Whoopee | — | ||
| 9-3 | Fanny | — | ||
| 9-4 | Portrait | — | ||
| 9-5 | Jump Monk | — | ||
| 9-6 | Serenade in Blue | — | ||
| 9-7 | Percussion Discussion | — | ||
| 9-8 | Work Song | — | ||
| 9-9 | Septemberly | — | ||
| 9-10 | All the Things You C# | — | ||
| 9-11 | I'll Remember April | — | ||
| 10-1 | Love Chant | — | ||
| 10-2 | A Foggy Day | — | ||
| 10-3 | Drums | — | ||
| 10-4 | Haitian Fight Song | — | ||
| 10-5 | Lady Bird | — | ||
| 10-6 | Jump Monk [spoken introduction and false start of "All the Things"] | — | ||
| 10-7 | All the Things You Do [spoken introduction and false start of "Drums"] | — | ||
| 10-8 | Drums (take 1) | — | ||
| 10-9 | Drums (take 2) | — | ||
| 11-1 | I'll Remember April (alternate take) | — | ||
| 11-2 | A Foggy Day (alternate take) | — | ||
| 11-3 | A Portrait of Bud Powell | — | ||
| 11-4 | Haitian Fight Song (alternate take) | — | ||
| 11-5 | Love Chant (alternate take) | — | ||
| 11-6 | Lady Bird (alternate take) | — | ||
| 11-7 | What Is This Thing Called Love? (fragment) | — | ||
| 11-8 | Latter Day Saint | — | ||
| 11-9 | Cunningbird | — | ||
| 11-10 | The Jumpin' Blues (Jump the Blues Away) | — | ||
| 11-11 | The Masher | — | ||
| 11-12 | Latter Day Saint (take 1) | — | ||
| 11-13 | Latter Day Saint (take 2) | — | ||
| 12-1 | The Masher (alternate take) | — | ||
| 12-2 | Latter Day Saint | — | ||
| 12-3 | [untitled original blues] (take 1) | — | ||
| 12-4 | Stella by Starlight (take 4) | — | ||
| 12-5 | Stella by Starlight (take 5) | — | ||
| 12-6 | [untitled original composition] (take 3) | — | ||
| 12-7 | [untitled original composition] (take 5) | — | ||
| 12-8 | Autumn in New York (take 1) | — | ||
| 12-9 | Autumn in New York (take 2) | — | ||
| 12-10 | Long Ago (and Far Away) (take 2) | — | ||
| 12-11 | Long Ago (and Far Away) (take 4) | — | ||
| 12-12 | Long Ago (and Far Away) (take 5) | — | ||
| 12-13 | [untitled original blues] (take 2) | — | ||
| 12-14 | Joldi (take 4) | — | ||
| 12-15 | Joldi (take 5) | — | ||
| 12-16 | [untitled percussion composition] | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 025218440226?
025218440226 is a Universal Product Code (UPC) assigned to The Complete Debut Recordings by Charles Mingus. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 169 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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