UPC · Release
Amadeus: Special Edition: The Director’s Cut
Wolfgang Amadeus Mozart, Academy of St Martin in the Fields, Sir Neville Marriner
025218443524
30 tracksReleased 2002-01-01Fantasy
Last verified:
025218443524 is the Universal Product Code (UPC barcode) for the release “Amadeus: Special Edition: The Director’s Cut” by Wolfgang Amadeus Mozart, Academy of St Martin in the Fields, Sir Neville Marriner, released 2002-01-01 on Fantasy. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC.
Format
0Number system
25218Manufacturer
44352Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCAmadeus: Special Edition: The Director’s Cut
IPI2 songwriters
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio | — | ||
| 2 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 3 | Stabat Mater: Quando corpus morietur / Amen | — | ||
| 4 | Le nozze di Figaro, K. 492: "Salieri’s March" Turned Into "Non più andrai" | — | ||
| 5 | Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio | — | ||
| 6 | Die Entführung aus dem Serail, K. 384: Act I, Scene VI. no. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) / Aria for Bass & Orchestra in A major, K. 539: "Ich möchte wohl der Kaiser sein" | — | ||
| 7 | Die Entführung aus dem Serail, K. 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!" | — | ||
| 8 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | — | ||
| 9 | Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino | — | ||
| 10 | Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato | — | ||
| 11 | Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: I. Adagio / II. Rondo | — | ||
| 12 | Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | — | ||
| 13 | Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso | — | ||
| 2-1 | Zaïde, K. 336b/344 (fragment): Act I. no. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) | — | ||
| 2-2 | Caro Mio Ben | — | ||
| 2-3 | Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | — | ||
| 2-4 | Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. no. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro) | — | ||
| 2-5 | Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti" | — | ||
| 2-6 | Bubak and Hungaricus (Early 18th Century Gypsy Music) | — | ||
| 2-7 | Axur, Finale | — | ||
| 2-8 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. no. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) | — | ||
| 2-9 | Concerto for Piano no. 20 in D minor, K. 466: I. Romance | — | ||
| 2-10 | Die Zauberflöte, K. 620: Ouverture | — | ||
| 2-11 | Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | — | ||
| 2-12 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison" | — | ||
| 2-13 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | — | ||
| 2-14 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | — | ||
| 2-15 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | — | ||
| 2-16 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | — | ||
| 2-17 | Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | — |
Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio
—
Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
—
Stabat Mater: Quando corpus morietur / Amen
—
Le nozze di Figaro, K. 492: "Salieri’s March" Turned Into "Non più andrai"
—
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio
—
Die Entführung aus dem Serail, K. 384: Act I, Scene VI. no. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) / Aria for Bass & Orchestra in A major, K. 539: "Ich möchte wohl der Kaiser sein"
—
Die Entführung aus dem Serail, K. 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!"
—
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie"
—
Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
—
Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato
—
Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: I. Adagio / II. Rondo
—
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
—
Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso
—
Zaïde, K. 336b/344 (fragment): Act I. no. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde)
—
Caro Mio Ben
—
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro
—
Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. no. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro)
—
Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti"
—
Bubak and Hungaricus (Early 18th Century Gypsy Music)
—
Axur, Finale
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. no. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
—
Concerto for Piano no. 20 in D minor, K. 466: I. Romance
—
Die Zauberflöte, K. 620: Ouverture
—
Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
—
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison"
—
Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae"
—
Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae"
—
Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis"
—
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
—
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
—
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000252914310000000026924827000000005513201X000000006309261X000000007359420X00000000783972560000000081505879000000008382308800000001066174480000000107262036
+20 more
00000001086031700000000108664184000000010867510700000001087700160000000109426524000000010962414100000001102130670000000110793233000000011209057400000001145053820000000114507927000000011454275700000001146840260000000114710060000000011489509300000001161127260000000119456479000000012032126400000001211745930000000121755793
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What is UPC 025218443524?
025218443524 is a Universal Product Code (UPC) assigned to Amadeus: Special Edition: The Director’s Cut by Wolfgang Amadeus Mozart, Academy of St Martin in the Fields, Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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