UPC · Release
Various Artists
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027297171220 is the Universal Product Code (UPC barcode) for the release “100 Greatest Bluegrass Hits” by Various Artists, released 2003-01-01 on CMH Classic Bluegrass. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include USSM10409341, USEWC0769745, USEWC2320805.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Night Train to Memphis | — | ||
| 2-2 | Mother Maybelle | — | ||
| 2-3 | Earl’s Breakdown | — | ||
| 2-4 | Bringin’ in the Georgia Mail | — | ||
| 2-5 | Devil’s Dream | — | ||
| 2-6 | Blue Ridge Mountain Blues | — | ||
| 2-7 | Angels Rock Me to Sleep | — | ||
| 2-8 | Don’t Let Your Sweet Love Die | — | ||
| 2-9 | Blue Moon of Kentucky | — | ||
| 2-10 | Dear Old Dixie | — | ||
| 2-11 | Peach Pickin’ Time in Georgia | — | ||
| 2-12 | The Ballad of Jed Clampett | — | ||
| 2-13 | Rank Strangers to Me | — | ||
| 2-14 | Johnny B. Goode | — | ||
| 2-15 | The Banks of the Ohio | — | ||
| 2-16 | Dim Lights, Thick Smoke | — | ||
| 2-17 | Remington Ride | — | ||
| 2-18 | Bringing Mary Home | — | ||
| 2-19 | Shout and Shine | — | ||
| 2-20 | Wabash Cannonball | — | ||
| 2-21 | Me and Ol’ Merle | — | ||
| 2-22 | Gosh, I Miss You All the Time | Jim & Jesse, The Virginia Boys | T-903971807-5 | |
| 2-23 | Cheyenne | — | ||
| 2-24 | Little Old Log Cabin in the Lane | — | ||
| 2-25 | Unclouded Day | — | ||
| 3-1 | Rocky Top | — | ||
| 3-2 | Blue Eyes Crying in the Rain | — | ||
| 3-3 | Feudin’ Banjos | — | ||
| 3-4 | Jimmie Brown the Newsboy | — | ||
| 3-5 | Low and Lonely | — | ||
| 3-6 | Peacock Rag | — | ||
| 3-7 | I’m Using My Bible for a Roadmap | — | ||
| 3-8 | Nine Pound Hammer | — | ||
| 3-9 | Border Ride | — | ||
| 3-10 | The White Dove | — | ||
| 3-11 | She Was Always Chewing Gum | — | ||
| 3-12 | Little Footprints in the Snow | — | ||
| 3-13 | Will the Circle Be Unbroken | — | ||
| 3-14 | Midnight Flyer | The Osborne Brothers, Mac Wiseman | T-070.242.179-1 | |
| 3-15 | Thinking Tonight of My Blue Eyes | — | ||
| 3-16 | Diesel on My Tail | — | ||
| 3-17 | Pins and Needles in My Heart | — | ||
| 3-18 | Bluegrass Concerto | — | ||
| 3-19 | Father’s Table Grace | — | ||
| 3-20 | Under the Double Eagle | — | ||
| 3-21 | In the Pines | — | ||
| 3-22 | I’ll Go Stepping Too | — | ||
| 3-23 | Cripple Creek | — | ||
| 3-24 | Lonesome Road Blues | — | ||
| 3-25 | Somebody Touched Me | — | ||
| 4-1 | Whitehouse Blues | — | ||
| 4-2 | Little Maggie | — | ||
| 4-3 | The Girl in the Blue Velvet Band | — | ||
| 4-4 | Roll in My Sweet Baby’s Arms | — | ||
| 4-5 | Bluegrass Melodies | — | ||
| 4-6 | Fair and Tender Ladies | — | ||
| 4-7 | I'll Fly Away | The Osborne Brothers | T3063809490 | |
| 4-8 | My Cabin in Caroline | — | ||
| 4-9 | It Wasn’t God Who Made Honky Tonk Angels | — | ||
| 4-10 | Little Rock Getaway | — | ||
| 4-11 | Great Speckled Bird | — | ||
| 4-12 | Dark Hollow | — | ||
| 4-13 | Farewell Blues | — | ||
| 4-14 | House of the Rising Sun | — | ||
| 4-15 | Limehouse Blues | — | ||
| 4-16 | Tenbrooks and Molly | — | ||
| 4-17 | Don’t That Road Look Rough and Rocky | — | ||
| 4-18 | Black Mountain Rag | — | ||
| 4-19 | Family Reunion | — | ||
| 4-20 | Orange Blossom Special | — | ||
| 4-21 | Cabin on the Hill | — | ||
| 4-22 | I Wonder How the Old Folks Are at Home | — | ||
| 4-23 | Little Rosewood Casket | — | ||
| 4-24 | Truck Stops and Pretty Girls | — | ||
| 4-25 | Sweet Hour of Prayer | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
027297171220 is a Universal Product Code (UPC) assigned to 100 Greatest Bluegrass Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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