UPC · Release
Prokofiev, Silvio Varviso, Charles Dutoit
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The UPC for “Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges” by Prokofiev, Silvio Varviso, Charles Dutoit is 028497327721. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. This release contains 25 tracks, each with its own ISRC. Tracks include GBF079010391, GBF079010392, GBF079010393.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alexander Nevsky, Cantata, op. 78: I. Russia Under the Mongol Yoke | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2 | Alexander Nevsky, Cantata, op. 78: II. Song About Alexander Nevsky | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 3 | Alexander Nevsky, Cantata, op. 78: III. The Crusaders in Pskov | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 4 | Alexander Nevsky, Cantata, op. 78: IV. Arise, Ye Russian People | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 5 | Alexander Nevsky, Cantata, op. 78: V. Battle on the Ice | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 6 | Alexander Nevsky, Cantata, op. 78: VI. The Fields of Death | Jard van Nes, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7 | Alexander Nevsky, Cantata, op. 78: VII. Alexander's Entry Into Pskov | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 8 | Lieutenant Kijé, Symphonic Suite, op. 60: I. The birth of Kijé | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 9 | Lieutenant Kijé, Symphonic Suite, op. 60: II. Romance | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 10 | Lieutenant Kijé, Symphonic Suite, op. 60: III. Kijé's Wedding | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 11 | Lieutenant Kijé, Symphonic Suite, op. 60: IV. Troika | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 12 | Lieutenant Kijé, Symphonic Suite, op. 60: V. The Funeral of Kijé | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 13 | Love For Three Oranges, Suite, op. 33a: I. The Eccentrics | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 14 | Love For Three Oranges, Suite, op. 33a: II. Chelio The Magician And Fata Morgana Play Cards | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15 | Love For Three Oranges, Suite, op. 33a: III. March | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 16 | Love For Three Oranges, Suite, op. 33a: IV. Scherzo | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 17 | Love For Three Oranges, Suite, op. 33a: V. The Prince And Princess | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 18 | Love For Three Oranges, Suite, op. 33a: VI. Flight | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2-1 | Dreams, Symphonic Poem, Op. 6 | — | ||
| 2-2 | Visions Fugitives, Piano Pieces, Op. 22 | — | ||
| 2-3 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Prologue | — | ||
| 2-4 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act I | — | ||
| 2-5 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act II | — | ||
| 2-6 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act III | — | ||
| 2-7 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act IV | — |
Identifier Graph
028497327721 is a Universal Product Code (UPC) assigned to Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges by Prokofiev, Silvio Varviso, Charles Dutoit. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges” by Prokofiev, Silvio Varviso, Charles Dutoit is 028497327721. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. This release contains 25 tracks, each with its own ISRC. Tracks include GBF079010391, GBF079010392, GBF079010393.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alexander Nevsky, Cantata, op. 78: I. Russia Under the Mongol Yoke | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2 | Alexander Nevsky, Cantata, op. 78: II. Song About Alexander Nevsky | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 3 | Alexander Nevsky, Cantata, op. 78: III. The Crusaders in Pskov | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 4 | Alexander Nevsky, Cantata, op. 78: IV. Arise, Ye Russian People | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 5 | Alexander Nevsky, Cantata, op. 78: V. Battle on the Ice | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 6 | Alexander Nevsky, Cantata, op. 78: VI. The Fields of Death | Jard van Nes, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 7 | Alexander Nevsky, Cantata, op. 78: VII. Alexander's Entry Into Pskov | Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 8 | Lieutenant Kijé, Symphonic Suite, op. 60: I. The birth of Kijé | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 9 | Lieutenant Kijé, Symphonic Suite, op. 60: II. Romance | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 10 | Lieutenant Kijé, Symphonic Suite, op. 60: III. Kijé's Wedding | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 11 | Lieutenant Kijé, Symphonic Suite, op. 60: IV. Troika | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 12 | Lieutenant Kijé, Symphonic Suite, op. 60: V. The Funeral of Kijé | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 13 | Love For Three Oranges, Suite, op. 33a: I. The Eccentrics | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 14 | Love For Three Oranges, Suite, op. 33a: II. Chelio The Magician And Fata Morgana Play Cards | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15 | Love For Three Oranges, Suite, op. 33a: III. March | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 16 | Love For Three Oranges, Suite, op. 33a: IV. Scherzo | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 17 | Love For Three Oranges, Suite, op. 33a: V. The Prince And Princess | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 18 | Love For Three Oranges, Suite, op. 33a: VI. Flight | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2-1 | Dreams, Symphonic Poem, Op. 6 | — | ||
| 2-2 | Visions Fugitives, Piano Pieces, Op. 22 | — | ||
| 2-3 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Prologue | — | ||
| 2-4 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act I | — | ||
| 2-5 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act II | — | ||
| 2-6 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act III | — | ||
| 2-7 | The Stone Flower, Excerpts From The Complete Ballet, Op. 118: Fragments from Act IV | — |
