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The Bootleg Series, Vol. 12: 1965–1966, The Best Of The Cutting Edge

UPC · Release

The Bootleg Series, Vol. 12: 1965–1966, The Best Of The Cutting Edge

Bob Dylan

0288875124421
35 tracks

Last verified:

0288875124421 is the Universal Product Code (UPC barcode) for the release “The Bootleg Series, Vol. 12: 1965–1966, The Best Of The Cutting Edge” by Bob Dylan. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC. Tracks include USSM11505455, USSM11505456, USSM11505457.

Format

028GS1 prefix
8875Company prefix
12442Product
1Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Bootleg Series, Vol. 12: 1965–1966, The Best Of The Cutting Edge
ISRC35 recordings
ISWC65 works
IPI2 songwriters

Track List (35)

Love Minus Zero/No Limit (take 2, 1/13/1965, complete)
Love Minus Zero/No Limit (take 2, 1/13/1965, complete)
Bob Dylan
T-070.250.064-8
I’ll Keep It With Mine (take 1, piano demo)
I’ll Keep It With Mine (take 1, piano demo)
Bob Dylan
T-070.250.033-1
Bob Dylan’s 115th Dream (take 1 & 2, solo acoustic)
Bob Dylan’s 115th Dream (take 1 & 2, solo acoustic)
Bob Dylan
T-070.249.958-8
She Belongs to Me (take 1, 1/13/1965, complete)
She Belongs to Me (take 1, 1/13/1965, complete)
Bob Dylan
T-070.250.116-3
Subterranean Homesick Blues (take 1 remake, 1/14/1965, complete)
Subterranean Homesick Blues (take 1 remake, 1/14/1965, complete)
Bob Dylan
T-070.250.131-2
Outlaw Blues (take 2 remake, 1/13/1965, complete)
Outlaw Blues (take 2 remake, 1/13/1965, complete)
Bob Dylan
T-070.250.092-2
On the Road Again (take 4, 1/14/1965, complete)
On the Road Again (take 4, 1/14/1965, complete)
Bob Dylan
T-070.250.088-6
Farewell, Angelina
Farewell, Angelina
Bob Dylan
T-070.249.998-6
If You Gotta Go, Go Now (take 2, 1/15/1965, complete)
If You Gotta Go, Go Now (take 2, 1/15/1965, complete)
Bob Dylan
T-070.250.032-0
You Don’t Have to Do That (take 1, 1/13/1965, incomplete)
You Don’t Have to Do That (take 1, 1/13/1965, incomplete)
Bob Dylan
T-309.759.561-0
California (take 1, 1/13/1965, complete)
California (take 1, 1/13/1965, complete)
Bob Dylan
T-070.250.333-0
Mr. Tambourine Man (take 3, 1/15/1965, breakdown)
Mr. Tambourine Man (take 3, 1/15/1965, breakdown)
Bob Dylan
T-042.625.833-4
It Takes a Lot to Laugh, It Takes a Train to Cry (take 8, 6/15/1965, complete)
It Takes a Lot to Laugh, It Takes a Train to Cry (take 8, 6/15/1965, complete)
Bob Dylan
T-070.250.040-0
Like a Rolling Stone (take 5 remake, 6/16/1965, rehearsal)
Like a Rolling Stone (take 5 remake, 6/16/1965, rehearsal)
Bob Dylan
T-031.878.590-8
Like a Rolling Stone (take 11 remake, 6/16/1965, complete)
Like a Rolling Stone (take 11 remake, 6/16/1965, complete)
Bob Dylan
T-031.878.590-8
Sitting on a Barbed‐Wire Fence (take 2, 6/15/1965, complete)
Sitting on a Barbed‐Wire Fence (take 2, 6/15/1965, complete)
Bob Dylan
T-070.250.355-6
Desolation Row (take 2, 8/04/1965, rehearsal)
Desolation Row (take 2, 8/04/1965, rehearsal)
Bob Dylan
T-070.249.981-7
Desolation Row (take 1, alternate take)
Desolation Row (take 1, alternate take)
Bob Dylan
T-070.249.981-7
Tombstone Blues (take 1, 7/29/1965, complete)
Tombstone Blues (take 1, 7/29/1965, complete)
Bob Dylan
T-070.250.144-7
Positively 4th Street (take 5, 7/29/1965, complete)
Positively 4th Street (take 5, 7/29/1965, complete)
Bob Dylan
T-070.250.098-8
"Can You Please Crawl Out Your Window" Take 1 (7/30/1965)
"Can You Please Crawl Out Your Window" Take 1 (7/30/1965)
Bob Dylan
T-070.249.964-6
Just Like Tom Thumb’s Blues (take 3, 8/02/1965, complete)
Just Like Tom Thumb’s Blues (take 3, 8/02/1965, complete)
Bob Dylan
T-070.250.048-8
Highway 61 Revisited (take 3, 8/02/1965, complete)
Highway 61 Revisited (take 3, 8/02/1965, complete)
Bob Dylan
T-070.250.021-7
Queen Jane Approximately (take 5, 8/02/1965, complete)
Queen Jane Approximately (take 5, 8/02/1965, complete)
Bob Dylan
T-070.250.103-8
Visions of Johanna (take 5, 11/30/1965, complete)
Visions of Johanna (take 5, 11/30/1965, complete)
Bob Dylan
T-070.250.306-7
She’s Your Lover Now (take 6, 1/21/1966, complete)
She’s Your Lover Now (take 6, 1/21/1966, complete)
Bob Dylan
T-070.250.298-4
Lunatic Princess (take 1, 1/27/1966, incomplete)
Lunatic Princess (take 1, 1/27/1966, incomplete)
Bob Dylan
T-309.759.527-8
Leopard‐Skin Pill‐Box Hat (take 8, 2/14/1966, complete)
Leopard‐Skin Pill‐Box Hat (take 8, 2/14/1966, complete)
Bob Dylan
T-070.250.282-6
One of Us Must Know (Sooner or Later)
One of Us Must Know (Sooner or Later)
Bob Dylan
T-070.250.291-7
Stuck Inside of Mobile With the Memphis Blues Again (take 13, 2/17/1966, breakdown)
Stuck Inside of Mobile With the Memphis Blues Again (take 13, 2/17/1966, breakdown)
Bob Dylan
T-070.250.301-2
Absolutely Sweet Marie (take 1, 3/07/1966, complete)
Absolutely Sweet Marie (take 1, 3/07/1966, complete)
Bob Dylan
T-070.250.258-6
Just Like a Woman (take 4, 3/08/1966, complete)
Just Like a Woman (take 4, 3/08/1966, complete)
Bob Dylan
T-070.250.281-5
Pledging My Time (take 1, 3/08/1966, breakdown)
Pledging My Time (take 1, 3/08/1966, breakdown)
Bob Dylan
T-070.250.294-0
I Want You (take 4, alternate take)
I Want You (take 4, alternate take)
Bob Dylan
T-070.250.277-9
Highway 61 Revisited (take 7, 8/02/1965, false start)
Highway 61 Revisited (take 7, 8/02/1965, false start)
Bob Dylan
T-070.250.021-7

Additional database matches (2)

Medicine Sunday (take 1, 10/05/1965, incomplete)
Bob Dylan
T-926.350.787-5
I’ll Keep It With Mine
Bob Dylan
T-070.250.033-1

What other identifiers does this connect to?

Musical Works (ISWC)

T-031.878.590-8T-031.878.590-8T-042.625.833-4T-042.625.833-4T-070.249.958-8T-070.249.964-6T-070.249.981-7T-070.249.998-6T-070.250.021-7T-070.250.032-0
+55 more
T-070.250.033-1T-070.250.040-0T-070.250.048-8T-070.250.064-8T-070.250.088-6T-070.250.092-2T-070.250.098-8T-070.250.103-8T-070.250.116-3T-070.250.131-2T-070.250.144-7T-070.250.258-6T-070.250.277-9T-070.250.281-5T-070.250.282-6T-070.250.291-7T-070.250.294-0T-070.250.298-4T-070.250.301-2T-070.250.306-7T-070.250.333-0T-070.250.355-6T-070.249.958-8T-070.249.964-6T-070.249.981-7T-070.249.998-6T-070.250.021-7T-070.250.032-0T-070.250.033-1T-070.250.040-0T-070.250.048-8T-070.250.056-8T-070.250.064-8T-070.250.077-3T-070.250.088-6T-070.250.092-2T-070.250.098-8T-070.250.103-8T-070.250.116-3T-070.250.131-2T-070.250.144-7T-070.250.258-6T-070.250.277-9T-070.250.281-5T-070.250.282-6T-070.250.291-7T-070.250.294-0T-070.250.298-4T-070.250.301-2T-070.250.306-7T-070.250.333-0T-070.250.355-6T-309.759.527-8T-309.759.561-0T-926.350.787-5

Songwriters/Publishers (IPI)

0000895507400008955172

Creative Contributors (ISNI)

0000000121479733

Identifier Graph

UPCThe Bootleg Ser…ISRCLove Minus Zero…ISRCI’ll Keep It Wi…ISRCBob Dylan’s 115…ISRCShe Belongs to …ISRCSubterranean Ho…

People also ask

What is UPC 0288875124421?
UPC 0288875124421 is the Universal Product Code (barcode) for "The Bootleg Series, Vol. 12: 1965–1966, The Best Of The Cutting Edge" by Bob Dylan.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 0288875124421?
UPC 0288875124421 contains 35 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 0288875124421?

0288875124421 is a Universal Product Code (UPC) assigned to The Bootleg Series, Vol. 12: 1965–1966, The Best Of The Cutting Edge by Bob Dylan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm