UPC · Release
Andrea Chénier
Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly
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028941011725 is the Universal Product Code (UPC barcode) for the release “Andrea Chénier” by Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly, released 1984-01-01 on London Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Andrea Chénier: Atto I. “Questo azzurro sofà” / “Compiacente a’colloqui… Son sessant’anni, o vecchio” | — | ||
| 2 | Andrea Chénier: Atto I. “Il giorno interno già s’insera lentamente!” | — | ||
| 3 | Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” | — | ||
| 4 | Andrea Chénier: Atto I. “Passiamo la sera allegramente!” / “O Pastorelle, addio” | — | ||
| 5 | Andrea Chénier: Atto I. “Al mio dire perdono“ | — | ||
| 6 | Andrea Chénier: Atto I. “Colpito qui m’avete… Un dì all’azzurro spazio” | — | ||
| 7 | Andrea Chénier: Atto I. “Perdonatemi!” / “La notte il giorno portiamo” | — | ||
| 8 | Andrea Chénier: Atto II. “Perl’ex inferno!” | — | ||
| 9 | Andrea Chénier: Atto II. “Temer? Perché?” | — | ||
| 10 | Andrea Chénier: Atto II. “Roucher!” / “Credo a una possanza arcana” | — | ||
| 11 | Andrea Chénier: Atto II. “Calligraf invero femminil!” | — | ||
| 12 | Andrea Chénier: Atto II. “Ecco laggiù Gérard!” / “La donna che mi hai chiesto di cercare” | — | ||
| 13 | Andrea Chénier: Atto II. “Non mi saluti? Trattieni qui Chénier” | — | ||
| 14 | Andrea Chénier: Atto II. “Ecco l’altare” | — | ||
| 15 | Andrea Chénier: Atto II. “Maddalena di Coigny!” | — | ||
| 2-1 | Andrea Chénier: Atto III. “Dumouriez traditore” / “Grazie, cittadini!” | — | ||
| 2-2 | Andrea Chénier: Atto III. “Lacrime e sangue dà la Francia!” | — | ||
| 2-3 | Andrea Chénier: Atto III. “Son la vecchia Madelon” / “Amici ancor cantiam” | — | ||
| 2-4 | Andrea Chénier: Atto III. “L’uccello è nella rete!” | — | ||
| 2-5 | Andrea Chénier: Atto III. “Nemico della Patria?!” | — | ||
| 2-6 | Andrea Chénier: Atto III. “Carlo Gérard?” / “Io t’aspettava!” | — | ||
| 2-7 | Andrea Chénier: Atto III. “La mamma morta” | — | ||
| 2-8 | Andrea Chénier: Atto III. “Mamma Cadet!” / “Gravier de Vergennes!” | — | ||
| 2-9 | Andrea Chénier: Atto III. “Sì, fui soldato… Passa la vita mia” | — | ||
| 2-10 | Andrea Chénier: Atto III. “Udiamo i testimoni!” / “Qui la giustizia ha nome tirannia” | — | ||
| 2-11 | Andrea Chénier: Atto IV. “Cittadino, men duol” | — | ||
| 2-12 | Andrea Chénier: Atto IV. “Come un bel dì di maggio” | — | ||
| 2-13 | Andrea Chénier: Atto IV. “Il vostro giuramento vi sovvengo!” / “Benedico il destino!” | — | ||
| 2-14 | Andrea Chénier: Atto IV. “Vicino a te” | — | ||
| 2-15 | Andrea Chénier: Atto IV. “La nostra morte è il trionfo dell’amor!” | — |
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What is UPC 028941011725?
028941011725 is a Universal Product Code (UPC) assigned to Andrea Chénier by Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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