UPC · Release
Rossini, Thomas Allen, Agnes Baltsa, Francisco Araiza, Academy of St. Martin‐in‐the‐Fields, Neville Marriner
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The UPC for “Il barbiere di Siviglia: Highlights” by Rossini, Thomas Allen, Agnes Baltsa, Francisco Araiza, Academy of St. Martin‐in‐the‐Fields, Neville Marriner is 028941226624. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1984-01-01. Label: Philips. This release contains 10 tracks, each with its own ISRC. Tracks include GBF077211881, NLA508119708.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | T-900.095.253-4 | |
| 2 | Il barbiere di Siviglia: Atto I. “All'idea di quel metallo“ - “Numero quindici“ (Figaro, Almaviva) | — | ||
| 3 | Il barbiere de Siviglia: Atto I, Scena V. No. 5 “Una voce poco fa” (Rosina) | Agnes Baltsa, Academy of St Martin in the Fields, Neville Marriner | — | |
| 4 | Il barbiere di Siviglia: Atto I. “Dunque io son“ (Rosina, Figaro) | — | ||
| 5 | Il barbiere di Siviglia: Atto I. “Ma, signor... - Zitto tu!“ (Bartolo, Berta, Basilio, Almaviva, Figaro, Rosina, Coro) | — | ||
| 6 | Il barbiere di Siviglia: Atto II. “Pace e gioia sia con voi“ (Almaviva, Bartolo) | — | ||
| 7 | Il barbiere di Siviglia: Atto II. “Contro un cor che accende amore“ (Rosina, Almaviva, Bartolo) | — | ||
| 8 | Il barbiere di Siviglia: Atto II. “Don Basilio!“ - “Buona sera, mio signore” - “Orsù, signor Don Bartolo“ (Rosina, Almaviva, Figaro, Basilio, Bartolo) | — | ||
| 9 | Il barbiere di Siviglia: Atto II. “Ah! qual colpo inaspettato! Che si fa? Zitti, zitti, piano, piano” (Figaro, Rosina, Almaviva) | — | ||
| 10 | Il barbiere di Siviglia: Atto II. “Di si felice innesto” (Figaro, Rosina, Almaviva, tutti) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | — |
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | — |
Musical Works (ISWC)
Identifier Graph
028941226624 is a Universal Product Code (UPC) assigned to Il barbiere di Siviglia: Highlights by Rossini, Thomas Allen, Agnes Baltsa, Francisco Araiza, Academy of St. Martin‐in‐the‐Fields, Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Il barbiere di Siviglia: Highlights” by Rossini, Thomas Allen, Agnes Baltsa, Francisco Araiza, Academy of St. Martin‐in‐the‐Fields, Neville Marriner is 028941226624. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1984-01-01. Label: Philips. This release contains 10 tracks, each with its own ISRC. Tracks include GBF077211881, NLA508119708.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | T-900.095.253-4 | |
| 2 | Il barbiere di Siviglia: Atto I. “All'idea di quel metallo“ - “Numero quindici“ (Figaro, Almaviva) | — | ||
| 3 | Il barbiere de Siviglia: Atto I, Scena V. No. 5 “Una voce poco fa” (Rosina) | Agnes Baltsa, Academy of St Martin in the Fields, Neville Marriner | — | |
| 4 | Il barbiere di Siviglia: Atto I. “Dunque io son“ (Rosina, Figaro) | — | ||
| 5 | Il barbiere di Siviglia: Atto I. “Ma, signor... - Zitto tu!“ (Bartolo, Berta, Basilio, Almaviva, Figaro, Rosina, Coro) | — | ||
| 6 | Il barbiere di Siviglia: Atto II. “Pace e gioia sia con voi“ (Almaviva, Bartolo) | — | ||
| 7 | Il barbiere di Siviglia: Atto II. “Contro un cor che accende amore“ (Rosina, Almaviva, Bartolo) | — | ||
| 8 | Il barbiere di Siviglia: Atto II. “Don Basilio!“ - “Buona sera, mio signore” - “Orsù, signor Don Bartolo“ (Rosina, Almaviva, Figaro, Basilio, Bartolo) | — | ||
| 9 | Il barbiere di Siviglia: Atto II. “Ah! qual colpo inaspettato! Che si fa? Zitti, zitti, piano, piano” (Figaro, Rosina, Almaviva) | — | ||
| 10 | Il barbiere di Siviglia: Atto II. “Di si felice innesto” (Figaro, Rosina, Almaviva, tutti) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | — |
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | — |
