UPC · Release
"Kaffee-Kantate" / "Bauern-Kantate"
J.S. Bach, Julia Varady, Aldo Baldin, Dietrich Fischer‐Dieskau, Academy of St. Martin‐in‐the‐Fields, Neville Marriner
028941288226
34 tracksReleased 1985-01-01Philips Digital Classics
Last verified:
028941288226 is the Universal Product Code (UPC barcode) for the release “"Kaffee-Kantate" / "Bauern-Kantate"” by J.S. Bach, Julia Varady, Aldo Baldin, Dietrich Fischer‐Dieskau, Academy of St. Martin‐in‐the‐Fields, Neville Marriner, released 1985-01-01 on Philips Digital Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include NLA508105201, NLA508105202, NLA508105203.
Format
0Number system
28941Manufacturer
28822Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC"Kaffee-Kantate" / "Bauern-Kantate"
ISRC34 recordings
ISWC1 work
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenore) "Schweigt stille, plaudert nicht" | Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Basso) "Hat man nicht mit seinen Kindern" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Basso, Soprano) "Du böses Kind, du loses Mädchen" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Soprano) "Ei, wie schmeckt der Coffee süße" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Basso, Soprano) "Wenn du mir nicht den Coffee läßt" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Basso) "Mädchen, die von harten Sinnen" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Basso, Soprano) "Nun folge, was dein Vater spricht" | Júlia Várady, Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Soprano) "Heute noch, lieber Vater, tut est doch" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenore) "Nun geht und sucht der alte Schlendrian" | Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro (Terzetto) "Die Katze läßt das Mausen nicht" | Aldo Baldin, Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | T-702.622.103-6 | |
| 12 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 15 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Basso) "Der Herr ist gut" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Soprano) "Es bleibt dabei, daß unser Herr der beste sei" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 18 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Soprano) "Unser trefflicher, lieber Kammerherr" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 19 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Basso, Soprano) "Er hilft uns allen, alt und jung" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 20 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Soprano) "Das ist galant" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 21 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Basso) "Und unsre gnädge Frau" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 22 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 23 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Soprano) "Im Ernst ein Wort!" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 24 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 25 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Basso) "Das ist zu klug vor dich" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 26 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Basso) "Es nehme zehntausend Dukaten" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Soprano) "Das klingt zu liederlich" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 28 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Soprano) "Gib, Schöne, viel Söhne" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 29 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Basso) "Du hast wohl recht" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Soprano, Basso) "Und damit sei es auch genug" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 32 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Soprano) "Und daß ihr's alle wißt" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 33 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Basso, Soprano) "Mein Schatz, erraten!" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Tudelsack" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — |
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenore) "Schweigt stille, plaudert nicht"
Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Basso) "Hat man nicht mit seinen Kindern"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Basso, Soprano) "Du böses Kind, du loses Mädchen"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Soprano) "Ei, wie schmeckt der Coffee süße"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Basso, Soprano) "Wenn du mir nicht den Coffee läßt"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Basso) "Mädchen, die von harten Sinnen"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Basso, Soprano) "Nun folge, was dein Vater spricht"
Júlia Várady, Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Soprano) "Heute noch, lieber Vater, tut est doch"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenore) "Nun geht und sucht der alte Schlendrian"
Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro (Terzetto) "Die Katze läßt das Mausen nicht"
Aldo Baldin, Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Basso) "Der Herr ist gut"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Soprano) "Es bleibt dabei, daß unser Herr der beste sei"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Soprano) "Unser trefflicher, lieber Kammerherr"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Basso, Soprano) "Er hilft uns allen, alt und jung"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Soprano) "Das ist galant"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Basso) "Und unsre gnädge Frau"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Soprano) "Im Ernst ein Wort!"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Basso) "Das ist zu klug vor dich"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Basso) "Es nehme zehntausend Dukaten"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Soprano) "Das klingt zu liederlich"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Soprano) "Gib, Schöne, viel Söhne"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Basso) "Du hast wohl recht"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Soprano, Basso) "Und damit sei es auch genug"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Soprano) "Und daß ihr's alle wißt"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Basso, Soprano) "Mein Schatz, erraten!"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Tudelsack"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 028941288226?
028941288226 is a Universal Product Code (UPC) assigned to "Kaffee-Kantate" / "Bauern-Kantate" by J.S. Bach, Julia Varady, Aldo Baldin, Dietrich Fischer‐Dieskau, Academy of St. Martin‐in‐the‐Fields, Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm