UPC · Release
Musikalisches Opfer / Die Kunst der Fuge
Johann Sebastian Bach, Reinhard Goebel, Musica Antiqua Köln
028941364227
60 tracksReleased 1984-01-01Archiv Produktion
Last verified:
028941364227 is the Universal Product Code (UPC barcode) for the release “Musikalisches Opfer / Die Kunst der Fuge” by Johann Sebastian Bach, Reinhard Goebel, Musica Antiqua Köln, released 1984-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include DEF057900995, DEF057900999, DEF057901000.
Format
0Number system
28941Manufacturer
36422Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMusikalisches Opfer / Die Kunst der Fuge
ISRC31 recordings
ISWC1 work
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2 | Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3 | Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4 | Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5 | Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6 | Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — | |
| 7 | Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — | |
| 8 | Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10 | Musikalisches Opfer, BWV 1079: Canon à 2 | — | ||
| 11 | Musikalisches Opfer, BWV 1079: Canon à 4 | — | ||
| 12 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: I. Largo | — | ||
| 13 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro | — | ||
| 14 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: III. Andante | — | ||
| 15 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: IV. Allegro | — | ||
| 16 | Musikalisches Opfer, BWV 1079: Ricercar à 6 | — | ||
| 2-1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-1 | Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-2 | Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-3 | Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-4 | Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-5 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-6 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-7 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-8 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti | Musica Antiqua Köln, Reinhard Goebel | T-031.552.490-3 | |
| 3-9 | Canon à 8, BWV 1072 | — | ||
| 3-10 | Canon à 4 perpetuus, BWV 1073 | — | ||
| 3-11 | Canon à 4, BWV 1074 | — | ||
| 3-12 | Canon à 2 perpetuus, BWV 1075 | — | ||
| 3-13 | Canon triplex à 6, BWV 1076 | — | ||
| 3-14 | Canon à 4 und Baß, BWV 1077 "Soggetto" | — | ||
| 3-15 | Canon à 2, BWV 1086 | — | ||
| 3-16 | Canon super Fa Mi à 7 post Tempus Musicum, BWV 1078 | — | ||
| 3-17 | Goldbergkanons, BWV 1087: I. Canon simplex | — | ||
| 3-18 | Goldbergkanons, BWV 1087: II. All'roverscio | — | ||
| 3-19 | Goldbergkanons, BWV 1087: III. Beede vorigen Canones zugleich, Motu recto e contrario | — | ||
| 3-20 | Goldbergkanons, BWV 1087: IV. Motu contrario e recto | — | ||
| 3-21 | Goldbergkanons, BWV 1087: V. Canon duplex à 4 | — | ||
| 3-22 | Goldbergkanons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3 | — | ||
| 3-23 | Goldbergkanons, BWV 1087: VII. Idem à 3 | — | ||
| 3-24 | Goldbergkanons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto | — | ||
| 3-25 | Goldbergkanons, BWV 1087: IX. Canon in unisono post semifusam à 3 | — | ||
| 3-26 | Goldbergkanons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2 | — | ||
| 3-27 | Goldbergkanons, BWV 1087: XI. Canon duplex übers Fundament à 5 | — | ||
| 3-28 | Goldbergkanons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5 | — | ||
| 3-29 | Goldbergkanons, BWV 1087: XIII. Canon triplex à 6 | — | ||
| 3-30 | Goldbergkanons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem | — |
Musical Offering, BWV 1079: I. Ricercar a 3
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: II. Canon perpetuus a 2
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: III. Canon a 2 violini in unisono
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: VI. Canon a 2 per tonos
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium
Musica Antiqua Köln, Reinhard Goebel
—
Musical Offering, BWV 1079: IX. Canon perpetuus
Musica Antiqua Köln, Reinhard Goebel
—
Musikalisches Opfer, BWV 1079: Canon à 2
—
Musikalisches Opfer, BWV 1079: Canon à 4
—
Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: I. Largo
—
Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro
—
Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: III. Andante
—
Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: IV. Allegro
—
Musikalisches Opfer, BWV 1079: Ricercar à 6
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Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta
Musica Antiqua Köln, Reinhard Goebel
—
Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu
Musica Antiqua Köln, Reinhard Goebel
—
Musica Antiqua Köln, Reinhard Goebel
Canon à 8, BWV 1072
—
Canon à 4 perpetuus, BWV 1073
—
Canon à 4, BWV 1074
—
Canon à 2 perpetuus, BWV 1075
—
Canon triplex à 6, BWV 1076
—
Canon à 4 und Baß, BWV 1077 "Soggetto"
—
Canon à 2, BWV 1086
—
Canon super Fa Mi à 7 post Tempus Musicum, BWV 1078
—
Goldbergkanons, BWV 1087: I. Canon simplex
—
Goldbergkanons, BWV 1087: II. All'roverscio
—
Goldbergkanons, BWV 1087: III. Beede vorigen Canones zugleich, Motu recto e contrario
—
Goldbergkanons, BWV 1087: IV. Motu contrario e recto
—
Goldbergkanons, BWV 1087: V. Canon duplex à 4
—
Goldbergkanons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3
—
Goldbergkanons, BWV 1087: VII. Idem à 3
—
Goldbergkanons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto
—
Goldbergkanons, BWV 1087: IX. Canon in unisono post semifusam à 3
—
Goldbergkanons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2
—
Goldbergkanons, BWV 1087: XI. Canon duplex übers Fundament à 5
—
Goldbergkanons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5
—
Goldbergkanons, BWV 1087: XIII. Canon triplex à 6
—
Goldbergkanons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem
—
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What is UPC 028941364227?
028941364227 is a Universal Product Code (UPC) assigned to Musikalisches Opfer / Die Kunst der Fuge by Johann Sebastian Bach, Reinhard Goebel, Musica Antiqua Köln. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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