UPC · Release
Johann Sebastian Bach, Reinhard Goebel, Musica Antiqua Köln
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The UPC for “Musikalisches Opfer / Die Kunst der Fuge” by Johann Sebastian Bach, Reinhard Goebel, Musica Antiqua Köln is 028941364227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1984-01-01. Label: Archiv Produktion. This release contains 60 tracks, each with its own ISRC. Tracks include DEF057900995, DEF057900999, DEF057901000.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2 | Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3 | Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4 | Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5 | Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6 | Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — | |
| 7 | Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — | |
| 8 | Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10 | Musikalisches Opfer, BWV 1079: Canon à 2 | — | ||
| 11 | Musikalisches Opfer, BWV 1079: Canon à 4 | — | ||
| 12 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: I. Largo | — | ||
| 13 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro | — | ||
| 14 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: III. Andante | — | ||
| 15 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: IV. Allegro | — | ||
| 16 | Musikalisches Opfer, BWV 1079: Ricercar à 6 | — | ||
| 2-1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-1 | Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-2 | Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-3 | Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-4 | Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-5 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-6 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-7 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-8 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti | Musica Antiqua Köln, Reinhard Goebel | T-031.552.490-3 | |
| 3-9 | Canon à 8, BWV 1072 | — | ||
| 3-10 | Canon à 4 perpetuus, BWV 1073 | — | ||
| 3-11 | Canon à 4, BWV 1074 | — | ||
| 3-12 | Canon à 2 perpetuus, BWV 1075 | — | ||
| 3-13 | Canon triplex à 6, BWV 1076 | — | ||
| 3-14 | Canon à 4 und Baß, BWV 1077 "Soggetto" | — | ||
| 3-15 | Canon à 2, BWV 1086 | — | ||
| 3-16 | Canon super Fa Mi à 7 post Tempus Musicum, BWV 1078 | — | ||
| 3-17 | Goldbergkanons, BWV 1087: I. Canon simplex | — | ||
| 3-18 | Goldbergkanons, BWV 1087: II. All'roverscio | — | ||
| 3-19 | Goldbergkanons, BWV 1087: III. Beede vorigen Canones zugleich, Motu recto e contrario | — | ||
| 3-20 | Goldbergkanons, BWV 1087: IV. Motu contrario e recto | — | ||
| 3-21 | Goldbergkanons, BWV 1087: V. Canon duplex à 4 | — | ||
| 3-22 | Goldbergkanons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3 | — | ||
| 3-23 | Goldbergkanons, BWV 1087: VII. Idem à 3 | — | ||
| 3-24 | Goldbergkanons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto | — | ||
| 3-25 | Goldbergkanons, BWV 1087: IX. Canon in unisono post semifusam à 3 | — | ||
| 3-26 | Goldbergkanons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2 | — | ||
| 3-27 | Goldbergkanons, BWV 1087: XI. Canon duplex übers Fundament à 5 | — | ||
| 3-28 | Goldbergkanons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5 | — | ||
| 3-29 | Goldbergkanons, BWV 1087: XIII. Canon triplex à 6 | — | ||
| 3-30 | Goldbergkanons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028941364227 is a Universal Product Code (UPC) assigned to Musikalisches Opfer / Die Kunst der Fuge by Johann Sebastian Bach, Reinhard Goebel, Musica Antiqua Köln. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Musikalisches Opfer / Die Kunst der Fuge” by Johann Sebastian Bach, Reinhard Goebel, Musica Antiqua Köln is 028941364227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1984-01-01. Label: Archiv Produktion. This release contains 60 tracks, each with its own ISRC. Tracks include DEF057900995, DEF057900999, DEF057901000.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2 | Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3 | Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4 | Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5 | Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6 | Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — | |
| 7 | Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — | |
| 8 | Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10 | Musikalisches Opfer, BWV 1079: Canon à 2 | — | ||
| 11 | Musikalisches Opfer, BWV 1079: Canon à 4 | — | ||
| 12 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: I. Largo | — | ||
| 13 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro | — | ||
| 14 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: III. Andante | — | ||
| 15 | Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: IV. Allegro | — | ||
| 16 | Musikalisches Opfer, BWV 1079: Ricercar à 6 | — | ||
| 2-1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-1 | Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-2 | Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-3 | Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-4 | Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-5 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-6 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-7 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3-8 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti | Musica Antiqua Köln, Reinhard Goebel | T-031.552.490-3 | |
| 3-9 | Canon à 8, BWV 1072 | — | ||
| 3-10 | Canon à 4 perpetuus, BWV 1073 | — | ||
| 3-11 | Canon à 4, BWV 1074 | — | ||
| 3-12 | Canon à 2 perpetuus, BWV 1075 | — | ||
| 3-13 | Canon triplex à 6, BWV 1076 | — | ||
| 3-14 | Canon à 4 und Baß, BWV 1077 "Soggetto" | — | ||
| 3-15 | Canon à 2, BWV 1086 | — | ||
| 3-16 | Canon super Fa Mi à 7 post Tempus Musicum, BWV 1078 | — | ||
| 3-17 | Goldbergkanons, BWV 1087: I. Canon simplex | — | ||
| 3-18 | Goldbergkanons, BWV 1087: II. All'roverscio | — | ||
| 3-19 | Goldbergkanons, BWV 1087: III. Beede vorigen Canones zugleich, Motu recto e contrario | — | ||
| 3-20 | Goldbergkanons, BWV 1087: IV. Motu contrario e recto | — | ||
| 3-21 | Goldbergkanons, BWV 1087: V. Canon duplex à 4 | — | ||
| 3-22 | Goldbergkanons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3 | — | ||
| 3-23 | Goldbergkanons, BWV 1087: VII. Idem à 3 | — | ||
| 3-24 | Goldbergkanons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto | — | ||
| 3-25 | Goldbergkanons, BWV 1087: IX. Canon in unisono post semifusam à 3 | — | ||
| 3-26 | Goldbergkanons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2 | — | ||
| 3-27 | Goldbergkanons, BWV 1087: XI. Canon duplex übers Fundament à 5 | — | ||
| 3-28 | Goldbergkanons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5 | — | ||
| 3-29 | Goldbergkanons, BWV 1087: XIII. Canon triplex à 6 | — | ||
| 3-30 | Goldbergkanons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem | — |
