UPC · Release
J.S. Bach, Musica Antiqua Köln, Reinhard Goebel
Last verified:
028941372819 is the Universal Product Code (UPC barcode) for the release “Die Kunst der Fuge” by J.S. Bach, Musica Antiqua Köln, Reinhard Goebel, released 1984-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include DEF058430201, DEF058430202, DEF058430203.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese | Musica Antiqua Köln, Reinhard Goebel | — | |
| 8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem | Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-1 | Die Kunst der Fuge, BWV 1080/12: Contrapunctus 12, A4 | — | ||
| 2-2 | Die Kunst der Fuge, BWV 1080/13: Contrapunctus 13, A3 | — | ||
| 2-3 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-5 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-6 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti | Musica Antiqua Köln, Reinhard Goebel | T-031.552.490-3 | |
| 2-7 | Canon Trias Harmonica, à 8, BWV 1072 | — | ||
| 2-8 | Canon à 4, perpetuus, BWV 1073 | — | ||
| 2-9 | Canon à 4, BWV 1074 | — | ||
| 2-10 | Canon à 2, perpetuus, BWV 1075 | — | ||
| 2-11 | Canon Triplex, à 6, BWV 1076 | — | ||
| 2-12 | Canone doppio sopr'il Soggetto, A 4, BWV 1077 | — | ||
| 2-13 | Canon Concordia discors, A 2, BWV 1086 | — | ||
| 2-14 | Canon Fa Mi, á 7, BWV 1078 | — | ||
| 2-15 | Canones BWV 1087: 1. Canon simplex | — | ||
| 2-16 | Canones BWV 1087: 2. All'rovescio | — | ||
| 2-17 | Canones BWV 1087: 3. Beede vorigen Canones zugleich, Motu recto e contrario | — | ||
| 2-18 | Canones BWV 1087: 4. Motu contrario e recto | — | ||
| 2-19 | Canones BWV 1087: 5. Canon duplex, à 4 | — | ||
| 2-20 | Canones BWV 1087: 6. Canon simplex Über besagtes Fundament, à 3 | — | ||
| 2-21 | Canones BWV 1087: 7. Idem, à 3 | — | ||
| 2-22 | Canones BWV 1087: 8. Canon simplex, à 3, il Soggetto in Alto | — | ||
| 2-23 | Canones BWV 1087: 9. Canon in unisono post semifusam, à 3 | — | ||
| 2-24 | Canones BWV 1087: 10a. Alio modo, per Syncopationes et per Ligaturas, à 2; 10b. Evolutio | — | ||
| 2-25 | Canones BWV 1087: 11. Canon Duplex Über Fundament, à 5 | — | ||
| 2-26 | Canones BWV 1087: 12. Canon Duplex Über besagte Fundamental-Noten, à 5 | — | ||
| 2-27 | Canones BWV 1087: 13. Canon Triplex, à 6 | — | ||
| 2-28 | Canones BWV 1087: 14. Canon à 4, per Augmentaionem et Diminutionem | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028941372819 is a Universal Product Code (UPC) assigned to Die Kunst der Fuge by J.S. Bach, Musica Antiqua Köln, Reinhard Goebel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028941372819 is the Universal Product Code (UPC barcode) for the release “Die Kunst der Fuge” by J.S. Bach, Musica Antiqua Köln, Reinhard Goebel, released 1984-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include DEF058430201, DEF058430202, DEF058430203.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese | Musica Antiqua Köln, Reinhard Goebel | — | |
| 8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem | Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-1 | Die Kunst der Fuge, BWV 1080/12: Contrapunctus 12, A4 | — | ||
| 2-2 | Die Kunst der Fuge, BWV 1080/13: Contrapunctus 13, A3 | — | ||
| 2-3 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-5 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-6 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti | Musica Antiqua Köln, Reinhard Goebel | T-031.552.490-3 | |
| 2-7 | Canon Trias Harmonica, à 8, BWV 1072 | — | ||
| 2-8 | Canon à 4, perpetuus, BWV 1073 | — | ||
| 2-9 | Canon à 4, BWV 1074 | — | ||
| 2-10 | Canon à 2, perpetuus, BWV 1075 | — | ||
| 2-11 | Canon Triplex, à 6, BWV 1076 | — | ||
| 2-12 | Canone doppio sopr'il Soggetto, A 4, BWV 1077 | — | ||
| 2-13 | Canon Concordia discors, A 2, BWV 1086 | — | ||
| 2-14 | Canon Fa Mi, á 7, BWV 1078 | — | ||
| 2-15 | Canones BWV 1087: 1. Canon simplex | — | ||
| 2-16 | Canones BWV 1087: 2. All'rovescio | — | ||
| 2-17 | Canones BWV 1087: 3. Beede vorigen Canones zugleich, Motu recto e contrario | — | ||
| 2-18 | Canones BWV 1087: 4. Motu contrario e recto | — | ||
| 2-19 | Canones BWV 1087: 5. Canon duplex, à 4 | — | ||
| 2-20 | Canones BWV 1087: 6. Canon simplex Über besagtes Fundament, à 3 | — | ||
| 2-21 | Canones BWV 1087: 7. Idem, à 3 | — | ||
| 2-22 | Canones BWV 1087: 8. Canon simplex, à 3, il Soggetto in Alto | — | ||
| 2-23 | Canones BWV 1087: 9. Canon in unisono post semifusam, à 3 | — | ||
| 2-24 | Canones BWV 1087: 10a. Alio modo, per Syncopationes et per Ligaturas, à 2; 10b. Evolutio | — | ||
| 2-25 | Canones BWV 1087: 11. Canon Duplex Über Fundament, à 5 | — | ||
| 2-26 | Canones BWV 1087: 12. Canon Duplex Über besagte Fundamental-Noten, à 5 | — | ||
| 2-27 | Canones BWV 1087: 13. Canon Triplex, à 6 | — | ||
| 2-28 | Canones BWV 1087: 14. Canon à 4, per Augmentaionem et Diminutionem | — |
