UPC · Release
The Piano Sonatas Nos. 1-15
Beethoven, Daniel Barenboim
Last verified:
028941375926 is the Universal Product Code (UPC barcode) for the release “The Piano Sonatas Nos. 1-15” by Beethoven, Daniel Barenboim, released 1984-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include DEF058104731, DEF058104732, DEF058104733.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Daniel Barenboim | — | |
| 2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Daniel Barenboim | — | |
| 3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Daniel Barenboim | T-902.774.400-9 | |
| 4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Daniel Barenboim | — | |
| 5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Daniel Barenboim | T-300.456.250-5 | |
| 6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Daniel Barenboim | — | |
| 7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | Daniel Barenboim | — | |
| 8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Daniel Barenboim | — | |
| 2-1 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Daniel Barenboim | — | |
| 2-2 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | Daniel Barenboim | — | |
| 2-3 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Daniel Barenboim | — | |
| 2-4 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 2-5 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Daniel Barenboim | — | |
| 2-6 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | Daniel Barenboim | — | |
| 2-7 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | Daniel Barenboim | — | |
| 2-8 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Daniel Barenboim | — | |
| 3-1 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Daniel Barenboim | — | |
| 3-2 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Daniel Barenboim | — | |
| 3-3 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | Daniel Barenboim | — | |
| 3-4 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Daniel Barenboim | — | |
| 3-5 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | Daniel Barenboim | — | |
| 3-6 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | Daniel Barenboim | — | |
| 3-7 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | Daniel Barenboim | T-800.184.797-9 | |
| 3-8 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Daniel Barenboim | — | |
| 3-9 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Daniel Barenboim | T-912.751.549-5 | |
| 3-10 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | Daniel Barenboim | — | |
| 4-1 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 4-2 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 4-3 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | — | |
| 4-4 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Daniel Barenboim | — | |
| 4-5 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Daniel Barenboim | — | |
| 4-6 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Daniel Barenboim | — | |
| 4-7 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Daniel Barenboim | — | |
| 4-8 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Daniel Barenboim | — | |
| 4-9 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 5-1 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | Daniel Barenboim | — | |
| 5-2 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Daniel Barenboim | — | |
| 5-3 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | Daniel Barenboim | — | |
| 5-4 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Daniel Barenboim | — | |
| 5-5 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | Daniel Barenboim | — | |
| 5-6 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | Daniel Barenboim | — | |
| 5-7 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe | Daniel Barenboim | — | |
| 5-8 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | Daniel Barenboim | T-318.676.528-2 | |
| 6-1 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": I. Andante - Allegro - Tempo I - attacca | Daniel Barenboim | — | |
| 6-2 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": II. Allegro molto e vivace - attacca | Daniel Barenboim | — | |
| 6-3 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": III. Adagio con espressione - attacca | Daniel Barenboim | — | |
| 6-4 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1 "Sonata quasi una fantasia": IV. Allegro vivace | Daniel Barenboim | — | |
| 6-5 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-6 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-7 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 6-8 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Daniel Barenboim | — | |
| 6-9 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Daniel Barenboim | — | |
| 6-10 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro vivace | Daniel Barenboim | — | |
| 6-11 | Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro, ma non troppo | Daniel Barenboim | T-031.682.208-8 |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Daniel Barenboim | T-001.397.158-8 |
| Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave – Allegro di molto e con brio | Daniel Barenboim | T-915.723.669-6 |
| Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro | Daniel Barenboim | — |
| Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | T-925.881.218-9 |
| Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto - attacca | Daniel Barenboim | T-915.272.991-4 |
| Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Daniel Barenboim | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 028941375926?
028941375926 is a Universal Product Code (UPC) assigned to The Piano Sonatas Nos. 1-15 by Beethoven, Daniel Barenboim. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm