UPC · Release
Die Klaviersonaten / The Piano Sonatas / Les Sonates pour Piano / Nos. 16 – 32
Ludwig van Beethoven, Daniel Barenboim
028941376626
48 tracksReleased 1984-01-01Deutsche Grammophon
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028941376626 is the Universal Product Code (UPC barcode) for the release “Die Klaviersonaten / The Piano Sonatas / Les Sonates pour Piano / Nos. 16 – 32” by Ludwig van Beethoven, Daniel Barenboim, released 1984-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 48 tracks, each with its own ISRC.
Format
0Number system
28941Manufacturer
37662Product
6Check digit
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Track List (48)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonate No. 16 G-dur op. 31 No. 1 (in G major • en sol majeur): I. Allegro vivace | — | ||
| 2 | Sonate No. 16 G-dur op. 31 No. 1 (in G major • en sol majeur): II. Adagio grazioso | — | ||
| 3 | Sonate No. 16 G-dur op. 31 No. 1 (in G major • en sol majeur): III. Rondo. Allegretto | — | ||
| 4 | Sonate No. 17 d-moll op. 31 No. 2 »Sturm-Sonate« (in D Minor "The Tempest" • en ré mineur «La Tempête»): I. Largo - Allegro | — | ||
| 5 | Sonate No. 17 d-moll op. 31 No. 2 »Sturm-Sonate« (in D Minor "The Tempest" • en ré mineur «La Tempête»): II. Adagio | — | ||
| 6 | Sonate No. 17 d-moll op. 31 No. 2 »Sturm-Sonate« (in D Minor "The Tempest" • en ré mineur «La Tempête»): III. Allegretto | — | ||
| 7 | Sonate No. 19 g-moll op. 49 No. 1 (in G minor • en sol mineur): I. Andante | — | ||
| 8 | Sonate No. 19 g-moll op. 49 No. 1 (in G minor • en sol mineur): II. Rondo. Allegro | — | ||
| 9 | Sonate No. 20 G-dur Op. 49 No. 2 (in G major • en sol majeur): I. Allegro, ma non troppo | — | ||
| 10 | Sonate No. 20 G-dur Op. 49 No. 2 (in G major • en sol majeur): II. Tempo di Menuetto | — | ||
| 2-1 | Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): I. Allegro | — | ||
| 2-2 | Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): II. Scherzo. Allegretto vivace | — | ||
| 2-3 | Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): III. Menuetto. Moderato e grazioso | — | ||
| 2-4 | Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): IV. Presto con fuoco | — | ||
| 2-5 | Sonate No. 21 C-dur op. 53 »Waldstein-Sonate« (in C major • en ut majeur «L'Aurore»): I. Allegro con brio | — | ||
| 2-6 | Sonate No. 21 C-dur op. 53 »Waldstein-Sonate« (in C major • en ut majeur «L'Aurore»): II. Introduzione. Adagio molto - attacca: | — | ||
| 2-7 | Sonate No. 21 C-dur op. 53 »Waldstein-Sonate« (in C major • en ut majeur «L'Aurore»): III. Rondo. Allegretto moderato | — | ||
| 2-8 | Sonate No. 22 F-dur op. 54 (in F major • en fa majeur): I. In Tempo d'un Menuetto | — | ||
| 2-9 | Sonate No. 22 F-dur op. 54 (in F major • en fa majeur): II. Allegretto | — | ||
| 3-1 | Sonate No. 23 f-moll op. 57 »Appassionata« (in F minor • en fa mineur): I. Allegro assai | — | ||
| 3-2 | Sonate No. 23 f-moll op. 57 »Appassionata« (in F minor • en fa mineur): II. Andante con moto - attacca: | — | ||
| 3-3 | Sonate No. 23 f-moll op. 57 »Appassionata« (in F minor • en fa mineur): III. Allegro, ma non troppo - Presto | — | ||
| 3-4 | Sonate No. 24 Fis-dur op. 78 (in F sharp major • en fa diése majeur): I. Adagio cantabile - Allegro, ma non troppo | — | ||
| 3-5 | Sonate No. 24 Fis-dur op. 78 (in F sharp major • en fa diése majeur): II. Allegro vivace | — | ||
| 3-6 | Sonate No. 25 G-dur op. 79 (in G major • en sol majeur): I. Presto alla tedesca | — | ||
| 3-7 | Sonate No. 25 G-dur op. 79 (in G major • en sol majeur): II. Andante | — | ||
| 3-8 | Sonate No. 25 G-dur op. 79 (in G major • en sol majeur): III. Vivace | — | ||
| 3-9 | Sonate No. 26 Es-dur op. 81a »Les Adieux« (in E flat major • en mi bémol majeur): I. Das Lebewohl (Les Adieux). Adagio - Allegro | — | ||
| 3-10 | Sonate No. 26 Es-dur op. 81a »Les Adieux« (in E flat major • en mi bémol majeur): II. Abwesenheit (L'Absence). Andante espressivo | — | ||
| 3-11 | Sonate No. 26 Es-dur op. 81a »Les Adieux« (in E flat major • en mi bémol majeur): III. Das Wiedersehn (Le Retour). Vivacissimamente | — | ||
| 4-1 | Sonate No. 27 e-moll op. 90 (in E minor • en mi mineur): I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 4-2 | Sonate No. 27 e-moll op. 90 (in E minor • en mi mineur): II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 4-3 | Sonate No. 28 A-dur op. 101 (in A major • en la majeur): I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 4-4 | Sonate No. 28 A-dur op. 101 (in A major • en la majeur): II. Lebhaft, marschmäßig. Vivace alla Marcia | — | ||
| 4-5 | Sonate No. 28 A-dur op. 101 (in A major • en la majeur): III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto - attacca: | — | ||
| 4-6 | Sonate No. 28 A-dur op. 101 (in A major • en la majeur): IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 4-7 | Sonate No. 30 E-dur op. 109 (in E major • en mi majeur): I. Vivace, ma non troppo | — | ||
| 4-8 | Sonate No. 30 E-dur op. 109 (in E major • en mi majeur): II. Prestissimo | — | ||
| 4-9 | Sonate No. 30 E-dur op. 109 (in E major • en mi majeur): III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | — | ||
| 5-1 | Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): I. Allegro | — | ||
| 5-2 | Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): II. Scherzo. Assai vivace | — | ||
| 5-3 | Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): III. Adagio sostenuto. Appassionato e con molto sentimento | — | ||
| 5-4 | Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): IV. Largo - Allegro risoluto | — | ||
| 6-1 | Sonate No. 31 As-dur op. 110 (in A flat major • en la bémol majeur): I. Moderato cantabile molto espressivo | — | ||
| 6-2 | Sonate No. 31 As-dur op. 110 (in A flat major • en la bémol majeur): II. Allegro molto | — | ||
| 6-3 | Sonate No. 31 As-dur op. 110 (in A flat major • en la bémol majeur): III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | — | ||
| 6-4 | Sonate No. 32 C-moll op. 111 (in C minor • en ut mineur): I. Maestoso - Allegro con brio ed appassionato | — | ||
| 6-5 | Sonate No. 32 C-moll op. 111 (in C minor • en ut mineur): II. Arietta. Adagio molto semplice e cantabile | — |
Sonate No. 16 G-dur op. 31 No. 1 (in G major • en sol majeur): I. Allegro vivace
—
Sonate No. 16 G-dur op. 31 No. 1 (in G major • en sol majeur): II. Adagio grazioso
—
Sonate No. 16 G-dur op. 31 No. 1 (in G major • en sol majeur): III. Rondo. Allegretto
—
Sonate No. 17 d-moll op. 31 No. 2 »Sturm-Sonate« (in D Minor "The Tempest" • en ré mineur «La Tempête»): I. Largo - Allegro
—
Sonate No. 17 d-moll op. 31 No. 2 »Sturm-Sonate« (in D Minor "The Tempest" • en ré mineur «La Tempête»): II. Adagio
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Sonate No. 17 d-moll op. 31 No. 2 »Sturm-Sonate« (in D Minor "The Tempest" • en ré mineur «La Tempête»): III. Allegretto
—
Sonate No. 19 g-moll op. 49 No. 1 (in G minor • en sol mineur): I. Andante
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Sonate No. 19 g-moll op. 49 No. 1 (in G minor • en sol mineur): II. Rondo. Allegro
—
Sonate No. 20 G-dur Op. 49 No. 2 (in G major • en sol majeur): I. Allegro, ma non troppo
—
Sonate No. 20 G-dur Op. 49 No. 2 (in G major • en sol majeur): II. Tempo di Menuetto
—
Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): I. Allegro
—
Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): II. Scherzo. Allegretto vivace
—
Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): III. Menuetto. Moderato e grazioso
—
Sonate No. 18 Es-dur op. 31 No. 3 (in E flat major • en mi bémol majeur): IV. Presto con fuoco
—
Sonate No. 21 C-dur op. 53 »Waldstein-Sonate« (in C major • en ut majeur «L'Aurore»): I. Allegro con brio
—
Sonate No. 21 C-dur op. 53 »Waldstein-Sonate« (in C major • en ut majeur «L'Aurore»): II. Introduzione. Adagio molto - attacca:
—
Sonate No. 21 C-dur op. 53 »Waldstein-Sonate« (in C major • en ut majeur «L'Aurore»): III. Rondo. Allegretto moderato
—
Sonate No. 22 F-dur op. 54 (in F major • en fa majeur): I. In Tempo d'un Menuetto
—
Sonate No. 22 F-dur op. 54 (in F major • en fa majeur): II. Allegretto
—
Sonate No. 23 f-moll op. 57 »Appassionata« (in F minor • en fa mineur): I. Allegro assai
—
Sonate No. 23 f-moll op. 57 »Appassionata« (in F minor • en fa mineur): II. Andante con moto - attacca:
—
Sonate No. 23 f-moll op. 57 »Appassionata« (in F minor • en fa mineur): III. Allegro, ma non troppo - Presto
—
Sonate No. 24 Fis-dur op. 78 (in F sharp major • en fa diése majeur): I. Adagio cantabile - Allegro, ma non troppo
—
Sonate No. 24 Fis-dur op. 78 (in F sharp major • en fa diése majeur): II. Allegro vivace
—
Sonate No. 25 G-dur op. 79 (in G major • en sol majeur): I. Presto alla tedesca
—
Sonate No. 25 G-dur op. 79 (in G major • en sol majeur): II. Andante
—
Sonate No. 25 G-dur op. 79 (in G major • en sol majeur): III. Vivace
—
Sonate No. 26 Es-dur op. 81a »Les Adieux« (in E flat major • en mi bémol majeur): I. Das Lebewohl (Les Adieux). Adagio - Allegro
—
Sonate No. 26 Es-dur op. 81a »Les Adieux« (in E flat major • en mi bémol majeur): II. Abwesenheit (L'Absence). Andante espressivo
—
Sonate No. 26 Es-dur op. 81a »Les Adieux« (in E flat major • en mi bémol majeur): III. Das Wiedersehn (Le Retour). Vivacissimamente
—
Sonate No. 27 e-moll op. 90 (in E minor • en mi mineur): I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
—
Sonate No. 27 e-moll op. 90 (in E minor • en mi mineur): II. Nicht zu geschwind und sehr singbar vorzutragen
—
Sonate No. 28 A-dur op. 101 (in A major • en la majeur): I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo
—
Sonate No. 28 A-dur op. 101 (in A major • en la majeur): II. Lebhaft, marschmäßig. Vivace alla Marcia
—
Sonate No. 28 A-dur op. 101 (in A major • en la majeur): III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto - attacca:
—
Sonate No. 28 A-dur op. 101 (in A major • en la majeur): IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro
—
Sonate No. 30 E-dur op. 109 (in E major • en mi majeur): I. Vivace, ma non troppo
—
Sonate No. 30 E-dur op. 109 (in E major • en mi majeur): II. Prestissimo
—
Sonate No. 30 E-dur op. 109 (in E major • en mi majeur): III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)
—
Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): I. Allegro
—
Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): II. Scherzo. Assai vivace
—
Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): III. Adagio sostenuto. Appassionato e con molto sentimento
—
Sonate No. 29 B-dur op. 106 »Große Sonate für das Hammerklavier« (in B flat major • en si bémol majeur): IV. Largo - Allegro risoluto
—
Sonate No. 31 As-dur op. 110 (in A flat major • en la bémol majeur): I. Moderato cantabile molto espressivo
—
Sonate No. 31 As-dur op. 110 (in A flat major • en la bémol majeur): II. Allegro molto
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Sonate No. 31 As-dur op. 110 (in A flat major • en la bémol majeur): III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo
—
Sonate No. 32 C-moll op. 111 (in C minor • en ut mineur): I. Maestoso - Allegro con brio ed appassionato
—
Sonate No. 32 C-moll op. 111 (in C minor • en ut mineur): II. Arietta. Adagio molto semplice e cantabile
—
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What is UPC 028941376626?
028941376626 is a Universal Product Code (UPC) assigned to Die Klaviersonaten / The Piano Sonatas / Les Sonates pour Piano / Nos. 16 – 32 by Ludwig van Beethoven, Daniel Barenboim. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 48 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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