UPC · Release
Benjamin Britten, Galina Vishnevskaya, Peter Pears, Dietrich Fischer‐Dieskau, Highgate School Boys Choir, The Bach Choir, London Symphony Chorus, Simon Preston, Melos Ensemble, London Symphony Orchestra
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028941438324 is the Universal Product Code (UPC barcode) for the release “War Requiem” by Benjamin Britten, Galina Vishnevskaya, Peter Pears, Dietrich Fischer‐Dieskau, Highgate School Boys Choir, The Bach Choir, London Symphony Chorus, Simon Preston, Melos Ensemble, London Symphony Orchestra, released 1999-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include GBBBC2300943, GBBBC2300944, GBBBC2300945.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 2 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 3 | War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9 | War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 13 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 2-1 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 2-2 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 2-3 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 2-4 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 2-5 | Rehearsing War Requiem: Requiem Aeternam (rehearsal) | Benjamin Britten | — | |
| 2-6 | Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section | Benjamin Britten | — | |
| 2-7 | Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya | [dialogue] | — | |
| 2-8 | Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement | Benjamin Britten | — | |
| 2-9 | Rehearsing War Requiem: Offertorium (rehearsal) | Benjamin Britten | — | |
| 2-10 | Rehearsing War Requiem: Sanctus (rehearsal) | Benjamin Britten | — | |
| 2-11 | Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | — | |
| 2-12 | Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw | [dialogue] | — | |
| 2-13 | Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw | [dialogue] | — | |
| 2-14 | Rehearsing War Requiem: Libera Me (rehearsal) | Benjamin Britten | — | |
| 2-15 | Rehearsing War Requiem: Libera Me: Rehearsal of closing page | Benjamin Britten | — |
Songwriters/Publishers (IPI)
Identifier Graph
028941438324 is a Universal Product Code (UPC) assigned to War Requiem by Benjamin Britten, Galina Vishnevskaya, Peter Pears, Dietrich Fischer‐Dieskau, Highgate School Boys Choir, The Bach Choir, London Symphony Chorus, Simon Preston, Melos Ensemble, London Symphony Orchestra, Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028941438324 is the Universal Product Code (UPC barcode) for the release “War Requiem” by Benjamin Britten, Galina Vishnevskaya, Peter Pears, Dietrich Fischer‐Dieskau, Highgate School Boys Choir, The Bach Choir, London Symphony Chorus, Simon Preston, Melos Ensemble, London Symphony Orchestra, released 1999-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include GBBBC2300943, GBBBC2300944, GBBBC2300945.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 2 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 3 | War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 9 | War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 13 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 2-1 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 2-2 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 2-3 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 2-4 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 2-5 | Rehearsing War Requiem: Requiem Aeternam (rehearsal) | Benjamin Britten | — | |
| 2-6 | Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section | Benjamin Britten | — | |
| 2-7 | Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya | [dialogue] | — | |
| 2-8 | Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement | Benjamin Britten | — | |
| 2-9 | Rehearsing War Requiem: Offertorium (rehearsal) | Benjamin Britten | — | |
| 2-10 | Rehearsing War Requiem: Sanctus (rehearsal) | Benjamin Britten | — | |
| 2-11 | Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter) | [dialogue] | — | |
| 2-12 | Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw | [dialogue] | — | |
| 2-13 | Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw | [dialogue] | — | |
| 2-14 | Rehearsing War Requiem: Libera Me (rehearsal) | Benjamin Britten | — | |
| 2-15 | Rehearsing War Requiem: Libera Me: Rehearsal of closing page | Benjamin Britten | — |
