UPC · Album

Porgy and Bess

Gershwin, Cleveland Orchestra, Chorus and 7 more

028941455925
42 tracksReleased 1985-01-01Decca

Last verified:

028941455925 is the Universal Product Code (UPC barcode) for the release Porgy and Bess by Gershwin, Cleveland Orchestra, Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks, released 1985-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include GBF077540201, GBF077540202, GBF077540203.

Format

0Number system
28941Manufacturer
45592Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPorgy and Bess
ISRC42 recordings
ISWC39 works

Track List (42)

Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues
The Cleveland Orchestra Chorus, Joela Jones, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene I. "Summertime" - "Oh, nobody knows when the Lawd is goin' to call..." - "I been sweatin' all day"
Barbara Hendricks, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene I. "A woman is a sometime thing (Lissen to yo' daddy warn you)"
Arthur Thompson, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene I. “Here come de honey man” – “Here’s the ol’ crap shark“
Arthur Thompson, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene I. "They pass by singin'" - "Here comes Big Boy!" - "Don't you ever let a woman grieve you"
Willard White, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene I. "Oh, little stars" - "Touch that money an' meet yo' Gawd!"
McHenry Boatwright, Willard White, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene I. "Wake up an' hit it out" - "That you, Sportin' Life?"
Leona Mitchell, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene II. "Gone, gone, gone (Where is brudder Robbins?)"
Barbara Conrad, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene II. "Overflow, overflow" - "Gawd got plenty of money for de saucer"
The Cleveland Orchestra Chorus, Barbara Conrad, Florence Quivar, Willard White, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene II. "Um! A saucer-burial setup, I see"
Robert Snook, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene II. "My man's gone now" - "How de saucer stan' now, my sister?"
Florence Quivar, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act I, Scene II. "Headin' for the Promis' Lan'"
Leona Mitchell, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene I. "It takes a long pull to get there"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” – “Lissen there, what I tells you”
Willard White, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene I. "I hates yo' struttin' style" - "Mornin', lawyer, lookin' for somebody?" - "Dey's a Buckra comin'"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene I. Buzzard Song – “Lo, Bess, goin’ to picnic?”
François Clemmons, Willard White, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene I. "Bess, you is my woman now"
Willard White, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene I. "Oh, I can't sit down"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene II. "I ain't got no shame"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" - "Bess!...Crown!..."
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene III. "Honey, dat's all de breakfast I got time for" - "Take yo' han's off me, I say"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene III. "Oh, Doctor Jesus"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" - "I'm talkin' about devil crabs"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene III. "I loves you, Porgy"
Leona Mitchell, The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene III. "Why you been out on that wharf"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene IV. "Oh, de Lawd shake de heavens" - "One of dese mornings you goin' to rise up singin'"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene IV. "Oh, dere's somebody knockin' at de do'" - "You is a nice parcel of Christians..."
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act II, Scene IV. "A red-headed woman" - "Jake's boat in de river" - "Oh, Doctor Jesus"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene I. "Clara, Clara, don't you be downhearted" - "Crown, Crown, don't you..." - "Summertime"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene I. Interlude (Death of Crown)
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene II. Introduction - "Wait for us at the corner, Al" - "What is your name?"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene II. "You've got to go, Porgy" - "Oh, Gawd! They goin' make him look"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene II. "There's a boat dat's leavin'"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene III. Introduction
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "Thank Gawd I's home again!"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene III. "Dem white folks sure ain't put nuthin'"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene III. "Oh Bess, oh where's my Bess"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene III. "Bess is gone"
The Cleveland Orchestra, Lorin Maazel
Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way"
The Cleveland Orchestra, Lorin Maazel

People also ask

What is UPC 028941455925?
UPC 028941455925 is the Universal Product Code (barcode) for "Porgy and Bess" by Gershwin, Cleveland Orchestra, Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks, released on Decca.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028941455925?
UPC 028941455925 contains 42 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028941455925?

028941455925 is a Universal Product Code (UPC) assigned to Porgy and Bess by Gershwin, Cleveland Orchestra, Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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