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Tosca

UPC · Release

Tosca

Puccini, Kiri Te Kanawa, Leo Nucci, Giacomo Aragall, Welsh National Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti

028941459725
29 tracksReleased 1986-01-01Decca

Last verified:

028941459725 is the Universal Product Code (UPC barcode) for the release “Tosca” by Puccini, Kiri Te Kanawa, Leo Nucci, Giacomo Aragall, Welsh National Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti, released 1986-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC.

Format

0Number system
28941Manufacturer
45972Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (29)

Tosca: Atto I. “Ah! Finalmente!”
Tosca: Atto I. “Ah! Finalmente!”
—
Tosca: Atto I. “E sempre lava!” … “Angelus Domini nuntiavit Mariae” … “Che fai?”
Tosca: Atto I. “E sempre lava!” … “Angelus Domini nuntiavit Mariae” … “Che fai?”
—
Tosca: Atto I. Aria “Dammi i colori!” … “Recondita armonia”
Tosca: Atto I. Aria “Dammi i colori!” … “Recondita armonia”
—
Tosca: Atto I. “Gente là dentro!”
Tosca: Atto I. “Gente là dentro!”
—
Tosca: Atto I. “Mario! Mario! Mario!” … “Son qui!” … “Non la sospiri la nostra casetta”
Tosca: Atto I. “Mario! Mario! Mario!” … “Son qui!” … “Non la sospiri la nostra casetta”
—
Tosca: Atto I. “È buona la mia Tosca” … “Siam soli?”
Tosca: Atto I. “È buona la mia Tosca” … “Siam soli?”
—
Tosca: Atto I. “Sommo giubilo, Eccellenza!”
Tosca: Atto I. “Sommo giubilo, Eccellenza!”
—
Tosca: Atto I. “Un tal baccano in chiesa! Bel rispetto!”
Tosca: Atto I. “Un tal baccano in chiesa! Bel rispetto!”
—
Tosca: Atto I. “Or tutto è chiaro” … “Mario?! Mario?!”
Tosca: Atto I. “Or tutto è chiaro” … “Mario?! Mario?!”
—
Tosca: Atto I. “Tre sbirri, una carrozza, presto” … “Te Deum”
Tosca: Atto I. “Tre sbirri, una carrozza, presto” … “Te Deum”
—
Tosca: Atto II. “Tosca è un buon falco!”
Tosca: Atto II. “Tosca è un buon falco!”
—
Tosca: Atto II. “Ha più forte sapore” … “Spoletta è giunto”
Tosca: Atto II. “Ha più forte sapore” … “Spoletta è giunto”
—
Tosca: Atto II. “O galantuomo, come andò la caccia?”
Tosca: Atto II. “O galantuomo, come andò la caccia?”
—
Tosca: Atto II. “Ov’è Angelotti?” … “Mario, tu qui?!”
Tosca: Atto II. “Ov’è Angelotti?” … “Mario, tu qui?!”
—
Tosca: Atto II. “Sciarrone: che dice il cavalier?”
Tosca: Atto II. “Sciarrone: che dice il cavalier?”
—
Tosca: Atto II. “Orsù, Tosca, parlate.” … “Mario, consenti ch’io parli?”
Tosca: Atto II. “Orsù, Tosca, parlate.” … “Mario, consenti ch’io parli?”
—
Tosca: Atto II. “Floria” … “Amore”
Tosca: Atto II. “Floria” … “Amore”
—
Tosca: Atto II. “Vittoria! Vittoria!”
Tosca: Atto II. “Vittoria! Vittoria!”
—
Tosca: Atto II. “Quanto? Quanto? Il prezzo!”
Tosca: Atto II. “Quanto? Quanto? Il prezzo!”
—
Tosca: Atto II. “Vissi d’arte, vissi d’amore”
Tosca: Atto II. “Vissi d’arte, vissi d’amore”
—
Tosca: Atto II. “Chi è là?”
Tosca: Atto II. “Chi è là?”
—
Tosca: Atto II. “Io tenni la promessa” … “E qual via scegliete?” … “Tosca, finalmente mia!”
Tosca: Atto II. “Io tenni la promessa” … “E qual via scegliete?” … “Tosca, finalmente mia!”
—
Tosca: Atto III. Prelude / “Io de’ sospiri”
Tosca: Atto III. Prelude / “Io de’ sospiri”
—
Tosca: Atto III. “Mario Cavaradossi?” … “A voi”
Tosca: Atto III. “Mario Cavaradossi?” … “A voi”
—
Tosca: Atto III. “E lucevan le stelle”
Tosca: Atto III. “E lucevan le stelle”
—
Tosca: Atto III. “Franchigia a Floria Tosca”
Tosca: Atto III. “Franchigia a Floria Tosca”
—
Tosca: Atto III. “O dolci mani”
Tosca: Atto III. “O dolci mani”
—
Tosca: Atto III. “Come è lunga l’attesta!”
Tosca: Atto III. “Come è lunga l’attesta!”
—
Tosca: Atto III. “Presto, su! Mario!”
Tosca: Atto III. “Presto, su! Mario!”
—

What other identifiers does this connect to?

Creative Contributors (ISNI)

000000005517454300000000551865600000000081089676000000008160790400000001093740310000000109416721000000010944217X000000011443581200000001146613770000000114712250
+2 more
00000001212042970000000121505778

Credits Graph

People also ask

What is UPC 028941459725?
UPC 028941459725 is the Universal Product Code (barcode) for "Tosca" by Puccini, Kiri Te Kanawa, Leo Nucci, Giacomo Aragall, Welsh National Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti, released on Decca.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028941459725?
UPC 028941459725 contains 29 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028941459725?

028941459725 is a Universal Product Code (UPC) assigned to Tosca by Puccini, Kiri Te Kanawa, Leo Nucci, Giacomo Aragall, Welsh National Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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