UPC · Album
Verdi Weekend: Arias, Duets, Choruses
Giuseppe Verdi
028942162525
13 tracksReleased 1989-01-01Decca
Last verified:
028942162525 is the Universal Product Code (UPC barcode) for the release “Verdi Weekend: Arias, Duets, Choruses” by Giuseppe Verdi, released 1989-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include GBBBA6250410, GBF075440740, GBF075510500.
Format
0Number system
28942Manufacturer
16252Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCVerdi Weekend: Arias, Duets, Choruses
ISRC15 recordings
ISWC8 works
Track List (15)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Rigoletto: “Bella figlia dell’amore” (Quartet) | Renato Cioni, Cornell MacNeil, Stefania Malagú, Joan Sutherland, Nino Sanzogno | GBBBA6250410 |
| Otello: “Piangea cantando” (Willow Song) | Renata Tebaldi, Accademia Nazionale di Santa Cecilia Orchestra, Alberto Erede | GBF075440740 |
| Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | GBF075510500 |
| Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus) | Maggio Musicale Fiorentino Chorus, Orchestra of the Grand Theatre, Geneva, Alberto Erede | GBF075640009 |
| Il trovatore: “Stride la vampa” | Giulietta Simionato, L’Orchestre de la Suisse Romande, Alberto Erede | GBF075640010 |
| Il trovatore: Atto III, scena 2. “Di quella pira” | Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede | GBF075640026 |
| Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Gianandrea Gavazzeni | GBF075710070 |
| Oh! fede negar potessi agl'occhi miei! ... Quando le sere al placido - Luisa Miller | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Gianandrea Gavazzeni | GBF075710140 |
| Lusia Miller: “Oh! Fede negar potessi… Quando le sere al placido” | Carlo Bergonzi, Gianandrea Gavazzeni | GBF075711900 |
| Rigoletto: “Gualtier Maldè” … “Caro nome” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | GBF076040216 |
| Rigoletto: Atto III. La donna è mobile | Cesare Siepi, Renato Cioni, Orchestra dell’Accademia di Santa Cecilia, Roma, Nino Sanzogno | GBF076142423 |
| La traviata: Prelude | Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | GBF076240101 |
| La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | GBF076240103 |
| Nabucco: Atto III. “Va, pensiero” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci | GBF076410024 |
| Aida: “Ritorna vincitor” | Maria Chiara, Nello Santi | GBF077210730 |
Rigoletto: “Bella figlia dell’amore” (Quartet)
Renato Cioni, Cornell MacNeil, Stefania Malagú, Joan Sutherland, Nino Sanzogno
Otello: “Piangea cantando” (Willow Song)
Renata Tebaldi, Accademia Nazionale di Santa Cecilia Orchestra, Alberto Erede
Il trovatore: Atto III, scena 2. “Di quella pira”
Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede
Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus)
Maggio Musicale Fiorentino Chorus, Orchestra of the Grand Theatre, Geneva, Alberto Erede
Il trovatore: “Stride la vampa”
Giulietta Simionato, L’Orchestre de la Suisse Romande, Alberto Erede
Il trovatore: Atto III, scena 2. “Di quella pira”
Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Gianandrea Gavazzeni
Oh! fede negar potessi agl'occhi miei! ... Quando le sere al placido - Luisa Miller
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Gianandrea Gavazzeni
Lusia Miller: “Oh! Fede negar potessi… Quando le sere al placido”
Carlo Bergonzi, Gianandrea Gavazzeni
Rigoletto: “Gualtier Maldè” … “Caro nome”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
Rigoletto: Atto III. La donna è mobile
Cesare Siepi, Renato Cioni, Orchestra dell’Accademia di Santa Cecilia, Roma, Nino Sanzogno
La traviata: Prelude
Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici”
Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
Nabucco: Atto III. “Va, pensiero”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci
Aida: “Ritorna vincitor”
Maria Chiara, Nello Santi
What other identifiers does this connect to?
Musical Works (ISWC)
People also ask
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What is UPC 028942162525?
028942162525 is a Universal Product Code (UPC) assigned to Verdi Weekend: Arias, Duets, Choruses by Giuseppe Verdi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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