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Hightech Orgel

UPC · Release

Hightech Orgel

Various Artists

028942291324
27 tracksReleased 1989-01-01Philips

Last verified: September 12, 2026

028942291324 is the Universal Product Code (UPC barcode) for the release “Hightech Orgel” by Various Artists, released 1989-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include NLA508204501.

Format

0Number system
28942Manufacturer
29132Product
4Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCHightech Orgel
ISRC1 recording
ISWC2 works
IPI1 songwriter

Track List (27)

#Track TitleArtist(s)ISWC
Toccata and Fugue in D minor, BWV 5651Toccata and Fugue in D minor, BWV 565Daniel ChorzempaT-909.243.105-5
Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle2Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle—
Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz3Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz—
Suite gothique: Introduction - Choral4Suite gothique: Introduction - Choral—
Suite gothique: Menuet gothique5Suite gothique: Menuet gothique—
Suite gothique: Priere à Notre-Dame6Suite gothique: Priere à Notre-Dame—
Suite gothique: Toccata7Suite gothique: Toccata—
Grand Chœur dialogué8Grand Chœur dialogué—
Pièce héroïque9Pièce héroïque—
Symphonie Nr. 1 d-moll, op. 14: Finale10Symphonie Nr. 1 d-moll, op. 14: Finale—
Pièces de fantaisie, op. 54: Carillon de Westminster11Pièces de fantaisie, op. 54: Carillon de Westminster—
Symphonie Nr. 5 f-moll, op. 42/1: Toccata12Symphonie Nr. 5 f-moll, op. 42/1: Toccata—
Audio‐Testsignale: Ansage Balance‐Test13Audio‐Testsignale: Ansage Balance‐Test—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB14Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB—
Audio‐Testsignale: Ansage15Audio‐Testsignale: Ansage—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB16Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB—
Audio‐Testsignale: Ansage Phasentest17Audio‐Testsignale: Ansage Phasentest—
Audio‐Testsignale: Phase »ein«18Audio‐Testsignale: Phase »ein«—
Audio‐Testsignale: Phase »aus«19Audio‐Testsignale: Phase »aus«—
Audio‐Testsignale: Ansage20Audio‐Testsignale: Ansage—
Audio‐Testsignale: Ansage Spitzenpegel21Audio‐Testsignale: Ansage Spitzenpegel—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)22Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)—
Audio‐Testsignale: Ansage23Audio‐Testsignale: Ansage—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)24Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)—
Audio‐Testsignale: Ansage Gleitfrequenzgang25Audio‐Testsignale: Ansage Gleitfrequenzgang—
Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB26Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB—
Audio‐Testsignale: Ansage27Audio‐Testsignale: Ansage—
Toccata and Fugue in D minor, BWV 565
Toccata and Fugue in D minor, BWV 565
Daniel Chorzempa
T-909.243.105-5
Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle
Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle
—
Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz
Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz
—
Suite gothique: Introduction - Choral
Suite gothique: Introduction - Choral
—
Suite gothique: Menuet gothique
Suite gothique: Menuet gothique
—
Suite gothique: Priere à Notre-Dame
Suite gothique: Priere à Notre-Dame
—
Suite gothique: Toccata
Suite gothique: Toccata
—
Grand Chœur dialogué
Grand Chœur dialogué
—
Pièce héroïque
Pièce héroïque
—
Symphonie Nr. 1 d-moll, op. 14: Finale
Symphonie Nr. 1 d-moll, op. 14: Finale
—
Pièces de fantaisie, op. 54: Carillon de Westminster
Pièces de fantaisie, op. 54: Carillon de Westminster
—
Symphonie Nr. 5 f-moll, op. 42/1: Toccata
Symphonie Nr. 5 f-moll, op. 42/1: Toccata
—
Audio‐Testsignale: Ansage Balance‐Test
Audio‐Testsignale: Ansage Balance‐Test
—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
—
Audio‐Testsignale: Ansage Phasentest
Audio‐Testsignale: Ansage Phasentest
—
Audio‐Testsignale: Phase »ein«
Audio‐Testsignale: Phase »ein«
—
Audio‐Testsignale: Phase »aus«
Audio‐Testsignale: Phase »aus«
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—
Audio‐Testsignale: Ansage Spitzenpegel
Audio‐Testsignale: Ansage Spitzenpegel
—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
—
Audio‐Testsignale: Ansage Gleitfrequenzgang
Audio‐Testsignale: Ansage Gleitfrequenzgang
—
Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-909.243.105-5T-909.243.105-5

Songwriters/Publishers (IPI)

01087899975

Creative Contributors (ISNI)

0000000055131148000000008029407X
SourcesMusicBrainzDiscogsMusicBrainz✓3 sources

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  • MusicBrainz release search

Credits Graph

People also ask

What is UPC 028942291324?+
UPC 028942291324 is the Universal Product Code (barcode) for "Hightech Orgel" by Various Artists, released on Philips.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028942291324?+
UPC 028942291324 contains 27 tracks, each with its own ISRC.

What is UPC 028942291324?

028942291324 is a Universal Product Code (UPC) assigned to Hightech Orgel by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

028942291324 is the Universal Product Code (UPC barcode) for the release “Hightech Orgel” by Various Artists, released 1989-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include NLA508204501.

Track List (27)

#Track TitleArtist(s)ISWC
Toccata and Fugue in D minor, BWV 5651Toccata and Fugue in D minor, BWV 565Daniel ChorzempaT-909.243.105-5
Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle2Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle—
Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz3Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz—
Suite gothique: Introduction - Choral4Suite gothique: Introduction - Choral—
Suite gothique: Menuet gothique5Suite gothique: Menuet gothique—
Suite gothique: Priere à Notre-Dame6Suite gothique: Priere à Notre-Dame—
Suite gothique: Toccata7Suite gothique: Toccata—
Grand Chœur dialogué8Grand Chœur dialogué—
Pièce héroïque9Pièce héroïque—
Symphonie Nr. 1 d-moll, op. 14: Finale10Symphonie Nr. 1 d-moll, op. 14: Finale—
Pièces de fantaisie, op. 54: Carillon de Westminster11Pièces de fantaisie, op. 54: Carillon de Westminster—
Symphonie Nr. 5 f-moll, op. 42/1: Toccata12Symphonie Nr. 5 f-moll, op. 42/1: Toccata—
Audio‐Testsignale: Ansage Balance‐Test13Audio‐Testsignale: Ansage Balance‐Test—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB14Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB—
Audio‐Testsignale: Ansage15Audio‐Testsignale: Ansage—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB16Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB—
Audio‐Testsignale: Ansage Phasentest17Audio‐Testsignale: Ansage Phasentest—
Audio‐Testsignale: Phase »ein«18Audio‐Testsignale: Phase »ein«—
Audio‐Testsignale: Phase »aus«19Audio‐Testsignale: Phase »aus«—
Audio‐Testsignale: Ansage20Audio‐Testsignale: Ansage—
Audio‐Testsignale: Ansage Spitzenpegel21Audio‐Testsignale: Ansage Spitzenpegel—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)22Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)—
Audio‐Testsignale: Ansage23Audio‐Testsignale: Ansage—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)24Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)—
Audio‐Testsignale: Ansage Gleitfrequenzgang25Audio‐Testsignale: Ansage Gleitfrequenzgang—
Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB26Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB—
Audio‐Testsignale: Ansage27Audio‐Testsignale: Ansage—
Toccata and Fugue in D minor, BWV 565
Toccata and Fugue in D minor, BWV 565
Daniel Chorzempa
T-909.243.105-5
Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle
Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle
—
Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz
Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz
—
Suite gothique: Introduction - Choral
Suite gothique: Introduction - Choral
—
Suite gothique: Menuet gothique
Suite gothique: Menuet gothique
—
Suite gothique: Priere à Notre-Dame
Suite gothique: Priere à Notre-Dame
—
Suite gothique: Toccata
Suite gothique: Toccata
—
Grand Chœur dialogué
Grand Chœur dialogué
—
Pièce héroïque
Pièce héroïque
—
Symphonie Nr. 1 d-moll, op. 14: Finale
Symphonie Nr. 1 d-moll, op. 14: Finale
—
Pièces de fantaisie, op. 54: Carillon de Westminster
Pièces de fantaisie, op. 54: Carillon de Westminster
—
Symphonie Nr. 5 f-moll, op. 42/1: Toccata
Symphonie Nr. 5 f-moll, op. 42/1: Toccata
—
Audio‐Testsignale: Ansage Balance‐Test
Audio‐Testsignale: Ansage Balance‐Test
—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
—
Audio‐Testsignale: Ansage Phasentest
Audio‐Testsignale: Ansage Phasentest
—
Audio‐Testsignale: Phase »ein«
Audio‐Testsignale: Phase »ein«
—
Audio‐Testsignale: Phase »aus«
Audio‐Testsignale: Phase »aus«
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—
Audio‐Testsignale: Ansage Spitzenpegel
Audio‐Testsignale: Ansage Spitzenpegel
—
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
—
Audio‐Testsignale: Ansage Gleitfrequenzgang
Audio‐Testsignale: Ansage Gleitfrequenzgang
—
Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
—
Audio‐Testsignale: Ansage
Audio‐Testsignale: Ansage
—