UPC · Release
Handel, Rolfe Johnson, Marshall, Hodgson, Esswood, Kirkby, Sir Neville Marriner
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028942570122 is the Universal Product Code (UPC barcode) for the release “Jephtha” by Handel, Rolfe Johnson, Marshall, Hodgson, Esswood, Kirkby, Sir Neville Marriner, released 1990-01-01 on London Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 55 tracks, each with its own ISRC. Tracks include GBF077941301, GBF077941302, GBF077941303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jephtha, Act I: No. 1. Overture | Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2 | Jephtha, Act I: No. 2. Menuet | Academy of St.-Martin-in-the-Fields, Neville Marriner | T-061.791.496-1 | |
| 3 | Jephtha, Act I: No. 3. Recitative: It Must Be So – or These Vile Ammonites (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 4 | Jephtha, Act I: No. 4. Air: Pour Forth No More Unheeded Pray’Rs (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 5 | Jephtha, Act I: No. 5. Chorus: No More to Ammon’s God and King | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 6 | Jephtha, Act I: No. 6. Recitative: But Jephtha Comes. Kind Heaven, Assist Our Plea (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 7 | Jephtha, Act I: No. 7. Air: Virtue My Soul Shall Still Embrace (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 8 | Jephtha, Act I: No. 8. Recitative: ’Twill Be a Painful Separation, Jephtha (Storgè) / No. 9. Air: In Gentle Murmurs Will I Mourn (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 9 | Jephtha, Act I: No. 10. Recitative: Happy This Embassy, My Charming Iphis (Hamor) / No. 11. Air: Dull Delay, in Piercing Anguish (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 10 | Jephtha, Act I: No. 12. Recitative: Ill Suits the Voice of Love When Glory Calls (Iphis) / No. 13. Air: Take the Heart You Fondly Gave (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 11 | Jephtha, Act I: No. 14. Recitative: I Go. My Soul, Inspir’d by Thy Command (Hamor) / No. 15. Duet: These Labours Past, How Happy We! (Iphis, Hamor) | Paul Esswood, Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 12 | Jephtha, Act I: No. 16. Recitative: What Mean These Doubtful Fancies of the Brain? (Jephtha) / Accompagnato: If, Lord, Sustained by Thy Almighty Pow’r (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 13 | Jephtha, Act I: Accompagnato: ’Tis Said (Jephtha) / No. 17. Chorus: O God, Behold Our Sore Distress | Academy of St. Martin in the Fields Chorus, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 14 | Jephtha, Act I: No. 18. Recitative: Some Dire Event Hands O’Er Our Heads (Storgè) / No. 19. Air: Scenes of Horror, Scenes of Woe (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 15 | Jephtha, Act I: No. 20. Recitative: Say, My Dear Mother, Whence These Piercing Cries (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 16 | Jephtha, Act I: No. 21. Air: The Smiling Dawn of Happy Days (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 17 | Jephtha, Act I: No. 22. Recitative: Such, Jephtha, Was the Haughty King’s Reply (Zebul) / No. 23. Chorus: When His Loud Voice in Thunder Spoke | Academy of St. Martin in the Fields Chorus, Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-1 | Jephtha, Act II: No. 24. Recitative: Glad Tidings of Great Joy (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-2 | Jephtha, Act II: No. 25. Chorus: Cherub and Seraphim | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-3 | Jephtha, Act II: No. 26. Air: Up the Dreadful Steep Ascending (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | T-326.052.050-7 | |
| 2-4 | Jephtha, Act II: No. 27. Recitative: ’Tis Well. Haste, Haste, Ye Maidens (Iphis) / No. 28. Air: Tune the Soft Melodious Lute (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-5 | Jephtha, Act II: No. 29. Recitative: Again Heav’n Smiles on His Repentant People (Zebul) / No. 30. Air: Freedom Now Once More Possessing (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-6 | Jephtha, Act II: No. 31. Recitative: Zebul, Thy Deeds Were Valiant (Jephtha) / No. 32. Air: His Mighty Arm, With Sudden Blow (Fephtha) | Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-7 | Jephtha, Act II: No. 33. Chorus: In Glory High, in Might Serene | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-8 | Jephtha, Act II: No. 34. Symphony | Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-9 | Jephtha, Act II: No. 35. Recitative: Hail, Glorious Conqueror (Iphis) / No. 36. Air: Welcome as the Cheerful Light… Welcome Thou, Whose Deeds Conspire (Iphis, Chorus of Boys) | Margaret Marshall, Southend Boys’ Choir, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-10 | Jephtha, Act II: No. 37. Recitative: Horror! Confusion! (Jephtha) / No. 38. Air: Open Thy Marble Jaws, o Tomb (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-11 | Jephtha, Act II: No. 39. Recitative: Why Is My Brother Thus Afflicted? (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-12 | Jephtha, Act II: No. 40. Concitato: First Perish Thou, and Perish All the World! (Storgè) / Air: Let Other Creatures Die (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-13 | Jephtha, Act II: No. 41. Recitative: If Such Thy Cruel Purpose (Hamor) / No. 42. Air: On Me Let Blind Mistaken Zeal (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-14 | Jephtha, Act II: No. 43. Quartet: O Spare Your Daughter (Zebul, Storgè, Hamor, Jephtha) | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-15 | Jephtha, Act II: No. 44. Recitative: Such News Flies Swift (Iphis) / No. 45. Air: Happy They! This Vital Breath (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-16 | Jephtha, Act II: No. 46. Accompagnato: Deeper, and Deeper Still (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-17 | Jephtha, Act II: No. 47. Chorus: How Dark, o Lord, Are Thy Decrees | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-1 | Jephtha, Act III: No. 48. Accompagnato: Hide Thou Thy Hated Beams, o Sun (Jephtha) / Recitative: A Father, Offering Up His Only Child (/Ephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-2 | Jephtha, Act III: No. 49. Air: Waft Her, Angels, Through the Skies (Jephtha) | Anthony Rolfe Johnson, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.148.962-9 | |
| 3-3 | Jephtha, Act III: No. 50. Accompagnato: Ye Sacred Priests, Whose Hands Ne’er Yet (Iphis) / No. 51. Air: Farewell, Ye Limpid Springs and Floods (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-4 | Jephtha, Act III: No. 52. Chorus: Doubtful Fear and Rev’rent Awe | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-5 | Jephtha, Act III: No. 53. Symphony | Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-6 | Jephtha, Act III: No. 54. Recitative: Rise, Jephtha, and Ye Rev’rend Priests (Angel) | Emma Kirkby, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-7 | Jephtha, Act III: No. 55. Air: Happy, Iphis, Shalt Thou Live (Angel) | Emma Kirkby, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-8 | Jephtha, Act III: No. 56. Arioso: For Ever Blessed Be Thy Holy Name (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-9 | Jephtha, Act III: No. 57. Chorus: Theme Sublime of Endless Praise | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-10 | Jephtha, Act III: No. 58. Recitative: Let Me Congratulate This Happy Turn (Zebul) / No. 59. Air: Laud Her, All Ye Virgin Train (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-11 | Jephtha, Act III: No. 60. Recitative: O Let Me Fold Thee in a Mother’s Arms (Storgè) / No. 61. Air: Sweet as Sight to the Blind (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-12 | Jephtha, Act III: No. 62. Recitative: With Transport, Iphis, I Behold Thy Safety (Hamor) / No. 63. Air: ’Tis Heaven’s All-Ruling Pow’r (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-13 | Jephtha, Act III: No. 64. Recitative: My Faithful Hamor, May That Providence (Iphis) / No. 65. Quintet: All That Is in Hamor Mine (Iphis, Hamor, Storgè, Jephtha, Zebul) | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-14 | Jephtha, Act III: No. 66. Chorus: Ye House of Gilead | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-15 | Chandos Anthem no. 2: Sinfonia / Chorus: In the Lord I Put My Trust | — | ||
| 3-16 | Chandos Anthem no. 2: Solo: God is a Constant Sure Defence (tenor) | — | ||
| 3-17 | Chandos Anthem no. 2: Chorus: Behold, the Wicked Bend Their Bow | — | ||
| 3-18 | Chandos Anthem no. 2: Solo: But God, Who Hears the Suff’ring Poor (tenor) | — | ||
| 3-19 | Chandos Anthem no. 2: Chorus: Snares, Fire and Brimstone | — | ||
| 3-20 | Chandos Anthem no. 2: Solo: The Righteous Lord Will Righteous Deeds (tenor) | — | ||
| 3-21 | Chandos Anthem no. 2: Chorus: Then Shall My Song, With Praise Inspir’d | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028942570122 is a Universal Product Code (UPC) assigned to Jephtha by Handel, Rolfe Johnson, Marshall, Hodgson, Esswood, Kirkby, Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 55 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028942570122 is the Universal Product Code (UPC barcode) for the release “Jephtha” by Handel, Rolfe Johnson, Marshall, Hodgson, Esswood, Kirkby, Sir Neville Marriner, released 1990-01-01 on London Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 55 tracks, each with its own ISRC. Tracks include GBF077941301, GBF077941302, GBF077941303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jephtha, Act I: No. 1. Overture | Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2 | Jephtha, Act I: No. 2. Menuet | Academy of St.-Martin-in-the-Fields, Neville Marriner | T-061.791.496-1 | |
| 3 | Jephtha, Act I: No. 3. Recitative: It Must Be So – or These Vile Ammonites (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 4 | Jephtha, Act I: No. 4. Air: Pour Forth No More Unheeded Pray’Rs (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 5 | Jephtha, Act I: No. 5. Chorus: No More to Ammon’s God and King | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 6 | Jephtha, Act I: No. 6. Recitative: But Jephtha Comes. Kind Heaven, Assist Our Plea (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 7 | Jephtha, Act I: No. 7. Air: Virtue My Soul Shall Still Embrace (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 8 | Jephtha, Act I: No. 8. Recitative: ’Twill Be a Painful Separation, Jephtha (Storgè) / No. 9. Air: In Gentle Murmurs Will I Mourn (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 9 | Jephtha, Act I: No. 10. Recitative: Happy This Embassy, My Charming Iphis (Hamor) / No. 11. Air: Dull Delay, in Piercing Anguish (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 10 | Jephtha, Act I: No. 12. Recitative: Ill Suits the Voice of Love When Glory Calls (Iphis) / No. 13. Air: Take the Heart You Fondly Gave (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 11 | Jephtha, Act I: No. 14. Recitative: I Go. My Soul, Inspir’d by Thy Command (Hamor) / No. 15. Duet: These Labours Past, How Happy We! (Iphis, Hamor) | Paul Esswood, Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 12 | Jephtha, Act I: No. 16. Recitative: What Mean These Doubtful Fancies of the Brain? (Jephtha) / Accompagnato: If, Lord, Sustained by Thy Almighty Pow’r (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 13 | Jephtha, Act I: Accompagnato: ’Tis Said (Jephtha) / No. 17. Chorus: O God, Behold Our Sore Distress | Academy of St. Martin in the Fields Chorus, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 14 | Jephtha, Act I: No. 18. Recitative: Some Dire Event Hands O’Er Our Heads (Storgè) / No. 19. Air: Scenes of Horror, Scenes of Woe (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 15 | Jephtha, Act I: No. 20. Recitative: Say, My Dear Mother, Whence These Piercing Cries (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 16 | Jephtha, Act I: No. 21. Air: The Smiling Dawn of Happy Days (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 17 | Jephtha, Act I: No. 22. Recitative: Such, Jephtha, Was the Haughty King’s Reply (Zebul) / No. 23. Chorus: When His Loud Voice in Thunder Spoke | Academy of St. Martin in the Fields Chorus, Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-1 | Jephtha, Act II: No. 24. Recitative: Glad Tidings of Great Joy (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-2 | Jephtha, Act II: No. 25. Chorus: Cherub and Seraphim | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-3 | Jephtha, Act II: No. 26. Air: Up the Dreadful Steep Ascending (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | T-326.052.050-7 | |
| 2-4 | Jephtha, Act II: No. 27. Recitative: ’Tis Well. Haste, Haste, Ye Maidens (Iphis) / No. 28. Air: Tune the Soft Melodious Lute (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-5 | Jephtha, Act II: No. 29. Recitative: Again Heav’n Smiles on His Repentant People (Zebul) / No. 30. Air: Freedom Now Once More Possessing (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-6 | Jephtha, Act II: No. 31. Recitative: Zebul, Thy Deeds Were Valiant (Jephtha) / No. 32. Air: His Mighty Arm, With Sudden Blow (Fephtha) | Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-7 | Jephtha, Act II: No. 33. Chorus: In Glory High, in Might Serene | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-8 | Jephtha, Act II: No. 34. Symphony | Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-9 | Jephtha, Act II: No. 35. Recitative: Hail, Glorious Conqueror (Iphis) / No. 36. Air: Welcome as the Cheerful Light… Welcome Thou, Whose Deeds Conspire (Iphis, Chorus of Boys) | Margaret Marshall, Southend Boys’ Choir, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-10 | Jephtha, Act II: No. 37. Recitative: Horror! Confusion! (Jephtha) / No. 38. Air: Open Thy Marble Jaws, o Tomb (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-11 | Jephtha, Act II: No. 39. Recitative: Why Is My Brother Thus Afflicted? (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-12 | Jephtha, Act II: No. 40. Concitato: First Perish Thou, and Perish All the World! (Storgè) / Air: Let Other Creatures Die (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-13 | Jephtha, Act II: No. 41. Recitative: If Such Thy Cruel Purpose (Hamor) / No. 42. Air: On Me Let Blind Mistaken Zeal (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-14 | Jephtha, Act II: No. 43. Quartet: O Spare Your Daughter (Zebul, Storgè, Hamor, Jephtha) | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-15 | Jephtha, Act II: No. 44. Recitative: Such News Flies Swift (Iphis) / No. 45. Air: Happy They! This Vital Breath (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-16 | Jephtha, Act II: No. 46. Accompagnato: Deeper, and Deeper Still (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 2-17 | Jephtha, Act II: No. 47. Chorus: How Dark, o Lord, Are Thy Decrees | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-1 | Jephtha, Act III: No. 48. Accompagnato: Hide Thou Thy Hated Beams, o Sun (Jephtha) / Recitative: A Father, Offering Up His Only Child (/Ephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-2 | Jephtha, Act III: No. 49. Air: Waft Her, Angels, Through the Skies (Jephtha) | Anthony Rolfe Johnson, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.148.962-9 | |
| 3-3 | Jephtha, Act III: No. 50. Accompagnato: Ye Sacred Priests, Whose Hands Ne’er Yet (Iphis) / No. 51. Air: Farewell, Ye Limpid Springs and Floods (Iphis) | Margaret Marshall, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-4 | Jephtha, Act III: No. 52. Chorus: Doubtful Fear and Rev’rent Awe | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-5 | Jephtha, Act III: No. 53. Symphony | Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-6 | Jephtha, Act III: No. 54. Recitative: Rise, Jephtha, and Ye Rev’rend Priests (Angel) | Emma Kirkby, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-7 | Jephtha, Act III: No. 55. Air: Happy, Iphis, Shalt Thou Live (Angel) | Emma Kirkby, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-8 | Jephtha, Act III: No. 56. Arioso: For Ever Blessed Be Thy Holy Name (Jephtha) | Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-9 | Jephtha, Act III: No. 57. Chorus: Theme Sublime of Endless Praise | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-10 | Jephtha, Act III: No. 58. Recitative: Let Me Congratulate This Happy Turn (Zebul) / No. 59. Air: Laud Her, All Ye Virgin Train (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-11 | Jephtha, Act III: No. 60. Recitative: O Let Me Fold Thee in a Mother’s Arms (Storgè) / No. 61. Air: Sweet as Sight to the Blind (Storgè) | Alfreda Hodgson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-12 | Jephtha, Act III: No. 62. Recitative: With Transport, Iphis, I Behold Thy Safety (Hamor) / No. 63. Air: ’Tis Heaven’s All-Ruling Pow’r (Hamor) | Paul Esswood, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-13 | Jephtha, Act III: No. 64. Recitative: My Faithful Hamor, May That Providence (Iphis) / No. 65. Quintet: All That Is in Hamor Mine (Iphis, Hamor, Storgè, Jephtha, Zebul) | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-14 | Jephtha, Act III: No. 66. Chorus: Ye House of Gilead | Academy of St. Martin in the Fields Chorus, Academy of St.-Martin-in-the-Fields, Neville Marriner | — | |
| 3-15 | Chandos Anthem no. 2: Sinfonia / Chorus: In the Lord I Put My Trust | — | ||
| 3-16 | Chandos Anthem no. 2: Solo: God is a Constant Sure Defence (tenor) | — | ||
| 3-17 | Chandos Anthem no. 2: Chorus: Behold, the Wicked Bend Their Bow | — | ||
| 3-18 | Chandos Anthem no. 2: Solo: But God, Who Hears the Suff’ring Poor (tenor) | — | ||
| 3-19 | Chandos Anthem no. 2: Chorus: Snares, Fire and Brimstone | — | ||
| 3-20 | Chandos Anthem no. 2: Solo: The Righteous Lord Will Righteous Deeds (tenor) | — | ||
| 3-21 | Chandos Anthem no. 2: Chorus: Then Shall My Song, With Praise Inspir’d | — |
