Brettl-Lieder

UPC · Release

Brettl-Lieder

Schoenberg, Jessye Norman, Metropolitan Opera Orchestra, James Levine

028942626126
17 tracksReleased 1993-01-01Philips

Last verified:

028942626126 is the Universal Product Code (UPC barcode) for the release Brettl-Lieder by Schoenberg, Jessye Norman, Metropolitan Opera Orchestra, James Levine, released 1993-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.

Format

0Number system
28942Manufacturer
62612Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (17)

Erwartung, op. 17: 1. Szene "Hier hinein?"
Erwartung, op. 17: 1. Szene "Hier hinein?"
Erwartung, op. 17: 2. Szene "Ist das noch der Weg?"
Erwartung, op. 17: 2. Szene "Ist das noch der Weg?"
Erwartung, op. 17: 3. Szene "Da kommt ein Licht!"
Erwartung, op. 17: 3. Szene "Da kommt ein Licht!"
Erwartung, op. 17: 4. Szene "Er ist auch nicht da"
Erwartung, op. 17: 4. Szene "Er ist auch nicht da"
Erwartung, op. 17: 4. Szene "Das Mondlicht"
Erwartung, op. 17: 4. Szene "Das Mondlicht"
Erwartung, op. 17: 4. Szene "Aber so seltsam ist dein Auge"
Erwartung, op. 17: 4. Szene "Aber so seltsam ist dein Auge"
Erwartung, op. 17: 4. Szene "Du siehst wieder dort hin!"
Erwartung, op. 17: 4. Szene "Du siehst wieder dort hin!"
Erwartung, op. 17: 4. Szene "Für mich ist kein Platz da"
Erwartung, op. 17: 4. Szene "Für mich ist kein Platz da"
Erwartung, op. 17: 4. Szene "Liebster, Liebster, der Morgen kommt"
Erwartung, op. 17: 4. Szene "Liebster, Liebster, der Morgen kommt"
Brettl-Lieder: Galathea
Brettl-Lieder: Galathea
Brettl-Lieder: Gigerlette
Brettl-Lieder: Gigerlette
Brettl-Lieder: Der genügsame Liebhaber
Brettl-Lieder: Der genügsame Liebhaber
Brettl-Lieder: Einfältiges Lied
Brettl-Lieder: Einfältiges Lied
Brettl-Lieder: Mahnung
Brettl-Lieder: Mahnung
Brettl-Lieder: Jedem das Seine
Brettl-Lieder: Jedem das Seine
Brettl-Lieder: Arie aus dem Spiegel von Arcadien
Brettl-Lieder: Arie aus dem Spiegel von Arcadien
Brettl-Lieder: Nachtwandler
Brettl-Lieder: Nachtwandler

What other identifiers does this connect to?

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 028942626126?
UPC 028942626126 is the Universal Product Code (barcode) for "Brettl-Lieder" by Schoenberg, Jessye Norman, Metropolitan Opera Orchestra, James Levine, released on Philips.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028942626126?
UPC 028942626126 contains 17 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028942626126?

028942626126 is a Universal Product Code (UPC) assigned to Brettl-Lieder by Schoenberg, Jessye Norman, Metropolitan Opera Orchestra, James Levine. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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