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  3. Leichte Klassik: Opern–Hits
Leichte Klassik: Opern–Hits

UPC · Release

Leichte Klassik: Opern–Hits

Various Artists

028942636422
14 tracksReleased 1985-01-01

Last verified: July 30, 2026

028942636422 is the Universal Product Code (UPC barcode) for the release “Leichte Klassik: Opern–Hits” by Various Artists, released 1985-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include NLA507300810, NLA507301108, GBF077211881.

Format

0Number system
28942Manufacturer
63642Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCLeichte Klassik: Opern–Hits
ISRC11 recordings
ISWC9 works

Track List (14)

#Track TitleArtist(s)ISWC
Die Zauberflöte, KV 620: Ouvertüre1Die Zauberflöte, KV 620: Ouvertüre—
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)2Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin DavisT-306.481.937-6
Don Giovanni: Atto I. “Là ci darem la mano”3Don Giovanni: Atto I. “Là ci darem la mano”Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
Der Barbier von Sevilla: Ouverture4Der Barbier von Sevilla: Ouverture—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”5The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”Sherrill Milnes, London Philharmonic Orchestra, Silvio VarvisoT-900.095.253-4
Carmen Suite no. 1: Aragonaise6Carmen Suite no. 1: AragonaiseLondon Symphony Orchestra, Sir Neville MarrinerT-903.060.246-1
Il trovatore: Atto II. “Vedi! le fosche notturne”7Il trovatore: Atto II. “Vedi! le fosche notturne”Chor der Staatsoper Dresden, Sächsische Staatskapelle Dresden, Silvio Varviso—
La traviata: Vorspiel 1. Akt8La traviata: Vorspiel 1. AktWiener Philharmoniker, Giuseppe SinopoliT-324.801.938-3
Nabucco: Atto III. “Va, pensiero, sull'ali dorate”9Nabucco: Atto III. “Va, pensiero, sull'ali dorate”Chor der Staatsoper Dresden, Dresden State Orchestra, Silvio VarvisoT-900.021.750-5
Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"10Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe SinopoliT-001.455.377-5
La bohème: Atto I. “Che gelida manina”11La bohème: Atto I. “Che gelida manina”José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
La bohème: Atto I. “Sì. Mi chiamano Mimì”12La bohème: Atto I. “Sì. Mi chiamano Mimì”Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)13L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)José Carreras, Orchestra Sinfonica di Torino della RAI, Claudio ScimoneT-902.504.007-7
Eugen Onegin, op. 24: Polonaise14Eugen Onegin, op. 24: Polonaise—
Die Zauberflöte, KV 620: Ouvertüre
Die Zauberflöte, KV 620: Ouvertüre
—
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
T-306.481.937-6
Don Giovanni: Atto I. “Là ci darem la mano”
Don Giovanni: Atto I. “Là ci darem la mano”
Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Der Barbier von Sevilla: Ouverture
Der Barbier von Sevilla: Ouverture
—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
T-900.095.253-4
Carmen Suite no. 1: Aragonaise
Carmen Suite no. 1: Aragonaise
London Symphony Orchestra, Sir Neville Marriner
T-903.060.246-1
Il trovatore: Atto II. “Vedi! le fosche notturne”
Il trovatore: Atto II. “Vedi! le fosche notturne”
Chor der Staatsoper Dresden, Sächsische Staatskapelle Dresden, Silvio Varviso
—
La traviata: Vorspiel 1. Akt
La traviata: Vorspiel 1. Akt
Wiener Philharmoniker, Giuseppe Sinopoli
T-324.801.938-3
Nabucco: Atto III. “Va, pensiero, sull'ali dorate”
Nabucco: Atto III. “Va, pensiero, sull'ali dorate”
Chor der Staatsoper Dresden, Dresden State Orchestra, Silvio Varviso
T-900.021.750-5
Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"
Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"
Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli
T-001.455.377-5
La bohème: Atto I. “Che gelida manina”
La bohème: Atto I. “Che gelida manina”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
La bohème: Atto I. “Sì. Mi chiamano Mimì”
La bohème: Atto I. “Sì. Mi chiamano Mimì”
Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)
L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)
José Carreras, Orchestra Sinfonica di Torino della RAI, Claudio Scimone
T-902.504.007-7
Eugen Onegin, op. 24: Polonaise
Eugen Onegin, op. 24: Polonaise
—

Additional database matches (3)

Track TitleArtist(s)ISWC
Don Giovanni: Atto I. “Là ci darem la mano”Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
Don Giovanni: Atto I. “Là ci darem la mano”
Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-306.481.937-6T-900.095.253-4T-001.455.377-5T-306.481.937-6T-324.801.938-3T-900.021.750-5T-900.095.253-4T-902.504.007-7T-903.060.246-1

Creative Contributors (ISNI)

000000006097350X000000008169243200000001086940840000000108886588000000010910093800000001103322690000000110633483000000011074546900000001108294270000000110847078
+15 more
00000001108966540000000110928863000000011468669700000001150719690000000115072857000000011941043800000001194564790000000120978012000000012097840X000000012106800200000001211745930000000121677377000000012169519600000001219553810000000122433307
SourcesMLCMusicBrainz✓2 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCLeichte Klassik…ISRCDon Giovanni: A…ISRCDon Giovanni: A…ISRCThe Barber of S…ISRCCarmen Suite no…ISRCIl trovatore: A…

People also ask

What is UPC 028942636422?+
UPC 028942636422 is the Universal Product Code (barcode) for "Leichte Klassik: Opern–Hits" by Various Artists.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028942636422?+
UPC 028942636422 contains 14 tracks, each with its own ISRC.

What is UPC 028942636422?

028942636422 is a Universal Product Code (UPC) assigned to Leichte Klassik: Opern–Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

028942636422 is the Universal Product Code (UPC barcode) for the release “Leichte Klassik: Opern–Hits” by Various Artists, released 1985-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include NLA507300810, NLA507301108, GBF077211881.

Track List (14)

#Track TitleArtist(s)ISWC
Die Zauberflöte, KV 620: Ouvertüre1Die Zauberflöte, KV 620: Ouvertüre—
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)2Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin DavisT-306.481.937-6
Don Giovanni: Atto I. “Là ci darem la mano”3Don Giovanni: Atto I. “Là ci darem la mano”Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
Der Barbier von Sevilla: Ouverture4Der Barbier von Sevilla: Ouverture—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”5The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”Sherrill Milnes, London Philharmonic Orchestra, Silvio VarvisoT-900.095.253-4
Carmen Suite no. 1: Aragonaise6Carmen Suite no. 1: AragonaiseLondon Symphony Orchestra, Sir Neville MarrinerT-903.060.246-1
Il trovatore: Atto II. “Vedi! le fosche notturne”7Il trovatore: Atto II. “Vedi! le fosche notturne”Chor der Staatsoper Dresden, Sächsische Staatskapelle Dresden, Silvio Varviso—
La traviata: Vorspiel 1. Akt8La traviata: Vorspiel 1. AktWiener Philharmoniker, Giuseppe SinopoliT-324.801.938-3
Nabucco: Atto III. “Va, pensiero, sull'ali dorate”9Nabucco: Atto III. “Va, pensiero, sull'ali dorate”Chor der Staatsoper Dresden, Dresden State Orchestra, Silvio VarvisoT-900.021.750-5
Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"10Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe SinopoliT-001.455.377-5
La bohème: Atto I. “Che gelida manina”11La bohème: Atto I. “Che gelida manina”José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
La bohème: Atto I. “Sì. Mi chiamano Mimì”12La bohème: Atto I. “Sì. Mi chiamano Mimì”Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)13L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)José Carreras, Orchestra Sinfonica di Torino della RAI, Claudio ScimoneT-902.504.007-7
Eugen Onegin, op. 24: Polonaise14Eugen Onegin, op. 24: Polonaise—
Die Zauberflöte, KV 620: Ouvertüre
Die Zauberflöte, KV 620: Ouvertüre
—
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
T-306.481.937-6
Don Giovanni: Atto I. “Là ci darem la mano”
Don Giovanni: Atto I. “Là ci darem la mano”
Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Der Barbier von Sevilla: Ouverture
Der Barbier von Sevilla: Ouverture
—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
T-900.095.253-4
Carmen Suite no. 1: Aragonaise
Carmen Suite no. 1: Aragonaise
London Symphony Orchestra, Sir Neville Marriner
T-903.060.246-1
Il trovatore: Atto II. “Vedi! le fosche notturne”
Il trovatore: Atto II. “Vedi! le fosche notturne”
Chor der Staatsoper Dresden, Sächsische Staatskapelle Dresden, Silvio Varviso
—
La traviata: Vorspiel 1. Akt
La traviata: Vorspiel 1. Akt
Wiener Philharmoniker, Giuseppe Sinopoli
T-324.801.938-3
Nabucco: Atto III. “Va, pensiero, sull'ali dorate”
Nabucco: Atto III. “Va, pensiero, sull'ali dorate”
Chor der Staatsoper Dresden, Dresden State Orchestra, Silvio Varviso
T-900.021.750-5
Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"
Rigoletto: Atto III. Scena e canzona: "La donna è mobile" / "È lá il vostr'uomo"
Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli
T-001.455.377-5
La bohème: Atto I. “Che gelida manina”
La bohème: Atto I. “Che gelida manina”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
La bohème: Atto I. “Sì. Mi chiamano Mimì”
La bohème: Atto I. “Sì. Mi chiamano Mimì”
Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)
L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)
José Carreras, Orchestra Sinfonica di Torino della RAI, Claudio Scimone
T-902.504.007-7
Eugen Onegin, op. 24: Polonaise
Eugen Onegin, op. 24: Polonaise
—

Additional database matches (3)

Track TitleArtist(s)ISWC
Don Giovanni: Atto I. “Là ci darem la mano”Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)Thomas Allen, Academy of St Martin in the Fields, Neville Marriner—
Don Giovanni: Atto I. “Là ci darem la mano”
Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
—