UPC · Release
Mozart 200: Weltstars präsentieren die Höhepunkte aus der ersten vollständigen Mozart Edition
Mozart
028942673526
18 tracksReleased 1990-01-01Philips Classics
Last verified:
028942673526 is the Universal Product Code (UPC barcode) for the release “Mozart 200: Weltstars präsentieren die Höhepunkte aus der ersten vollständigen Mozart Edition” by Mozart, released 1990-01-01 on Philips Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include NLA507804909, NLA508841505, NLA508540302.
Format
0Number system
28942Manufacturer
67352Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMozart 200: Weltstars präsentieren die Höhepunkte aus der ersten vollständigen Mozart Edition
ISRC17 recordings
ISWC8 works
IPI1 songwriter
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Singt Dem Großen Bassa Lieder (Nr. 5 Chor) | The John Alldis Choir, Academy of St Martin in the Fields, Sir Colin Davis | — | |
| 2 | Quartet Movement for Strings in B-flat major, K. 589a/Anh 68 (Erik Smith completion): Minuet | Academy of St Martin in the Fields Chamber Ensemble | — | |
| 4 | Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante | Members of the Holliger Wind Ensemble | — | |
| 5 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | Mitsuko Uchida | T-312438541-3 | |
| 6 | Così fan tutte, K. 588: Act I, Scene VI No. 10 Terzettino. Andante "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | Richard van Allan, Dame Janet Baker, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 7 | Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito | Academy of St Martin-in-the-Fields, Sir Neville Marriner | T9112219155 | |
| 8 | Die kleine Spinnerin, KV 531 | Elly Ameling, Dalton Baldwin | — | |
| 9 | Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: III. Rondeau. Allegretto | Grumiaux Trio, William Bennett | — | |
| 10 | Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Peter Schreier, Staatskapelle Dresden, Sir Colin Davis | T3064830797 | |
| 11 | Sonata for Violin & Piano in F major, K377/374e: I. Allegro | Arthur Grumiaux, Walter Klien | — | |
| 12 | Horn Concerto in E-flat, KV 495: III. Rondo (Allegro vivace) (cadenza: Peter Damm) | Peter Damm, Academy of St Martin in the Fields, Sir Neville Marriner | T-041662096-6 | |
| 13 | La clemenza di Tito: Atto I. No. 7 Duetto “Ah perdona al primo affetto” | Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 14 | Concerto for Piano No. 5 in D major, K. 175: III. Allegro (cadenza: Alfred Brendel) | Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner | T3063957864 | |
| 15 | Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | T-306482540-3 | |
| 16 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai | Quartetto Italiano | T3063957864 | |
| 17 | Don Giovanni: Atto II. No. 24 Finale “Don Giovanni, a cenar teco” (Il Commendatore, Don Giovanni, Leporello) | Wladimiro Ganzarolli, Luigi Roni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | T-306483189-2 | |
| 18 | Piano Trio in E: Andante grazioso | — | ||
| 19 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" / IIIf. Sequenz: "Lacrimosa" | Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — |
Singt Dem Großen Bassa Lieder (Nr. 5 Chor)
The John Alldis Choir, Academy of St Martin in the Fields, Sir Colin Davis
—
Quartet Movement for Strings in B-flat major, K. 589a/Anh 68 (Erik Smith completion): Minuet
Academy of St Martin in the Fields Chamber Ensemble
—
Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante
Members of the Holliger Wind Ensemble
—
Così fan tutte, K. 588: Act I, Scene VI No. 10 Terzettino. Andante "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
Richard van Allan, Dame Janet Baker, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Academy of St Martin-in-the-Fields, Sir Neville Marriner
Die kleine Spinnerin, KV 531
Elly Ameling, Dalton Baldwin
—
Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: III. Rondeau. Allegretto
Grumiaux Trio, William Bennett
—
Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
Sonata for Violin & Piano in F major, K377/374e: I. Allegro
Arthur Grumiaux, Walter Klien
—
Peter Damm, Academy of St Martin in the Fields, Sir Neville Marriner
La clemenza di Tito: Atto I. No. 7 Duetto “Ah perdona al primo affetto”
Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner
Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis
Quartetto Italiano
Wladimiro Ganzarolli, Luigi Roni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Piano Trio in E: Andante grazioso
—
Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" / IIIf. Sequenz: "Lacrimosa"
Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier
—
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Exsultate jubilate, KV 165/158a: IV. Alleluja | Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis | T9100091654 |
| Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Peter Schreier, Staatskapelle Dresden, Sir Colin Davis | — |
| Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai | Quartetto Italiano | — |
| Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito | Academy of St Martin-in-the-Fields, Sir Neville Marriner | — |
Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
—
Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai
Quartetto Italiano
—
Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito
Academy of St Martin-in-the-Fields, Sir Neville Marriner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006303702000000000735752360000000073600059000000008111610100000000818969530000000104145993000000010869408400000001088234480000000109100938000000010943812X
+23 more
000000010944807X00000001102127420000000110332269000000011092886300000001143979670000000114411562000000011447613900000001145329540000000114542757000000011455125800000001146216070000000114712250000000011480244000000001162797530000000118842087000000011939038500000001194564790000000119549181000000012097840X0000000121068002000000012117459300000001212603360000000121695196
Identifier Graph
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What is UPC 028942673526?
028942673526 is a Universal Product Code (UPC) assigned to Mozart 200: Weltstars präsentieren die Höhepunkte aus der ersten vollständigen Mozart Edition by Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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