UPC · Release
Various Artists
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028942787223 is the Universal Product Code (UPC barcode) for the release “Die schönsten Chöre” by Various Artists, released 1989-06-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include DEF056200430, DEF056200380, DEF056200390.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Ehre Gottes aus der Natur op. 48 Nr. 4 »Die Himmel rühmen« | Berliner Händel-Chor, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | T-800.317.131-2 | |
| 2 | Transeamus usque Bethlehem | Berliner Händel-Chor, Radio-Symphonie-Orchester Berlin, Günther Arndt | T-310.640.406-8 | |
| 3 | Ave Maria D 839 | Berliner Händel-Chor, Lisa Otto, Radio-Symphonie-Orchester Berlin, Günther Arndt | — | |
| 4 | Deutsche Messe F-Dur D 872: 5. Zum Sanctus »Heilig ist der Herr« | Berliner Händel-Chor, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | T-001.705.327-8 | |
| 5 | Ave Maria | Lisa Otto, Berliner Händel-Chor, Radio-Symphonie-Orchester Berlin, Günther Arndt | T-009.147.667-3 | |
| 6 | Ave Maria (II) | Berliner Händel-Chor, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | T-009.147.667-3 | |
| 7 | Agnus Dei | Berliner Händel-Chor, Donald Grobe, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | — | |
| 8 | Deutsche Messe F-Dur D 872: 2. Zum Gloria »Ehre sei Gott in der Höhe« | Mitglieder des Chors des Bayerischen Rundfunks, Regensburger Domspatzen, Mirglieder des Symphonieorchesters des Bayerischen Rundfunks, Theobald Schrems | — | |
| 9 | Der Messias: 42. Chor: Halleluja | Münchener Bach-Chor, Maurice André, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Orchester, Karl Richter | — | |
| 10 | Mass in B minor, BWV232 “Gloria in excelsis” | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 11 | Kyrie B-Dur D 45 | Regensburger Domspatzen, Theobald Schrems | — | |
| 12 | Salve Regina B-Dur D 386 | Regensburger Domspatzen, Theobald Schrems | — | |
| 13 | La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes » | Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 14 | Paukenmesse (Missa in tempore belli): »Gloria« (Teil 1) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 15 | Ein deutsches Requiem op. 45: 2. »Denn alles Fleisch« (Anfang) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-1 | Nabucco: »Gli arredi festivi« | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-2 | Nabucco: »Va, pensiero, sull’ali dorate" (Chor der Gefangenen) | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-902.574.141-7 | |
| 2-3 | Fidelio: »O welche Lust« (Chor der Gefangenen) | Horst Neumann, Gerhart Wüstner, Eberhard Büchner, Chor der Staatsoper Dresden, Günther Leib, Staatskapelle Dresden, Rundfunkchor Leipzig | — | |
| 2-4 | Otello: »Fuoco di gioia« (Feuerchor) | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-5 | Aida: “Gloria all’Egitto” | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-801.954.689-6 | |
| 2-6 | Don Carlo: »Spuntato ecco il di d’esultanza« | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-7 | Il Trovatore: “Vedi! le fosche notturne spoglie” | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-8 | La traviata: “Di Madride noi siam mattadori” (Chor der Matadore) | Norberto Mola, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Antonino Votto | — | |
| 2-9 | Macbeth: Atto I. Coro di Streghe “Che faceste? dite su!” | Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-10 | Carmen : « Avec la garde montante » (Marsch und Chor der Gassenjungen) | Patrick Criswell, John McCarthy, The Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 2-11 | Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 2-12 | Der Bajazzo: »Andiam! Andiam!« (Glockenchor) | Roberto Benaglio, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 2-13 | Cavalleria rusticana: »Gli aranci olezzano« (Osterchor) | Roberto Benaglio, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 2-14 | Cavalleria rusticana: »Beato voi, compar Alfio« – »Regina coeli laetare« | Roberto Benaglio, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | T-928.635.313-7 |
Musical Works (ISWC)
Identifier Graph
028942787223 is a Universal Product Code (UPC) assigned to Die schönsten Chöre by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028942787223 is the Universal Product Code (UPC barcode) for the release “Die schönsten Chöre” by Various Artists, released 1989-06-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include DEF056200430, DEF056200380, DEF056200390.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Ehre Gottes aus der Natur op. 48 Nr. 4 »Die Himmel rühmen« | Berliner Händel-Chor, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | T-800.317.131-2 | |
| 2 | Transeamus usque Bethlehem | Berliner Händel-Chor, Radio-Symphonie-Orchester Berlin, Günther Arndt | T-310.640.406-8 | |
| 3 | Ave Maria D 839 | Berliner Händel-Chor, Lisa Otto, Radio-Symphonie-Orchester Berlin, Günther Arndt | — | |
| 4 | Deutsche Messe F-Dur D 872: 5. Zum Sanctus »Heilig ist der Herr« | Berliner Händel-Chor, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | T-001.705.327-8 | |
| 5 | Ave Maria | Lisa Otto, Berliner Händel-Chor, Radio-Symphonie-Orchester Berlin, Günther Arndt | T-009.147.667-3 | |
| 6 | Ave Maria (II) | Berliner Händel-Chor, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | T-009.147.667-3 | |
| 7 | Agnus Dei | Berliner Händel-Chor, Donald Grobe, Rundfunk-Sinfonieorchester Berlin, Günther Arndt | — | |
| 8 | Deutsche Messe F-Dur D 872: 2. Zum Gloria »Ehre sei Gott in der Höhe« | Mitglieder des Chors des Bayerischen Rundfunks, Regensburger Domspatzen, Mirglieder des Symphonieorchesters des Bayerischen Rundfunks, Theobald Schrems | — | |
| 9 | Der Messias: 42. Chor: Halleluja | Münchener Bach-Chor, Maurice André, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Orchester, Karl Richter | — | |
| 10 | Mass in B minor, BWV232 “Gloria in excelsis” | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 11 | Kyrie B-Dur D 45 | Regensburger Domspatzen, Theobald Schrems | — | |
| 12 | Salve Regina B-Dur D 386 | Regensburger Domspatzen, Theobald Schrems | — | |
| 13 | La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes » | Wiener Singverein, Walter Berry, Gundula Janowitz, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 14 | Paukenmesse (Missa in tempore belli): »Gloria« (Teil 1) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 15 | Ein deutsches Requiem op. 45: 2. »Denn alles Fleisch« (Anfang) | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-1 | Nabucco: »Gli arredi festivi« | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-2 | Nabucco: »Va, pensiero, sull’ali dorate" (Chor der Gefangenen) | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-902.574.141-7 | |
| 2-3 | Fidelio: »O welche Lust« (Chor der Gefangenen) | Horst Neumann, Gerhart Wüstner, Eberhard Büchner, Chor der Staatsoper Dresden, Günther Leib, Staatskapelle Dresden, Rundfunkchor Leipzig | — | |
| 2-4 | Otello: »Fuoco di gioia« (Feuerchor) | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-5 | Aida: “Gloria all’Egitto” | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-801.954.689-6 | |
| 2-6 | Don Carlo: »Spuntato ecco il di d’esultanza« | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-7 | Il Trovatore: “Vedi! le fosche notturne spoglie” | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-8 | La traviata: “Di Madride noi siam mattadori” (Chor der Matadore) | Norberto Mola, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Antonino Votto | — | |
| 2-9 | Macbeth: Atto I. Coro di Streghe “Che faceste? dite su!” | Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 2-10 | Carmen : « Avec la garde montante » (Marsch und Chor der Gassenjungen) | Patrick Criswell, John McCarthy, The Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 2-11 | Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | — | |
| 2-12 | Der Bajazzo: »Andiam! Andiam!« (Glockenchor) | Roberto Benaglio, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 2-13 | Cavalleria rusticana: »Gli aranci olezzano« (Osterchor) | Roberto Benaglio, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 2-14 | Cavalleria rusticana: »Beato voi, compar Alfio« – »Regina coeli laetare« | Roberto Benaglio, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | T-928.635.313-7 |
