De temporum fine comoedia

UPC · Release

De temporum fine comoedia

Orff, Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan

028942985926
18 tracksReleased 1990-01-01Deutsche Grammophon

Last verified:

028942985926 is the Universal Product Code (UPC barcode) for the release De temporum fine comoedia by Orff, Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan, released 1990-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC.

Format

0Number system
28942Manufacturer
98592Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (18)

De temporum fine comoedia: I. Die Sibyllen. “Heis theós estin anarchos, hypermegéthaes, agénaetos”
De temporum fine comoedia: I. Die Sibyllen. “Heis theós estin anarchos, hypermegéthaes, agénaetos”
De temporum fine comoedia: I. Die Sibyllen. “Opse theū g’aléūsi myloi”
De temporum fine comoedia: I. Die Sibyllen. “Opse theū g’aléūsi myloi”
De temporum fine comoedia: I. Die Sibyllen. “Pasin homū nyx estin isae tois plūton echusin kai ptochois”
De temporum fine comoedia: I. Die Sibyllen. “Pasin homū nyx estin isae tois plūton echusin kai ptochois”
De temporum fine comoedia: I. Die Sibyllen. “Choneusó gar hapanta kai eis katharón dialéxo”
De temporum fine comoedia: I. Die Sibyllen. “Choneusó gar hapanta kai eis katharón dialéxo”
De temporum fine comoedia: I. Die Sibyllen. “Vae! Ibunt impii in gehennam ignis eterni”
De temporum fine comoedia: I. Die Sibyllen. “Vae! Ibunt impii in gehennam ignis eterni”
De temporum fine comoedia: II. Die Anachoreten. “Upote, maepote, maepu, maedépote … ignis eterni immensa tormenta”
De temporum fine comoedia: II. Die Anachoreten. “Upote, maepote, maepu, maedépote … ignis eterni immensa tormenta”
De temporum fine comoedia: II. Die Anachoreten. “Unos solus Deus ab aeterno in aeternum”
De temporum fine comoedia: II. Die Anachoreten. “Unos solus Deus ab aeterno in aeternum”
De temporum fine comoedia: II. Die Anachoreten. “Nicht Satanas … nicht Lucifer … damnatus nunquam condemnatus in aeternam”
De temporum fine comoedia: II. Die Anachoreten. “Nicht Satanas … nicht Lucifer … damnatus nunquam condemnatus in aeternam”
De temporum fine comoedia: II. Die Anachoreten. “Mundus terrenus volvitur”
De temporum fine comoedia: II. Die Anachoreten. “Mundus terrenus volvitur”
De temporum fine comoedia: II. Die Anachoreten. “Wann endet die Zeit?”
De temporum fine comoedia: II. Die Anachoreten. “Wann endet die Zeit?”
De temporum fine comoedia: II. Die Anachoreten. “Gott, schenk uns Wahrsagung, Weissagung, Hellsicht im Traum. Gott, schenk uns den Traum”
De temporum fine comoedia: II. Die Anachoreten. “Gott, schenk uns Wahrsagung, Weissagung, Hellsicht im Traum. Gott, schenk uns den Traum”
De temporum fine comoedia: III. “Dies illa”. “Wo irren wir hin, verlosen, verlassen”
De temporum fine comoedia: III. “Dies illa”. “Wo irren wir hin, verlosen, verlassen”
De temporum fine comoedia: III. “Dies illa”. “Kyrie" / “Serva nos, salva nos, eripe nos!”
De temporum fine comoedia: III. “Dies illa”. “Kyrie" / “Serva nos, salva nos, eripe nos!”
De temporum fine comoedia: III. “Dies illa”. “Angor, timor, horror, terror ac pavor invadit omnes”
De temporum fine comoedia: III. “Dies illa”. “Angor, timor, horror, terror ac pavor invadit omnes”
De temporum fine comoedia: III. “Dies illa”. “Omne genus daemoniorum caecorum, claudorum sive confusorum, attendite iussum meorum et vocationem verborum”
De temporum fine comoedia: III. “Dies illa”. “Omne genus daemoniorum caecorum, claudorum sive confusorum, attendite iussum meorum et vocationem verborum”
De temporum fine comoedia: III. “Dies illa”. “Vae, Portae Inferi oculus aspicit nos tenebrarius tenebris”
De temporum fine comoedia: III. “Dies illa”. “Vae, Portae Inferi oculus aspicit nos tenebrarius tenebris”
De temporum fine comoedia: III. “Dies illa”. “Pater peccavi”
De temporum fine comoedia: III. “Dies illa”. “Pater peccavi”
De temporum fine comoedia: III. “Dies illa”. Con sublima spiritualità
De temporum fine comoedia: III. “Dies illa”. Con sublima spiritualità

What other identifiers does this connect to?

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 028942985926?
UPC 028942985926 is the Universal Product Code (barcode) for "De temporum fine comoedia" by Orff, Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028942985926?
UPC 028942985926 contains 18 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028942985926?

028942985926 is a Universal Product Code (UPC) assigned to De temporum fine comoedia by Orff, Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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