UPC · Release
Tschaikowsky, Claudio Abbado, Martha Argerich, Daniel Barenboim, Carlo Maria Giulini, Herbert von Karajan, James Levine, Lorin Maazel, Charles Dutoit, Gidon Kremer, Seiji Ozawa, Mstislav Rostropovich
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The UPC for “Tschaikowsky Compact Edition” by Tschaikowsky, Claudio Abbado, Martha Argerich, Daniel Barenboim, Carlo Maria Giulini, Herbert von Karajan, James Levine, Lorin Maazel, Charles Dutoit, Gidon Kremer, Seiji Ozawa, Mstislav Rostropovich is 028943160124. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 81 tracks, each with its own ISRC. Tracks include DEF057201110, DEF057501901, DEF057501902.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | — | ||
| 2 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: II. Allegro con grazia | — | ||
| 3 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: III. Allegro molto vivace | — | ||
| 4 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: IV. Finale. Adagio lamentoso - Andante | — | ||
| 2-1 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Andante - Allegro con anima | — | ||
| 2-2 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 2-3 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Valse. Allegro moderato | — | ||
| 2-4 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 2-5 | Romeo and Juliet Fantasy Overture | San Francisco Symphony, Seiji Ozawa | T-905.031.800-8 | |
| 3-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato. Allegro | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-4 | Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco | Wiener Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 3-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | — | ||
| 3-6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato | New Philharmonia Orchestra, Claudio Abbado | — | |
| 3-7 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace | — | ||
| 3-8 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo | — | ||
| 4-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro - Moderato assai (Tempo di marcia funebre) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco (Tempo di Polacca) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-6 | String Serenade in C major, op. 48: I. Pezzo in forma di Sonatina: Andante non troppo - Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-7 | Serenade for Strings in C major, op. 48: II. Valse: Moderato - Tempo di Valse | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-8 | String Serenade in C major, op. 48: III. Elegia: Larghetto elegiaco | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-9 | String Serenade in C major, op. 48: IV. Finale: Tema russo: Andante - Allegro con spirito | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 5-1 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey: Allegro tranquillo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-2 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Land of Desolation Land of Mists: Andante cantabile ma non tanto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-3 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo: Allegro scherzando giocoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale: Andante lugubre - Allegro moderato - Allegro maestoso - Allegro vivo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-6 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-8 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-9 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-10 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-11 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-12 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-13 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-1 | Swan Lake, op. 20: Introduction. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 6-2 | Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-3 | Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-4 | Swan Lake: Act I: no. 6: Pas d'action: Andantino quasi moderato - Allegro | — | ||
| 6-5 | Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-6 | Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-7 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-8 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-9 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-10 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-11 | Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | T-900.160.317-4 | |
| 6-12 | Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-13 | Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-14 | Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-15 | Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-1 | Ouverture solennelle 1812, op. 49 | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 7-2 | Marche slave, op. 31 | — | ||
| 7-3 | Francesca da Rimini op. 32 | Chicago Symphony Orchestra, Daniel Barenboim | T-010.194.429-9 | |
| 8-1 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 8-2 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 8-3 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 8-4 | Konzert für Violine und Orchester D-dur / Concerto for Violin and Orchestra in B flat minor / Concerto pour violon et orchestre en ré majeur / Concerto per violino e orchestra in re maggiore, op. 35: 1. Allegro moderato | — | ||
| 8-5 | Konzert für Violine und Orchester D-dur / Concerto for Violin and Orchestra in B flat minor / Concerto pour violon et orchestre en ré majeur / Concerto per violino e orchestra in re maggiore, op. 35: 2. Canzonetta. Andante - attacca | — | ||
| 8-6 | Konzert für Violine und Orchester D-dur / Concerto for Violin and Orchestra in B flat minor / Concerto pour violon et orchestre en ré majeur / Concerto per violino e orchestra in re maggiore, op. 35: 3. Finale. Allegro vivacissimo | — | ||
| 9-1 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-2 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-3 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-4 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-5 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-6 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: a. Marche | Berliner Philharmoniker, Mstislav Rostropovich | T-304.210.691-8 | |
| 9-12 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T-900.140.239-7 | |
| 9-14 | Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Prestissimo | — | ||
| 10-1 | Eugene Onegin: Einnleitung / Introduction / Introduzione | — | ||
| 10-2 | Eugene Onegin: Act I: Arioso des Lenski: »Ya lyublyu vas« (Lenski, Olga) | — | ||
| 10-3 | Eugene Onegin: Act I: Brief-Szene / Letter Scene / Scène de la lettre / Scena della lettera: »Puskai pogibnu ya« (Tatjana) | — | ||
| 10-4 | Eugene Onegin: Act I: Szene und Arie des Onegin: »Vi mnye pisali« (Onegin, Tatiana) | — | ||
| 10-5 | Eugene Onegin: Act II: Waltzer mit Chor / Waltz With Chorus / Valse avec chœur / Valzer con coro: »Vot tak syurpriz!« (Gäste, Junge Mädchen, Hauptmann, Onegin, Lenski) | — | ||
| 10-6 | Eugene Onegin: Act II: Arie des Lenski: »Kuda, kuda, kuda vi udalilis« (Lenski) | — | ||
| 10-7 | Eugene Onegin: Act II: Duell-Szene / Duel Scene / Scène du duel / Scena del duello: »A, vot oni!« (Saretzki, Onegin, Lenski) | — | ||
| 10-8 | Eugen Onegin: Act III. Polonaise | Staatskapelle Dresden, James Levine | — | |
| 10-9 | Eugene Onegin: Act III: Arie des Fürsten Gremin: »Lyubvi vsye vozrasti pokorni« (Fürst Gremin) | — | ||
| 10-10 | Eugene Onegin: Act III: Schluß-Szene / Closing Scene / Scène finale / Scena finale: »Dovolno, vstante, ya dolzhna« (Tatjana, Onegin) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations on a Rococo Theme, op. 33: Moderato quasi andante | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme, op. 33: Tema. Moderato semplice | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation I. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation III. Andante sostenuto | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation IV. Andante grazioso | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation V. Allegro moderato | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation VI. Andante | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation VII. Allegro vivo | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-010.194.845-1 |
| Piano Concerto no. 1 In B Flat Minor, op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | T-072.736.150-3 |
| Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): I. Ouverture miniature | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: b. Danse de la Fée-Dragée | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: c. Danse russe Trépak | Berliner Philharmoniker, Mstislav Rostropovich | T-919.248.671-8 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: d. Danse arabe | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: e. Danse chinoise | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
| The Nutcracker: Waltz of the Flowers | Berliner Philharmoniker, Mstislav Rostropovich | T-312.199.363-9 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028943160124 is a Universal Product Code (UPC) assigned to Tschaikowsky Compact Edition by Tschaikowsky, Claudio Abbado, Martha Argerich, Daniel Barenboim, Carlo Maria Giulini, Herbert von Karajan, James Levine, Lorin Maazel, Charles Dutoit, Gidon Kremer, Seiji Ozawa, Mstislav Rostropovich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 81 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Tschaikowsky Compact Edition” by Tschaikowsky, Claudio Abbado, Martha Argerich, Daniel Barenboim, Carlo Maria Giulini, Herbert von Karajan, James Levine, Lorin Maazel, Charles Dutoit, Gidon Kremer, Seiji Ozawa, Mstislav Rostropovich is 028943160124. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 81 tracks, each with its own ISRC. Tracks include DEF057201110, DEF057501901, DEF057501902.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | — | ||
| 2 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: II. Allegro con grazia | — | ||
| 3 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: III. Allegro molto vivace | — | ||
| 4 | Symphonie Nr. 6 h-moll, op. 74 »Pathétique«: IV. Finale. Adagio lamentoso - Andante | — | ||
| 2-1 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Andante - Allegro con anima | — | ||
| 2-2 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 2-3 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Valse. Allegro moderato | — | ||
| 2-4 | Symphonie Nr. 5 e-moll / Symphony no. 5 in E minor / Symphonie no. 5 en mi mineur / Sinfonia n. 5 in mi minore, op. 64: Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 2-5 | Romeo and Juliet Fantasy Overture | San Francisco Symphony, Seiji Ozawa | T-905.031.800-8 | |
| 3-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato. Allegro | Wiener Philharmoniker, Claudio Abbado | — | |
| 3-4 | Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco | Wiener Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 3-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | — | ||
| 3-6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato | New Philharmonia Orchestra, Claudio Abbado | — | |
| 3-7 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace | — | ||
| 3-8 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo | — | ||
| 4-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro - Moderato assai (Tempo di marcia funebre) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco (Tempo di Polacca) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-6 | String Serenade in C major, op. 48: I. Pezzo in forma di Sonatina: Andante non troppo - Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-7 | Serenade for Strings in C major, op. 48: II. Valse: Moderato - Tempo di Valse | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-8 | String Serenade in C major, op. 48: III. Elegia: Larghetto elegiaco | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-9 | String Serenade in C major, op. 48: IV. Finale: Tema russo: Andante - Allegro con spirito | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 5-1 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey: Allegro tranquillo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-2 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Land of Desolation Land of Mists: Andante cantabile ma non tanto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-3 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo: Allegro scherzando giocoso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale: Andante lugubre - Allegro moderato - Allegro maestoso - Allegro vivo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-6 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-8 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-9 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-10 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-11 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-12 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-13 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation II. Tempo del tema | Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-1 | Swan Lake, op. 20: Introduction. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 6-2 | Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-3 | Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-4 | Swan Lake: Act I: no. 6: Pas d'action: Andantino quasi moderato - Allegro | — | ||
| 6-5 | Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-6 | Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-7 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-8 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-9 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-10 | Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-11 | Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | T-900.160.317-4 | |
| 6-12 | Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-13 | Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-14 | Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-15 | Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 7-1 | Ouverture solennelle 1812, op. 49 | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 7-2 | Marche slave, op. 31 | — | ||
| 7-3 | Francesca da Rimini op. 32 | Chicago Symphony Orchestra, Daniel Barenboim | T-010.194.429-9 | |
| 8-1 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 8-2 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 8-3 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice | Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | — | |
| 8-4 | Konzert für Violine und Orchester D-dur / Concerto for Violin and Orchestra in B flat minor / Concerto pour violon et orchestre en ré majeur / Concerto per violino e orchestra in re maggiore, op. 35: 1. Allegro moderato | — | ||
| 8-5 | Konzert für Violine und Orchester D-dur / Concerto for Violin and Orchestra in B flat minor / Concerto pour violon et orchestre en ré majeur / Concerto per violino e orchestra in re maggiore, op. 35: 2. Canzonetta. Andante - attacca | — | ||
| 8-6 | Konzert für Violine und Orchester D-dur / Concerto for Violin and Orchestra in B flat minor / Concerto pour violon et orchestre en ré majeur / Concerto per violino e orchestra in re maggiore, op. 35: 3. Finale. Allegro vivacissimo | — | ||
| 9-1 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-2 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-3 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-4 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-5 | Dornröschen, Op. 66a (Suite aus dem Ballett Op. 66): V. Valse | Berliner Philharmoniker, Mstislav Rostropovich | — | |
| 9-6 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: a. Marche | Berliner Philharmoniker, Mstislav Rostropovich | T-304.210.691-8 | |
| 9-12 | Der Nussknacker, Op. 71a (Suite aus dem Ballett Op. 71): II. Danses caractéristiques: f. Danse des mirlitons | Berliner Philharmoniker, Mstislav Rostropovich | T-900.140.239-7 | |
| 9-14 | Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Prestissimo | — | ||
| 10-1 | Eugene Onegin: Einnleitung / Introduction / Introduzione | — | ||
| 10-2 | Eugene Onegin: Act I: Arioso des Lenski: »Ya lyublyu vas« (Lenski, Olga) | — | ||
| 10-3 | Eugene Onegin: Act I: Brief-Szene / Letter Scene / Scène de la lettre / Scena della lettera: »Puskai pogibnu ya« (Tatjana) | — | ||
| 10-4 | Eugene Onegin: Act I: Szene und Arie des Onegin: »Vi mnye pisali« (Onegin, Tatiana) | — | ||
| 10-5 | Eugene Onegin: Act II: Waltzer mit Chor / Waltz With Chorus / Valse avec chœur / Valzer con coro: »Vot tak syurpriz!« (Gäste, Junge Mädchen, Hauptmann, Onegin, Lenski) | — | ||
| 10-6 | Eugene Onegin: Act II: Arie des Lenski: »Kuda, kuda, kuda vi udalilis« (Lenski) | — | ||
| 10-7 | Eugene Onegin: Act II: Duell-Szene / Duel Scene / Scène du duel / Scena del duello: »A, vot oni!« (Saretzki, Onegin, Lenski) | — | ||
| 10-8 | Eugen Onegin: Act III. Polonaise | Staatskapelle Dresden, James Levine | — | |
| 10-9 | Eugene Onegin: Act III: Arie des Fürsten Gremin: »Lyubvi vsye vozrasti pokorni« (Fürst Gremin) | — | ||
| 10-10 | Eugene Onegin: Act III: Schluß-Szene / Closing Scene / Scène finale / Scena finale: »Dovolno, vstante, ya dolzhna« (Tatjana, Onegin) | — |
